| Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
| Laskowski, Larry | Context and Voice Leading: Influences on Thematic and Tonal Structure. | TheoryPractice | 4 | 1 | Mar 1979 | 15-24 | |
| Laskowski, Larry | Context and voice leading: influences on thematic and tonal structure. | TheoryPractice | 4 | 1 | Mar 1979 | 15-24 | |
| Gauldin, Robert | Further Thoughts on some Bach Preludes. | TheoryPractice | 4 | 2 | Dec 1979 | 38-41 | |
| Tannenbaum, Faun S. | The Sarabande of J. S. Bach's Suite no.2 for Unaccompanied Violoncello, BWV 1008: Analysis and Interpretation. | TheoryPractice | 5 | 1 | Jul 1980 | 40-56 | |
| Laskowski, Larry | Symmetrical design and its relationship to voice leading. | TheoryPractice | 5 | 1 | Jul 1980 | 57-65 | |
| Oster, Ernst | On the meaning of the long appoggiatura. | TheoryPractice | 7 | 1 | Aug 1982 | 20-39 | |
| Salzer, Felix | The significance of the ornaments in Carl Philipp Emanuel Bach's keyboard works. | TheoryPractice | 11 | | 1986 | 15-42 | |
| Gauldin, Robert | The Composition of Late Renaissance Stretto Canons. | TheoryPractice | 21 | | 1996 | 29-54 | |
| Brumbeloe, Joseph | Patterns and performance choices in selected perpetual-motion movements by J.S. Bach. | TheoryPractice | 25 | | 2000 | 1-25 | |
| Wen, Eric | Stripped of the G string: Bach's Air from the Suite no. 3 in D. | TheoryPractice | 26 | | 2001 | 87-98 | |
| Braunschweig, Karl | Joel Lester, Bach's works for solo volin: Style, structure, performance and Laurence Dreyfus, Bach and the patterns of invention. | TheoryPractice | 26 | | 2001 | 117-140 | |
| Braunschweig, Karl | Expanded dissonance in the music of J. S. Bach. | TheoryPractice | 28 | | 2003 | 79-113 | |
12 matches.
