Bach Printed Music Database
Listing of Journal Contents
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Series : StudMcol
Author Title Series Vol No Year Pages NB
Gustafson, BruceFrench harpsichord music of the 17th century. A thematic catalog of the sources with commentary. StudMcol11 1979xlv, 394p
Berger, KarolTheories of Chromatic and Enharmonic Music in late Sixteenth-Century Italy. StudMcol10 1980vii, 179p
Rivera, Benito V.German Music Theory in the Early 17th Century: The Treatises of Johannes Lippius. StudMcol17 1980265p
Stauffer, George BoyerThe Organ Preludes of Johann Sebastian Bach. StudMcol27 1980xi, 261p
Harriss, Ernest C.Johann Mattheson's Der vollkommene Capellmeister [1739]: a revised translation with critical commentary. StudMcol21 1981920p
Hudson, Richard AlbertPassacaglio and ciaccona: from guitar music to Italian keyboard variations in the 17th century. StudMcol37 1981xi, 314p
Hosler, BellamyChanging Aesthetic Views of Instrumental Music in Eighteenth-Century Germany. StudMcol42 1981xxiv, 295p
Wade, Rachel W.The keyboard concertos of Carl Philipp Emanuel Bach. StudMcol48 1981xvii, 360p
Samuel, Harold E.The Cantata in Nuremberg during the seventeenth Century. StudMcol56 1982xii, 536p
Neumann, FrederickThe Use of Baroque Treatises on Musical Performance. StudMcol58 1982 1-9, 173-174
Neumann, FrederickDonington's 'A Performer's Guide to Baroque Music' -- A Review. StudMcol58 1982 11-15, 274
Neumann, FrederickThe French 'Inégales', Quantz, and Bach. StudMcol58 1982 17-54, 274-285
Neumann, FrederickAn Answer to Donington's Critique. StudMcol58 1982 55-58
Neumann, FrederickExternal Evidence and Uneven Notes. StudMcol58 1982 59-72, 285-288
Neumann, FrederickThe Dotted Note and the So-Called French Style (FN1) StudMcol58 1982 73-98, 288-289
Neumann, FrederickRhythm in the Two Versions of Bach's French Overture, BWV 831 (FN2). StudMcol58 1982 99-110, 289-291
Neumann, FrederickFacts and Fiction about Overdotting (FN3). StudMcol58 1982111-135, 291-294
Neumann, FrederickOnce More: The 'French Overture Style' (FN4). StudMcol58 1982137-150, 295
Neumann, FrederickThe Overdotting Syndrome: Anatomy of a Delusion (FN5). StudMcol58 1982151-182, 296-300
Neumann, FrederickMisconceptions About the French Trill in the 17th and 18th Centuries. StudMcol58 1982183-196, 300-304
Neumann, FrederickA New Look at Bach's Ornamentation. StudMcol58 1982197-215, 304-305
Neumann, FrederickNotes on 'Melodic' and 'Harmonic' Ornaments. StudMcol58 1982217-225, 305-306
Neumann, FrederickCouperin and the Downbeat Doctrine for Appoggiaturas. StudMcol58 1982227-241, 306-309
Neumann, FrederickOrnament and Structure. StudMcol58 1982243-250, 309-310
Neumann, FrederickEssays in Performance Practice. StudMcol58 1982xii, 321p
Grant, Kerry ScottDr. Burney as critic and historian of music. StudMcol62 1983xiv, 381p
Steblin, RitaA History of Key Characteristics in the 18th and early 19th centuries. StudMcol67 1983xii, 396p
Schulenberg, DavidThe Instrumental Music of Carl Philipp Emanuel Bach. StudMcol77 1984192p
Herz, GerhardJ. S. Bach's Impact on the World Around Him. StudMcol73 1985 1-18
Herz, GerhardSebastian Bach's Survival in the Age of Rationalism. StudMcol73 1985 19-50
Herz, GerhardJ. S. Bach and the Church Music of the Age of Rationalism: A Style-Critical Comparison of Bach's St. Matthew Passion and C. H. Graun's Tod Jesu. StudMcol73 1985 51-66
Herz, GerhardJohann Sebastian Bach in the Early Romantic Period. StudMcol73 1985 67-110
Herz, GerhardBWV 131: Bach's First Cantata (1970). StudMcol73 1985127-148
Herz, GerhardToward a New Image of Bach (1970/71). StudMcol73 1985149-186
Herz, GerhardThe Performance History of Bach's B Minor Mass (1973). StudMcol73 1985187-204
Herz, GerhardThoughts on the First Movement of Johann Sebastian Bach's Cantata No.77 (1974). StudMcol73 1985205-220
Herz, GerhardLombard Rhythm in the Domine Deus of Bach's B Minor Mass (1974) StudMcol73 1985221-229
Herz, GerhardLombard Rhythm in Bach's Vocal Music (1978). StudMcol73 1985233-268
Herz, GerhardEssays on J. S. Bach. StudMcol73 1985xxxi, 276p
Archbold, LawrenceStyle and Structure in the Praeludia of Dietrich Buxtehude. StudMcol82 1985vi, 349p
[Cox, Howard H.]The Authentification of the Hand-Penned Material in Bach's Calov Bible. StudMcol92 1985 3-11
[Cox, Howard H.]A Literary Analysis of the Intelligible Entries from the Total Sample. StudMcol92 1985 12-30
Kusko, BruceProton Milloprobe Analysis of the Hand-Penned Annotations in Bach's Calov Bible. StudMcol92 1985 31-106
Cox, Howard H.The Calov Bible of J. S. Bach. StudMcol92 1985x, 460p
Buelow, George J.Thorough-Bass Accompaniment According to Johann David Heinichen. StudMcol84 1986xvi, 462p
Borgir, TharaldThe performance of the basso continuo in Italian Baroque music. StudMcol90 1987180p
Neumann, FrederickSome Controversial Aspects of the Authenticity School. StudMcol108 1989 17-31
Neumann, FrederickThe Rise of the Early Music Movement. StudMcol108 1989 3-16
Neumann, FrederickConflicting Binary and Ternary Rhythms: From the Theory of Mensural notation to the Music of J. S. Bach. StudMcol108 1989 35-64
Neumann, FrederickThe 'Notes Inégales' Revisited. StudMcol108 1989 65-76
Neumann, FrederickGraham Pont's 'Paradigm of Inconsistency' and the Interpretation of Handel's Overtures. StudMcol108 1989 77-84
Neumann, FrederickInterpretation Problems of Ornament Symbols and Two Recent Case Histories: Hans Klotz on Bach, Faye Ferguson on Mozart. StudMcol108 1989121-153
Neumann, FrederickBach: Progressive or Conservative and the Authorship of the Goldberg Aria. StudMcol108 1989195-208
Neumann, FrederickNotes on the Violin Sonatas of Bach and Handel. StudMcol108 1989221-225
Neumann, FrederickNew Essays on Performance Practice. StudMcol108 1989x, 257p

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