| Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
| Grave, Floyd K. | Abbé Vogler and the Study of Fugue. | MTheorySpec | 1 | | Spring 1979 | 43-66 | |
| Brinkman, Alexander Russel | The melodic process in Johann Sebastian Bach's Orgelbüchlein. | MTheorySpec | 2 | | Spring 1980 | 46-73 | |
| Derr, Ellwood | The two part Inventions: Bach's composers' vademecum. | MTheorySpec | 3 | | Spring 1981 | 26-48 | |
| Berry, Wallace | Metric and rhythmic articulation in music. | MTheorySpec | 7 | | Spring 1985 | 7-33 | |
| Harrison, Daniel | Rhetoric and Fugue: An Analytical Application. | MTheorySpec | 12 | 1 | Spring 1990 | 1-42 | |
| Renwick, William J. | Structural Patterns in Fugue Subjects and Fugal Expositions. | MTheorySpec | 13 | 2 | Autumn 1991 | 197-218 | |
| Burns, Lori | J. S. Bach's Mixolydian Chorale Harmonizations. | MTheorySpec | 15 | 2 | Autumn 1993 | 144-172 | |
| Willner, Channan | Stress and Counterstress: Accentual Conflict and Reconciliation in J. S. Bach's Instrumental Works. | MTheorySpec | 20 | 2 | Autumn 1998 | 280-304 | |
| Petty, Wayne C. | Koch, Schenker, and the Development Section of Sonata Forms by C. P. E. Bach. | MTheorySpec | 21 | 2 | Autumn 1999 | 151-173 | |
| Ferris, David | C. P. E. Bach and the Art of Strange Modulation. | MTheorySpec | 22 | 1 | Spring 2000 | 60-88 | |
| Wason, Robert W. | Two Bach Preludes/Two Chopin Etudes, or Toujours travailler Bach-ce sera votre meilleur moyen de progresser. | MTheorySpec | 24 | 1 | Spring 2002 | 103-120 | |
| Hanninen, Dora A. | A theory of recontextualization in music: Analyzing phenomenal transformations of repetition. | MTheorySpec | 25 | 1 | Spring 2003 | 59-97 | |
| Beach, David W. | Bach's Partita No. 1 in Bb, BWV 825: Schenker's Unpublished Sketches with Commentary and Alternative Readings. | MTheorySpec | 30 | 1 | Spring 2008 | 1-34 | |
| Harrison, Daniel | Heads and Tails: Subject Play in Bach's Fugues. | MTheorySpec | 30 | 1 | Spring 2008 | 152-163 | |
| Väisälä, Olli | Bach's Inventions: Figuration, Register, Structure, and the 'Clear Way to Develop Inventions Properly'. | MTheorySpec | 31 | 1 | Spring 2009 | 101-152 | |
| Neumeyer, David | Thematic Reading, Proto-backgrounds, and Registral Transformations. | MTheorySpec | 31 | 2 | Fall 2009 | 284-324 | |
| Franck, Peter | 'A fallacious concept': Invertible counterpoint at the twelfth within the Ursatz. | MTheorySpec | 32 | 2 | Fall 2010 | 121-144 | |
| Robinson, Jenefer; Hatten, Robert S. | Emotions in Music. | MTheorySpec | 34 | 2 | Fall 2012 | 71-106 | |
| Dethorne, Jeffrey | Colorful plasticity and equalized transparency: Schoenberg's orchestrations of Bach and Brahms. | MTheorySpec | 36 | 1 | Spring 2014 | 121-145 | |
| Bungert, James | Bach and the patterns of transformation. | MTheorySpec | 37 | 1 | Spring 2015 | 98-119 | |
| Haakenson, Matthew | Probing the Properties of the First Eight Notes of Bach's Goldberg Ground Further: Revelations for Replicating the Soggetto and Opening Four Canons of BWV 1087. | MTheorySpec | 39 | 2 | Fall 2017 | 247-260 | |
| Reef, John S. | Subjects and Phrase Boundaries in Two Keyboard Fugues by J. S. Bach. | MTheorySpec | 41 | 1 | Spring 2019 | 48-73 | |
| Brody, Christopher | Second-reprise opening schemas in Bach's binary movements. | MTheorySpec | 43 | 2 | Fall 2021 | 257-279 | |
23 matches.
