Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Davis, Stacey | Bring out the counterpoint: Exploring the relationship between implied polyphony and rubato in Bach's solo violin music. |
PsycholM |
37 | 3 | Jul 2009 |
301-324 |
|
| 2. | Davis, Stacey | Creating Clarity and Contrast: A Dialogue with Rachel Podger on the Analysis and Performance of Implied Polyphony in Bach's Unaccompanied Violin Works. |
UnderstandingBach |
12 | | 2017 |
59-84 |
|
| 3. | Davis, Stacey | Implied Polyphony in the Solo String Works of J. S. Bach: A Case for the Perceptual Relevance of Structural Expression. |
MPerception |
23 | 5 | Jun 2006 |
423-446 |
|
| 4. | Davis, Stacey | Implied Polyphony in the Unaccompanied String Works of J. S. Bach: Analysis, Perception, and Performance. |
diss. |
| | 2001 |
266p |
|
| 5. | Davis, Stacey | Implied polyphony in the unaccompanied string works of J.S. Bach: A rule system for discerning melodic strata. |
[cr]ESCOM_Keele |
| | 2000 |
|
|
| 6. | Davis, Stacey | Stream segregation and perceived syncopation: Analyzing the rhythmic effects of implied polyphony in Bach's unaccompanied string works. |
MTheoryOnline |
17 | 1 | Apr 2011 |
|
|
| 7. | Davis, Stacey | Teaching Rhythm and Meter with the Moto Perpetuo Movements from Bach's Unaccompanied Instrumental Works. |
Bach |
49 | 2 | 2018 |
311-329 |
|
| 8. | Davis, Stacey | The Analysis and Performance of Implied Polyphony in Solo Bach. |
[p]BICB_Canterbury |
| | Jul 2016 |
|
|