Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Paczkowski, Szymon | Allegorical meaning of the polonoise in Bach's vocal works. |
[p]BCB_Logrono |
| | Jul 2002 |
|
|
| 2. | Paczkowski, Szymon | A Polonaise duet, composed for a merchant, a professor and a king. On the Cantatas BWV 205, 205a, 216 and 216a by Johann Sebastian Bach. |
[p]BICB_Warsaw |
| | Jul 2006 |
|
|
| 3. | Paczkowski, Szymon | A Polonaise Duet for a Professor, a King and a Merchant: On Cantatas BWV 205, 205a, 216 and 216a by Johann Sebastian Bach. |
UnderstandingBach |
2 | | 2007 |
19-36 |
|
| 4. | Paczkowski, Szymon | A Polonaise Duet for a Professor, a King and a Merchant: on Cantatas BWV 205, 205a, 216 and 216a by Johann Sebastian Bach. |
McolToday |
6 | | 2009 |
90-112 |
|
| 5. | Paczkowski, Szymon | Bach and Chopin. |
[p]BNUK_Edinburgh |
| | Aug 2011 |
|
|
| 6. | Paczkowski, Szymon | Bach and Chopin. |
[p]BICB_Southampton |
| | Jul 2012 |
|
|
| 7. | Paczkowski, Szymon (ed.) | Bach and Chopin: Baroque Traditions in the Music of the Romantics. |
[cr]Warsaw2017 |
| | 2019 |
492p |
|
| 8. | Paczkowski, Szymon | Bach and Poland in the 18th century. |
[p]BNUK_Warsaw |
| | Jul 2013 |
|
|
| 9. | Paczkowski, Szymon | Bach and Poland in the Eighteenth Century. |
UnderstandingBach |
10 | | 2015 |
123-137 |
|
| 10. | Paczkowski, Szymon | Bach and the Story of an 'Aria tempo di Polonaise' for Joachim Friedrich Flemming. |
[p]ABS_Leipzig |
| | May 2006 |
|
|
| 11. | Paczkowski, Szymon | Bach and the Story of an 'Aria Tempo di Polonaise' for Joachim Friedrich Flemming. |
Bach |
38 | 2 | 2007 |
64-98 |
|
| 12. | Paczkowski, Szymon | Bach's Peasant Cantata and the Polish style. |
[p]BICB_Leeds |
| | Jul 2008 |
|
|
| 13. | Paczkowski, Szymon | Chopin and Bach. |
ChopinWorld |
| | 2000 |
6-7 |
|
| 14. | Paczkowski, Szymon | Der polnische Stil und Bachs Bauern-Kantate. |
ArolserBeitrMf |
9 | | 2002 |
181-194 |
|
| 15. | Paczkowski, Szymon | Die Bibliothek des Grafen Jakob Heinrich Flemming, das Repertoire seiner Kapelle und der Musikalientransfer in Ostmitteleuropa. |
[p]Dresden |
| | Jun 2010 |
|
|
| 16. | Paczkowski, Szymon | Die Motette Singet dem Herrn ein neues Lied BWV 225 von Johann Sebastian Bach: Stil, Form und Bedeutung. |
[cr]Cracow2003 |
| | 2006 |
145-166 |
|
| 17. | Paczkowski, Szymon | Field Marshall Jakob Heinrich Flemming (1667-1728) and his musical patronage. |
[p]BICB_Belfast |
| | Jul 2010 |
|
|
| 18. | Paczkowski, Szymon | 'In the Most Honorable Minister's House:' The musical interests and patronage of Jakob Heinrich Flemming, and his possible contacts with J.S. Bach. |
[p]ABS_Wisconsin |
| | May 2010 |
|
|
| 19. | Paczkowski, Szymon | In the shadow of the Hofkapelle: music and musicians in the circle of the Dresden nobility during the reign of August II and August III. |
[p]BNUK_Cambridge |
| | Jul 2015 |
|
|
| 20. | Paczkowski, Szymon; Zórawska-Witkowska, Alina [¯órawska-Witkowska] (eds.) | Johann Adolf Hasse in seiner Epoche und in der Gegenwart. Studien zur Stil- und Quellenproblematik. |
[cr]Warschau1999 |
| | 2002 |
234p |
|
| 21. | Paczkowski, Szymon | Johanna Sebastiana Bacha 'Nun ist das Heil und die Kraft' BWV 50. Forma i znaczenie. |
|
| | 2004 |
291-304 |
|
| 22. | Paczkowski, Szymon | Johann Sebastian Bachs 'Nun ist das Heil und die Kraft' BWV 50. Form und Bedeutung. |
|
| | 2004 |
224-236 |
|
| 23. | Paczkowski, Szymon | J. Ph. Kirnberger and the Musical Patronage of Count Wac³aw Rzewuski in Podhorce. |
[p]BICB_Salzburg |
| | Jul 2014 |
|
|
| 24. | Paczkowski, Szymon | Motet 'Singet dem Herrn ein neues Lied' BWV 225 Johanna Sebastiana Bacha - Styl, Forma i Znaczenie. |
Muzyka |
50 | 2 (197) | 2005 |
17-44 |
|
| 25. | Paczkowski, Szymon | Musikalische Darstellung des Himmelskönigs in Bachs Kantaten BWV 69a und 137. |
[cr]Oberschützen2007 |
| | 2009 |
47-57 |
|
| 26. | Paczkowski, Szymon | Nadworny Kompozytor Króla Polskiego i Elektora Saskiego. |
[ce]BachTysiaclecia |
| | 2000 |
85-94 |
|
| 27. | Paczkowski, Szymon | On the Problems of Parody and Style in the 'Et resurrexit' from the Mass in B minor by Johann Sebastian Bach. |
Bach |
37 | 2 | 2006 |
1-44 |
|
| 28. | Paczkowski, Szymon | On the Role and Meaning of the Polonaise in the Mass in B minor by Johann Sebastian Bach as Exemplified by the Aria 'Quoniam tu solus sanctus'. |
[cr]Belfast2007 |
1 | | 2007 |
33-51 |
|
| 29. | Paczkowski, Szymon | O polonezowej arii Lobe, Zion, deinen Gott z kantaty Singet dem Herrn ein neues Lied BWV 190 Johanna Sebastiana Bacha. |
[fs]Perz |
| | 2003 |
503-509 |
|
| 30. | Paczkowski, Szymon | Orkiestrowe Polonezy Johanna Sebastiana Bacha. |
KronikaZamkowa |
| 2:46 | 2003 |
105-122 |
|
| 31. | Paczkowski, Szymon; Ryszka-Komarnicka, Anna (eds.) | Polish Studies on Baroque Music. |
McolToday |
6 | | 2009 |
218p |
|
| 32. | Paczkowski, Szymon | Polish style in the music of Johann Sebastian Bach. |
ContextBachStud |
6 | | 2017 |
xvi, 402p |
|
| 33. | Paczkowski, Szymon | Singet dem Herrn ein neues Lied (BWV 225) by Johann Sebastian Bach - functions and meaning. |
[p]BICB_Manchester |
| | Jul 2004 |
|
|
| 34. | Paczkowski, Szymon | Sound-Encoded Politics: J. S. Bach's Cantata Tönet, ihr Pauken (BWV 214). |
[p]ABS_Bethlehem |
| | May 2008 |
|
|
| 35. | Paczkowski, Szymon | Styl Polski w Muzyce Johanna Sebastiana Bacha. |
|
| | 2011 |
457p |
|
| 36. | Paczkowski, Szymon | 'The Ideal of Great Music I Created for Myself'. Chopin, Bach and the Baroque Musical Tradition. |
[cr]Warsaw2017 |
| | 2019 |
13-46 |
|
| 37. | Paczkowski, Szymon | The Polish-Saxon Episode in the Life of Gregor Joseph Werner. |
18cM |
16 | 2 | Sep 2019 |
155-165 |
|
| 38. | Paczkowski, Szymon | The role and significance of the polonaise in the 'Quoniam' of the B-minor Mass. |
[ce]ExploringBMM |
| | 2013 |
54-83 |
|
| 39. | Paczkowski, Szymon | The Sound-Coded Politics: on the Cantata Tönet, ihr Pauken BWV 214 by Johann Sebastian Bach. |
[p]BNUK_Oxford |
| | Jan 2009 |
|
|
| 40. | Paczkowski, Szymon | Wojenny polonez dla królowej: O kantacie Tönet, ihr Pauken BWV 214 J.S. Bacha. |
[fs]Helman70 |
| | 2007 |
423-438 |
|
| 41. | Paczkowski, Szymon | Über die Funktionen der Polonaise und des polnischen Stils am Beispiel der Arie 'Glück und Segen sind bereit' aus der Kantate Erwünschtes Freudenlicht BWV 184 von Johann Sebastian Bach. |
[cr]Warschau1999 |
| | 2002 |
207-224 |
|