| Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
| Woodworth, G. Wallace | The Performance of Bach: An Example of the Relation between Research and Practical Music-Making. | PapersAMSoc | | | 1937 | 120-132 | |
| Hill, Richard Synyer | The Plate Numbers of C. F. Peters Predecessors. | PapersAMSoc | 1938 | | 1940 | 113-134 | |
| Kendall, Raymond | Brahms' Knowledge of Bach's Music. | PapersAMSoc | 1941 | | 1946 | 50-56 | |
| Pessl, Yella | French Patterns and their Reading in Bach's Secular Clavier Music. | PapersAMSoc | 1941 | | 1946 | 8-20 | |
| Snyder, Kerala J. | From Account Books to Performances: Buxtehude at the Marienkirche in Lübeck. | PapersAMSoc | 47 | | 1981 | 52 | |
| Hanson, Alice M. | Abstracts of Papers Read at the Forty-seventh Annual Meeting of the American Musicological Society. | PapersAMSoc | 47 | | 1981 | 74p | |
| Holoman, D. Kern | Abstracts of Papers Read at the Forty-Eighth Annual Meeting of the American Musicological Society Meeting Jointly with the Society for Music Theory: University of Michigan, Ann Arbor, November 4-7, 1982. | PapersAMSoc | 48 | | 1982 | | |
| Stinson, Russell | Bach's Earliest Autograph. | PapersAMSoc | 48 | | 1982 | | |
8 matches.
