Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Owens, Samantha | 'A gothic cathedral in music': The performance and reception of Bach's Mass in B minor in 1920s Australia. |
AustralianMResearch |
17 | | 2018 |
101-116 |
|
| 2. | Ebacioni, Niki | 'A light shining in the darkness': Leonard Fullard's Melbourne Bach Festival. |
AustralianMResearch |
17 | | 2018 |
117-136 |
|
| 3. | Kretzenbacher, Heinz L. | Approaches to Bach in Australian literature. |
AustralianMResearch |
17 | | 2018 |
201-217 |
|
| 4. | Frampton, Andrew | A tale of two Passions: The 1897 Melbourne cathedral performance of J.S. Bach's St. Matthew Passion. |
AustralianMResearch |
17 | | 2018 |
29-50 |
|
| 5. | Lieschke, Graham | Bach cantata presentations with orchestral accompaniments led by Leonard Fullard 1948–56, with contemporary comments |
AustralianMResearch |
17 | | 2018 |
222-227 |
|
| 6. | Lieschke, Graham | Bach cantata presentations with organ accompaniment only led by Leonard Fullard, 1948–56. |
AustralianMResearch |
17 | | 2018 |
228 |
|
| 7. | Lieschke, Graham | Bach cantata reception in Melbourne: Setting the scene for the Cantata Program of St Johns Southgate Lutheran Church. |
AustralianMResearch |
17 | | 2018 |
171-198 |
|
| 8. | Lieschke, Graham | Bach cantata 'series' in Melbourne and elsewhere in Australia. |
AustralianMResearch |
17 | | 2018 |
231-234 |
|
| 9. | Burk, Ian | Bach in Tasmania: Overcoming the problems of a small population and a lack of musical resources. |
AustralianMResearch |
17 | | 2018 |
155-170 |
|
| 10. | Collins, Denis; Murphy, Kerry; Owens, Samantha | First performances of Bach’s St. Matthew Passion and Mass in B minor in Australian states and territories. |
AustralianMResearch |
17 | | 2018 |
218-221 |
|
| 11. | Campbell, Peter | Historically informed Bach performance in Canberra: Problems and progress. |
AustralianMResearch |
17 | | 2018 |
137-154 |
|
| 12. | Collins, Denis; Murphy, Kerry; Owens, Samantha (eds.) | J.S. Bach in Australia: Studies in Reception and Performance. |
AustralianMResearch |
17 | | 2018 |
xiii, 266p |
|
| 13. | Stockigt, Janice B. | 'Nobody rose or joined in these hymns': Premiere Australian performances of J.S. Bach's St. Matthew Passion (1875-76). |
AustralianMResearch |
17 | | 2018 |
11-28 |
|
| 14. | Lieschke, Graham | Repertoire performed in the St Johns Southgate Bach Cantata Program, 1997–2017. |
AustralianMResearch |
17 | | 2018 |
229 |
|
| 15. | Maddox, Alan | 'The finest and grandest work ever created by human genius': The first performance of J.S. Bach's St. Matthew Passion in colonial Sydney. |
AustralianMResearch |
17 | | 2018 |
51-70 |
|
| 16. | Tregear, Peter | The key to timelessness: Some reflections on the Australian reception of the B minor Mass. |
AustralianMResearch |
17 | | 2018 |
89-100 |
|
| 17. | Szuster, Julja | The performance history of J.S. Bach's St. Matthew Passion in South Australia. |
AustralianMResearch |
17 | | 2018 |
71-86 |
|