Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Frampton, Andrew | A Copyist of Bach and Zelenka: Identifying the Scribe of GB-Ob MS Tenbury 749. |
[p]BNUK_Cambridge |
| | Jul 2015 |
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| 2. | Shabalina, Tatiana | Activities around the composer's desk: the roles of Bach and his copyists in parody production. |
[p]BNUK_Cambridge |
| | Jul 2015 |
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| 3. | Belcher, Owen | Analytical studies of selected cantatas by J. S. Bach. |
[p]BNUK_Cambridge |
| | Jul 2017 |
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| 4. | Blanken, Christine | A University Student as Librettist - Important Impetus for Bach's Church Music in Leipzig. |
[p]BNUK_Cambridge |
| | Jul 2015 |
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| 5. | Marissen, Michael; Varwig, Bettina; Begbie, Jeremy | Bach and God. |
[p]BNUK_Cambridge |
| | Jul 2017 |
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| 6. | Bringeland, Sjur Haga | Bach and the recorder. |
[p]BNUK_Cambridge |
| | Jul 2017 |
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| 7. | Cressy, Thomas | Bach and the samurai aesthetic framework: the implications of the writings of Utagawa Yoan and Kume Kunitake. |
[p]BNUK_Cambridge |
| | Jul 2017 |
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| 8. | Hausmann, Christiane | Bach Digital. |
[p]BNUK_Cambridge |
| | Jul 2017 |
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| 9. | Tomita, Yo; Schulenberg, David; Lewis, Daniel Martyn | Bach's quaver notation and performance implications. |
[p]BNUK_Cambridge |
| | Jul 2017 |
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| 10. | Koska, Bernd | Bach's Thomaner--Disciples of their Teacher? |
[p]BNUK_Cambridge |
| | Jul 2015 |
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| 11. | Klein, Tobias Robert | Bach to Africa and Forward towards a global aesthetics of music. |
[p]BNUK_Cambridge |
| | Jul 2015 |
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| 12. | Cressy, Thomas | Bahha: Bach and Japan. |
[p]BNUK_Cambridge |
| | Jul 2015 |
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| 13. | Strohm, Reinhard | Balzan project and Bach. |
[p]BNUK_Cambridge |
| | Jul 2015 |
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| 14. | Bertoglio, Chiara | Busoni on how to transcribe from the organ to the piano: an easy course in ten Preludes. |
[p]BNUK_Cambridge |
| | Jul 2017 |
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| 15. | Vroegindeweij, Lydia | Consolation by Luther and Bach. |
[p]BNUK_Cambridge |
| | Jul 2017 |
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| 16. | Rose, Stephen | Creativity versus censorship in the Lutheran church cantata. |
[p]BNUK_Cambridge |
| | Jul 2015 |
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| 17. | Szabó, Zoltán | Critical edition or As You Like It. |
[p]BNUK_Cambridge |
| | Jul 2015 |
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| 18. | Brookshire, Bradley | Edwin Fischer and Bach-Pianism of the Weimar Republic. |
[p]BNUK_Cambridge |
| | Jul 2015 |
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| 19. | Bertoglio, Chiara | Enhancing the Spectacular: Busoni on Bach's Goldberg Variations. |
[p]BNUK_Cambridge |
| | Jul 2015 |
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| 20. | Paczkowski, Szymon | In the shadow of the Hofkapelle: music and musicians in the circle of the Dresden nobility during the reign of August II and August III. |
[p]BNUK_Cambridge |
| | Jul 2015 |
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| 21. | Borghesi, Maria | Italian Instructive Editions of Bach's Two-Part Inventions, c.1870-1985. |
[p]BNUK_Cambridge |
| | Jul 2015 |
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| 22. | Owens, Samantha | Music via Correspondence: A List of the Collection of Kreuzkirche Organist Emanuel Benisch. |
[p]BNUK_Cambridge |
| | Jul 2015 |
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| 23. | Tomita, Yo; Blanken, Christine; Hausmann, Christiane | New Online Resources for Bach Scholarship. |
[p]BNUK_Cambridge |
| | Jul 2015 |
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| 24. | Roe, Stephen | New research on J. C. Bach sources. |
[p]BNUK_Cambridge |
| | Jul 2017 |
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| 25. | Crist, Stephen A. | New research on Lorenz Mizler. |
[p]BNUK_Cambridge |
| | Jul 2017 |
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| 26. | Stockigt, Janice B. | Organists of Leipzig's royal Catholic chapel 1719-1740 (and beyond). |
[p]BNUK_Cambridge |
| | Jul 2015 |
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| 27. | Smaill, Peter | Prince Albert and the Reception of the Chorale in England. |
[p]BNUK_Cambridge |
| | Jul 2015 |
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| 28. | Melamed, Daniel R.; Parrott, Andrew; Fehleisen, Fred | Principles and potential for the development of the performance-academic discourse. |
[p]BNUK_Cambridge |
| | Jul 2017 |
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| 29. | Butt, John; Tomita, Yo; Marissen, Michael; Varwig, Bettina | Principles of Performance Lost and Gained: John Butt on Bach-related subjects in conversation with Yo Tomita, Michael Marissen and Bettina Varwig. |
[p]BNUK_Cambridge |
| | Jul 2015 |
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| 30. | Matsubara, Kaoru | Recognition of Counterpoint by the contemporaries of J. S. Bach. |
[p]BNUK_Cambridge |
| | Jul 2015 |
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| 31. | Murata, Kayo | Redefining the 'permutation fugues' of J. S. Bach: focusing on the differences with the invertible counterpoint developed in North Germany. |
[p]BNUK_Cambridge |
| | Jul 2017 |
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| 32. | Fazekas, Gergely | The conflict of symmetrical form and text setting by J. S. Bach. |
[p]BNUK_Cambridge |
| | Jul 2015 |
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| 33. | Maul, Michael; Reul, Barbara M.; Leaver, Robin A. | The Fleckeisen Document and its Implications. |
[p]BNUK_Cambridge |
| | Jul 2017 |
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| 34. | Wilkinson, Tom | To what extent is J. S. Bach a compositional theorist? |
[p]BNUK_Cambridge |
| | Jul 2017 |
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| 35. | Heber, Noelle | Treasures in heaven and on earth: poverty and abundance in the life and sacred cantatas of Johann Sebastian Bach. |
[p]BNUK_Cambridge |
| | Jul 2017 |
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| 36. | Wijnen, Dingeman van; Clement, Albert | World launch of the Calov Bible facsimile. |
[p]BNUK_Cambridge |
| | Jul 2017 |
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