Bach Printed Music Database
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Author : Butt, John
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
[]
1. Butt, John'A mind unconscious that it is calculating'? Bach and the rationalist philosophy of Wolff, Leibniz and Spinoza. [ce]CambridgeCompanion_Bach 1997 60-71
2. Butt, JohnBach and the dance of humankind. [ce]MusicologyDance 2020 19-48
3. Butt, JohnBach: cantatas and a passion. EarlyM 34 1 Feb 2006 168-171
4. Butt, JohnBach Interpretation. Articulation Marks in Primary Sources of J. S. Bach. 1990 xiii, 278p
5. Butt, JohnBach in the 21st Century: Re-evaluating him from the perspective of performance. [p]BCB_Dublin Jul 2000
6. Butt, JohnBach in the twenty-first century: re-evaluating him from the perspective of performance. BachNachwelt 4 2005 169-181
7. Butt, JohnBach in the twenty-first century: re-evaluating him from the perspective of performance. IrishMStud 8 2004 191-204
8. Butt, JohnBach: 'Mass in B Minor'. CambridgeMHandb 1991 126p
9. Strohm, Reinhard; Butt, John; Dreyfus, Laurence; Tatlow, RuthBach Network UK -- latest report: New Directions in Bach Studies: Second J S Bach Dialogue Meeting [9-10 December 2006 in Oxford] BachNotesLBS Mar 2007 [5]
10. Butt, JohnBach Passions and the Concepts of Time. [p]CWolff_Harvard Sep 2005
11. Butt, JohnBach Recordings since 1980: A Mirror of Historical Performance. BachPerspectives 4 1999 181-198
12. Butt, JohnBach's Dialogue with Modernity: Perspectives on the Passions. 2010 336p
13. Butt, JohnBach's Mass in B Minor: Considerations of its Early Performance and Use. JMcol 9 1 Winter 1991 109-123
14. Butt, JohnBach's metaphysics of music. [ce]CambridgeCompanion_Bach 1997 46-59
15. Butt, JohnBach's organ sonatas BWV 525-530: Compilation and Recomposition. OrganYb 19 1988 80-90
16. Butt, JohnBach's Passions and the Textures of Time. HarvardPubM 22 2008 111-120
17. Butt, JohnBach's vocal scoring: what can it mean? EarlyM 26 1 Feb 1998 99-107
18. Butt, JohnBach's Works and the Listener's Viewpoint. [ce]RethinkingBach 2021 251-267
19. Butt, JohnBach the heretic? [p]BCB_Edinburgh Jul 1994
20. Butt, JohnBach, the Postmodern Mindset and Scholarship Today. [p]IS_Oxford Dec 2001
21. Butt, JohnBetween rhetoric and dialectic - Bach's inventive stance in the Passions. [p]SMA_Glasgow Apr 2009
22. Butt, JohnBringing Christ to the Concert Hall -- Mendelssohn and the Reshaping of the St Matthew Passion. [p]MendelssohnL19C_Dublin Jul 2005
23. Butt, JohnCanonische Veränderungen über Vom Himmel hoch. BachHandb 4 2 2008 949-961
24. Butt, JohnChoral culture and the regeneration of the organ. [ce]CambridgeHist19cM 2002 522-543
25. Butt, JohnChoral music. [ce]CambridgeHist19cM 2002 213-236
26. Butt, JohnChoralpartiten. BachHandb 4 1 2007 494-510
27. Butt, JohnClavier Übung III. BachHandb 4 2 2008 906-929
28. Butt, JohnDie 'Schübler-Choräle'. BachHandb 4 2 2008 996-1006
29. Butt, JohnEmotion in the German Lutheran Baroque and the development of subjective time consciousness. MAnalysis 29 1-3 Mar-Oct 2010 19-36
30. Butt, JohnFiguring out Bach. [fs]Elliott 2005 211-219
31. Butt, JohnHistorical instruments and the embodiment of music. PubSchweizerischMfG 46 2006 9-16
32. Butt, JohnHistorical Performance of Bach in the Late-Twentieth Century: Meaningless, Desirable, or Unavoidable? [p]AMS_NorthernCalifornia Fall 1992
33. Butt, JohnHistorical Perspective & Introduction. [ce]SacredChoralMusicJSB 1997 1-4
34. Butt, JohnImprovised Vocal Ornamentation and German Baroque Compositional Theory - An Approach to 'Historical' Performance Practice. JRMA 116 1 1991 41-62
35. Huray, Peter Le; Butt, JohnIn Search of Bach the Organist. [ce]BHSTercentenaryEssays 1985 185-206
36. Butt, JohnJ. S. Bach and G. F. Kauffmann: reflections on Bach's later style. BachStud 2 1995 47-61
37. Butt, JohnLeonhardt's Role in the Invention of Historically Informed Performance. Bach 48 2 and 49/1 2018 9-12
38. Butt, JohnLos signos de articulacion de la música para cuerda en la epoca de J.S. Bach. Quodlibet 11 Jun 1998 3-15
39. Butt, JohnLutheran music culture: A reflection. ArbKges 142 2022 303-306
40. Butt, JohnMusic education and the art of performance in the German Baroque. CambridgeMlTextsMonographs 1994 xix, 237p
41. Butt, JohnOrgans and universities—A universal association? [cr]Harvard2012 2013 1-10
42. Butt, JohnOrnamentation. [ce]SacredChoralMusicJSB 1997 48-54
43. Butt, JohnPerfectly infinite. BBCMMag 1997 38-40
44. Butt, JohnPerformer's View: Bach and the Performance of Meaning. AmerBachSocNL Fall 2001 5, 10
45. Butt, JohnPlaying with History: The Historical Approach to Musical Performance. 2002 xv, 265p
46. Butt, John; Tomita, Yo; Marissen, Michael; Varwig, BettinaPrinciples of Performance Lost and Gained: John Butt on Bach-related subjects in conversation with Yo Tomita, Michael Marissen and Bettina Varwig. [p]BNUK_Cambridge Jul 2015
47. Butt, JohnRecordings: Altbachisches Archiv: Works by Johann Bach (1604-1673), Johann Christoph Bach (1642-1703), Georg Christoph Bach (1642-1697), Johann Michael Bach (1648-1694), Johann Sebastian Bach (1685-1750). 18cM 1 1 Mar 2004 109-111
48. Butt, John (ed.)The Cambridge Companion to Bach. [ce]CambridgeCompanion_Bach 1997 xv, 326p
49. Butt, JohnThe historical performance movement; Bach and the organ in 2000. [ce]IAOMillenniumBook 2000 15-19
50. Butt, JohnThe Postmodern Mindset, Musicology and the Future of Bach Scholarship. UnderstandingBach 1 2006 9-18
51. Butt, John (ed.)The Sacred Choral Music of J. S. Bach: A Handbook. [ce]SacredChoralMusicJSB 1997 66p
52. Butt, John AnthonyThe Significance and Incidence of Articulation Marks in the Primary Sources of J. S. Bach. diss. 1987 336, 79, 31p
53. Butt, JohnThe universal musician. Guardian 12 Dec 2005 16-19
54. Butt, JohnTowards a genealogy of the keyboard concerto. [ce]KeyboardInBaroqueEurope 2003 93-110
55. Butt, JohnVida de Bach. 2000 384p
56. Butt, JohnWho is speaking in the Bach passions? [cr]Weimar2004 2 2012 428-433

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