Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Cypess, Rebecca | Ancient Poetry, Modern Music, and the Wechselgesang der Mirjam und Debora: The Meanings of Song in the Itzig Circle. |
Bach |
47 | 1 | Jun 2016 |
21-65 |
|
| 2. | Cypess, Rebecca | Arrangement practices in the Bach tradition, then and now: Historical precedent for modern practice. |
JMcolResearch |
39 | 2-3 | 2020 |
187-212 |
|
| 3. | Cypess, Rebecca | Duets in the collection of Sara Levy and the ideal of 'unity in multiplicity'. |
EastmanStudM |
145 | | 2018 |
181-204 |
|
| 4. | Cypess, Rebecca | How thorough was Bach's thoroughbass? A reconsideration of the trio texture. |
EarlyM |
47 | 1 | Feb 2019 |
83-97 |
|
| 5. | Cypess, Rebecca | Music Historicism: Sara Levy and the Jewish Enlightenment. |
BachPerspectives |
12 | | 2018 |
129-151 |
|
| 6. | Cypess, Rebecca; Sinkoff, Nancy (eds.) | Sara Levy's world: gender, Judaism, and the Bach tradition in Enlightenment Berlin. |
EastmanStudM |
145 | | 2018 |
x, 292p |
|
| 7. | Cypess, Rebecca; Glixon, Beth; Link, Nathan (eds.) | Word, image, and song, Vol. 2: Essays on musical voices. |
EastmanStudM |
102 | | 2013 |
288p |
|