Bach Printed Music Database Search Result

Author : Dirst, Matthew
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Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Dirst, Matthew	An Authenticity Grounded in Tradition: Czerny on Bach.	[p]ABS_California			Apr 1996
	2.	Dirst, Matthew	An Authenticity Grounded in Tradition: Czerny on Bach.	[p]AMS_Southeast			Sep 1995
	3.	Dirst, Matthew (ed.)	Bach and the Organ.	Bachperspectives	10		2016	viii, 122p
	4.	Dirst, Matthew	Bach's Art of Fugue & Musical Offering.	Bach	55	2	2024	x, 174p
	5.	Dirst, Matthew	Bach's French overtures and the politics of overdotting.	[ce]BaroqueMusic			2011	391-400
	6.	Dirst, Matthew	Bach's French Overtures and the Politics of Overdotting.	EarlyM	25	1	Feb 1997	35-44
	7.	Dirst, Matthew Charles	Bach's Well-Tempered Clavier in Musical Thought and Practice, 1750-1850.	diss.			1996	vii, 176p
	8.	Dirst, Matthew; Weigend, Andreas S.	Baroque Forecasting: On Completing J. S. Bach's Last Fugue.	SantaFeInstStudSciComplexity	15		1994	151-172
	9.	Dirst, Matthew	Continuo Practice in the Bach Cantatas: Instruments and Style.	KeyboardPerspectives	3		2010	101-112
	10.	Dirst, Matthew	Continuo Practice in the Bach Passions.	[p]ABS_Rochester			Sep 2012
	11.	Dirst, Matthew	Doing Missionary Work: Dwight's Journal of Music and the American Bach 'Awakening'.	[p]ABS_Washington			Apr 2000
	12.	Dirst, Matthew	Doing Missionary Work: Dwight's Journal of Music and the American Bach Awakening.	BachPerspectives	5		2003	15-35
	13.	Dirst, Matthew	Early Posthumous Printed Editions.	[ce]RoutledgeResearchCompanion			2017	464-474
	14.	Dirst, Matthew	Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn.				2012	viii, 186p
	15.	Dirst, Matthew	Mirror images of the heroic composer: Bach and Handel in the nineteenth century.	[p]ABS_NewBrunswick			Apr 2004
	16.	Dirst, Matthew	Mozart, Bach, and the Way to Fugue.	[p]AMS_Southwest			Mar 1997
	17.	Dirst, Matthew	Redefining the 'Natural': Eighteenth-century Bach Criticism and the Ideal of 'Unity in Diversity'.	[p]AMS_Southwest			Oct 2000
	18.	Dirst, Matthew	Samuel Wesley and the Well-Tempered Clavier: A Case Study in Bach Reception.	AmerOrganist(2)	29	5	May 1995	64-68
	19.	Dirst, Matthew	Tradition, Authenticity, and a Bach Chorale Prelude.	AmerOrganist(2)	25	3	Mar 1991	59-61