| Author |
Title |
Series |
Vol |
No |
Year |
Pages |
NB |
| Barber, Elinore | J. S. Bach in the Year of the Moon. | Bach | 1 | 1 | Winter 1970 | 3-5 | |
| David, Hans T. | The Original Titles of Bachs Works. | Bach | 1 | 1 | Winter 1970 | 5-14 | |
| David, Hans T. | Bach Form: Ground Plans by the Late Professor Hans T. David. Aria mit 30 Variationen (Goldberg Variations) -- J. S. Bach [1742]. | Bach | 1 | 1 | Winter 1970 | 15-16 | |
| Barber, Elinore | Riemenschneider Bach Library Vault Holdings [Part I]. | Bach | 1 | 1 | Winter 1970 | 17-18 | |
| Barber, Elinore | Questions to The Editor [Part I]. | Bach | 1 | 1 | Winter 1970 | 19-22 | |
| Barber, Elinore | Bach Adds a Tempo Mark? | Bach | 1 | 2 | Apr 1970 | 3-5 | |
| David, Hans T. | Bach's Problems and Artistic Creed. | Bach | 1 | 2 | Apr 1970 | 6-13 | |
| David, Hans T. | Bach Form -- A Letter and Ground-Plan. | Bach | 1 | 2 | Apr 1970 | 14-17 | |
| Barber, Elinore; Winzenburger, Janet | Riemenschneider Bach Library Vault Holdings [Part II]. | Bach | 1 | 2 | Apr 1970 | 17-20 | |
| Barber, Elinore | Questions to the editor [Part II]. | Bach | 1 | 2 | Apr 1970 | 21-25 | |
| Winzenburger, Walter | Translation from Gerber's Historischbiographisches Lexikon der Tonkünstler (1790). [Part I]. | Bach | 1 | 2 | Apr 1970 | 26-30 | |
| Barber, Elinore | Butter, Guns, and Bach? | Bach | 1 | 3 | Jul 1970 | 3-4 | |
| David, Hans T. | The art of the Fugue. | Bach | 1 | 3 | Jul 1970 | 5-21 | |
| Appel, Richard G. | J. S. Bach and the Bay Psalm Book. | Bach | 1 | 3 | Jul 1970 | 22-24 | |
| Barber, Elinore | Hans Theodore David: 'A Portrait in Outline'. | Bach | 1 | 3 | Jul 1970 | 25-29 | |
| Winzenburger, Walter | Translation from Gerber's Neues Historisch-biographisches Lexikon der Tonkünstler (1812). [Part II]. | Bach | 1 | 3 | Jul 1970 | 30-40 | |
| Barber, Elinore; Winzenburger, Janet | Riemenschneider Bach Library Vault Holdings. | Bach | 1 | 3 | Jul 1970 | 41-44 | |
| Barber, Elinore | Questions to the Editor. [Part III]. | Bach | 1 | 3 | Jul 1970 | 45-47 | |
| Barber, Elinore | Beethoven and Bach. | Bach | 1 | 4 | Oct 1970 | 4-5 | |
| Barber, Elinore | Beethoven on Bach. Excerpts from Letters. | Bach | 1 | 4 | Oct 1970 | 6-8 | |
| Herz, Gerhard | Toward a New Image of Bach. [Part I.] | Bach | 1 | 4 | Oct 1970 | 9-27 | |
| David, Hans T. | Structures of Some Composite Works of the Seventeenth and Eighteenth Centuries. | Bach | 1 | 4 | Oct 1970 | 28-30 | |
| David, Hans T. | Litterae ab musicis. Hans David Disclaims the Authenticity of a 'Bach Holograph'. | Bach | 1 | 4 | Oct 1970 | 31-32 | |
| Barber, Elinore | Riemenschneider Bach Library Vault Holdings. | Bach | 1 | 4 | Oct 1970 | 33-34 | |
| Barber, Elinore | Questions to the Editor. [Part IV.] | Bach | 1 | 4 | Oct 1970 | 35-40 | |
| Winzenburger, Walter | Translation from Die wahren Grundsätze zum Gebrauch der Harmonie Johann Philipp Kirnberger, 1773 [excerpts]. | Bach | 1 | 4 | Oct 1970 | 41-46 | |
| Barber, Elinore | Bach's Portrait in Gerber's Lexicon. | Bach | 2 | 1 | Jan 1971 | 3-6 | |
| Herz, Gerhard | Toward a New Image of Bach. Part II. | Bach | 2 | 1 | Jan 1971 | 7-28 | |
| David, Hans T. | Johann Sebastian Bach's Great Mass. A Brief Introduction to the Ground Plan Charts and Illustrations. | Bach | 2 | 1 | Jan 1971 | 29-32 | |
| David, Hans T. | Litterae ab musicis. [Letter to Alfred Einstein] | Bach | 2 | 1 | Jan 1971 | 33-34 | |
| Barber, Elinore; Winzenburger, Janet | Riemenschneider Bach Library vault holdings. | Bach | 2 | 1 | Jan 1971 | 35-37 | |
| Barber, Elinore | Questions to the Editor. | Bach | 2 | 1 | Jan 1971 | 38-41 | |
| Winzenburger, Walter | Translation from Die Kunst des reinen Satzes in der Musik (Johann Philip Kirnberger, 1779) [excerpts]. | Bach | 2 | 1 | Jan 1971 | 42-46 | |
| Barber, Elinore | Bach and the B-A-C-H Motive. | Bach | 2 | 2 | Apr 1971 | 3-5 | |
| David, Hans T. | Hebrew Letters in Polyphonic Settings by Christian Composers. | Bach | 2 | 2 | Apr 1971 | 6-17 | |
| David, Hans T. | Bach Analyses. J. S. Bach's Prelude in E minor from The Well-tempered Clavier, Book 1. | Bach | 2 | 2 | Apr 1971 | 18-19 | |
| Schweitzer, Albert | Litterae ab musicis. | Bach | 2 | 2 | Apr 1971 | 20-21 | |
| Barber, Elinore | Riemenschneider Bach Library Vault Holdings. | Bach | 2 | 2 | Apr 1971 | 22-23 | |
| Barber, Elinore | Questions to the Editor. | Bach | 2 | 2 | Apr 1971 | 24-26 | |
| David, Hans T. | What every graduate student should know. | Bach | 2 | 2 | Apr 1971 | 27-30 | |
| Winzenburger, Walter | Translation from 'Die Kunst des reinen Satzes in der Musik': Part II (Johann Philip Kirnberger, 1779) [excerpts]. | Bach | 2 | 2 | Apr 1971 | 31-34 | |
| Barber, Elinore | J. S. Bach and The Critics. | Bach | 2 | 3 | Jul 1971 | 4-6 | |
| David, Hans T. | The Six-Four Chord Without Theory: An 'Unofficial' History. | Bach | 2 | 3 | Jul 1971 | 7-14 | |
| David, Hans T. | Bach Analyses: J. S. Bach's Fugue in E minor from The Well-tempered Clavier, Book I. | Bach | 2 | 3 | Jul 1971 | 15-16 | |
| David, Hans T. | Litterae ab musicis: Hans T. David Writes Concerning The Editing of Early Music. | Bach | 2 | 3 | Jul 1971 | 17-20 | |
| Winzenburger, Janet; Barber, Elinore | Riemenschneider Bach Library Vault Holdings. | Bach | 2 | 3 | Jul 1971 | 21-24 | |
| Barber, Elinore | Questions to the Editor. | Bach | 2 | 3 | Jul 1971 | 25-27 | |
| David, Hans T. | Music History - A Teaching, Learning, Performing Experience. | Bach | 2 | 3 | Jul 1971 | 28-32 | |
| Winzenburger, Walter | Translation from 'Der vollkommene Capellmeister'. Johann Mattheson, 1739. | Bach | 2 | 3 | Jul 1971 | 33-36 | |
| David, Hans T. | The Six-Four Chord Without Theory: An 'Unofficial' History, Part II. | Bach | 2 | 4 | Oct 1971 | 3-9 | |
| Herford, Julius | Bach's Models of 'Good Inventiones'. [Part I]. | Bach | 2 | 4 | Oct 1971 | 10-14 | |
| Barber, Elinore; Winzenburger, Janet | Riemenschneider Bach Library Vault Holdings. Bach's Four-Part Chorales. | Bach | 2 | 4 | Oct 1971 | 15-17 | |
| Krenek, Ernst | Parvula Corona Musicalis. | Bach | 2 | 4 | Oct 1971 | 18-31 | |
| Barber, Elinore | Questions to the Editor. | Bach | 2 | 4 | Oct 1971 | 32-35 | |
| Leaver, Robin A. | Further Thoughts on B-A-C-H. | Bach | 2 | 4 | Oct 1971 | 36-37 | |
| Winzenburger, Walter | Translation from 'Der vollkommene Capellmeister' by Johann Mattheson (1763 [sic]). Chapter 13: Categories and Characteristics of Melodies. | Bach | 2 | 4 | Oct 1971 | 38-41 | |
| Gleason, Harold | A Seventeenth-Century Organ Instruction Book. | Bach | 3 | 1 | Jan 1972 | 3-12 | |
| Winzenburger, Walter P. | Meter and Tempo Indications in Music of the Early Baroque. | Bach | 3 | 1 | Jan 1972 | 13-21 | |
| Spitta, Philipp | Litterae ab musicis. [Letter to an unnamed addressee in Vienna dated 2 Feb.1871] | Bach | 3 | 1 | Jan 1972 | 22-26 | |
| Herford, Julius | Bach's Models of 'Good Inventiones'. Part II. | Bach | 3 | 1 | Jan 1972 | 27-30 | |
| Winzenburger, Janet; Barber, Elinore | Riemenschneider Bach Library Vault Holdings. | Bach | 3 | 1 | Jan 1972 | 31-34 | |
| Rudolf, Max | Storm and Stress in Music, Part I. | Bach | 3 | 2 | Apr 1972 | 3-13 | |
| Mulbury, David | Bach's 'Passacaglia' in c minor. Notes Regarding Its Background, Essence, and Performance. [Part I.] | Bach | 3 | 2 | Apr 1972 | 14-27 | |
| Herford, Julius | Bach's Models of 'Good Inventiones'. Part III. | Bach | 3 | 2 | Apr 1972 | 28-30 | |
| Dupré, Marcel | Litterae ab musicis. Marcel Dupre Writes to Albert Riemenschneider. | Bach | 3 | 2 | Apr 1972 | 31-32 | |
| Kochevitsky, George A. | Performing Bach's Keyboard Music -- The Choice of an Instrument. | Bach | 3 | 2 | Apr 1972 | 33-37 | |
| Barber, Elinore; Winzenburger, Janet | Riemenschneider Bach Library Vault Holdings. Eighteenth-Century French Publications. | Bach | 3 | 2 | Apr 1972 | 38-39 | |
| Babitz, Sol | To the editor of Bach. | Bach | 3 | 2 | Apr 1972 | 40-43 | |
| Rudolf, Max | Storm and Stress in Music, Part II. | Bach | 3 | 3 | Jul 1972 | 3-11 | |
| Mulbury, David | Bach's 'Passacaglia' in C minor. Notes Regarding Its Background, Essence, and Performance. Part II. | Bach | 3 | 3 | Jul 1972 | 12-20 | |
| Krenek, Ernst | Postscript to the 'Parvula Corona' | Bach | 3 | 3 | Jul 1972 | 21-26 | |
| Leaver, Robin A. | Leipzig's Rejection of J. S. Bach, Part I. | Bach | 3 | 3 | Jul 1972 | 27-39 | |
| Winzenburger, Janet | Riemenschneider Bach Library Vault Holdings. | Bach | 3 | 3 | Jul 1972 | 40-42 | |
| Babitz, Sol | To the Editor of BACH. | Bach | 3 | 3 | Jul 1972 | 43-44 | |
| Leaver, Robin A. | Leipzig's Rejection of J. S. Bach, Part II. | Bach | 3 | 4 | Oct 1972 | 3-7 | |
| Rudolf, Max | Storm and Stress in Music, Part III. | Bach | 3 | 4 | Oct 1972 | 8-16 | |
| Mulbury, David | Bach's 'Passacaglia' in C minor. Notes Regarding Its Background, Essence, and Performance -- Part III. | Bach | 3 | 4 | Oct 1972 | 17-24 | |
| Schweitzer, Albert | Albert Schweitzer writes to Elinore Barber concerning his condition, his work, his fight against atomic weapons. | Bach | 3 | 4 | Oct 1972 | 25-27 | |
| Kochevitsky, George A. | Performing Bach's Keyboard Music -- Phrasing. | Bach | 3 | 4 | Oct 1972 | 28-32 | |
| Winzenburger, Janet | Riemenschneider Bach Library Vault Holdings. | Bach | 3 | 4 | Oct 1972 | 43-44 | |
| Harmon, Thomas | The Mühlhausen Organ Revisited. Precious Clues to Bach's Preference in Organ Design and Registration. | Bach | 4 | 1 | Jan 1973 | 3-15 | |
| Herford, Julius | Bach's Models of 'Good Inventiones' -- How to Develop the Same Well. | Bach | 4 | 1 | Jan 1973 | 16-20 | |
| Kochevitsky, George A. | Performing Bach's Keyboard Music: Articulation. | Bach | 4 | 1 | Jan 1973 | 21-25 | |
| Currie, Randolph N. | Cyclic Unity in Bach's Sechs Chorale: A New Look at the 'Schüblers,' Part I. | Bach | 4 | 1 | Jan 1973 | 26-38 | |
| Kilgore, Edna | Time Signatures of the Well-Tempered Clavier: Their Place in Notational History. | Bach | 4 | 2 | Apr 1973 | 3-16 | |
| Herford, Julius | The C-Major and C-Minor Preludes of the Well-tempered Clavier, Book 1. | Bach | 4 | 2 | Apr 1973 | 17-21 | |
| Kochevitsky, George A. | Performing Bach's Keyboard Music: Tempo. | Bach | 4 | 2 | Apr 1973 | 22-24 | |
| Currie, Randolph N. | Cyclic Unity in Bach's Sechs Chorale: A New Look at the 'Schüblers,' Part II. | Bach | 4 | 2 | Apr 1973 | 25-39 | |
| Leaver, Robin A. | Heinrich Schütz as a Biblical Interpreter. | Bach | 4 | 3 | Jul 1973 | 3-8 | |
| Leaver, Robin A. | List of the Settings of Bible Texts in the Works of Heinrich Schütz. | Bach | 4 | 3 | Jul 1973 | 8-12 | |
| Pisk, Paul A. | Bach in Our Time. | Bach | 4 | 3 | Jul 1973 | 13-17 | |
| Hirsch, Artur | Johann Sebastian Bach's Cantatas in Chronological Order. | Bach | 4 | 3 | Jul 1973 | 18-35 | |
| Herford, Julius | J. S. Bach's Fugue II in C Minor (The Well-Tempered Clavier, Book 1): An Analysis. | Bach | 4 | 3 | Jul 1973 | 36-40 | |
| Leaver, Robin A. | The Funeral Sermon for Heinrich Schütz. [I] | Bach | 4 | 4 | Oct 1973 | 3-17 | |
| Jenne, Natalie | Bach's Use of Dance Rhythms in Fugues. [I] | Bach | 4 | 4 | Oct 1973 | 18-26 | |
| Kochevitsky, George A. | Performing Bach's Keyboard Music -- Notes Inégales: A Brief History and a Summary. | Bach | 4 | 4 | Oct 1973 | 27-35 | |
| Jenne, Natalie | Bach's Use of Dance Rhythms in Fugues. Part II. | Bach | 5 | 1 | Jan 1974 | 3-8 | |
| Leaver, Robin A. | The Funeral Sermon for Heinrich Schütz. Part II: The Sermon. | Bach | 5 | 1 | Jan 1974 | 9-22 | |
| Currie, Randolph N. | A Neglected Guide to Bach's Use of Number Symbolism -- Part I. | Bach | 5 | 1 | Jan 1974 | 23-32 | |
| Jenne, Natalie | Bach's Use of Dance Rhythms in Fugues: Part III. | Bach | 5 | 2 | Apr 1974 | 3-21 | |
| Leaver, Robin A. | The Funeral Sermon for Heinrich Schütz. Part II: The Sermon (Conclusion). | Bach | 5 | 2 | Apr 1974 | 27-35 | |
| Currie, Randolph N. | A Neglected Guide to Bach's Use of Number Symbolism -- Part II. | Bach | 5 | 2 | Apr 1974 | 36-49 | |
| Currie, Randolph N. | A Neglected Guide to Bach's Use of Number Symbolism -- Part III. | Bach | 5 | 3 | Jul 1974 | 3-12 | |
| Leaver, Robin A. | The Funeral Sermon for Heinrich Schütz. Part III: The Biographical Section. | Bach | 5 | 3 | Jul 1974 | 13-20 | |
| Schenkman, Walter | Rhythmic Patterns of the Baroque -- Part I. | Bach | 5 | 3 | Jul 1974 | 21-28 | |
| Kochevitsky, George A. | Performing Bach's Keyboard Music -- Embellishments. Part I | Bach | 5 | 3 | Jul 1974 | 37-40 | |
| Currie, Randolph N. | A Neglected Guide to Bach's Use of Number Symbolism -- Part IV. | Bach | 5 | 4 | Oct 1974 | 3-8 | |
| Schenkman, Walter | Rhythmic Patterns of the Baroque -- Part II. | Bach | 5 | 4 | Oct 1974 | 9-17 | |
| Kochevitsky, George A. | Performing Bach's Keyboard Music -- Embellishments. Part I (Continued). | Bach | 5 | 4 | Oct 1974 | 25-30 | |
| Leaver, Robin A. | The Libretto of Bach's Cantata No. 79: A Conjecture. | Bach | 6 | 1 | Jan 1975 | 3-11 | |
| Radice, Mark A. | An Inventory of Bach's Musical Offering. | Bach | 6 | 1 | Jan 1975 | 12-16 | |
| Kochevitsky, George A. | Performing Bach's Keyboard Music -- Embellishments, Part III, The Trill. | Bach | 6 | 1 | Jan 1975 | 24-35 | |
| Noehren, Robert | Notes on Bach and the Organ of his Time. | Bach | 6 | 2 | Apr 1975 | 3-14 | |
| Kochevitsky, George A. | Performing Bach's Keyboard Music -- Embellishments, Part IV, The Appoggiatura. | Bach | 6 | 2 | Apr 1975 | 27-40 | |
| Schenkman, Walter | The Establishment of Tempo in Bach's Goldberg Variations. | Bach | 6 | 3 | Jul 1975 | 3-10 | |
| Hirsch, Artur | Number Symbolism in Bach's First Cantata Cycle: 1723-1724 -- Part I. | Bach | 6 | 3 | Jul 1975 | 11-19 | |
| Kochevitsky, George A. | Performing Bach's Keyboard Music -- Embellishments, Part V, Acciaccaturas and Broken Chords. Part VI, Mordents and Inverted Mordents. | Bach | 6 | 3 | Jul 1975 | 20-35 | |
| Leaver, Robin A. | Bach's Understanding and Use of the Epistles and Gospels of the Church Year. | Bach | 6 | 4 | Oct 1975 | 4-13 | |
| Hirsch, Artur | Number Symbolism in Bach's First Cantata Cycle: 1723-1724 -- Part II. | Bach | 6 | 4 | Oct 1975 | 14-19 | |
| Kochevitsky, George A. | Performing Bach's Keyboard Music -- Embellishments, Part VII, The Turn and the Slide. Part VIII, Compound Ornaments. Part IX, Additional Remarks. | Bach | 6 | 4 | Oct 1975 | 23-29 | |
| Kochevitsky, George A. | Performing Bach's Keyboard Music: Dynamics. A Postscript. | Bach | 7 | 1 | Jan 1976 | 3-11 | |
| Boe, John | Fully Notated Articulation in Bach's Mature Keyboard Music. | Bach | 7 | 1 | Jan 1976 | 12-19 | |
| Hirsch, Artur | Number Symbolism in Bach's First Cantata Cycle: 1723-1724 -- Part III. | Bach | 7 | 1 | Jan 1976 | 27-32 | |
| Ganz, Beatrice | Problems of Articulation in Baroque Keyboard Music (At the Piano or Organ). | Bach | 7 | 2 | Apr 1976 | 3-13 | |
| Boe, John | Fully Notated Articulation in Bach's Mature Keyboard Music -- Part II. | Bach | 7 | 2 | Apr 1976 | 14-22 | |
| Posell, Jacques | A Philatelic Visit with J. S. Bach. | Bach | 7 | 2 | Apr 1976 | 23-28 | |
| Schenkman, Walter | The Influence of Hexachordal Thinking in the Organization of Bach's Fugue Subjects. | Bach | 7 | 3 | Jul 1976 | 7-16 | |
| Leaver, Robin A. | Number Associations in the Structure of Bach's Credo, BWV 232. | Bach | 7 | 3 | Jul 1976 | 17-24 | |
| Leaver, Robin A. | The Calov Bible from Bach's Library. | Bach | 7 | 4 | Oct 1976 | 16-22 | |
| Herz, Gerhard | Lombard Rhythm in the Domine Deus of Bach's B minor Mass: An Old Controversy Resolved. | Bach | 8 | 1 | Jan 1977 | 3-11 | |
| Kochevitsky, George A. | More on Articulation in J. S. Bach's Keyboard Music. | Bach | 8 | 1 | Jan 1977 | 25-29 | |
| Hochreither, Karl | Some Reflections on the Performance of Bach's Vocal-Instrumental Works. | Bach | 8 | 2 | Apr 1977 | 2-14 | |
| Currie, Randolph N. | Bach's Newly Discovered Canons in a First Edition: Some Observations. | Bach | 8 | 2 | Apr 1977 | 15-22 | |
| Pisk, Paul A. | A New Look at the 'Great 48'. | Bach | 8 | 2 | Apr 1977 | 23-25 | |
| Currie, Randolph N. | Bach's Newly Discovered Canons in a First Edition: Some Observations, Part II. | Bach | 8 | 3 | Jul 1977 | 3-12 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part I: Einige Canonische Veränderungen über das Weynacht-Lied 'Vom Himmel hoch da komm ich her'. | Bach | 8 | 3 | Jul 1977 | 13-25 | |
| Hammel, Marla | The Figured-bass Accompaniment in Bach's Time: A Brief Summary of Its Development and An Examination of Its Use, Together With a Sample Realization, Part I. | Bach | 8 | 3 | Jul 1977 | 26-31 | |
| Currie, Randolph N. | Bach's Newly Discovered Canons in a First Edition: Some Observations, Part III. | Bach | 8 | 4 | Oct 1977 | 3-9 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part II: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita 1, title-page, Praeludium, Allemande, Corrente, Sarabande. | Bach | 8 | 4 | Oct 1977 | 11-22 | |
| Schenkman, Walter | Three Collections of Keyboard Works by C. P. E. Bach -- Part I. | Bach | 8 | 4 | Oct 1977 | 23-36 | |
| Schenkman, Walter | Three Collections of Keyboard Works by C. P. E. Bach -- Part II. | Bach | 9 | 1 | Jan 1978 | 2-14, 23-25 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part III: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita 1 (contd.) Menuet I, Menuet II, Giga; Partita II Sinfonia. | Bach | 9 | 1 | Jan 1978 | 15-22 | |
| Smith, Mark M. | A Deceptive Edition of the Bach 'Cello Suites. | Bach | 9 | 1 | Jan 1978 | 26-29 | |
| Hammel, Marla | The Figured-bass Accompaniment in Bach's Time: A Brief Summary of Its Development and An Examination of Its Use, Together With a Sample Realization, Part II. | Bach | 9 | 1 | Jan 1978 | 30-36 | |
| Joseph, Charles M. | Some Revisional Aspects of Bach's Keyboard Partitas, BWV 827 and 830. | Bach | 9 | 2 | Apr 1978 | 2-16, 25-27 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part IV: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita II (contd.) Allemande, Courante, Sarabande, Rondeaux, Capriccio [1st half]. | Bach | 9 | 2 | Apr 1978 | 17-24 | |
| Leaver, Robin A. | The Valuation of Bach's Library. | Bach | 9 | 2 | Apr 1978 | 28-32 | |
| Goldstein, Michael | In Tokyo: A Little-Known Bach Autograph. [BWV 1006a] | Bach | 9 | 2 | Apr 1978 | 33-36 | |
| Hammel, Marla | The Figured-bass Accompaniment in Bach's Time: A Brief Summary of Its Development and An Examination of Its Use, Together With a Sample Realization, Part III. | Bach | 9 | 2 | Apr 1978 | 37-39 | |
| Harriss, Ernest C. | J. F. Agricola's Anleitung zur Singkunst: A Rich Source by a Pupil of J. S. Bach. | Bach | 9 | 3 | Jul 1978 | 2-8 | |
| Leaver, Robin A. | Bach and Luther. | Bach | 9 | 3 | Jul 1978 | 9-12; 25-32 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part V: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita II, concluded: Capriccio (last half); Partita III: Fantasia, Allemande, Corrente, Sarabande, Burlesca, Scherzo, Gigue. | Bach | 9 | 3 | Jul 1978 | 13-24 | |
| Schenkman, Walter | Portrait of Mattheson, the Editor, Together with His Correspondents, Part I. | Bach | 9 | 4 | Oct 1978 | 2-10 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part VI: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita IV. | Bach | 9 | 4 | Oct 1978 | 11-22 | |
| Herz, Gerhard | A Bach Signature in the Possession of Gerhard Herz. | Bach | 9 | 4 | Oct 1978 | 23-24 | |
| Schenkman, Walter | Portrait of Mattheson, the Editor, Together with His Correspondents, Part II. | Bach | 10 | 1 | Jan 1979 | 3-12 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part VII: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita V. | Bach | 10 | 1 | Jan 1979 | 13-25 | |
| Schenkman, Walter | Portrait of Mattheson, the Editor, Together with His Correspondents, Part III. | Bach | 10 | 2 | Apr 1979 | 2-8 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part VIII: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita V, contd.: Passepied, Gigue. | Bach | 10 | 2 | Apr 1979 | 9-12 | |
| Jenne, Natalie | On the Performance of Keyboard Allemandes. | Bach | 10 | 2 | Apr 1979 | 13-30 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part IX: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731). Partita IV, Toccata. | Bach | 10 | 3 | Jul 1979 | 32-39 | |
| Kellner, Herbert Anton | A Mathematical Approach Reconstituting J. S. Bach's Keyboard-Temperament. | Bach | 10 | 4 | Oct 1979 | 2-8 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part X: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731). Partita IV, contd.: Allemande, Corrente, Air, Sarabande, Tempo di Gavotta, Gigue. | Bach | 10 | 4 | Oct 1979 | 9-18 | |
| Benedum, Richard | Structure and Symbolism in Bach's Prelude and Fugue in E-flat, BWV 552. | Bach | 10 | 4 | Oct 1979 | 19-24 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. [Part XI] Clavierübung, Book IV [the 'Goldberg' Variations] Nürnberg: Balthaser Schmid [ca. 1742], BWV 988. | Bach | 11 | 1 | Jan 1980 | 2-40 | |
| Harriss, Ernest | A Chronology of the Works of Johann Sebastian Bach. Part I. | Bach | 11 | 2 | Apr 1980 | 2-20 | |
| Boer, Bertil Herman van Jr. | Observations on Bach's Use of the Horn. | Bach | 11 | 2 | Apr 1980 | 21-28 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XII. Musicalisches Opfer (Musical Offering) (Zella St. Blasi, Thuringia: Johann Georg Schübler, 1747), Part I. | Bach | 11 | 2 | Apr 1980 | 29-36 | |
| Harriss, Ernest | A Chronology of the Works of Johann Sebastian Bach. Part II. | Bach | 11 | 3 | Jul 1980 | 2-8 | |
| Boer, Bertil H. van, Jr. | Observations on Bach's Use of the Horn. | Bach | 11 | 3 | Jul 1980 | 9-23 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XIII. Musicalisches Opfer (Musical Offering) (Zella St. Blasi, Thuringia: Johann Georg Schübler, 1747), Part II: Ricercar, a 6. | Bach | 11 | 3 | Jul 1980 | 24-31 | |
| Ambrose, Jane | The Bach Flute Sonatas: Recent Research and a Performer's Observations. | Bach | 11 | 3 | Jul 1980 | 32-45 | |
| Harriss, Ernest | A Chronology of the Works of Johann Sebastian Bach. Part III. | Bach | 11 | 4 | Oct 1980 | 3-7 | |
| Morgan, Wesley K. | Bach's Singet dem Herrn ein neues Lied: an Old Problem. | Bach | 11 | 4 | Oct 1980 | 8-23 | |
| Rimbach, Evangeline | The Magnificat of Johann Kuhnau. | Bach | 11 | 4 | Oct 1980 | 24-31 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XIV. Die Kunst der Fuge (Leipzig, 1752). | Bach | 11 | 4 | Oct 1980 | 32-36 | |
| Morgan, Wesley K. | Bach's Singet dem Herrn ein neues Lied: an Old Problem. Part II. | Bach | 12 | 1 | Jan 1981 | 2-12 | |
| Espinosa, Alma | More on the Figured-bass Accompaniment in Bach's Time: Friedrich Erhard Niedt and The Musical Guide. | Bach | 12 | 1 | Jan 1981 | 13-22 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XV. Die Kunst der Fuge (Leipzig, 1752). Contrapunctus I; Contrapunctus II. | Bach | 12 | 1 | Jan 1981 | 30-35 | |
| Braunlich, Helmut | Johann Peter Kellner's Copy of the Sonatas and Partitas for Violin Solo by J. S. Bach. | Bach | 12 | 2 | Apr 1981 | 2-10 | |
| Sevier, Zay David | Bach's Solo Violin Sonatas and Partitas: The First Century and a Half, Part 1. | Bach | 12 | 2 | Apr 1981 | 11-19 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XVI. Die Kunst der Fuge (Leipzig, 1752). Contrapunctus III, Contrapunctus IV. | Bach | 12 | 2 | Apr 1981 | 20-27 | |
| Heinrich, Adel | A Collation of the Expositions in Die Kunst der Fuge of J. S. Bach. | Bach | 12 | 2 | Apr 1981 | 28-40 | |
| Schenkman, Walter | Theory and Practice: Mattheson's Differing Key Arrangements, Part I. | Bach | 12 | 3 | Jul 1981 | 2-10 | |
| Gleason, Harold | A Seventeenth-Century Organ Instruction Book. [Wegweiser die Kunst die Orgel] | Bach | 12 | 3 | Jul 1981 | 11-20 | |
| Sevier, Zay David | Bach's Solo Violin Sonatas and Partitas: The First Century and a Half, Part 2. | Bach | 12 | 3 | Jul 1981 | 21-29 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XVI. Die Kunst der Fuge (Leipzig, 1752). Contrapunctus V, Contrapunctus VI. | Bach | 12 | 3 | Jul 1981 | 30-36 | |
| Schenkman, Walter | Theory and Practice: Mattheson's Differing Key Arrangements, Part II. | Bach | 12 | 4 | Oct 1981 | 3-9 | |
| Schenkman, Walter | Johann Mattheson's Organisten-Probe: Erlaeuterungen, A Translation, Part I. | Bach | 12 | 4 | Oct 1981 | 10-16 | |
| Corrao, Timothy | C. P. E. Bach's Clavier Quartet in A Minor, Wotquenne 93, Part I. | Bach | 12 | 4 | Oct 1981 | 17-21 | |
| Lenneberg, Hans | Bach, Handel, and Relative Success, Part I. | Bach | 12 | 4 | Oct 1981 | 22-27 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XVIII. Die Kunst der Fuge (Leipzig, 1752). Contrapunctus VII, Contrapunctus VIII. | Bach | 12 | 4 | Oct 1981 | 28-35 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XIX. Die Kunst der Fuge (Leipzig, 1752). Conclusion. | Bach | 13 | 1 | Jan 1982 | 2-44 | |
| Robison, John O. | The Lost Oboe Works of J. S. Bach. | Bach | 13 | 2 | Apr 1982 | 2-5 | |
| Adams, Courtney S. | Organization in the Two-Part Inventions of Johann Sebastian Bach, Part I. | Bach | 13 | 2 | Apr 1982 | 6-16 | |
| Lenneberg, Hans | Bach, Handel, and Relative Success, Part II. | Bach | 13 | 2 | Apr 1982 | 17-22 | |
| Corrao, Timothy | C. P. E. Bach's Clavier Quartet in A Minor, Wotquenne 93, Part II. | Bach | 13 | 2 | Apr 1982 | 23-27 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XIX [sic!]. Suite Première avec Prelude (Eighteenth-century Manuscript Copy of the First 'English' Suite) | Bach | 13 | 2 | Apr 1982 | 29-36 | |
| Robison, John O. | The Lost Oboe Works of J. S. Bach, Part II. | Bach | 13 | 3 | Jul 1982 | 3-11 | |
| Adams, Courtney S. | Organization in the Two-Part Inventions of Johann Sebastian Bach, Part II. | Bach | 13 | 3 | Jul 1982 | 12-19 | |
| Ambrose, Z. Philip | Another Lament in Weinen, Klagen, Sorgen, Zagen. | Bach | 13 | 3 | Jul 1982 | 20-22 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XX. Suite Première avec Prelude. Prélude, Gigue; [Suite 6] Gigue. | Bach | 13 | 3 | Jul 1982 | 23-34 | |
| Dürr, Alfred | The Historical Background of the Composition of Johann Sebastian Bach's Clavier Suite, Part I. | Bach | 13 | 4 | Oct 1982 | 2-7 | |
| Dürr, Alfred | Zur Entstehungsgeschichte der Klaviersuiten von Johann Sebastian Bach, I. | Bach | 13 | 4 | Oct 1982 | 8-13 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXI. [Suite 5] Prelude, BWV 810 Gigue; [Suite 6] Prelude, BWV 811. | Bach | 13 | 4 | Oct 1982 | 14-29 | |
| Robison, John O. | The Lost Oboe Works of J. S. Bach, Part III. | Bach | 13 | 4 | Oct 1982 | 30-35 | |
| Dürr, Alfred | The Historical Background of the Composition of Johann Sebastian Bach's Clavier Suite, Part II. | Bach | 14 | 1 | Jan 1983 | 2-11 | |
| Dürr, Alfred | Zur Entstehungsgeschichte der Klaviersuiten von Johann Sebastian Bach, II. | Bach | 14 | 1 | Jan 1983 | 12-21 | |
| Robison, John O. | The Lost Oboe Works of J. S. Bach, Part IV. | Bach | 14 | 1 | Jan 1983 | 22-28 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXII. 13 Parts to Cantata BWV 174 (1729), Ich liebe den Höchsten von ganzem Gemüte, Manuscript in the hands of J. S. Bach and his circle. | Bach | 14 | 1 | Jan 1983 | 29-39 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXIII. 13 Parts to Cantata BWV 174 (1729), Ich liebe den Höchsten von ganzem Gemüte, Manuscript in the hands of J. S. Bach and his circle. | Bach | 14 | 2 | Apr 1983 | 3-60 | |
| Fairleigh, James P. | Italian Prototypes of the Baroque Ritornello. | Bach | 14 | 3 | Jul 1983 | 2-11 | |
| Bolduan, Miriam F. | The Significance of the Viola Pomposa in the Bach Cantatas. | Bach | 14 | 3 | Jul 1983 | 12-17 | |
| Robison, John O. | The Lost Oboe Works of J. S. Bach, Part V. | Bach | 14 | 3 | Jul 1983 | 18-28 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXIV. Heinrich Nicolaus Gerber's Eighteenth-century Manuscript Copy of J. S. Bach's Wohl-temperirte Clavier. | Bach | 14 | 3 | Jul 1983 | 31-44 | |
| Flindell, E. Frederick | Apropos Bach's Inventions [Part I] | Bach | 14 | 4 | Oct 1983 | 3-14 | |
| Unmack, Susan; Hartwell, Robert | Baroque Ideals of Text Declamation and Their Relevance to the Falsobordone Genre. | Bach | 14 | 4 | Oct 1983 | 15-24 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXV. Heinrich Nicolaus Gerber's Eighteenth-century (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued). | Bach | 14 | 4 | Oct 1983 | 25-35 | |
| Flindell, E. Frederick | Apropos Bach's Inventions, Part II. | Bach | 15 | 1 | Jan 1984 | 3-16 | |
| Cowart, Georgia | Symbolic Correspondence in the Duets of Bach's Mass in B Minor, Part I. | Bach | 15 | 1 | Jan 1984 | 17-24 | |
| Barber, Elinore | [Facsimile of biographical entry of H. N. Gerber in his son's Historisch-Biographisches Lexicon der Tonkunstler, 1790] | Bach | 15 | 1 | Jan 1984 | 28-34 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXVI. Heinrich Nicolaus Gerber's Eighteenth-century (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued). | Bach | 15 | 1 | Jan 1984 | 36-43 | |
| Flindell, E. Frederick | Apropos Bach's Inventions, Part III. | Bach | 15 | 2 | Apr 1984 | 3-17 | |
| Cowart, Georgia | Symbolic Correspondence in the Duets of Bach's Mass in B Minor, Part II. | Bach | 15 | 2 | Apr 1984 | 18-25 | |
| Shatzkin, Merton | Thematic Anticipations in Bach. | Bach | 15 | 2 | Apr 1984 | 26-34 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXVII. Heinrich Nicolaus Gerber's Sixteenth-century [sic] (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued). | Bach | 15 | 2 | Apr 1984 | 35-44 | |
| Trautmann, Christoph | Bach's Clavierübung: III. | Bach | 15 | 3 | Jul 1984 | 3-11 | |
| Shatzkin, Merton | Thematic Anticipations in Bach, Part II. | Bach | 15 | 3 | Jul 1984 | 12-23 | |
| Heinrich, Adel | Significance of the Original Subject and Its Variants in Bach's Die Kunst der Fuge. | Bach | 15 | 3 | Jul 1984 | 24-32 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXVIII. Heinrich Nicolaus Gerber's Eighteenth-century (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued). | Bach | 15 | 3 | Jul 1984 | 33-36 | |
| White, H. M. | Canon in the Baroque Era: Some Precedents for the Musical Offering. | Bach | 15 | 4 | Oct 1984 | 4-15 | |
| Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXIX. Heinrich Nicolaus Gerber's Eighteenth-century (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued). | Bach | 15 | 4 | Oct 1984 | 37-52 | |
| Mann, Alfred | Missa Brevis and Historia: Bach's A-Major Mass. | Bach | 16 | 1 | Jan 1985 | 6-11 | |
| Herz, Gerhard | Toward a New Image of Bach. | Bach | 16 | 1 | Jan 1985 | 12-52 | |
| Dürr, Alfred | The Historical Background of the Composition of Johann Sebastian Bach's Clavier Suite, Part I. | Bach | 16 | 1 | Jan 1985 | 53-58 | |
| Dürr, Alfred | The Historical Background of the Composition of Johann Sebastian Bach's Clavier Suite, Part II. | Bach | 16 | 1 | Jan 1985 | 59-68 | |
| Noehren, Robert | Notes on Bach and the organ of his Time. | Bach | 16 | 1 | Jan 1985 | 69-80 | |
| Rilling, Helmuth | Bach's Significance. | Bach | 16 | 3 | Jul 1985 | 2-16 | |
| Brokaw, James A., II | Recent Research on the Sources and Genesis of Bach's Well-tempered Clavier, Book II. | Bach | 16 | 3 | Jul 1985 | 17-35 | |
| Ebert, Robert R. | Thalers, Patrons, and commerce -- A Glimpse at the Economy in the Times of J. S. Bach. | Bach | 16 | 3 | Jul 1985 | 37-54 | |
| Leaver, Robin A. | Heinrich Schütz as a Biblical Interpreter. | Bach | 16 | 4 | Oct 1985 | 4-8 | |
| Radice, Mark A. | Heinrich Schütz and the Foundations of the Stile Recitativo in Germany. | Bach | 16 | 4 | Oct 1985 | 9-23 | |
| Leaver, Robin A. | List of the Settings of Bible Texts in the Works of Heinrich Schütz. | Bach | 16 | 4 | Oct 1985 | 24-31 | |
| Leaver, Robin A. | Schütz and the Psalms. | Bach | 16 | 4 | Oct 1985 | 34-48 | |
| Schenbeck, Lawrence | Tempo and Rhythm in Bach's Cantata Ouvertures. | Bach | 17 | 1 | Jan 1986 | 3-17 | |
| Payne, Thomas B. | Musical Terminology in the Contrapuntal and Canonic Works of J. S. Bach. | Bach | 17 | 1 | Jan 1986 | 18-35 | |
| Linton, Michael | Bach, Luther, and the Magnificat. | Bach | 17 | 2 | Apr 1986 | 3-15 | |
| Smith, Timothy A. | More Evidence of Numeral-Logical Design in Bach's St.Matthew Passion. | Bach | 17 | 2 | Apr 1986 | 24-30 | |
| Collins, Timothy | Observations on the Origins and Influences Leading to Bach's Idiomatic Writing for the Trumpet in Grosser Herr o starker König from the Christmas Oratorio. | Bach | 17 | 2 | Apr 1986 | 31-45 | |
| Ambrose, Jane | Notations on Mattheson's Der Brauchbare Virtuoso. | Bach | 17 | 3 | Jul 1986 | 3-9 | |
| Konecni, Vladimir J.; [Koneèni] | Bach's St. Matthew Passion: A Rudimentary Psychological Analysis, Part I. | Bach | 17 | 3 | Jul 1986 | 10-21 | |
| Bostrom, Kerry L. | The Use of Recitative and the Communal Style in the Solo Cantatas of Dietrich Buxtehude. | Bach | 17 | 3 | Jul 1986 | 22-32 | |
| Konecni, Vladimir J.; [Koneèni] | Bach's St. Matthew Passion: A Rudimentary Psychological Analysis, Part II. | Bach | 17 | 4 | Oct 1986 | 3-16 | |
| Stinson, Russell | Bach's Tercentenary Issues of Periodicals: A Selected Bibliography. | Bach | 17 | 4 | Oct 1986 | 17-23 | |
| Barber, Elinore | Bach's 'Incomplete' Quadruple Fugue from Die Kunst der Fuge (1752-Edition Print Held by the Riemenschneider Bach Institute.) | Bach | 17 | 4 | Oct 1986 | 24-29 | |
| Heinrich, Adel | Heretofore Unpublished Conclusions for the 'Incomplete' Quadruple Fugue (Die Kunst der Fuge) Project. Part I: Adel Heinrich's 1986 Contribution. | Bach | 17 | 4 | Oct 1986 | 30-41 | |
| Benitez, Vincent P. | Musical-Rhetorical Figures in the Orgelbüchlein of J. S. Bach. | Bach | 18 | 1 | Jan 1987 | 3-21 | |
| Stinson, Russell | An Introduction to Beiträge zur Bachforschung. | Bach | 18 | 1 | Jan 1987 | 22-24 | |
| Barber, Elinore | Riemenschneider Bach Institute Vault Holdings, Facsimile Series: .. Wegweiser .. Die Kunst die Orgel recht zu schlagen -- A Seventeenth-century Organ Instruction Book, Part I. | Bach | 18 | 1 | Jan 1987 | 25-36 | |
| [Hewlett, Walter B.] | Riemenschneider Bach Institute Library, Facsimile Series: Vermehrter ... Wegweiser... die Kunst die Orgel recht zu schlagen. Part I, Continued: Walter B Hewlett's English Translations of the Eight Wegweiser Pages Previously Printed in the January 1987 BACH Journal together with BACH Editorial Notes Including Minor Differences between the 1692 and 1698 Wegweiser Editions, and Dr. Hewlett's Explanatory Notes. | Bach | 18 | 2 | Apr 1987 | 4-35 | |
| [Hewlett, Walter B.] | Riemenschneider Bach Institute Library, Facsimile Series: Vermehrter ... Wegweiser... die Kunst die Orgel recht zu schlagen. Part II: 'Introductory Remarks' from Walter B Hewlett's Vermehrter ... Wegweiser of 1698 and the 1692 Wegweiser Pages 9-14 Published in Tandem with Dr. Hewlett's Translation and Explanatory Notes and BACH Editorial Notes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions. | Bach | 18 | 2 | Apr 1987 | 37-63 | |
| Radice, Mark A. | Johann Mattheson and the Stylus Narrativus. | Bach | 18 | 3 | Jul 1987 | 3-9 | |
| [Hewlett, Walter B.] | Riemenschneider Bach Institute Library, Facsimile Series: Vermehrter ... Wegweiser... die Kunst die Orgel recht zu schlagen. (Part III). The 1692 Wegweiser, Pages 15-21 Published in Tandem with Dr. Hewlett's Translation and Explanatory Notes and Editorial Footnotes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions. | Bach | 18 | 3 | Jul 1987 | 11-37 | |
| Johnson, Paul | Tempo Relation in a Class of Keyboard Compositions from Sweelinck to Bach. | Bach | 18 | 4 | Oct 1987 | 4-28 | |
| [Hewlett, Walter B.] | Riemenschneider Bach Institute Library, Facsimile Series: Vermehrter ... Wegweiser... die Kunst die Orgel recht zu schlagen. (Part IV). The 1692 Wegweiser, Pages 22-29 Published in Tandem with Dr. Hewlett's Translation and Explanatory Notes and Editorial Footnotes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions. | Bach | 18 | 4 | Oct 1987 | 29-54 | |
| Wolff, Christoph | Musical Forms and Dramatic Structure in Bach's St. Matthew Passion. | Bach | 19 | 1 | 1988 | 6-20 | |
| Schildkret, David | Toward a Correct Performance of Fermatas in Bach's Chorales. | Bach | 19 | 1 | 1988 | 21-27 | |
| Ebert, Robert R. | A Comparison of the Prices of Organs in Bach's Time and the 1980's. | Bach | 19 | 1 | 1988 | 28-45 | |
| Getz, Christine Suzanne | A Telemann Concerto for Violin and Strings?: Some Hints on the Reconstruction of an Unidentified Concerto. | Bach | 19 | 2 | 1988 | 3-24 | |
| [Hewlett, Walter B.] | Riemenschneider Bach Institute Library. Facsimile Series: Vermehrter...Wegweiser... die Kunst die Orgel recht zu schlagen (Part V). The 1692 Wegweiser, Pages 30-48 Published in Tandem with Dr. Walter Hewlett's 1698 Translations and Explanatory Notes and Editorial Footnotes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions. | Bach | 19 | 2 | 1988 | 25-56 | |
| Collins, Timothy A. | Gottfried Reiche: A More Complete Biography. | Bach | 19 | 3 | Fall 1988 | 4-18 | |
| [Hewlett, Walter B.] | Riemenschneider Bach Institute Library. Facsimile Series: Vermehrter...Wegweiser... die Kust die Orgel recht zu schlagen. The 1692 Wegweiser, Pages 41-48 Published in Tandem with Dr. Walter Hewlett's 1698 Translations and Explanatory Notes and Editorial Footnotes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions Together with Dr. Hewlett's Translation of Carissimi's Ars Cantandi, 1696 Edition (Published with the 1698 Wegweiser) | Bach | 19 | 3 | Fall 1988 | 19-74 | |
| Schulze, Hans-Joachim | The Parody Process in Bach's Music: An Old Problem Reconsidered. | Bach | 20 | 1 | Spring 1989 | 7-21 | |
| Cox, Howard H. | Bach's Conception of His Office. | Bach | 20 | 1 | Spring 1989 | 22-30 | |
| Whaples, Miriam K. | Bach's Earliest Arias. | Bach | 20 | 1 | Spring 1989 | 31-54 | |
| Wolff, Christoph | Bach the Cantor, the Capellmeister, and the Musical Scholar: Aspects of the B-Minor Mass. | Bach | 20 | 1 | Spring 1989 | 55-64 | |
| Butler, Gregory G. | J. S. Bach's Einige Canonische Veraenderungen: The View from the Original Print. | Bach | 20 | 2 | Summer 1989 | 4-37 | |
| Snyder, Kerala J. | To Lübeck in the Steps of J. S. Bach. | Bach | 20 | 2 | Summer 1989 | 38-48 | |
| Dadelsen, Georg von | Friedrich Smend's Edition of the B-minor Mass by J. S. Bach. | Bach | 20 | 2 | Summer 1989 | 49-74 | |
| Mann, Alfred | A Document from the Hand of Arthur Mendel: Introduction and Commentary. | Bach | 20 | 3 | Fall 1989 | 4-5(-14) | |
| Mendel, Arthur | Persönliches zur Geschichte der Jüngeren Bach-Forschung. ('A Personal Message Concerning the History of Recent Bach Scholarship') | Bach | 20 | 3 | Fall 1989 | 6-14 | |
| Tatlow, Ruth | J. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number-Alphabet Theory. | Bach | 20 | 3 | Fall 1989 | 15-33 | |
| Leaver, Robin A. | The Revival of the St. John Passion: History and Performance Practice. | Bach | 20 | 3 | Fall 1989 | 34-49 | |
| Herz, Gerhard | Yoshitake Kobayashi's Article 'On the Chronology of the last phase of Bach's Work - Compositions and Performances: 1736 to 1750' - An Analysis with Translated Portions of the Original Text. | Bach | 21 | 1 | Spring 1990 | 3-25 | |
| Schulze, Hans-Joachim | Bach's Secular Cantatas - A New Look at the Sources. | Bach | 21 | 1 | Spring 1990 | 26-41 | |
| Faulkner, Quentin | Jacob Adlung's 'Musica Mechanica Organoedi' and the 'Bach Organ'. | Bach | 21 | 1 | Spring 1990 | 42-59 | |
| Marshall, Robert L. | Truth and Beauty: J. S. Bach at the Crossroads of Cultural History. | Bach | 21 | 2 | Summer 1990 | 3-14 | |
| David, Hans T. | Deceptive Performance Traditions. (1926) | Bach | 21 | 2 | Summer 1990 | 15-22 | |
| David, Hans T. | Trugerische Aufführungstraditionen. [Original Text] | Bach | 21 | 2 | Summer 1990 | 23-30 | |
| Eller, Rudolf | Thoughts on Bach's Leipzig Creative Years. | Bach | 21 | 2 | Summer 1990 | 31-54 | |
| Herz, Gerhard | The Story behind Alfred Dürr's 'Capriccio'. | Bach | 21 | 3 | Winter 1990 | 4-8 | |
| Morana, Frank | The Presto in D minor, BWV 970: Its Authorship Reconsidered. | Bach | 21 | 3 | Winter 1990 | 9-29 | |
| Leaver, Robin A. | Parody and Theological Consistency: Notes on Bach's A-Major Mass. | Bach | 21 | 3 | Winter 1990 | 30-43 | |
| Franklin, Don O. | The Carnegie Manuscript and J. S. Bach. | Bach | 22 | 1 | Spring-Summer 1991 | 5-15 | |
| Marshall, Robert L. | Bach and Mozart: Styles of Musical Genius. | Bach | 22 | 1 | Spring-Summer 1991 | 16-32 | |
| Kroeger, Karl | Johann Sebastian Bach in Nineteenth-Century America. | Bach | 22 | 1 | Spring-Summer 1991 | 33-42 | |
| Buelow, George J. | A Bach Borrowing by Gluck: Another Frontier. | Bach | 22 | 1 | Spring-Summer 1991 | 43-61 | |
| Siegele, Ulrich | 'I had to be industrious...'. Thoughts about the relationship between Bach's social and musical character. | Bach | 22 | 2 | Fall-Winter 1991 | 5-12 | |
| Morana, Frank | The lost dedication copy of Partita 1: Bach as Poet? | Bach | 22 | 2 | Fall-Winter 1991 | 13-23 | |
| Leaver, Robin A. | New Light on the Pre-History of The Bach Choir of Bethlehem. | Bach | 22 | 2 | Fall-Winter 1991 | 24-34 | |
| Kordes, Gesa | Self-Parody and the 'Hunting-Cantata,' BWV 208 - An Aspect of Bach's Compositional Process. | Bach | 22 | 2 | Fall-Winter 1991 | 35-57 | |
| Nott, Kenneth | 'Tilge, Höchster, meine Sünden': Observations on Bach and the style galant. | Bach | 23 | 1 | Spring-Summer 1992 | 3-30 | |
| Rogal, Samuel J. | For the Love of Bach: The Charles Burney - Samuel Wesley Correspondence. | Bach | 23 | 1 | Spring-Summer 1992 | 31-37 | |
| Louwenaar-Lueck, Karyl | The Sequence of Sarabande and Air in Bach's Keyboard Partitas. | Bach | 23 | 1 | Spring-Summer 1992 | 38-50 | |
| Schulenberg, David | C.P.E. Bach and Handel: A Son of Bach Confronts Music History and Criticism. | Bach | 23 | 2 | Fall-Winter 1992 | 5-30 | |
| Marissen, Michael | On Linking Bach's F-Major Sinfonia and his Hunt Cantata. | Bach | 23 | 2 | Fall-Winter 1992 | 31-46 | |
| White, Andrew | The Prelude and Fugue in C major from Bach's Well-Tempered Clavier [Book I]: Notes on the Compositional Process. | Bach | 23 | 2 | Fall-Winter 1992 | 47-60 | |
| Collins, Denis | Historical Precedents for Bach's Evolutio Canon BWV 1087/10. | Bach | 24 | 1 | Spring-Summer 1993 | 5-14 | |
| Radice, Mark A. | Concerning the Dating of Reinhard Keiser's St. Mark Passion. | Bach | 24 | 1 | Spring-Summer 1993 | 15-20 | |
| Cox, Howard H. | The Text Selection Process in Handel's Chandos Anthems. | Bach | 24 | 1 | Spring-Summer 1993 | 21-34 | |
| McLean, Hugh J. | BWV 551, A Bachian Orphan. | Bach | 24 | 1 | Spring-Summer 1993 | 35-42 | |
| Kobayashi, Yoshitake | Universality in Bach's B Minor Mass: A Portrait of Bach in His Final Years. (In Memoriam Dietrich Kilian.) | Bach | 24 | 2 | Fall-Winter 1993 | 3-25 | |
| Morana, Frank | The 'Dobenecker' Toccata BWV-Anh. II 85: An Early Bach Work? | Bach | 24 | 2 | Fall-Winter 1993 | 26-37 | |
| Butler, Gregory G. | J. S. Bach's 'Hudemann' Canon, BWV 1074: A Note on the Engraving and Printing History. | Bach | 25 | 1 | Spring-Summer 1994 | 5-10 | |
| Marissen, Michael | More Source-Critical Research on J. S. Bach's Musical Offering. | Bach | 25 | 1 | Spring-Summer 1994 | 11-27 | |
| Cox, Howard H. | The Scholarly Detective: Investigating Bach's Personal Bible. | Bach | 25 | 1 | Spring-Summer 1994 | 28-45 | |
| Kellner, Herbert Anton | Kepler, Bach, and Gauss: The Celestial Harmony of the Earth's Motion. | Bach | 25 | 1 | Spring-Summer 1994 | 46-56 | |
| David, Hans T. | Deceptive Performance Traditions. (1926) | Bach | 25 | 2 | Fall-Winter 1994 | 36-53 | |
| George Kochevitsky Speaks Concerning the Performance of Early Music. (1972-1976) | Bach | 25 | 2 | Fall-Winter 1994 | 54-58 | |
| Rudolf, Max | Storm and Stress in Music. (1972) | Bach | 25 | 2 | Fall-Winter 1994 | 6-35 | |
| Schenkman, Walter | Portrait of Mattheson, the Editor, Together with His Correspondents. (1978-1979) | Bach | 25 | 2 | Fall-Winter 1994 | 63-90 | |
| Ambrose, Jane | Notations on Mattheson's Der brauchbare Virtuoso. (1986) | Bach | 25 | 2 | Fall-Winter 1994 | 91-98 | |
| Radice, Mark A. | Tate's Libretto for Dido and Aeneas: A Revaluation. (1976) | Bach | 25 | 2 | Fall-Winter 1994 | 99-106 | |
| Leaver, Robin A. | The Funeral Sermon for Heinrich Schütz. | Bach | 25 | 2 | Fall-Winter 1994 | 115-129 | |
| Emans, Reinmar | Stylistic Analysis and Text Philology in the Service of 'Inner Chronology' involving Stylistic Analysis of Selected Arias by Johann Sebastian Bach. | Bach | 26 | 1-2 | 1995 | 1-14 | |
| Emans, Reinmar | Stilkritik und Textphilologie im Dienste der 'inneren Chronologie'. Stilkritische Untersuchungen zu ausgewählten Arien Johann Sebastian Bachs. | Bach | 26 | 1-2 | 1995 | 15-27 | |
| Smithers, Don L. | The Original Circumstances in the Performance of Bach's Leipzig Church Cantatas, 'Wegen seiner Sonn- und Festtägigen Amts-Verrichtungen'. | Bach | 26 | 1-2 | 1995 | 28-47 | |
| Schenkman, Walter | Bach and the Beer Fiddlers. | Bach | 26 | 1-2 | 1995 | 48-56 | |
| Harmon, Thomas | The Mühlhausen Organ Revisited. Precious Clues to Bach's Preference in Organ Design and Registration. | Bach | 26 | 1-2 | 1995 | 57-69 | |
| Noehren, Robert | Notes on Bach and the Organ of his Time. | Bach | 26 | 1-2 | 1995 | 70-83 | |
| Brown, Emily Freeman | Zarathustra. Reflection of the Baroque Overture. | Bach | 26 | 1-2 | 1995 | 84-90 | |
| Collins, Denis | Musical Terminology in the Canonic Works of Bach: An Historical Context. | Bach | 26 | 1-2 | 1995 | 91-101 | |
| Crist, Stephen A. | Bach, Theology, and Harmony: A New Look at the Arias. | Bach | 27 | 1 | Spring-Summer 1996 | 1-30 | |
| Linton, Michael | The Dual Chiastic Design of the C-Major Prelude, BWV 870 (The Well Tempered Clavier, Book II.) | Bach | 27 | 1 | Spring-Summer 1996 | 31-56 | |
| Ambrose, Jane | Madness and Music: Handel's Porphyric Patron, George III. | Bach | 27 | 1 | Spring-Summer 1996 | 57-65 | |
| Parvula Corona Musicalis by Ernst Krenek: The Composer's Autograph Manuscript and Explanations. | Bach | 27 | 1 | Spring-Summer 1996 | 66-85 | |
| Smithers, Don L. | Anomalies of Tonart and Stimmton in the first version of Bach's Magnificat (BWV 243a). | Bach | 27 | 2 | Fall-Winter 1996 | 1-59 | |
| Gleason, Harold | A seventeenth-century Organ Instruction Book. [Wegweiser die Kunst die Orgel recht zu schlagen] | Bach | 27 | 2 | Fall-Winter 1996 | 60-83 | |
| Smithers, Don L. | The Emperors' New Clothes Reappraised; or Bach's Musical Resources Revealed. | Bach | 28 | 1-2 | 1997 | 1-81 | |
| Livingstone, Ernest | Notes on the Art of Fugue: A Fragment. | Bach | 28 | 1-2 | 1997 | 82-86 | |
| Unger, Melvin P. | Bach's First Two Leipzig Cantatas: The Question of Meaning Revisited. | Bach | 28 | 1-2 | 1997 | 87-125 | |
| Butler, H. Joseph | A Newly Discovered Work of Charles Theodore Pachelbel. | Bach | 28 | 1-2 | 1997 | 126-144 | |
| Smith, Timothy A. | That 'Crown of Thorns'. | Bach | 28 | 1-2 | 1997 | 144-150 | |
| Flindell, E. Frederick | Bach's Tempos and Rhetorical Applications. | Bach | 28 | 1-2 | 1997 | 151-236 | |
| Barber, Elinore | J. S. Bach: Suite 4 à Violoncello Solo -- A Manuscript Copy in the Hand of Anna Magdalena Bach; Doris Ornstein's Harpsichord Transcription of BWV 1010. | Bach | 29 | 1 | Spring-Summer 1998 | 38-76 | |
| Barber, Elinore | Albert Riemenschneider: A Portrait of the Founder of Baldwin-Wallace College's Conservatory of the Occasion of its 100th Anniversary. | Bach | 29 | 2 | Fall-Winter 1998 | 1-7 | |
| Tomita, Yo | The Sources of J. S. Bach's Well-Tempered Clavier II in Vienna 1777-1801. | Bach | 29 | 2 | Fall-Winter 1998 | 8-79 | |
| Kellner, Herbert Anton | A Mathematical Approach Reconstructing J. S. Bach's Keyboard Temperament. | Bach | 30 | 1 | Spring-Summer 1999 | 1-9 | |
| Kellner, Herbert Anton | Considering the Tempering Tonality B-Major in Well-Tempered Clavier II. | Bach | 30 | 1 | Spring-Summer 1999 | 10-25 | |
| Leahy, Anne | The Opening Chorus of Cantata BWV 78, Jesu, der du meine Seele; Another Example of Bach's Interest in Matters Soteriological. | Bach | 30 | 1 | Spring-Summer 1999 | 26-41 | |
| Payne, Ian | Telemann's Musical Style c.1709-c.1730 and J. S. Bach: The Evidence of Borrowing. | Bach | 30 | 1 | Spring-Summer 1999 | 42-64 | |
| Markevitch, Dimitry | Bach's Cello Suites Revisited: The Manuscripts of the Bach Cello Suites, an Inextricable Labyrinth for Cellists? [A Reader's Response] | Bach | 30 | 1 | Spring-Summer 1999 | 66-69 | |
| Rifkin, Joshua | The Emperor's Headgear: A Brief Response to Don Smithers. | Bach | 30 | 1 | Spring-Summer 1999 | 70-73 | |
| Baumgartner, Nicholas | Currents in Bach Interpretation in Contemporary Germany. | Bach | 30 | 2 | 1999 | 1-26 | |
| Collins, Denis | Bach and Approaches to Canonic Composition in Early Eighteenth-Century Theoretical and Chamber Music Sources. | Bach | 30 | 2 | 1999 | 27-48 | |
| Tomita, Yo | Bach and His Early Drafts: Some Observations on Little Known Early Versions of Well-Tempered Clavier II and the Goldberg Variations from the Manfred Gorke Collection. | Bach | 30 | 2 | 1999 | 49-72 | |
| Badura-Skoda, Eva | Did J. S. Bach Compose 'Pianoforte Concertos'? | Bach | 31 | 1 | 2000 | 1-16 | |
| Leaver, Robin A. | Johann Sebastian Bach: Theological Musician and Musical Theologian. | Bach | 31 | 1 | 2000 | 17-33 | |
| Milner, Scott C. | 'Süße Todesstunde' or 'Mit Fried und Freud': Reformation Theology and the Lutheran 'Art of Dying' in Two Bach Cantatas. | Bach | 31 | 1 | 2000 | 34-57 | |
| Peters, Mark A. | Adapting Bach's final Weimar Cantata for Performance in Leipzig: Liturgical and Musical Considerations in Cantata 147. | Bach | 31 | 1 | 2000 | 58-73 | |
| Jerold, Beverly | Pitch in the Vocal Works of J. S. Bach. | Bach | 31 | 1 | 2000 | 74-95 | |
| Cole, Warwick | Improvisation as a Stimulus to Composition in Bach's Partita II. | Bach | 31 | 1 | 2000 | 96-112 | |
| Author-Title-Subject: Cumulative Index 1970-2000 | Bach | 31 | 2 | 2000 | 1-67 | |
| Melamed, Daniel R. | The Text of 'Gott ist mein König' BWV 71. | Bach | 32 | 1 | 2001 | 1-16 | |
| Tomita, Yo | Psalm and the Well-Tempered Clavier II: Revisiting the Old Question of Bach's Source of Inspiration. | Bach | 32 | 1 | 2001 | 17-43 | |
| Payne, Ian | Telemann's Fragmentary Ensemble Version of Keyboard Ouverture, TWV 32:16 and the 'Consort' Element in the Pre-c.1730 Keyboard Suites. | Bach | 32 | 1 | 2001 | 44-72 | |
| Barber, Elinore | Schweitzer and Bach. | Bach | 32 | 1 | 2001 | 73-76 | |
| Mann, Alfred | Gerhard Herz (September 24, 1911--September 3, 2000). | Bach | 32 | 1 | 2001 | 77-78 | |
| Schulze, Hans-Joachim | Ey! How Sweet the Coffee Tastes: Johann Sebastian Bach's Coffee Cantata in its Time. | Bach | 32 | 2 | 2001 | 1-34 | |
| Schulze, Hans-Joachim | 'Ey! Wie schmeckt der Coffee süsse': Johann Sebastian Bachs Kaffee-Kantate in ihrer Zeit. | Bach | 32 | 2 | 2001 | 36-117 | |
| Baumgartner, Nicholas | European Bach Interpretation at the Turn of the Millennium. | Bach | 33 | 1 | 2002 | 1-56 | |
| Butler, Gregory G. | The Galant Style in J. S. Bach's Musical Offering: Widening the Dimensions. | Bach | 33 | 1 | 2002 | 57-68 | |
| Ahrens, Christian | Johann Sebastian Bach and The 'New Gusto' In Music Around 1740. | Bach | 33 | 1 | 2002 | 69-83 | |
| Jerold, Beverly | Editorial Decisions for Ornaments in Bach's Works. | Bach | 33 | 2 | 2002 | 1-14 | |
| Collins, Denis | Bach's Occasional Canon BWV 1073 and 'Stacked' Canonic Procedure in the Eighteenth Century. | Bach | 33 | 2 | 2002 | 15-34 | |
| Steiger, Renate | Dialogue Structures in J. S. Bach's Cantatas: The Basic Form of Worship as a Model for Artistic Shaping. | Bach | 33 | 2 | 2002 | 35-70 | |
| Mayerovitch, Robert | CD Review: Johann Sebastian Bach. Art of Fugue. Peter Elyakim Taussig, piano solo. MS 102 Crystal Music Records, 2001. Recorded on the Yamaha Disklavier PRO(R)piano. | Bach | 33 | 2 | 2002 | 71-76 | |
| Greer, Mary | Embracing Faith: The Duet as Metaphor in Selected Sacred Cantatas by J. S. Bach. | Bach | 34 | 1 | 2003 | 1-71 | |
| Kennelly, Laura | The Willard Palmer Collection at the Riemenschneider Bach Institute. | Bach | 34 | 1 | 2003 | 72-89 | |
| Clement, Albert | On the Inner Correlation of the Six Chorales BWV 645-650 and its Significance. | Bach | 34 | 2 | 2003 | 1-62 | |
| Schenkman, Walter | Tatlow's Bach and Bach's Signatures in the Goldberg Variations. | Bach | 34 | 2 | 2003 | 63-106 | |
| Elferen, Isabella van | 'Recht bitter und doch süße': Textual and Musical Expression of Mystical Love in German Baroque Meditations of Christ's Passion. | Bach | 35 | 1 | 2004 | 1-28 | |
| Geck, Martin | The Ultimate Goal of Bach's Art. | Bach | 35 | 1 | 2004 | 29-41 | |
| Butler, Lynn Edwards | Johann Christoph Bach's New Organ for Eisenach's Georgenkirche. | Bach | 35 | 1 | 2004 | 42-60 | |
| Jerold, Beverly | Fasch and the Beginning of Modern Artistic Choral Singing. | Bach | 35 | 1 | 2004 | 61-86 | |
| Botwinick, Sara | From Ohrdruf to Mühlhausen: A Subversive Reading of Bach's Relationship to Authority. | Bach | 35 | 2 | 2004 | 1-59 | |
| Garcia, Federico | The Nature of Bach's Italian Concerto BWV 971. | Bach | 36 | 1 | 2005 | 1-24 | |
| Peters, Mark A. | A Reconsideration of Bach's Role as Text Redactor in the Ziegler Cantatas. | Bach | 36 | 1 | 2005 | 25-66 | |
| Jerold, Beverly | Bach's Lament about Leipzig's Professional Instrumentalists. | Bach | 36 | 1 | 2005 | 67-96 | |
| Flindell, E. Frederick | Bach and the Middle Ages. | Bach | 36 | 2 | 2005 | 1-119 | |
| Jerold, Beverly | [On Gertrud Schmeling Mara.] | Bach | 36 | 2 | 2005 | 120-122 | |
| Ellis, Mark | Motif and Structure in Bach's Fifth Prelude. | Bach | 37 | 1 | 2006 | 1-25 | |
| Corlis, Timothy | Analysis of Spectra in J. S. Bach's Prelude and Fugue, BWV 552. | Bach | 37 | 1 | 2006 | 26-49 | |
| Coul, Thomas Op de | The Augmentation Canon in J. S. Bach's Musicalisches Opfer. | Bach | 37 | 1 | 2006 | 50-77 | |
| Paczkowski, Szymon | On the Problems of Parody and Style in the 'Et resurrexit' from the Mass in B minor by Johann Sebastian Bach. | Bach | 37 | 2 | 2006 | 1-44 | |
| Payne, Ian | Telemann and the French Style Revisited: Transformative Imitation in the Ensemble Suites (TWV 55). | Bach | 37 | 2 | 2006 | 45-80 | |
| Leahy, Anne | 'Vor deinen Thron tret ich': The Eschatological Significance of the Chorale Settings of the P271 Manuscript of the Berlin Staatsbibliothek. | Bach | 37 | 2 | 2006 | 81-118 | |
| Unger, Melvin P. | Alfred Mann. | Bach | 37 | 2 | 2006 | 119 | |
| Rathey, Markus | Two Unlikely Sisters: The 'Cross' and the 'Crosses' in BWV 12 and 69a. | Bach | 38 | 1 | 2007 | 1-44 | |
| Öhm-Kühnle, Christoph | Heinrich Nikolaus Gerber's Rediscovered Manuscript of Johann Sebastian Bach's Suite in E Minor (BWV 996): A Copy of Bach's Hitherto Unknown Revised Version. | Bach | 38 | 1 | 2007 | 45-66 | |
| Rienenschneider, Tom; Kennelly, Laura | The Baldwin-Wallace College Bach Legacy at 75 Years. | Bach | 38 | 1 | 2007 | 67-85 | |
| Oleskiewicz, Mary | 'For the Church as Well as For the Orchestra': J.S. Bach, the Missa, and the Dresden Court, 1700-1750. | Bach | 38 | 2 | 2007 | 1-38 | |
| Collins, Denis | From Bull to Bach: In Search of Precedents for the 'Complete' Version of the Canon by Augmentation and Contrary Motion in J. S. Bach's Musical Offering. | Bach | 38 | 2 | 2007 | 39-63 | |
| Paczkowski, Szymon | Bach and the Story of an 'Aria Tempo di Polonaise' for Joachim Friedrich Flemming. | Bach | 38 | 2 | 2007 | 64-98 | |
| Stinson, Russell | Clara Schumann's Bach Book: A Neglected Document of the Bach Revival. | Bach | 39 | 1 | 2008 | 1-66 | |
| Bates, William H. | J. S. Bach's Fantasy and Fugue in G Minor, BWV 542: A Source Study for Organists. | Bach | 39 | 2 | 2008 | 1-89 | |
| Glöckner, Andreas | Alumni and Externals in the Choirs of the Thomas School during Bach's Time. | Bach | 40 | 1 | 2009 | 1-34 | |
| Elferen, Isabella van | The Hungry Soul: Communion Mystics and Physiology in J. S. Bach's St. Matthew Passion. | Bach | 40 | 1 | 2009 | 35-57 | |
| Leahy, Anne | The American Image of Bach from a German Emigré's Perspective: Gerhard Herz and the Modern American Bach Movement. | Bach | 40 | 1 | 2009 | 58-79 | |
| Pardee, Katharine | The Earliest Complete Performance of the St. Matthew Passion? | Bach | 40 | 1 | 2009 | 80-81 | |
| Crean, Elise | G. H. Stölzel's Practischer Beweiss: A Hitherto Unconsidered Source for J. S. Bach's Fourteen Canons. | Bach | 40 | 2 | 2009 | 1-21 | |
| Serebrennikov, Maxim | From Partimento Fugue to Thoroughbass Fugue: New Perspectives. | Bach | 40 | 2 | 2009 | 22-43 | |
| Smith, Timothy A. | Fugues Without Words: A Hearing of Four Fugues from The Well-Tempered Clavier as Passion Music. | Bach | 40 | 2 | 2009 | 44-65 | |
| Edwards, Timothy D. | The Royal Theme's Hidden Symmetry: In Defense of the Concise Solution to the Augmentation Canon in J. S. Bach's Musical Offering. | Bach | 41 | 1 | 2010 | 1-31 | |
| Armstrong, Joe | The Formation of Bach's Motifs: Chapter Two of André Pirro's L'Esthétique de Jean-Sébastien Bach. | Bach | 41 | 1 | 2010 | 32-96 | |
| Corneilson, Paul | C. P. E. Bach's Evangelist: Johann Heinrich Michel. | Bach | 41 | 2 | 2010 | 1-23 | |
| Schulenberg, David | An Enigmatic Legacy: Two Instrumental Works Attributed to Wilhelm Friedemann Bach. | Bach | 41 | 2 | 2010 | 24-60 | |
| Jerold, Beverly | The Bach-Scheibe Controversy: New Documentation. | Bach | 42 | 1 | 2011 | 1-45 | |
| Göncz, Zoltán | The Sacred Codes of the Six-Part Ricercar. | Bach | 42 | 1 | 2011 | 46-69 | |
| Irwin, Joyce | The Orthodox Lutheranism of Mattheson and Bach. | Bach | 42 | 1 | 2011 | 70-83 | |
| Milka, Anatoly [Milka, Anatolij Pavloviè] | Preface to the Facsimile Reproduction of the Original Edition of Gottfried Kirchhoff's L'A.B.C. Musical: Contenant des Preludes et des Fugues les Tons Pour l'Orgue, ou le Clavecin Fort utile aux disciples pour aprendre a accompagner de la Basse Continue et a faire des Preludes et des Fugues. Amsterdam, c.1734. | Bach | 42 | 2 | 2011 | 1-39 | |
| Leaver, Robin A. | Suggestions for Future Research into Bach and the Chorale: Aspects of Repertoire, Pedagogy, Theory, and Practice. | Bach | 42 | 2 | 2011 | 40-63 | |
| Morgan, Emerson | A Previously Unknown Source for the Orgelbüchlein: Yale Misc. Ms. 545. | Bach | 42 | 2 | 2011 | 64-73 | |
| Marshall, Robert L. | Bach at Mid-Life: The Christmas Oratorio and the Search for New Paths. | Bach | 43 | 1 | 2012 | 1-28 | |
| Peters, Mark A. | J. S. Bach's Meine Seel' erhebt den Herren (BWV 10) as Chorale Cantata and Magnificat Paraphrase. | Bach | 43 | 1 | 2012 | 29-65 | |
| Rathey, Markus | Johann Sebastian Bach's Passions: Recent Publications and Trends in Current Scholarship. | Bach | 43 | 1 | 2012 | 65-83 | |
| Greer, Mary | Masonic Allusions in the Dedications of two Canons by J. S. Bach: BWV 1078 and 1075. | Bach | 43 | 2 | 2012 | 1-45 | |
| Rathey, Markus | The Chorale Cantata in Leipzig: The Collaboration between Schelle and Carpzov in 1689-1690 and Bach's Chorale Cantata Cycle. | Bach | 43 | 2 | 2012 | 46-92 | |
| Ebata, Nobuaki; Tomita, Yo; Mills, Ian | Mendelssohn and The Schübler Chorales (BWV 645-650): A New Source found in the Riemenschneider Bach Institute Collection. | Bach | 44 | 1 | 2013 | 1-45 | |
| Ishii, Akira | Johann Sebastian Bach, Carl Philipp Emanuel Bach, and Johann Jacob Froberger: The Dissemination of Froberger's Contrapuntal Works in Late Eighteenth-Century Berlin. | Bach | 44 | 1 | 2013 | 46-133 | |
| Kennelly, Laura | In Memoriam: Elinore Louise Barber (June 3, 1919-March 26, 2013) | Bach | 44 | 1 | 2013 | 134 | |
| Butler, Lynn Edwards | Four Sources Relating to Bach, Organ Builder Johann Scheibe, and the Organs in Zschortau and Stötteritz. | Bach | 44 | 2 | 2013 | 1-5 | |
| Grant, Jason B. | The Origins of the Aria 'Ich folge dir, verklärter Held' and the Recurring Chorus 'Triumph!' from the Oratorio Die Auferstehung und Himmelfahrt Jesu by Carl Philipp Emanuel Bach. | Bach | 44 | 2 | 2013 | 6-24 | |
| Chobanian, Loris Ohannes | FANTASIA For Organ Duo / 'Bach - Riemenschneider' | Bach | 44 | 2 | 2013 | 21p | |
| Lee, Kayoung | The Reception of Bach's Music in Korea from 1900 to 1945. | Bach | 44 | 2 | 2013 | 25-51 | |
| Serebrennikov, Maxim | Once Again on the Authorship of BWV 907 and BWV 908. | Bach | 44 | 2 | 2013 | 52-66 | |
| Williams, Peter | What is it to Write a Biography of J. S. Bach? | Bach | 45 | 1 | 2014 | 1-14 | |
| Leaver, Robin A. | Letter Codes Relating to Pitch and Key for Chorale Melodies and Bach's Contributions to the Schemelli Gesangbuch. | Bach | 45 | 1 | 2014 | 15-33 | |
| Jerold, Beverly | Johann Philipp Kirnberger and the Bach Chorale Settings. | Bach | 45 | 1 | 2014 | 34-43 | |
| Greer, Mary | 'Denn er ist unser Friede' ['For He is our peace']: The Significance of the Marking 'Due Chori in unisono' in the Autograph Score of J. S. Bach's St. Matthew Passion. | Bach | 45 | 1 | 2014 | 44-89 | |
| Szabó, Zoltán | Precarious Presumptions and the 'Minoritz Report': Revisiting the primary sources of the Bach Cello Suites. | Bach | 45 | 2 | 2014 | 1-33 | |
| Carrier-McClimon, Carolyn | Hearing the 'Töne eines Passionliedes' in J. S. Bach's Christmas Oratorio: The Nineteenth-Century Critical Reception of BWV 248. | Bach | 45 | 2 | 2014 | 34-67 | |
| Rifé i Santaló, Jordi | The Kyries of J. S. Bach's B-minor Mass and Gottlob Harrer's D-major Mass (Harwv 32): Between Late Baroque and the Style Galant. | Bach | 45 | 2 | 2014 | 68-93 | |
| Franklin, Don O. | In Memoriam: Martin Petzoldt (13 April 1946--13 March 2015). | Bach | 46 | 1 | 2015 | 1 | |
| Franklin, Don O. | 'Recht Glauben, Christlig Leben, Seelig Sterben': Johann Olearius and the Libretto of Cantata 67. | Bach | 46 | 1 | 2015 | 2-28 | |
| Franklin, Don O. | Viewing the Poetic Texts in Bach's Matthew Passion from a New Perspective. | Bach | 46 | 1 | 2015 | 29-48 | |
| Maul, Michael | A Weimar Commemorative Album and Bach's Canon BWV 1073. | Bach | 46 | 1 | 2015 | 49-73 | |
| Cortens, Evan | 'Durch die Music gleichsam lebendig vorgestellet': Graupner, Bach, and Mein Herz schwimmt im Blut. | Bach | 46 | 1 | 2015 | 74-110 | |
| Leaver, Robin A. | The Historical Context of Martin Petzoldt's Paper on Bach's Cantorate in Leipzig. | Bach | 46 | 2 | 2015 | 1-6 | |
| Petzoldt, Martin | Bach as Cantor of St. Thomas in Leipzig, 1723-1750. | Bach | 46 | 2 | 2015 | 7-21 | |
| Collins, Denis | Taneyev's Theories of Movable Counterpoint and the Music of J. S. Bach. | Bach | 46 | 2 | 2015 | 22-45 | |
| Crist, Stephen A. | What Did Johann Ludwig Krebs Learn about Arias from his Teacher, Johann Sebastian Bach? | Bach | 46 | 2 | 2015 | 46-58 | |
| Vandall, Robert Dennis | The First Bach Festival at Baldwin Wallace. | Bach | 46 | 2 | 2015 | 59-77 | |
| Exner, Ellen | The Godfather: Georg Philipp Telemann, Carl Philipp Emanuel Bach, and the Family Business. | Bach | 47 | 1 | Jun 2016 | 1-20 | |
| Cypess, Rebecca | Ancient Poetry, Modern Music, and the Wechselgesang der Mirjam und Debora: The Meanings of Song in the Itzig Circle. | Bach | 47 | 1 | Jun 2016 | 21-65 | |
| Rathey, Markus | A Divided Country - A Divided Bach: The Cantor-Kapellmeister Controversy and the Cold War. | Bach | 47 | 2 | 2016 | 1-26 | |
| Wollny, Peter | Observations on the Autograph of the B-Minor Mass. | Bach | 47 | 2 | 2016 | 27-46 | |
| Music, David W. | Early Bach Publications in United States: Tune Books and Hymnals. | Bach | 47 | 2 | 2016 | 47-76 | |
| Greer, Mary | The Secret Subscribers to C. P. E. Bach's Oratorio Die Israeliten in der Wüste: The Masonic Connection. | Bach | 47 | 2 | 2016 | 77-94 | |
| Sampsell, Gary | Popular Music in the Time of J. S. Bach: The Leipzig Mandora Manuscript. | Bach | 48 | 1 | 2017 | 1-35 | |
| Wollny, Peter | 'Bekennen will ich seinen Namen': Authenticity, Purpose and Context for the Aria BWV 200. Observations on Johann Sebastian Bach's Reception of Works by Gottfried Heinrich Stölzel. | Bach | 48 | 1 | 2017 | 36-75 | |
| Franklin, Don O. | Reading Bachäs Notation: A Guide to the Temporal Structure of the 1733 Missa. | Bach | 48 | 1 | 2017 | 76-92 | |
| Leaver, Robin A. | Bach Cantatas: in Print and Recordings. | Bach | 48 | 1 | 2017 | 93-114 | |
| Wolff, Christoph | The Leonhardt Connection From Sweelinck to Bach: Links and Gaps Between Historic 'Makers of Organists' | Bach | 48 | 2 and 49/1 | 2018 | 2-8 | |
| Butt, John | Leonhardt's Role in the Invention of Historically Informed Performance. | Bach | 48 | 2 and 49/1 | 2018 | 9-12 | |
| Sorrell, Jeannette | Imagination on Fire: A Remembrance of Gustav Leonhardt. | Bach | 48 | 2 and 49/1 | 2018 | 13-20 | |
| Wolf, Peter | Reminiscences of Three Performers and an Instrument Maker. | Bach | 48 | 2 and 49/1 | 2018 | 21-43 | |
| Koopman, Ton | Gustav Leonhardt as a Teacher. | Bach | 48 | 2 and 49/1 | 2018 | 44-47 | |
| Wentz, Jed | On the Protestant Roots of Gustav Leonhardt's Performance Style. | Bach | 48 | 2 and 49/1 | 2018 | 48-92 | |
| Dirksen, Pieter | Georg Böhm's Keyboard Music> Questions of Authorship and Connections with the Music of J. S. Bach. | Bach | 48 | 2 and 49/1 | 2018 | 93-115 | |
| Leaver, Robin A.; Remeš, Derek | J. S. Bach's Chorale-Based Pedagogy: Origins and Continuity. | Bach | 48 | 2 and 49/1 | 2018 | 116-150 | |
| Byros, Vasili | Thinking in Bach's Language, Teaching in His Shoes: How the Thomaskantor Structured My Syllabus as a Modern-Day Notenbüchlein or Zibaldone. | Bach | 49 | 2 | 2018 | 175-204 | |
| Remeš, Derek | Teaching Figured Bass with Keyboard Chorales and C. P. E. Bach's Neue Melodien zu einigen Liedern des Neuen Hamburgischen Gesangbuchs (1787). | Bach | 49 | 2 | 2018 | 205-226 | |
| Korsyn, Kevin | Composition Lessons with Bach. | Bach | 49 | 2 | 2018 | 227-247 | |
| Doll, Christopher | Beginnings for Beginners: A Pedagogy for Starting a Prelude. | Bach | 49 | 2 | 2018 | 248-265 | |
| Anson-Cartwright, Mark | Teaching Bach's Aria Forms: Expanding Students' Analytical Horizons. | Bach | 49 | 2 | 2018 | 266-280 | |
| Brody, Christopher | Teaching Bach's Binary Forms. | Bach | 49 | 2 | 2018 | 281-310 | |
| Davis, Stacey | Teaching Rhythm and Meter with the Moto Perpetuo Movements from Bach's Unaccompanied Instrumental Works. | Bach | 49 | 2 | 2018 | 311-329 | |
| Sanchez-Behar, Alexander | Looking Forward, Looking Back: Reconsidering the Study of J. S. Bach's Chorales in the Undergraduate Curriculum. | Bach | 49 | 2 | 2018 | 330-344 | |
| Inman, Samantha M. | Introduction to Graduate Theory: Teaching Tonal Hierarchy through Bach. | Bach | 49 | 2 | 2018 | 345-364 | |
| Marlowe, Sarah | A Taxonomy for Teaching Music Theory: J. S. Bach and Lessons in Invertible Counterpoint. | Bach | 49 | 2 | 2018 | 365-387 | |
| Hoag, Melissa | On Relevance and Repertoire in the Eighteenth-Century Counterpoint Classroom | Bach | 49 | 2 | 2018 | 388-401 | |
| Lim Bing Nan, Mick | A Mystery Unraveled: Who Composed the Gutenberg 300th Anniversary Cantata? | Bach | 49 | 2 | 2018 | 402-424 | |
| Fülöp, Rebecca | Introduction. | Bach | 50 | 1 | 2019 | 1-4 | |
| Moering, James M. | Status, Standards, and Stereotypes: J. S. Bach's Presence in the Silent Era. | Bach | 50 | 1 | 2019 | 5-31 | |
| Plank, Dana | From the Concert Hall to the Console: Three 8-Bit Translations of the Toccata and Fugue in D Minor. | Bach | 50 | 1 | 2019 | 32-62 | |
| Wissner, Reba A. | First Mathematics, Then Music: J. S. Bach, Glenn Gould, and the Evolutionary Supergenius in The Outer Limits' 'The Sixth Finger' (1963). | Bach | 50 | 1 | 2019 | 63-80 | |
| Brown-Montesano, Kristi | Terminal Bach: Technology, Media, and the Goldberg Variations in Postwar American Culture. | Bach | 50 | 1 | 2019 | 81-117 | |
| Haldey, Olga | Voice of the Dance: J. S. Bach and Other Classics in the Maksimova-Vasiliev Film Fouetté (1986). | Bach | 50 | 2 | Fall 2019 | 136-174 | |
| Baumgartner, Michael | J. S. Bach, Jean-Luc Godard, and the Reimagining of the Immaculate Conception in Hail Mary (1985). | Bach | 50 | 2 | Fall 2019 | 175-219 | |
| Brill, Mark | The Consecration of the Marginalized: Pasolini's Use of J. S. Bach in Accattone (1961) and Il Vangelo Secondo Matteo (1964). | Bach | 50 | 2 | Fall 2019 | 220-253 | |
| Broman, Per F. | Another Woody: J. S. Bach in Dixieland. | Bach | 50 | 2 | Fall 2019 | 254-274 | |
| Kupfer, Peter | 'Good Hands': The Music of J. S. Bach in Television Commercials. | Bach | 50 | 2 | Fall 2019 | 275-302 | |
| Fuhrmann, Christina | Editorial: Tribute to Dr. Elinore L. Barber. | Bach | 51 | 1 | 2020 | 1-4 | |
| Lester, Joel | Tone-painting the Mysterious: The 'Et expecto' from J. S. Bach's Mass in B Minor. | Bach | 51 | 1 | 2020 | 5-43 | |
| Rathey, Markus | Memory, Morals, and Contemplation in Leipzig Passion Texts from the 1720s: A New Perspective on J. S. Bach's St. John Passion from 1724. | Bach | 51 | 1 | 2020 | 44-69 | |
| Marshall, Robert L.; Marshall, Traute M. | Bach Family Sites. | Bach | 51 | 1 | 2020 | 70-121 | |
| Leaver, Robin A. | History Past and Present: Celebrating Two Milestones of the Bach Choir of Bethlehem. | Bach | 51 | 1 | 2020 | 122-138 | |
| Talle, Andrew | Who Was Anna Magdalena Bach? | Bach | 51 | 1 | 2020 | 139-171 | |
| Plank, Steven E. | BACH at 50: Some Anniversary Thoughts. | Bach | 51 | 2 | 2020 | 177-185 | |
| Crist, Stephen A. | Johann Philipp Bach and the Aria Scotese con Variazzione: Twilight of the Bach Dynasty? | Bach | 51 | 2 | 2020 | 186-209 | |
| Varwig, Bettina | Distributed Listening: Aural Encounters with J. S. Bach's Sacred Cantatas. | Bach | 51 | 2 | 2020 | 210-240 | |
| Franklin, Don O. | Notational and Performance Issues in J. S. Bach's Preludes and Fugues for Organ. | Bach | 51 | 2 | 2020 | 241-258 | |
| Oleskiewicz, Mary | The Partita in A Minor for Unaccompanied Flute BWV 1013: Problems and Possibilities. | Bach | 51 | 2 | 2020 | 259-294 | |
| Berg, Darrell M. | C. P. E. Bach's Kenner und Liebhaber Collections: A Series for the Distant Future. | Bach | 52 | 1 | 2021 | 3-20 | |
| Grant, Jason B. | Recently Identified Borrowings in the Hamburg Vocal Music of C. P. E. Bach. | Bach | 52 | 1 | 2021 | 21-45 | |
| Corneilson, Paul | The Evolution of C. P. E. Bach's St. John Passions. | Bach | 52 | 1 | 2021 | 46-61 | |
| Wollny, Peter | 'they can bring me much honor even after my death': C. P. E. Bach as Compiler of His Estate Catalogue. | Bach | 52 | 1 | 2021 | 62-71 | |
| Bertoglio, Chiara | Bach in Italy, 22–28 November 2020. | Bach | 52 | 1 | 2021 | 72-79 | |
| Eisen, Cliff | Carl Philipp Emanuel Bach: The Complete Works. | Bach | 52 | 1 | 2021 | 82-90 | |
| Moore, Andrea | Passion as History, History as Passion. | Bach | 52 | 2 | 2021 | 125-158 | |
| Shabalina, Tatiana | Georg Riedel (1676-1738), the 'East Prussian Bach': New Findings in St. Petersburg. | Bach | 52 | 2 | 2021 | 159-195 | |
| Wachtman, Matthew | Striving for Perfection: A New Widor Source. | Bach | 52 | 2 | 2021 | 196-211 | |
| Dürr, Alfred | De vita cum imperfectis. | Bach | 52 | 2 | 2021 | 212-225 | |
| Talle, Andrew | Some Observations on the Sources for Bach's Violin Soli and Cello Suites. | Bach | 53 | 1 | 2022 | 1-44 | |
| Górny, Tomacz | What Does the Author Mean? The Example of Clavier-Übung III. | Bach | 53 | 1 | 2022 | 45-69 | |
| Libin, Laurence | The Verschneider Piano at the Riemenschneider Bach Institute. | Bach | 53 | 1 | 2022 | 70-95 | |
| Kuntz, Danielle M. | Faculty-Student Collaborative: Selma Riemenschneider and the Baldwin Wallace Bach Heritage. | Bach | 53 | 1 | 2022 | 96-101 | |
| Helman, Olivia | The Marchesi Legacy: Selma Riemenschneider and Vocal Pedagogy. | Bach | 53 | 1 | 2022 | 102-110 | |
| Mascia, Madeline | Selma Riemenschneider's Performance Career. | Bach | 53 | 1 | 2022 | 110-115 | |
| Webster, Ben | Selma Riemenschneider and the Berea Women's Committee. | Bach | 53 | 1 | 2022 | 116-124 | |
| Burr, Anna-Sophia | Selma Riemenschneider's Lasting Impact. | Bach | 53 | 1 | 2022 | 125-129 | |
| Duffin, Ross W. | Introduction. | Bach | 53 | 2 | 2022 | 143-155 | |
| Lehman, Bradley | The Notes Tell Us How to Tune. | Bach | 53 | 2 | 2022 | 156-193 | |
| Salzedo, Jonathan | The Harpsichord Meets the First Fret (and Other Tuning Practicalities). | Bach | 53 | 2 | 2022 | 194-223 | |
| Dolata, David | Stay Tuned: Temperament for Solo Lute 1600-1750. | Bach | 53 | 2 | 2022 | 224-259 | |
| Ludwig, Loren | J. S. Bach, the Viola da Gamba, and Temperament in the Early Eighteenth Century. | Bach | 53 | 2 | 2022 | 260-300 | |
| Burgess, Geoffrey | Reconsidering Tonal Procedures in J. S. Bach's First Year in Leipzig: Some Implications from the Wind-Player's? Perspective. | Bach | 53 | 2 | 2022 | 301-326 | |
| Linden, Jaap ter | Intonation for Cello in the Music of J. S. Bach. | Bach | 53 | 2 | 2022 | 327-335 | |
| Slowik, Kenneth | Temperament, or De vita cum imperfectis. | Bach | 53 | 2 | 2022 | 336-354 | |
| Marshall, Robert L. | Late Bach and Late Style Theory. | Bach | 54 | 1 | 2023 | 1-16 | |
| Cressy, Thomas A. | Baroque Pop and Psychedelia: Bachian Pastness, Prestige, and Hybridity. | Bach | 54 | 1 | 2023 | 17-75 | |
| Reul, Barbara M. | Tales from Music School: Johann Friedrich Fasch at the Thomasschule (1701–1707). | Bach | 54 | 1 | 2023 | 76-105 | |
| Göncz, Zoltán | Two New Possible Models for the 'Confiteor' of J. S. Bach's Mass in B Minor. | Bach | 54 | 1 | 2023 | 106-128 | |
| Erickson, Raymond | Bach at the Barre: An Annotated List of Choreographies Using J. S. Bach's Violin Ciaccona (Chaconne). | Bach | 55 | 1 | 2024 | 1-43 | |
| Fogelsanger, Allen; Foote, Kristen | José Limón's Chaconne. | Bach | 55 | 1 | 2024 | 44-87 | |
| GoGwilt, Keir | A Violinist's Viewpoint: Performing J. S. Bach's Chaconne in Bobbi Jene Smith's Broken Theater. | Bach | 55 | 1 | 2024 | 88-110 | |
| Varwig, Bettina | Bach's Hand(s). | Bach | 55 | 2 | 2024 | 136-167 | |
| Stauff, Derek | The Organ in J. S. Bach's St. Matthew Passion. | Bach | 55 | 2 | 2024 | 168-196 | |
| Rathey, Markus | Always Problems with the Passion: A Contested Passion Performance in 1739 and the History of the Donkey. | Bach | 55 | 2 | 2024 | 197-221 | |
| Melamed, Daniel R. | The 'Continuo: pro Bassono e Violoncello' Part for In allen meinen Taten BWV 97. | Bach | 55 | 2 | 2024 | 222-241 | |
| Marissen, Michael | The Lutheran 'Credo' in J. S. Bach's Mass in B Minor. | Bach | 55 | 2 | 2024 | 242-260 | |
| Crist, Stephen A. | Recovering the Cantatas of Johann Ludwig Krebs. | Bach | 55 | 2 | 2024 | 261-283 | |
| Kjar, David | Historically Informed Patronage: Signifying Modern Royalty with New Early Music on Pine Island. | Bach | 55 | 2 | 2024 | 284-305 | |
| Dirst, Matthew | Bach's Art of Fugue & Musical Offering. | Bach | 55 | 2 | 2024 | x, 174p | |
545 matches.
