Bach Printed Music Database
Listing of Journal Contents
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Series : MQ
Author Title Series Vol No Year Pages NB
Clapp, Philip GreeleySebastian Bach, Modernist. MQ2 4 Apr 1916295-313
Salter, SumnerThe Ornaments in Bach's Organ Works. MQ6 3 Jul 1920392-402
Isaacson, Charles D.Something 'Bigger' than the Bethlehem Bach Festivals. MQ7 1 Jan 1921118-126
Hughes, EdwinThe 'Forty-Eight' from the Player's Standpoint. MQ11 3 Jul 1925444-453
Abert, HermannBach, Beethoven, Brahms. MQ13 2 Apr 1927329-343
Terry, Charles SanfordBach's Swan-Song ['Vor Deinen Thron']. MQ19 3 Jul 1933233-237
Terry, Charles SanfordBach's Singet dem Herrn: A Conjecture. MQ21 2 Apr 1935125-131
Whittaker, William GilliesThe Bachs and Eisenach. MQ21 2 Apr 1935132-142
Mansfield, Orlando A.J. S. Bach's First English Apostles. MQ21 2 Apr 1935143-154
Müller, JosephBach Portraits. MQ21 2 Apr 1935155-165
Harris, Roy; Norton, M. D. HerterThe Art of the Fugue. MQ21 2 Apr 1935166-178
Walters, RaymondBach at Bethlehem, Pennsylvania. MQ21 2 Apr 1935179-189
Apel, WilliEarly German Keyboard Music. MQ23 2 Apr 1937210-237
David, Hans T.Bach's 'Musical Offering'. MQ23 3 Jul 1937314-332
Boggs, Winthrop S.Music and Stamps. MQ24 1 Jan 19381-10
Herz, GerhardCertain Aspects of the Bach Movement. MQ24 4 Oct 1938501-511
Radin, Herman T.On Musical Book-Plates. MQ25 2 Apr 1939135-141
Scherchen, HermannJohann Sebastian Bach's Last Composition: the Chorale-Prelude Vor deinen Thron tret' ich hiemit. MQ26 4 Oct 1940467-482
DeWolfe Howe, M. A.'Venite in Bethlehem' - The Major Chord. MQ28 2 Apr 1942174-185
Herz, GerhardA 'New' Bach Portrait. MQ29 2 Apr 1943225-241
Sachs, CurtBach and Blavet. MQ30 1 Jan 194484-86
Albrecht, Otto E.Adventures and Discoveries of a Manuscript Hunter. MQ31 4 Oct 1945492-503
Buszin, Walter E.Luther on Music. MQ32 1 Jan 194680-97
Barbour, J. MurrayBach and the Art of Temperament. MQ33 1 Jan 194764-89
Mitchell, William J.C. P. E. Bach's Essay: An Introduction. MQ33 4 Oct 1947460-480
Mendel, ArthurPitch in the sixteenth and early seventeenth centuries. MQ34 1, 2, 3, 4 Jan, Apr, Jul, Oct 194828-45; 199-221; 336-357; 575-593
Aldrich, PutnamBach's Technique of Transcription and Improvised Ornamentation. MQ35 1 Jan 194926-35
Plamenac, DraganNew Light on the Last Years of Carl Philipp Emanuel Bach. MQ35 4 Oct 1949565-587
Boyden, David D.The Violin and Its Technique in the 18th Century. MQ36 1 Jan 1950 9-38
Stevenson, Robert M.'The Rivals' - Hawkins, Burney, and Boswell. MQ36 1 Jan 195067-82
Shanet, HowardWhy did J. S. Bach Transpose his Arrangements? MQ36 2 Apr 1950180-203
Mendel, ArthurOn the Keyboard accompaniments to Bach's Leipzig Church music. MQ36 3 Jul 1950339-362
Geiringer, KarlArtistic interrelations of the Bachs. MQ36 3 Jul 1950363-374
Mendel, ArthurMore for the Bach reader. MQ36 4 Oct 1950485-510
Lang, Paul HenryEditorial. MQ36 4 Oct 1950574-578
Babitz, SolA problem of Rhythm in Baroque music. MQ38 4 Oct 1952533-565
Chiapusso, JanBach's Attitude towards History. MQ39 3 Jul 1953396-414
Lippmann, Edward ArthurSymbolism in Music. MQ39 4 Oct 1953554-575
Mintz, DonaldSome Aspects of the Revival of Bach. MQ40 2 Apr 1954201-221
Mendel, ArthurOn the Pitches in Use in Bach's Time. MQ41 3, 4 Jul; Oct 1955332-334; 466-480
Lowinsky, Edward E.On Mozart's Rhythm. MQ42 2 Apr 1956162-186
Lowinsky, Edward E.Matthaeus Greiter's Fortuna: An Experiment in Chromaticism and in Musical Iconography. MQ43 1 Jan 195768-85
Boyden, David D.When Is a Concerto Not a Concerto? MQ43 2 Apr 1957220-232
Lang, Paul HenryEditorial. [About Bach and Handel, and the Old Testament] MQ45 2 Apr 1959223-229
Mendel, ArthurA Brief Note on Triple Proportion in Schuetz. MQ46 1 Jan 196067-70
Mendel, ArthurRecent Developments in Bach Chronology. MQ46 3 Jul 1960283-300
Aldrich, PutnamOn the Interpretation of Bach's Trills. MQ49 3 Jul 1963289-310
Neumann, FrederickMisconceptions about the French Trill in the 17th and 18th Centuries. MQ50 2 Apr 1964188-206
Blume, FriedrichBach in the Romantic Era. MQ50 3 Jul 1964290-306
Lowinsky, Edward E.Musical Genius - Evolution and Origin of a Concept. MQ50 3, 4 Jul; Oct 1964321-340; 476-495
Newman, William S.Emanuel Bach's Autobiography. MQ51 2 Apr 1965363-372
McIntyre, RayOn the interpretation of Bach's Gigues. MQ51 3 Jul 1965478-492
Jander, OwenRhythmic Symmetry in the Goldberg Variations. MQ52 2 Apr 1966204-208
Plantinga, Leon B.Schumann's View of 'Romantic' MQ52 2 Apr 1966221-232
Neumann, FrederickExternal Evidence and Uneven Notes. MQ52 4 Oct 1966448-464
Donington, RobertA Problem of Inequality. MQ53 4 Oct 1967503-517
Blume, FriedrichJ. S. Bach's Youth. MQ54 1 Jan 19681-30
Williams, Peter F.The Harpsichord Acciaccatura: Theory and Practice in Harmony, 1650-1750. MQ54 4 Oct 1968503-523
Serwer, Howard'Widrigkeit' and 'Verdriesslichkeit' in Mühlhausen. MQ55 1 Jan 196920-30
Neumann, FrederickOrnament and Structure. MQ56 2 Apr 1970153-161
Marshall, Robert L.How J. S. Bach composed four-part Chorales. MQ56 2 Apr 1970198-221
Wolff, ChristophNew Research on Bach's Musical Offering. MQ57 3 Jul 1971379-408
Lee, Douglas A.Christoph Nichelmann and the early clavier concerto in Berlin. MQ57 4 Oct 1971636-655
Russel, Carlton T.The Analysis and Evaluation of Music: A Philosophical Inquiry. MQ58 2 Apr 1972161-184
Helm, E. EugeneThe 'Hamlet' fantasy and the literary element in C.P.E. Bach's music. MQ58 2 Apr 1972277-296
Fuller, David R.Accompanied keyboard music. MQ60 2 Apr 1974222-245
Butler, Gregory G.The Fantasia as Musical Image. MQ60 4 Oct 1974602-615
Rifkin, JoshuaThe Chronology of Bach's Saint Matthew Passion. MQ61 3 Jul 1975360-387
Marshall, Robert L.Bach the Progressive: Observations on His Later Works. MQ62 3 Jul 1976313-357
Neumann, FrederickFacts and Fiction about Overdotting. MQ63 2 Apr 1977155-185
Herz, GerhardMusic for two harpsichords (Musik für zwei Cembali) and German keyboard music of about 1700. MQ63 4 Oct 1977562-572
Falck, RobertParody and Contrafactum: A Terminological Clarification. MQ65 1 Jan 1979 1-21
Butler, Gregory G.Music and Rhetoric in early 17th century English sources. MQ66 1 Jan 198053-64
Wright, Josephine R. B.George Polgreen Bridgetower: An African Prodigy in England 1789-99. MQ66 1 Jan 198065-82
Lenneberg, HansThe myth of the unappreciated (musical) genius. MQ66 2 Apr 1980219-231
Neumann, FrederickThe Overdotting Syndrome: Anatomy of a Delusion. MQ67 3 Jul 1981305-347
Stevens Becker, ClaudiaA new look at Schumann's impromptus. MQ67 4 Oct 1981568-586
Seaton, DouglassThe Romantic Mendelssohn: The Composition of 'Die erste Walpurgisnacht'. MQ68 3 Jul 1982398-410
Butler, Gregory G.Ordering Problems in J. S. Bach's Art of Fugue Resolved. MQ69 1 Winter 198344-61
Pankratz, H. R.J. S. Bach and his Leipzig Collegium Musicum. MQ69 3 Summer 1983323-353
Derr, EllwoodBeethoven's Long-Term Memory of C. P. E. Bach's Rondo in E Flat, W. 61/1 (1787), Manifest in the Variations in E Flat for Piano, Opus 35 (1802). MQ70 1 Winter 198445-76
Portnoy, Marshall A.The Answer to Elgar's Enigma. MQ71 2 1985205-210
Stinson, RussellBach's Earliest Autograph. MQ71 3 1985235-263
Addington, ChristopherThe Bach Flute. MQ71 3 1985264-280
Neumann, FrederickBach: Progressive or Conservative and the Authorship of the Goldberg Aria. MQ71 3 1985281-294
Schellhous, Rosalie AtholForm and Spirituality in Bach's St. Matthew Passion. MQ71 3 1985295-326
Dreyfus, LaurenceJ. S. Bach's Concerto Ritornellos and the Question of Invention. MQ71 3 1985327-358
Straus, JosephRecompositions by Schoenberg, Stravinsky, and Webern. MQ72 3 1986301-328
Planer, John H.Sentimentality in the Performance of Absolute Music: Pablo Casals's Performance of Saraband from Johann Sebastian Bach's Suite No.2 in D Minor for unaccompanied Cello, S. 1008. MQ73 2 1989212-248
Horne, WilliamBrahms's Düsseldorf Suite Study and His Intermezzo, Opus 116, No. 2. MQ73 2 1989249-283
Reis, Joan S.A third Gainsborough portrait of Johann Christian Bach? MQ74 2 1990295-302
Godt, IrvingPolitics, Patriotism, and Polonaise: A Possible Revision in Bach's Suite in B Minor. MQ74 4 1990610-622
Malloch, WilliamBach and the French Ouverture. MQ75 2 Summer 1991174-197
Plantinga, Leon B.Schumann's View of 'Romantic' (April 1966) MQ75 4 Winter 1991176-187
Jander, OwenRhythmic Symmetry in the Goldberg Variations (April 1966). MQ75 4 Winter 1991188-193
Lang, Paul HenryEditorial (October 1959) [comparison of Bach and Handel]. MQ75 4 Winter 199174-80
Josephson, Nors S.Bach Meets Liszt: Traditional Formal Structures and Performance Practices in Progressive Rock. MQ76 1 Spring 199267-92
Newman, AnthonyInequality (Inégales): A New Point of View. MQ76 2 Summer 1992169-183
Marissen, MichaelJ. S. Bach's Brandenburg Concertos as a Meaningful Set. MQ77 2 Summer 1993193-235
Wollny, PeterSara Levy and the Making of Musical Taste in Berlin. MQ77 4 Winter 1993651-688
Rothenberg, Sarah'Thus Far, But No Farther': Fanny Mendelssohn-Hensel's Unfinished Journey. MQ77 4 Winter 1993689-708
Marissen, MichaelReligious Aims in Mendelssohn's 1829 Berlin-Singakademie Performances of Bach's St. Matthew Passion. MQ77 4 Winter 1993718-726
Roberge, Marc-AndréFerruccio Busoni, His Chicago Friends, and Frederick Stock's Transcription for Large Orchestra and Organ of the Fantasia contrappuntistica. MQ80 2 Summer 1996302-331
Sutcliffe, W. DeanChopin's counterpoint: The Largo from the Cello Sonata, Opus 65. MQ83 1 Spring 1999114-133
Brown, MarshallMozart, Bach, and Musical Abjection. MQ83 4 Winter 1999509-535
Marshall, Robert L.Toward a Twenty-First-Century Bach Biography. MQ84 3 Fall 2000497-525
Williams, Peter F.Witting and Unwitting Allusion in Certain Keyboard Music of J. S. Bach. MQ84 4 Winter 2000756-775
Horne, WilliamThrough the Aperture: Brahms's Gigues, WoO 4. MQ86 3 Fall 2002530-581
Will, RichardPergolesi's Stabat Mater and the politics of feminine virtue. MQ87 3 2004570-614
Anderson, ChristopherReger in Bach's Notes: On Self-Image and Authority in Max Reger's Bach Playing. MQ87 4 Winter 2004749-770
Walden, Joshua S.Composing Character in Musical Portraits: Carl Philipp Emanuel Bach and L'Aly Rupalich. MQ91 3-4 Fall-Winter 2008379-411
Erickson, RaymondThe Early Enlightenment, Jews, and Bach. MQ94 4 Winter 2011518-547

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