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Author : Swack, Jeanne
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
[]
1. Swack, JeanneA Comparison of Bach's and Telemann's Use of the Ouverture as Theological Signifier. BachPerspectives 6 2007 99-135
2. Swack, JeanneAnti-Judaism and The Lutheran Cantata: The Cantatas for Judica Sunday of Georg Philipp Telemann. [p]AMS_Quebec Nov 2007
3. Swack, JeanneAnti-Judaism and the Lutheran Cantata: the Cantatas for Judica Sunday of Georg Philipp Telemann. [p]BICB_Warsaw Jul 2006
4. Swack, JeanneAntijudaismus in Telemanns Kantate zum Sonntag Judica 'Der Kern verdammter Sünder' TVWV 1:303. TelemannKonfBer 16 2011 256-278
5. Swack, JeanneDie Sonatensammlung als Katalog: Nationalstile und Satztypen in den 'XII Solos, à Violon où Traversiere, avec la Basse chiffrée' (1734) von Georg Philipp Telemann TelemannKonfBer 11 2006 77-98
6. Swack, JeanneFormal Paradigms, Movement Types, and National Styles in Telemann's Frankfurt Cantata Cycles. [p]ABS_Wisconsin May 2010
7. Swack, JeanneJohann Ernst von Sachsen-Weimar als Auftraggeber: Bemerkungen zum Stil der Six Sonates a Violon seul (1715) von Georg Philipp Telemann. TelemannKonfBer 10 1997 53-70
8. Swack, JeanneJ. S. Bach's A major flute sonata BWV 1032 revisited. BachStud 2 1995 154-174
9. Butler, Lynn Edwards; Swack, JeanneMadison in May: The American Bach Society Holds its Biennial Meeting May 7-9, 2010. BachNotesABS 12 Winter 2010 3-9
10. Swack, JeanneModular Structure and the Recognition of Ritornello in Bach's Brandenburg Concertos. BachPerspectives 4 1999 33-53
11. Swack, Jeanne R.On the Origins of the Sonate auf Concertenart. JAMSoc 46 3 Autumn 1993 369-414
12. Swack, JeanneQuantz and the Sonata in E flat major for flute and cembalo, BWV 1031. EarlyM 23 1 Feb 1995 31-53
13. Swack, JeanneQuantz and the Sonata in E-Flat Major for Flute and Cembalo, BWV 1031. [p]AMS_Chicago Nov 1991
14. Swack, Jeanne'Telemanns Chor': Aufführungspraxis und Stimmensätze in Telemanns Frankfurter Kantaten TelemannKonfBer 13 2007 295-314
15. Swack, Jeanne'Telemann's Chorus': Vocal Forces in Telemann's Frankfurt Cantatas and the Implications for the 'One on a Part' Controversy. [p]AMS_Kansas Nov 1999
16. Swack, JeanneText and genre in selected cantatas of Georg Philipp Telemann. StMaterMw 49 2008 159-197
17. Swack, JeanneThe French ouverture as theological signifier in Telemann's 'Jesus sei mein erstes Wort' and 'Christ ist erstanden von der Marter alle'. [p]ABS_Houston Apr 2002
18. Swack, JeanneThe Solo Sonatas of Georg Philipp Telemann: A Study of the Sources and Musical Style. diss. 1988

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