Bach Printed Music Database Search Result

Author : Melamed, Daniel R.
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Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Melamed, Daniel R.; Marissen, Michael	An introduction to Bach Studies.				1998	xi, 189p
	2.	Melamed, Daniel R.	Anonymus Iq bei seinem Namen gerufen.	BachJb	108		2022	197-202
	3.	Melamed, Daniel R.	A thirty-six voice canon in the hand of C. P. E. Bach.	BachStud	2		1995	107-118
	4.	Melamed, Daniel R.	A Tool from the Late 17th Century for Chorale Research.	AmerBachSocNL			Fall 2001	6-7
	5.	Marissen, Michael; Melamed, Daniel R.	BachCantataTexts.org.	BachNotesABS		37	Fall 2022	14-15
	6.	Erickson, Raymond; Tatlow, Ruth; Melamed, Daniel R.	Bach & Friends: Three Reviews of Michael Lawrence's New Film.	BachNotesABS		13	Fall 2010	1-4
	7.	Melamed, Daniel R.	Bach no Kyokai Kantata ni okeru Motetto Yoshiki Gakusho.	BachZenshu	4		Oct 1998	88-96
	8.	Melamed, Daniel R.	Bach Revived: If Wishes Were Passions.	NYTimes			2 Apr 2000
	9.	Melamed, Daniel R.	Bachs Aufführung der Hamburger Markus-Passion in den 1740er Jahren.	LeipzigerBeitrBachF	5		2002	289-308
	10.	Melamed, Daniel R.	Bach's Leipzig performances of the Hamburg St. Mark Passion.	[p]WK_Leipzig			Jan 2000
	11.	Melamed, Daniel R.	Bachs Schwester.	BachJb	94		2008	337-341
	12.	Melamed, Daniel R.	Bach's St. John Passion: Can We Really Still Hear the Work--and Which One?	[ce]WorldOfBaroqueMusic			2006	235-252
	13.	Melamed, Daniel R. (ed.)	Bach Studies 2.	BachStud	2		1995	xiv, 238p
	14.	Melamed, Daniel R.	Bach und Palestrina -- Einige praktische Probleme I.	BachJb	89		2003	221-224
	15.	Melamed, Daniel R.	Cantatekoren en koralen.	[ce]WereldBachCantates	1		1995	168-183
	16.	Melamed, Daniel R.	Choral Unison in J.S. Bach's Vocal Music.	[ce]AboutBach			2008	53-60
	17.	Melamed, Daniel R.	Chorsätze.	[ce]WeltBachKantaten	3		1999	177-192
	18.	Melamed, Daniel R.	Chor- und Choralsätze.	[ce]WeltBachKantaten	1		1996	169-184
	19.	Melamed, Daniel R.	Choruses and Chorales.	[ce]WorldOfBachCantatas	1		1997	155-170
	20.	Melamed, Daniel R.	Chöre, Duette und Instrumentalstücke.	[ce]WeltBachKantaten	2		1997	201-212
	21.	Melamed, Daniel R.	Constructing Johann Christoph Bach (1642-1703).	MLetters	80	3	Aug 1999	345-365
	22.	Melamed, Daniel R.	Counterpoint in Mozart's 'Die Entführung aus dem Serail'.	CambridgeOperaJ	20	1	2008	25-51
	23.	Melamed, Daniel R.	Der Text der Kantate 'Gott ist mein König' (BWV 71).	[fs]Schulze65			1999	160-172
	24.	Melamed, Daniel R.	Did Bach's Listeners Analyze?	[p]ABS_Ohio			May 2014
	25.	Melamed, Daniel R.	Did J. S. Bach’s Listeners Analyze?	[p]BNUK_Warsaw			Jul 2013
	26.	Melamed, Daniel R.	Die alte Chorbibliothek der Kirche Divi Blasii zu Mühlhausen.	BachJb	88		2002	209-216
	27.	Melamed, Daniel R.	Eine Motette Sebastian Knüpfers aus J. S. Bachs Notenbibliothek.	BachJb	75		1989	191-196
	28.	Melamed, Daniel R.	Eine Motette Sebastian Knüpfers aus J. S. Bachs Notenbibliothek.	SommerAkadJSBach		Almanach	1990	ii: 14 - 17
	29.	Melamed, Daniel R.	Gasshokyoku.	[ce]BachKantataNoSekai	3		2002	299-320
	30.	Melamed, Daniel R.	Gasshokyoku, Nijushokyoku, Kigakukyoku.	[ce]BachKantataNoSekai	2		2002	331-348
	31.	Melamed, Daniel R.	Gassho to Koraru Gakkyoku.	[ce]BachKantataNoSekai	1		2001	271-296
	32.	Melamed, Daniel R.	Hat Johann Sebastian Bach die Lukas-Passion BWV 246 aufgeführt?	BachJb	92		2006	161-169
	33.	Melamed, Daniel R.	Hearing Bach's Passions.				2005	vii, 178p
	34.	Melamed, Daniel R.	How Did J. S. Bach's 'Aus Liebe will mein Heiland sterben,' BWV 244/49, Get to Be So Slow?	19cM	43	1	Summer 2019	3-16
	35.	Melamed, Daniel R.	How Did J.S. Bach Teach Vocal Composition?	[p]AMS_Pittsburgh			Nov 1992
	36.	Melamed, Daniel R.	J.F. Doles's Setting of a Picander Libretto and J.S. Bach's Teaching of Vocal Composition.	JMcol	14	4	Autumn 1996	453-474
	37.	Melamed, Daniel R.	Johann Sebastian Bach and Barthold Heinrich Brockes.	BachPerspectives	8		2011	13-41
	38.	Melamed, Daniel R.	Johann Sebastian Bach and Barthold Heinrich Brockes.	[p]ABS_Bethlehem			May 2008
	39.	Melamed, Daniel R.	Johann Sebastian Bach, Johann Gottfried Walther und die Musik von Giovanni Pierluigi da Palestrina.	BachJb	98		2012	73-93
	40.	Melamed, Daniel R.	Joh. Christoph Bach, org.	[p]ABS_California			Apr 1996
	41.	Melamed, Daniel R.	J. S. Bach and the Altbachisches Archiv.	[p]AMS_Oakland			Nov 1990
	42.	Melamed, Daniel Richard	J. S. Bach and the German motet.	diss.			1989	x, 333 Bl
	43.	Melamed, Daniel R.	J. S. Bach and the German Motet.				1995	xv, 229p
	44.	Melamed, Daniel R. (ed.)	J. S. Bach and the Oratorio Tradition.	BachPerspectives	8		2011	ix, 153p
	45.	Melamed, Daniel R.	Koren.	[ce]WereldBachCantates	3		1998	176-191
	46.	Melamed, Daniel R.	Koren, duetten en instrumentale delen.	[ce]WereldBachCantates	2		1997	202-213
	47.	Melamed, Daniel R.	Listening to Bach: the Mass in B minor and Christmas oratorio.				2018	xx, 149p
	48.	Melamed, Daniel R.	Mehr zur Chronologie von Bachs Weimarer Kantaten.	BachJb	79		1993	213-216
	49.	Melamed, Daniel R.	Misa Kyoku, Magnificat.	[ce]BachJiten			1996	220-224
	50.	Melamed, Daniel R. (ed.)	Motets / Johann Ludwig Bach.	RecentResearchMBaroq	108		2001	xix, 203p
	51.	Melamed, Daniel R.	Multi-day Passions and J.S. Bach's Christmas oratorio, BWV248.	18cM	11	2	Sep 2014	215-234
	52.	Melamed, Daniel R.	'Parallel Proportions' in J. S. Bach's Music.	18cM	18	1	Mar 2021	99-121
	53.	Melamed, Daniel R. (ed.)	Passion according to St. Luke (1771): based on a setting by Georg Philipp Telemann ; incorporating music by Georg Anton Benda, Gottfried Heinrich Stölzel, and Gottfried August Homilius / Carl Philipp Emanuel Bach.	CPEBachCW	4	6.1	2009	xxiii, 8, 132p
	54.	Goldberg, Randall E.; Melamed, Daniel R. (eds.)	Passion according to St. Luke (1775) / Carl Philipp Emanuel Bach.	CPEBachCW	4	6.2	2011	xxx, 153p
	55.	Melamed, Daniel R.; Parrott, Andrew; Fehleisen, Fred	Principles and potential for the development of the performance-academic discourse.	[p]BNUK_Cambridge			Jul 2017
	56.	Melamed, Daniel R.	Probleme zu Chronologie, Stil und Zweck der Motetten Johann Sebastian Bachs.	BeitrBachF	9-10		1991	277-284
	57.	Melamed, Daniel R.	Problems of Chronology, Style, and Function in J. S. Bach's Motets.	[p]AMS_Baltimore			Nov 1988
	58.	Melamed, Daniel R.	Response To Ruth Tatlow.	18cM	18	2	Sep 2021	325-326
	59.	Melamed, Daniel R.	Rethinking Bach Codes.	[ce]RethinkingBach			2021	227-250
	60.	Melamed, Daniel R.	Scoring, text and genre in 'Nun ist der Herr zu Ruh gebracht' BWV 244/67.	[p]SMA_Glasgow			Apr 2009
	61.	Melamed, Daniel R.	Seventeenth-Century Hamburg Passions and Their Shadows in the Eighteenth Century.	[p]CWolff_Harvard			Sep 2005
	62.	Melamed, Daniel R.	Staffing J. S. Bach's St. Matthew Passion Then and Now.	Colloquium	4		Autumn 2007	145-150
	63.	Melamed, Daniel R.	Text, voice, and genre in 'Nun ist der Herr zur Ruh gebracht' BWV 244/67.	EastmanStudM	102		2013	111-135
	64.	Melamed, Daniel R.	The Authorship of the Motet 'Ich lasse dich nicht' (BWV Anh. 159).	JAMSoc	41	3	Autumn 1988	491-526
	65.	Melamed, Daniel R.	The 'Continuo: pro Bassono e Violoncello' Part for In allen meinen Taten BWV 97.	Bach	55	2	2024	222-241
	66.	Melamed, Daniel R.	The Double Chorus in J. S. Bach's St. Matthew Passion BWV 244.	JAMSoc	57	1	Spring 2004	3-50
	67.	Melamed, Daniel R.	The Evolution of 'Und wenn die Welt voll Teufel wär' BWV 80/5.	HarvardPubM	22		2008	189-205
	68.	Melamed, Daniel R.	The Passions: Versions and Problems / Las pasiones: versiones y problemas.	Goldberg		34	Jun 2005	30-37
	69.	Melamed, Daniel R.	The Text of 'Gott ist mein König' BWV 71.	Bach	32	1	2001	1-16
	70.	Melamed, Daniel R.	The Text of Gott ist mein König BWV 71.	[p]ABS_Washington			Apr 2000
	71.	Melamed, Daniel R.	Two Sanctus Settings by Johann Christoph Altnickol.	[p]ABS_SouthBend			Apr 2016
	72.	Melamed, Daniel R.	Two Unusual Cues in J. S. Bach's Performing Parts.	[fs]Leaver65			2007	141-146
	73.	Melamed, Daniel R.; Sanders, Reginald L.	Zum Text und Kontext der 'Keiser'-Markuspassion.	BachJb	85		1999	35-50