| Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
| Neumann, Frederick | Interpretation Problems of Ornament Symbols and Two Recent Case Histories: Hans Klotz on Bach, Faye Ferguson on Mozart. | PerformPractReview | 1 | 1 | Spring-Fall 1988 | 71-106 | |
| Stevenson, Robert M. | Saint-Saëns's View on the Performance of Early Music. | PerformPractReview | 2 | 2 | Fall 1989 | 126-132 | |
| Schwandt, Erich | Questions Concerning the Edition of the 'Goldberg Variations' in the Neue Bach Ausgabe. | PerformPractReview | 3 | 1 | Spring 1990 | 58-69 | |
| Rifkin, Joshua | More (and Less) on Bach's Orchestra. | PerformPractReview | 4 | 1 | Spring 1991 | 5-13 | |
| Loucks, Richard | Was the 'Well-Tempered Clavier' Performable on a Fretted Clavichord? | PerformPractReview | 5 | 1 | Spring 1992 | 44-89 | |
| Bates, Robert; Lindley, Mark; Marshall, Kimberley | The Stanford Eclectic Tunings. | PerformPractReview | 5 | 2 | Fall 1992 | 159-197 | |
| Lindley, Mark | Some Thoughts concerning the Effects of Tuning on Selected Musical Works (from Landini to Bach). | PerformPractReview | 9 | 1 | Spring 1996 | 114-121 | |
| Swinkin, Jeffrey | Keyboard fingering and interpretation: A comparison of historical and modern approaches. | PerformPractReview | 12 | 1 | 2007 | 1-26 | |
| Marshall, Robert L. | Bach's Tempo ordinario: A Plaine and Easie Introduction to the System. | PerformPractReview | 13 | 1 | 2008 | 1-33 | |
| Fabian, Dorottya; Ornoy, Eitan | Identity in violin playing on records: Interpretation profiles in recordings of solo Bach by early twentieth-century violinists. | PerformPractReview | 14 | 1 | 2009 | 1-40 | |
10 matches.
