Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Butler, Gregory G.; Stauffer, George B.; Dalton Greer, Mary (eds.) | About Bach. |
[ce]AboutBach |
| | 2008 |
xi, 216p |
|
| 2. | Greer, Mary | A Fresh Look at the Annotations in Bach's Calov Bible: Clues to the Identity of the Previous Owner and Implications for Bach Studies. |
[p]ABS_Wisconsin |
| | May 2010 |
|
|
| 3. | Dalton Greer, Mary | Anne Leahy (1961-2007): A Personal Remembrance. |
BachNotesABS |
| 8 | Fall 2007 |
21-22 |
|
| 4. | Greer, Mary J. | Bach in der Welt: USA. |
MKirche |
69 | 4 | Jul-Aug 1999 |
264-266 |
|
| 5. | Dalton Greer, Mary | Bach's Calov Bible and his Quest for the Title of Royal Court Composer. |
[cr]Belfast2007 |
1 | | 2007 |
150-176 |
|
| 6. | Greer, Mary J. | Barbara Wolff (June 23, 1936-June 24, 2020) |
BachNotesABS |
| 33 | Fall 2020 |
2 |
|
| 7. | Greer, Mary | 'Denn er ist unser Friede' ['For He is our peace']: The Significance of the Marking 'Due Chori in unisono' in the Autograph Score of J. S. Bach's St. Matthew Passion. |
Bach |
45 | 1 | 2014 |
44-89 |
|
| 8. | Greer, Mary | Embracing Faith: The Duet as Metaphor in Selected Sacred Cantatas by J. S. Bach. |
Bach |
34 | 1 | 2003 |
1-71 |
|
| 9. | Greer, Mary | Embracing faith: the message of the medium in selected sacred cantatas by J. S. Bach. |
[p]ABS_Houston |
| | Apr 2002 |
|
|
| 10. | Greer, Mary | Embracing Faith: The Message of the Medium in Selected Sacred Cantatas by J.S. Bach. |
[p]IATB_Eisenach |
| | Mar 2002 |
|
|
| 11. | Dalton Greer, Mary | From the House of Aaron to the House of Johann Sebastian: Old Testament Roots for the Bach Family Tree. |
[ce]AboutBach |
| | 2008 |
15-32 |
|
| 12. | Greer, Mary J. | Getting to the Bottom of the Ascension Day Cantata 'Auf Christi Himmelfahrt allein' (BWV 128): Connection to Luther's Commentary on Psalm 110:1. |
[p]IBS_Utrecht |
| | Sep 2000 |
|
|
| 13. | Greer, Mary | 'Jitsuni Kirisuto wa Watashitachi no Heiwa: Futatsu no Mono o Hitotsu ni shi': 'Matai Junankyoku' ni okeru Jiju no Heiwa no Message. |
BCJ |
| 117 | Mar 2016 |
48-51 |
|
| 14. | Greer, Mary J. | Lost Archive of C. P. E. Bach discovered in Kyiv. |
AmerBachSocNL |
| | Fall 1999 |
3-4 |
|
| 15. | Greer, Mary | Masonic Allusions in the Dedications of two Canons by J. S. Bach: BWV 1078 and 1075. |
Bach |
43 | 2 | 2012 |
1-45 |
|
| 16. | Greer, Mary | 'Matai Junankyoku' no Jihitsujoshofu ni okeru Aka Ink no Shiyo ni tsuite. |
BCJ |
| 112 | Apr 2015 |
50-51 |
|
| 17. | Greer, Mary | Neue Einblicke in die Reinschrift der Matthäus-Passion. / New Insights into the Fair Copy of the Matthew Passion. |
[ce]CalovBibleCommentary |
| | 2023 |
333-370 |
|
| 18. | Greer, Mary J. | Passion and Faith: A Shared Musical Language. |
[p]WAfB_Wolfenbüttel |
| | Apr 2003 |
|
|
| 19. | Greer, Mary J. | Recent Bach Publications. |
AmerBachSocNL |
| | Spring 2000 |
10-14 |
|
| 20. | Greer, Mary J. | Recent Bach Publications. |
AmerBachSocNL |
| | Spring 1997 |
5-7 |
|
| 21. | Greer, Mary J. | Recent Bach Publications. |
AmerBachSocNL |
| | Spring 1998 |
5-7 |
|
| 22. | Greer, Mary J. | Recent Dissertations. |
AmerBachSocNL |
| | Spring 1999 |
4-5 |
|
| 23. | Greer, Mary J. | Report on 'Bach Symposium: The World and Music of Johann Sebastian Bach' Lincoln Center, New York City. |
AmerBachSocNL |
| | Spring 2000 |
2 |
|
| 24. | Greer, Mary J. | Report on the Yale Meeting. |
AmerBachSocNL |
| | Fall 1998 |
2-3 |
|
| 25. | Greer, Mary J. | Robin A. Leaver Honored. |
BachNotesABS |
| 32 | Spring 2020 |
[1] |
|
| 26. | Greer, Mary | The Genesis of Bach's Eight-Voice Motet Singet dem Herrn ein neues Lied, BWV 225: A New Hypothesis. |
[p]ABS_SouthBend |
| | Apr 2016 |
|
|
| 27. | Greer, Mary | The Identities of the Triumvirate in BWV 38/5 Revealed: The Influence of Luther's Exegesis of Psalm 130 on Bach's Compositional Choices in a Sacred Terzet. |
[p]IATB_Logumkloster |
| | Oct 1999 |
|
|
| 28. | Greer, Mary | The Identities of the Triumvirate in BWV 38/5 Revealed: The Influence of Luther's Exegesis on Bach's Compositional Choices in a Sacred Terzet. |
[p]AMS_Boston |
| | Oct 1998 |
|
|
| 29. | Greer, Mary J. | 'The Public...Would Probably Prefer Something that Appeals Less to the Brain and More to the Senses': The Reception of Bach's Music in New York City, 1855-1900. |
BachPerspectives |
5 | | 2003 |
57-114 |
|
| 30. | Greer, Mary Jewett | The Sacred Duets and Terzets of Johann Sebastian Bach: A Study of Genre and Musical Text Interpretation. |
diss. |
| | 1996 |
xv, 505 Bl |
|
| 31. | Greer, Mary | The Secret Subscribers to C. P. E. Bach's Die Israeliten in der Wüste: A Masonic Connection?. |
[p]ABS_Ohio |
| | May 2014 |
|
|
| 32. | Greer, Mary | The Secret Subscribers to C. P. E. Bach's Oratorio Die Israeliten in der Wüste: The Masonic Connection. |
Bach |
47 | 2 | 2016 |
77-94 |
|
| 33. | Greer, Mary | Toward an Understanding of J. S. Bach's Use of Red Ink in the Autograph Score of the Matthew Passion. |
ContextBachStud |
8 | | 2018 |
75-102 |
|
| 34. | Greer, Mary | Vocal Texture as a Means of Classifying J. S. Bach's Sacred Duets. |
[p]ABS_Atlanta |
| | Apr 1994 |
|
|