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Bach Printed Music Database Search Result |
Series : ^Bach$Your search has generated the following results ...
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| Type | List | Author  | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Buelow, George J. | A Bach Borrowing by Gluck: Another Frontier. | Bach | 22 | 1 | 43-61 | ||
| | 2. | Herz, Gerhard | A Bach Signature in the Possession of Gerhard Herz. | Bach | 9 | 4 | 23-24 | ||
| | 3. | Harriss, Ernest | A Chronology of the Works of Johann Sebastian Bach. Part I. | Bach | 11 | 2 | 2-20 | ||
| | 4. | Harriss, Ernest | A Chronology of the Works of Johann Sebastian Bach. Part II. | Bach | 11 | 3 | 2-8 | ||
| | 5. | Harriss, Ernest | A Chronology of the Works of Johann Sebastian Bach. Part III. | Bach | 11 | 4 | 3-7 | ||
| | 6. | Heinrich, Adel | A Collation of the Expositions in Die Kunst der Fuge of J. S. Bach. | Bach | 12 | 2 | 28-40 | ||
| | 7. | Ebert, Robert R. | A Comparison of the Prices of Organs in Bach's Time and the 1980's. | Bach | 19 | 1 | 28-45 | ||
| | 8. | Peters, Mark A. | Adapting Bach's final Weimar Cantata for Performance in Leipzig: Liturgical and Musical Considerations in Cantata 147. | Bach | 31 | 1 | 58-73 | ||
| | 9. | Smith, Mark M. | A Deceptive Edition of the Bach 'Cello Suites. | Bach | 9 | 1 | 26-29 | ||
| | 10. | Rathey, Markus | A Divided Country - A Divided Bach: The Cantor-Kapellmeister Controversy and the Cold War. | Bach | 47 | 2 | 1-26 | ||
| | 11. | Mann, Alfred | A Document from the Hand of Arthur Mendel: Introduction and Commentary. | Bach | 20 | 3 | 4-5(-14) | ||
| | 12. | Barber, Elinore | Albert Riemenschneider: A Portrait of the Founder of Baldwin-Wallace College's Conservatory of the Occasion of its 100th Anniversary. | Bach | 29 | 2 | 1-7 | ||
| | 13. | Schweitzer, Albert | Albert Schweitzer writes to Elinore Barber concerning his condition, his work, his fight against atomic weapons. | Bach | 3 | 4 | 25-27 | ||
| | 14. | Unger, Melvin P. | Alfred Mann. | Bach | 37 | 2 | 119 | ||
| | 15. | Glöckner, Andreas | Alumni and Externals in the Choirs of the Thomas School during Bach's Time. | Bach | 40 | 1 | 1-34 | ||
| | 16. | Rathey, Markus | Always Problems with the Passion: A Contested Passion Performance in 1739 and the History of the Donkey. | Bach | 55 | 2 | 197-221 | ||
| | 17. | Kellner, Herbert Anton | A Mathematical Approach Reconstituting J. S. Bach's Keyboard-Temperament. | Bach | 10 | 4 | 2-8 | ||
| | 18. | Kellner, Herbert Anton | A Mathematical Approach Reconstructing J. S. Bach's Keyboard Temperament. | Bach | 30 | 1 | 1-9 | ||
| | 19. | Lim Bing Nan, Mick | A Mystery Unraveled: Who Composed the Gutenberg 300th Anniversary Cantata? | Bach | 49 | 2 | 402-424 | ||
| | 20. | Corlis, Timothy | Analysis of Spectra in J. S. Bach's Prelude and Fugue, BWV 552. | Bach | 37 | 1 | 26-49 | ||
| | 21. | Cypess, Rebecca | Ancient Poetry, Modern Music, and the Wechselgesang der Mirjam und Debora: The Meanings of Song in the Itzig Circle. | Bach | 47 | 1 | 21-65 | ||
| | 22. | Currie, Randolph N. | A Neglected Guide to Bach's Use of Number Symbolism -- Part I. | Bach | 5 | 1 | 23-32 | ||
| | 23. | Currie, Randolph N. | A Neglected Guide to Bach's Use of Number Symbolism -- Part II. | Bach | 5 | 2 | 36-49 | ||
| | 24. | Currie, Randolph N. | A Neglected Guide to Bach's Use of Number Symbolism -- Part III. | Bach | 5 | 3 | 3-12 | ||
| | 25. | Currie, Randolph N. | A Neglected Guide to Bach's Use of Number Symbolism -- Part IV. | Bach | 5 | 4 | 3-8 | ||
| | 26. | Schulenberg, David | An Enigmatic Legacy: Two Instrumental Works Attributed to Wilhelm Friedemann Bach. | Bach | 41 | 2 | 24-60 | ||
 | 27. | Pisk, Paul A. | A New Look at the 'Great 48'. | Bach | 8 | 2 | 23-25 | ||
| | 28. | Butler, H. Joseph | A Newly Discovered Work of Charles Theodore Pachelbel. | Bach | 28 | 1-2 | 126-144 | ||
| | 29. | Stinson, Russell | An Introduction to Beiträge zur Bachforschung. | Bach | 18 | 1 | 22-24 | ||
| | 30. | Radice, Mark A. | An Inventory of Bach's Musical Offering. | Bach | 6 | 1 | 12-16 | ||
| | 31. | Smithers, Don L. | Anomalies of Tonart and Stimmton in the first version of Bach's Magnificat (BWV 243a). | Bach | 27 | 2 | 1-59 | ||
| | 32. | Ambrose, Z. Philip | Another Lament in Weinen, Klagen, Sorgen, Zagen. | Bach | 13 | 3 | 20-22 | ||
| | 33. | Broman, Per F. | Another Woody: J. S. Bach in Dixieland. | Bach | 50 | 2 | 254-274 | ||
| | 34. | Posell, Jacques | A Philatelic Visit with J. S. Bach. | Bach | 7 | 2 | 23-28 | ||
| | 35. | Morgan, Emerson | A Previously Unknown Source for the Orgelbüchlein: Yale Misc. Ms. 545. | Bach | 42 | 2 | 64-73 | ||
| | 36. | Flindell, E. Frederick | Apropos Bach's Inventions [Part I] | Bach | 14 | 4 | 3-14 | ||
| | 37. | Flindell, E. Frederick | Apropos Bach's Inventions, Part II. | Bach | 15 | 1 | 3-16 | ||
| | 38. | Flindell, E. Frederick | Apropos Bach's Inventions, Part III. | Bach | 15 | 2 | 3-17 | ||
| | 39. | Peters, Mark A. | A Reconsideration of Bach's Role as Text Redactor in the Ziegler Cantatas. | Bach | 36 | 1 | 25-66 | ||
| | 40. | Gleason, Harold | A Seventeenth-Century Organ Instruction Book. | Bach | 3 | 1 | 3-12 | ||
| | 41. | Gleason, Harold | A Seventeenth-Century Organ Instruction Book. [Wegweiser die Kunst die Orgel] | Bach | 12 | 3 | 11-20 | ||
| | 42. | Gleason, Harold | A seventeenth-century Organ Instruction Book. [Wegweiser die Kunst die Orgel recht zu schlagen] | Bach | 27 | 2 | 60-83 | ||
| | 43. | Marlowe, Sarah | A Taxonomy for Teaching Music Theory: J. S. Bach and Lessons in Invertible Counterpoint. | Bach | 49 | 2 | 365-387 | ||
| | 44. | Getz, Christine Suzanne | A Telemann Concerto for Violin and Strings?: Some Hints on the Reconstruction of an Unidentified Concerto. | Bach | 19 | 2 | 3-24 | ||
| | 45. | Author-Title-Subject: Cumulative Index 1970-2000 | Bach | 31 | 2 | 1-67 | |||
| | 46. | GoGwilt, Keir | A Violinist's Viewpoint: Performing J. S. Bach's Chaconne in Bobbi Jene Smith's Broken Theater. | Bach | 55 | 1 | 88-110 | ||
| | 47. | Maul, Michael | A Weimar Commemorative Album and Bach's Canon BWV 1073. | Bach | 46 | 1 | 49-73 | ||
| | 48. | Barber, Elinore | Bach Adds a Tempo Mark? | Bach | 1 | 2 | 3-5 | ||
| | 49. | David, Hans T. | Bach Analyses: J. S. Bach's Fugue in E minor from The Well-tempered Clavier, Book I. | Bach | 2 | 3 | 15-16 | ||
| | 50. | David, Hans T. | Bach Analyses. J. S. Bach's Prelude in E minor from The Well-tempered Clavier, Book 1. | Bach | 2 | 2 | 18-19 | ||
| | 51. | Collins, Denis | Bach and Approaches to Canonic Composition in Early Eighteenth-Century Theoretical and Chamber Music Sources. | Bach | 30 | 2 | 27-48 | ||
| | 52. | Tomita, Yo | Bach and His Early Drafts: Some Observations on Little Known Early Versions of Well-Tempered Clavier II and the Goldberg Variations from the Manfred Gorke Collection. | Bach | 30 | 2 | 49-72 | ||
| | 53. | Leaver, Robin A. | Bach and Luther. | Bach | 9 | 3 | 9-12; 25-32 | ||
| | 54. | Marshall, Robert L. | Bach and Mozart: Styles of Musical Genius. | Bach | 22 | 1 | 16-32 | ||
| | 55. | Barber, Elinore | Bach and the B-A-C-H Motive. | Bach | 2 | 2 | 3-5 | ||
| | 56. | Schenkman, Walter | Bach and the Beer Fiddlers. | Bach | 26 | 1-2 | 48-56 | ||
| | 57. | Flindell, E. Frederick | Bach and the Middle Ages. | Bach | 36 | 2 | 1-119 | ||
| | 58. | Paczkowski, Szymon | Bach and the Story of an 'Aria Tempo di Polonaise' for Joachim Friedrich Flemming. | Bach | 38 | 2 | 64-98 | ||
| | 59. | Petzoldt, Martin | Bach as Cantor of St. Thomas in Leipzig, 1723-1750. | Bach | 46 | 2 | 7-21 | ||
| | 60. | Plank, Steven E. | BACH at 50: Some Anniversary Thoughts. | Bach | 51 | 2 | 177-185 | ||
| | 61. | Marshall, Robert L. | Bach at Mid-Life: The Christmas Oratorio and the Search for New Paths. | Bach | 43 | 1 | 1-28 | ||
| | 62. | Erickson, Raymond | Bach at the Barre: An Annotated List of Choreographies Using J. S. Bach's Violin Ciaccona (Chaconne). | Bach | 55 | 1 | 1-43 | ||
| | 63. | Leaver, Robin A. | Bach Cantatas: in Print and Recordings. | Bach | 48 | 1 | 93-114 | ||
| | 64. | Marshall, Robert L.; Marshall, Traute M. | Bach Family Sites. | Bach | 51 | 1 | 70-121 | ||
| | 65. | David, Hans T. | Bach Form -- A Letter and Ground-Plan. | Bach | 1 | 2 | 14-17 | ||
| | 66. | David, Hans T. | Bach Form: Ground Plans by the Late Professor Hans T. David. Aria mit 30 Variationen (Goldberg Variations) -- J. S. Bach [1742]. | Bach | 1 | 1 | 15-16 | ||
| | 67. | Lenneberg, Hans | Bach, Handel, and Relative Success, Part I. | Bach | 12 | 4 | 22-27 | ||
| | 68. | Lenneberg, Hans | Bach, Handel, and Relative Success, Part II. | Bach | 13 | 2 | 17-22 | ||
| | 69. | Bertoglio, Chiara | Bach in Italy, 22–28 November 2020. | Bach | 52 | 1 | 72-79 | ||
| | 70. | Pisk, Paul A. | Bach in Our Time. | Bach | 4 | 3 | 13-17 | ||
| | 71. | Linton, Michael | Bach, Luther, and the Magnificat. | Bach | 17 | 2 | 3-15 | ||
| | 72. | Dirst, Matthew | Bach's Art of Fugue & Musical Offering. | Bach | 55 | 2 | x, 174p | ||
| | 73. | Markevitch, Dimitry | Bach's Cello Suites Revisited: The Manuscripts of the Bach Cello Suites, an Inextricable Labyrinth for Cellists? [A Reader's Response] | Bach | 30 | 1 | 66-69 | ||
| | 74. | Trautmann, Christoph | Bach's Clavierübung: III. | Bach | 15 | 3 | 3-11 | ||
| | 75. | Cox, Howard H. | Bach's Conception of His Office. | Bach | 20 | 1 | 22-30 | ||
| | 76. | Whaples, Miriam K. | Bach's Earliest Arias. | Bach | 20 | 1 | 31-54 | ||
| | 77. | Unger, Melvin P. | Bach's First Two Leipzig Cantatas: The Question of Meaning Revisited. | Bach | 28 | 1-2 | 87-125 | ||
| 78. | Varwig, Bettina | Bach's Hand(s). | Bach | 55 | 2 | 136-167 | |||
 | 79. | Barber, Elinore | Bach's 'Incomplete' Quadruple Fugue from Die Kunst der Fuge (1752-Edition Print Held by the Riemenschneider Bach Institute.) | Bach | 17 | 4 | 24-29 | ||
| | 80. | Jerold, Beverly | Bach's Lament about Leipzig's Professional Instrumentalists. | Bach | 36 | 1 | 67-96 | ||
| | 81. | Herford, Julius | Bach's Models of 'Good Inventiones' -- How to Develop the Same Well. | Bach | 4 | 1 | 16-20 | ||
| | 82. | Herford, Julius | Bach's Models of 'Good Inventiones'. [Part I]. | Bach | 2 | 4 | 10-14 | ||
| | 83. | Herford, Julius | Bach's Models of 'Good Inventiones'. Part II. | Bach | 3 | 1 | 27-30 | ||
| | 84. | Herford, Julius | Bach's Models of 'Good Inventiones'. Part III. | Bach | 3 | 2 | 28-30 | ||
| | 85. | Currie, Randolph N. | Bach's Newly Discovered Canons in a First Edition: Some Observations. | Bach | 8 | 2 | 15-22 | ||
| | 86. | Currie, Randolph N. | Bach's Newly Discovered Canons in a First Edition: Some Observations, Part II. | Bach | 8 | 3 | 3-12 | ||
| | 87. | Currie, Randolph N. | Bach's Newly Discovered Canons in a First Edition: Some Observations, Part III. | Bach | 8 | 4 | 3-9 | ||
| | 88. | Collins, Denis | Bach's Occasional Canon BWV 1073 and 'Stacked' Canonic Procedure in the Eighteenth Century. | Bach | 33 | 2 | 15-34 | ||
| | 89. | Mulbury, David | Bach's 'Passacaglia' in c minor. Notes Regarding Its Background, Essence, and Performance. [Part I.] | Bach | 3 | 2 | 14-27 | ||
| | 90. | Mulbury, David | Bach's 'Passacaglia' in C minor. Notes Regarding Its Background, Essence, and Performance. Part II. | Bach | 3 | 3 | 12-20 | ||
| | 91. | Mulbury, David | Bach's 'Passacaglia' in C minor. Notes Regarding Its Background, Essence, and Performance -- Part III. | Bach | 3 | 4 | 17-24 | ||
| | 92. | Barber, Elinore | Bach's Portrait in Gerber's Lexicon. | Bach | 2 | 1 | 3-6 | ||
| | 93. | David, Hans T. | Bach's Problems and Artistic Creed. | Bach | 1 | 2 | 6-13 | ||
| | 94. | Schulze, Hans-Joachim | Bach's Secular Cantatas - A New Look at the Sources. | Bach | 21 | 1 | 26-41 | ||
| | 95. | Rilling, Helmuth | Bach's Significance. | Bach | 16 | 3 | 2-16 | ||
| | 96. | Morgan, Wesley K. | Bach's Singet dem Herrn ein neues Lied: an Old Problem. | Bach | 11 | 4 | 8-23 | ||
| | 97. | Morgan, Wesley K. | Bach's Singet dem Herrn ein neues Lied: an Old Problem. Part II. | Bach | 12 | 1 | 2-12 | ||
| | 98. | Sevier, Zay David | Bach's Solo Violin Sonatas and Partitas: The First Century and a Half, Part 1. | Bach | 12 | 2 | 11-19 | ||
| | 99. | Sevier, Zay David | Bach's Solo Violin Sonatas and Partitas: The First Century and a Half, Part 2. | Bach | 12 | 3 | 21-29 | ||
| | 100. | Konecni, Vladimir J.; [Koneèni] | Bach's St. Matthew Passion: A Rudimentary Psychological Analysis, Part I. | Bach | 17 | 3 | 10-21 | ||
| | 101. | Konecni, Vladimir J.; [Koneèni] | Bach's St. Matthew Passion: A Rudimentary Psychological Analysis, Part II. | Bach | 17 | 4 | 3-16 | ||
| | 102. | Flindell, E. Frederick | Bach's Tempos and Rhetorical Applications. | Bach | 28 | 1-2 | 151-236 | ||
| | 103. | Stinson, Russell | Bach's Tercentenary Issues of Periodicals: A Selected Bibliography. | Bach | 17 | 4 | 17-23 | ||
| | 104. | Leaver, Robin A. | Bach's Understanding and Use of the Epistles and Gospels of the Church Year. | Bach | 6 | 4 | 4-13 | ||
| | 105. | Jenne, Natalie | Bach's Use of Dance Rhythms in Fugues. [I] | Bach | 4 | 4 | 18-26 | ||
| | 106. | Jenne, Natalie | Bach's Use of Dance Rhythms in Fugues. Part II. | Bach | 5 | 1 | 3-8 | ||
| | 107. | Jenne, Natalie | Bach's Use of Dance Rhythms in Fugues: Part III. | Bach | 5 | 2 | 3-21 | ||
| | 108. | Wolff, Christoph | Bach the Cantor, the Capellmeister, and the Musical Scholar: Aspects of the B-Minor Mass. | Bach | 20 | 1 | 55-64 | ||
| | 109. | Crist, Stephen A. | Bach, Theology, and Harmony: A New Look at the Arias. | Bach | 27 | 1 | 1-30 | ||
| | 110. | Unmack, Susan; Hartwell, Robert | Baroque Ideals of Text Declamation and Their Relevance to the Falsobordone Genre. | Bach | 14 | 4 | 15-24 | ||
| | 111. | Cressy, Thomas A. | Baroque Pop and Psychedelia: Bachian Pastness, Prestige, and Hybridity. | Bach | 54 | 1 | 17-75 | ||
| | 112. | Barber, Elinore | Beethoven and Bach. | Bach | 1 | 4 | 4-5 | ||
| | 113. | Barber, Elinore | Beethoven on Bach. Excerpts from Letters. | Bach | 1 | 4 | 6-8 | ||
| | 114. | Doll, Christopher | Beginnings for Beginners: A Pedagogy for Starting a Prelude. | Bach | 49 | 2 | 248-265 | ||
| | 115. | Wollny, Peter | 'Bekennen will ich seinen Namen': Authenticity, Purpose and Context for the Aria BWV 200. Observations on Johann Sebastian Bach's Reception of Works by Gottfried Heinrich Stölzel. | Bach | 48 | 1 | 36-75 | ||
| | 116. | Barber, Elinore | Butter, Guns, and Bach? | Bach | 1 | 3 | 3-4 | ||
| | 117. | McLean, Hugh J. | BWV 551, A Bachian Orphan. | Bach | 24 | 1 | 35-42 | ||
| | 118. | White, H. M. | Canon in the Baroque Era: Some Precedents for the Musical Offering. | Bach | 15 | 4 | 4-15 | ||
| | 119. | Eisen, Cliff | Carl Philipp Emanuel Bach: The Complete Works. | Bach | 52 | 1 | 82-90 | ||
| | 120. | Mayerovitch, Robert | CD Review: Johann Sebastian Bach. Art of Fugue. Peter Elyakim Taussig, piano solo. MS 102 Crystal Music Records, 2001. Recorded on the Yamaha Disklavier PRO(R)piano. | Bach | 33 | 2 | 71-76 | ||
| | 121. | Stinson, Russell | Clara Schumann's Bach Book: A Neglected Document of the Bach Revival. | Bach | 39 | 1 | 1-66 | ||
| | 122. | Korsyn, Kevin | Composition Lessons with Bach. | Bach | 49 | 2 | 227-247 | ||
| | 123. | Radice, Mark A. | Concerning the Dating of Reinhard Keiser's St. Mark Passion. | Bach | 24 | 1 | 15-20 | ||
| | 124. | Kellner, Herbert Anton | Considering the Tempering Tonality B-Major in Well-Tempered Clavier II. | Bach | 30 | 1 | 10-25 | ||
| | 125. | Schulenberg, David | C.P.E. Bach and Handel: A Son of Bach Confronts Music History and Criticism. | Bach | 23 | 2 | 5-30 | ||
| | 126. | Corrao, Timothy | C. P. E. Bach's Clavier Quartet in A Minor, Wotquenne 93, Part I. | Bach | 12 | 4 | 17-21 | ||
| | 127. | Corrao, Timothy | C. P. E. Bach's Clavier Quartet in A Minor, Wotquenne 93, Part II. | Bach | 13 | 2 | 23-27 | ||
| | 128. | Corneilson, Paul | C. P. E. Bach's Evangelist: Johann Heinrich Michel. | Bach | 41 | 2 | 1-23 | ||
| | 129. | Berg, Darrell M. | C. P. E. Bach's Kenner und Liebhaber Collections: A Series for the Distant Future. | Bach | 52 | 1 | 3-20 | ||
| | 130. | Baumgartner, Nicholas | Currents in Bach Interpretation in Contemporary Germany. | Bach | 30 | 2 | 1-26 | ||
| | 131. | Currie, Randolph N. | Cyclic Unity in Bach's Sechs Chorale: A New Look at the 'Schüblers,' Part I. | Bach | 4 | 1 | 26-38 | ||
| | 132. | Currie, Randolph N. | Cyclic Unity in Bach's Sechs Chorale: A New Look at the 'Schüblers,' Part II. | Bach | 4 | 2 | 25-39 | ||
| | 133. | David, Hans T. | Deceptive Performance Traditions. (1926) | Bach | 25 | 2 | 36-53 | ||
| | 134. | David, Hans T. | Deceptive Performance Traditions. (1926) | Bach | 21 | 2 | 15-22 | ||
| | 135. | Greer, Mary | 'Denn er ist unser Friede' ['For He is our peace']: The Significance of the Marking 'Due Chori in unisono' in the Autograph Score of J. S. Bach's St. Matthew Passion. | Bach | 45 | 1 | 44-89 | ||
| | 136. | Dürr, Alfred | De vita cum imperfectis. | Bach | 52 | 2 | 212-225 | ||
| | 137. | Steiger, Renate | Dialogue Structures in J. S. Bach's Cantatas: The Basic Form of Worship as a Model for Artistic Shaping. | Bach | 33 | 2 | 35-70 | ||
| | 138. | Badura-Skoda, Eva | Did J. S. Bach Compose 'Pianoforte Concertos'? | Bach | 31 | 1 | 1-16 | ||
| | 139. | Varwig, Bettina | Distributed Listening: Aural Encounters with J. S. Bach's Sacred Cantatas. | Bach | 51 | 2 | 210-240 | ||
| | 140. | Cortens, Evan | 'Durch die Music gleichsam lebendig vorgestellet': Graupner, Bach, and Mein Herz schwimmt im Blut. | Bach | 46 | 1 | 74-110 | ||
| | 141. | Music, David W. | Early Bach Publications in United States: Tune Books and Hymnals. | Bach | 47 | 2 | 47-76 | ||
| | 142. | Jerold, Beverly | Editorial Decisions for Ornaments in Bach's Works. | Bach | 33 | 2 | 1-14 | ||
| | 143. | Fuhrmann, Christina | Editorial: Tribute to Dr. Elinore L. Barber. | Bach | 51 | 1 | 1-4 | ||
| | 144. | Greer, Mary | Embracing Faith: The Duet as Metaphor in Selected Sacred Cantatas by J. S. Bach. | Bach | 34 | 1 | 1-71 | ||
| | 145. | Baumgartner, Nicholas | European Bach Interpretation at the Turn of the Millennium. | Bach | 33 | 1 | 1-56 | ||
| | 146. | Schulze, Hans-Joachim | Ey! How Sweet the Coffee Tastes: Johann Sebastian Bach's Coffee Cantata in its Time. | Bach | 32 | 2 | 1-34 | ||
| | 147. | Schulze, Hans-Joachim | 'Ey! Wie schmeckt der Coffee süsse': Johann Sebastian Bachs Kaffee-Kantate in ihrer Zeit. | Bach | 32 | 2 | 36-117 | ||
| | 148. | Barber, Elinore | [Facsimile of biographical entry of H. N. Gerber in his son's Historisch-Biographisches Lexicon der Tonkunstler, 1790] | Bach | 15 | 1 | 28-34 | ||
| | 149. | Kuntz, Danielle M. | Faculty-Student Collaborative: Selma Riemenschneider and the Baldwin Wallace Bach Heritage. | Bach | 53 | 1 | 96-101 | ||
 | 150. | Chobanian, Loris Ohannes (ed.) | FANTASIA For Organ Duo / 'Bach - Riemenschneider' | Bach | 44 | 2 | 21p | ||
| | 151. | Jerold, Beverly | Fasch and the Beginning of Modern Artistic Choral Singing. | Bach | 35 | 1 | 61-86 | ||
| | 152. | Wissner, Reba A. | First Mathematics, Then Music: J. S. Bach, Glenn Gould, and the Evolutionary Supergenius in The Outer Limits' 'The Sixth Finger' (1963). | Bach | 50 | 1 | 63-80 | ||
| | 153. | Oleskiewicz, Mary | 'For the Church as Well as For the Orchestra': J.S. Bach, the Missa, and the Dresden Court, 1700-1750. | Bach | 38 | 2 | 1-38 | ||
| | 154. | Rogal, Samuel J. | For the Love of Bach: The Charles Burney - Samuel Wesley Correspondence. | Bach | 23 | 1 | 31-37 | ||
| | 155. | Butler, Lynn Edwards | Four Sources Relating to Bach, Organ Builder Johann Scheibe, and the Organs in Zschortau and Stötteritz. | Bach | 44 | 2 | 1-5 | ||
| | 156. | Dadelsen, Georg von | Friedrich Smend's Edition of the B-minor Mass by J. S. Bach. | Bach | 20 | 2 | 49-74 | ||
| | 157. | Collins, Denis | From Bull to Bach: In Search of Precedents for the 'Complete' Version of the Canon by Augmentation and Contrary Motion in J. S. Bach's Musical Offering. | Bach | 38 | 2 | 39-63 | ||
| | 158. | Botwinick, Sara | From Ohrdruf to Mühlhausen: A Subversive Reading of Bach's Relationship to Authority. | Bach | 35 | 2 | 1-59 | ||
| | 159. | Serebrennikov, Maxim | From Partimento Fugue to Thoroughbass Fugue: New Perspectives. | Bach | 40 | 2 | 22-43 | ||
| | 160. | Plank, Dana | From the Concert Hall to the Console: Three 8-Bit Translations of the Toccata and Fugue in D Minor. | Bach | 50 | 1 | 32-62 | ||
| | 161. | Smith, Timothy A. | Fugues Without Words: A Hearing of Four Fugues from The Well-Tempered Clavier as Passion Music. | Bach | 40 | 2 | 44-65 | ||
| | 162. | Boe, John | Fully Notated Articulation in Bach's Mature Keyboard Music. | Bach | 7 | 1 | 12-19 | ||
| | 163. | Boe, John | Fully Notated Articulation in Bach's Mature Keyboard Music -- Part II. | Bach | 7 | 2 | 14-22 | ||
| | 164. | Leaver, Robin A. | Further Thoughts on B-A-C-H. | Bach | 2 | 4 | 36-37 | ||
| | 165. | Dirksen, Pieter | Georg Böhm's Keyboard Music> Questions of Authorship and Connections with the Music of J. S. Bach. | Bach | 48 | 2 and 49/1 | 93-115 | ||
| | 166. | George Kochevitsky Speaks Concerning the Performance of Early Music. (1972-1976) | Bach | 25 | 2 | 54-58 | |||
| | 167. | Shabalina, Tatiana | Georg Riedel (1676-1738), the 'East Prussian Bach': New Findings in St. Petersburg. | Bach | 52 | 2 | 159-195 | ||
| | 168. | Mann, Alfred | Gerhard Herz (September 24, 1911--September 3, 2000). | Bach | 32 | 1 | 77-78 | ||
| | 169. | Crean, Elise | G. H. Stölzel's Practischer Beweiss: A Hitherto Unconsidered Source for J. S. Bach's Fourteen Canons. | Bach | 40 | 2 | 1-21 | ||
| | 170. | Kupfer, Peter | 'Good Hands': The Music of J. S. Bach in Television Commercials. | Bach | 50 | 2 | 275-302 | ||
| | 171. | Collins, Timothy A. | Gottfried Reiche: A More Complete Biography. | Bach | 19 | 3 | 4-18 | ||
| | 172. | Koopman, Ton | Gustav Leonhardt as a Teacher. | Bach | 48 | 2 and 49/1 | 44-47 | ||
| | 173. | Barber, Elinore | Hans Theodore David: 'A Portrait in Outline'. | Bach | 1 | 3 | 25-29 | ||
| | 174. | Carrier-McClimon, Carolyn | Hearing the 'Töne eines Passionliedes' in J. S. Bach's Christmas Oratorio: The Nineteenth-Century Critical Reception of BWV 248. | Bach | 45 | 2 | 34-67 | ||
| | 175. | David, Hans T. | Hebrew Letters in Polyphonic Settings by Christian Composers. | Bach | 2 | 2 | 6-17 | ||
| | 176. | Öhm-Kühnle, Christoph | Heinrich Nikolaus Gerber's Rediscovered Manuscript of Johann Sebastian Bach's Suite in E Minor (BWV 996): A Copy of Bach's Hitherto Unknown Revised Version. | Bach | 38 | 1 | 45-66 | ||
| | 177. | Radice, Mark A. | Heinrich Schütz and the Foundations of the Stile Recitativo in Germany. | Bach | 16 | 4 | 9-23 | ||
| | 178. | Leaver, Robin A. | Heinrich Schütz as a Biblical Interpreter. | Bach | 4 | 3 | 3-8 | ||
| | 179. | Leaver, Robin A. | Heinrich Schütz as a Biblical Interpreter. | Bach | 16 | 4 | 4-8 | ||
| | 180. | Heinrich, Adel | Heretofore Unpublished Conclusions for the 'Incomplete' Quadruple Fugue (Die Kunst der Fuge) Project. Part I: Adel Heinrich's 1986 Contribution. | Bach | 17 | 4 | 30-41 | ||
| | 181. | Kjar, David | Historically Informed Patronage: Signifying Modern Royalty with New Early Music on Pine Island. | Bach | 55 | 2 | 284-305 | ||
| | 182. | Collins, Denis | Historical Precedents for Bach's Evolutio Canon BWV 1087/10. | Bach | 24 | 1 | 5-14 | ||
| | 183. | Leaver, Robin A. | History Past and Present: Celebrating Two Milestones of the Bach Choir of Bethlehem. | Bach | 51 | 1 | 122-138 | ||
| | 184. | Siegele, Ulrich | 'I had to be industrious...'. Thoughts about the relationship between Bach's social and musical character. | Bach | 22 | 2 | 5-12 | ||
| | 185. | Sorrell, Jeannette | Imagination on Fire: A Remembrance of Gustav Leonhardt. | Bach | 48 | 2 and 49/1 | 13-20 | ||
| | 186. | Cole, Warwick | Improvisation as a Stimulus to Composition in Bach's Partita II. | Bach | 31 | 1 | 96-112 | ||
| | 187. | Kennelly, Laura | In Memoriam: Elinore Louise Barber (June 3, 1919-March 26, 2013) | Bach | 44 | 1 | 134 | ||
| | 188. | Franklin, Don O. | In Memoriam: Martin Petzoldt (13 April 1946--13 March 2015). | Bach | 46 | 1 | 1 | ||
| | 189. | Goldstein, Michael | In Tokyo: A Little-Known Bach Autograph. [BWV 1006a] | Bach | 9 | 2 | 33-36 | ||
| | 190. | Linden, Jaap ter | Intonation for Cello in the Music of J. S. Bach. | Bach | 53 | 2 | 327-335 | ||
| | 191. | Duffin, Ross W. | Introduction. | Bach | 53 | 2 | 143-155 | ||
| | 192. | Fülöp, Rebecca | Introduction. | Bach | 50 | 1 | 1-4 | ||
| | 193. | Inman, Samantha M. | Introduction to Graduate Theory: Teaching Tonal Hierarchy through Bach. | Bach | 49 | 2 | 345-364 | ||
| | 194. | Fairleigh, James P. | Italian Prototypes of the Baroque Ritornello. | Bach | 14 | 3 | 2-11 | ||
| | 195. | Faulkner, Quentin | Jacob Adlung's 'Musica Mechanica Organoedi' and the 'Bach Organ'. | Bach | 21 | 1 | 42-59 | ||
| | 196. | Harriss, Ernest C. | J. F. Agricola's Anleitung zur Singkunst: A Rich Source by a Pupil of J. S. Bach. | Bach | 9 | 3 | 2-8 | ||
| | 197. | Butler, Lynn Edwards | Johann Christoph Bach's New Organ for Eisenach's Georgenkirche. | Bach | 35 | 1 | 42-60 | ||
| | 198. | Radice, Mark A. | Johann Mattheson and the Stylus Narrativus. | Bach | 18 | 3 | 3-9 | ||
| | 199. | Schenkman, Walter | Johann Mattheson's Organisten-Probe: Erlaeuterungen, A Translation, Part I. | Bach | 12 | 4 | 10-16 | ||
| | 200. | Braunlich, Helmut | Johann Peter Kellner's Copy of the Sonatas and Partitas for Violin Solo by J. S. Bach. | Bach | 12 | 2 | 2-10 | ||
| | 201. | Crist, Stephen A. | Johann Philipp Bach and the Aria Scotese con Variazzione: Twilight of the Bach Dynasty? | Bach | 51 | 2 | 186-209 | ||
| | 202. | Jerold, Beverly | Johann Philipp Kirnberger and the Bach Chorale Settings. | Bach | 45 | 1 | 34-43 | ||
| | 203. | Ahrens, Christian | Johann Sebastian Bach and The 'New Gusto' In Music Around 1740. | Bach | 33 | 1 | 69-83 | ||
| | 204. | Ishii, Akira | Johann Sebastian Bach, Carl Philipp Emanuel Bach, and Johann Jacob Froberger: The Dissemination of Froberger's Contrapuntal Works in Late Eighteenth-Century Berlin. | Bach | 44 | 1 | 46-133 | ||
| | 205. | Kroeger, Karl | Johann Sebastian Bach in Nineteenth-Century America. | Bach | 22 | 1 | 33-42 | ||
| | 206. | Hirsch, Artur | Johann Sebastian Bach's Cantatas in Chronological Order. | Bach | 4 | 3 | 18-35 | ||
| | 207. | David, Hans T. | Johann Sebastian Bach's Great Mass. A Brief Introduction to the Ground Plan Charts and Illustrations. | Bach | 2 | 1 | 29-32 | ||
| | 208. | Rathey, Markus | Johann Sebastian Bach's Passions: Recent Publications and Trends in Current Scholarship. | Bach | 43 | 1 | 65-83 | ||
| | 209. | Leaver, Robin A. | Johann Sebastian Bach: Theological Musician and Musical Theologian. | Bach | 31 | 1 | 17-33 | ||
| | 210. | Fogelsanger, Allen; Foote, Kristen | José Limón's Chaconne. | Bach | 55 | 1 | 44-87 | ||
| | 211. | Tatlow, Ruth | J. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number-Alphabet Theory. | Bach | 20 | 3 | 15-33 | ||
| | 212. | Appel, Richard G. | J. S. Bach and the Bay Psalm Book. | Bach | 1 | 3 | 22-24 | ||
| | 213. | Barber, Elinore | J. S. Bach and The Critics. | Bach | 2 | 3 | 4-6 | ||
| | 214. | Barber, Elinore | J. S. Bach in the Year of the Moon. | Bach | 1 | 1 | 3-5 | ||
| | 215. | Baumgartner, Michael | J. S. Bach, Jean-Luc Godard, and the Reimagining of the Immaculate Conception in Hail Mary (1985). | Bach | 50 | 2 | 175-219 | ||
| | 216. | Leaver, Robin A.; Remeš, Derek | J. S. Bach's Chorale-Based Pedagogy: Origins and Continuity. | Bach | 48 | 2 and 49/1 | 116-150 | ||
| | 217. | Butler, Gregory G. | J. S. Bach's Einige Canonische Veraenderungen: The View from the Original Print. | Bach | 20 | 2 | 4-37 | ||
| | 218. | Bates, William H. | J. S. Bach's Fantasy and Fugue in G Minor, BWV 542: A Source Study for Organists. | Bach | 39 | 2 | 1-89 | ||
| | 219. | Herford, Julius | J. S. Bach's Fugue II in C Minor (The Well-Tempered Clavier, Book 1): An Analysis. | Bach | 4 | 3 | 36-40 | ||
| | 220. | Butler, Gregory G. | J. S. Bach's 'Hudemann' Canon, BWV 1074: A Note on the Engraving and Printing History. | Bach | 25 | 1 | 5-10 | ||
| | 221. | Peters, Mark A. | J. S. Bach's Meine Seel' erhebt den Herren (BWV 10) as Chorale Cantata and Magnificat Paraphrase. | Bach | 43 | 1 | 29-65 | ||
| | 222. | Barber, Elinore | J. S. Bach: Suite 4 à Violoncello Solo -- A Manuscript Copy in the Hand of Anna Magdalena Bach; Doris Ornstein's Harpsichord Transcription of BWV 1010. | Bach | 29 | 1 | 38-76 | ||
| | 223. | Ludwig, Loren | J. S. Bach, the Viola da Gamba, and Temperament in the Early Eighteenth Century. | Bach | 53 | 2 | 260-300 | ||
| | 224. | Kellner, Herbert Anton | Kepler, Bach, and Gauss: The Celestial Harmony of the Earth's Motion. | Bach | 25 | 1 | 46-56 | ||
| | 225. | Marshall, Robert L. | Late Bach and Late Style Theory. | Bach | 54 | 1 | 1-16 | ||
| | 226. | Leaver, Robin A. | Leipzig's Rejection of J. S. Bach, Part I. | Bach | 3 | 3 | 27-39 | ||
| | 227. | Leaver, Robin A. | Leipzig's Rejection of J. S. Bach, Part II. | Bach | 3 | 4 | 3-7 | ||
| | 228. | Butt, John | Leonhardt's Role in the Invention of Historically Informed Performance. | Bach | 48 | 2 and 49/1 | 9-12 | ||
| | 229. | Leaver, Robin A. | Letter Codes Relating to Pitch and Key for Chorale Melodies and Bach's Contributions to the Schemelli Gesangbuch. | Bach | 45 | 1 | 15-33 | ||
| | 230. | Leaver, Robin A. | List of the Settings of Bible Texts in the Works of Heinrich Schütz. | Bach | 4 | 3 | 8-12 | ||
| | 231. | Leaver, Robin A. | List of the Settings of Bible Texts in the Works of Heinrich Schütz. | Bach | 16 | 4 | 24-31 | ||
| | 232. | Schweitzer, Albert | Litterae ab musicis. | Bach | 2 | 2 | 20-21 | ||
| | 233. | David, Hans T. | Litterae ab musicis. Hans David Disclaims the Authenticity of a 'Bach Holograph'. | Bach | 1 | 4 | 31-32 | ||
| | 234. | David, Hans T. | Litterae ab musicis: Hans T. David Writes Concerning The Editing of Early Music. | Bach | 2 | 3 | 17-20 | ||
| | 235. | David, Hans T. | Litterae ab musicis. [Letter to Alfred Einstein] | Bach | 2 | 1 | 33-34 | ||
| | 236. | Spitta, Philipp | Litterae ab musicis. [Letter to an unnamed addressee in Vienna dated 2 Feb.1871] | Bach | 3 | 1 | 22-26 | ||
| | 237. | Dupré, Marcel | Litterae ab musicis. Marcel Dupre Writes to Albert Riemenschneider. | Bach | 3 | 2 | 31-32 | ||
| | 238. | Herz, Gerhard | Lombard Rhythm in the Domine Deus of Bach's B minor Mass: An Old Controversy Resolved. | Bach | 8 | 1 | 3-11 | ||
| | 239. | Sanchez-Behar, Alexander | Looking Forward, Looking Back: Reconsidering the Study of J. S. Bach's Chorales in the Undergraduate Curriculum. | Bach | 49 | 2 | 330-344 | ||
| | 240. | Ambrose, Jane | Madness and Music: Handel's Porphyric Patron, George III. | Bach | 27 | 1 | 57-65 | ||
| | 241. | Greer, Mary | Masonic Allusions in the Dedications of two Canons by J. S. Bach: BWV 1078 and 1075. | Bach | 43 | 2 | 1-45 | ||
| | 242. | Rathey, Markus | Memory, Morals, and Contemplation in Leipzig Passion Texts from the 1720s: A New Perspective on J. S. Bach's St. John Passion from 1724. | Bach | 51 | 1 | 44-69 | ||
| | 243. | Ebata, Nobuaki; Tomita, Yo; Mills, Ian | Mendelssohn and The Schübler Chorales (BWV 645-650): A New Source found in the Riemenschneider Bach Institute Collection. | Bach | 44 | 1 | 1-45 | ||
| | 244. | Winzenburger, Walter P. | Meter and Tempo Indications in Music of the Early Baroque. | Bach | 3 | 1 | 13-21 | ||
| | 245. | Mann, Alfred | Missa Brevis and Historia: Bach's A-Major Mass. | Bach | 16 | 1 | 6-11 | ||
| | 246. | Smith, Timothy A. | More Evidence of Numeral-Logical Design in Bach's St.Matthew Passion. | Bach | 17 | 2 | 24-30 | ||
| | 247. | Kochevitsky, George A. | More on Articulation in J. S. Bach's Keyboard Music. | Bach | 8 | 1 | 25-29 | ||
| | 248. | Espinosa, Alma | More on the Figured-bass Accompaniment in Bach's Time: Friedrich Erhard Niedt and The Musical Guide. | Bach | 12 | 1 | 13-22 | ||
| | 249. | Marissen, Michael | More Source-Critical Research on J. S. Bach's Musical Offering. | Bach | 25 | 1 | 11-27 | ||
| | 250. | Ellis, Mark | Motif and Structure in Bach's Fifth Prelude. | Bach | 37 | 1 | 1-25 | ||
| | 251. | Wolff, Christoph | Musical Forms and Dramatic Structure in Bach's St. Matthew Passion. | Bach | 19 | 1 | 6-20 | ||
| | 252. | Benitez, Vincent P. | Musical-Rhetorical Figures in the Orgelbüchlein of J. S. Bach. | Bach | 18 | 1 | 3-21 | ||
| | 253. | Collins, Denis | Musical Terminology in the Canonic Works of Bach: An Historical Context. | Bach | 26 | 1-2 | 91-101 | ||
| | 254. | Payne, Thomas B. | Musical Terminology in the Contrapuntal and Canonic Works of J. S. Bach. | Bach | 17 | 1 | 18-35 | ||
| | 255. | David, Hans T. | Music History - A Teaching, Learning, Performing Experience. | Bach | 2 | 3 | 28-32 | ||
| | 256. | Leaver, Robin A. | New Light on the Pre-History of The Bach Choir of Bethlehem. | Bach | 22 | 2 | 24-34 | ||
| | 257. | Franklin, Don O. | Notational and Performance Issues in J. S. Bach's Preludes and Fugues for Organ. | Bach | 51 | 2 | 241-258 | ||
| | 258. | Ambrose, Jane | Notations on Mattheson's Der Brauchbare Virtuoso. | Bach | 17 | 3 | 3-9 | ||
| | 259. | Ambrose, Jane | Notations on Mattheson's Der brauchbare Virtuoso. (1986) | Bach | 25 | 2 | 91-98 | ||
| | 260. | Noehren, Robert | Notes on Bach and the Organ of his Time. | Bach | 26 | 1-2 | 70-83 | ||
| | 261. | Noehren, Robert | Notes on Bach and the organ of his Time. | Bach | 16 | 1 | 69-80 | ||
| | 262. | Noehren, Robert | Notes on Bach and the Organ of his Time. | Bach | 6 | 2 | 3-14 | ||
| | 263. | Livingstone, Ernest | Notes on the Art of Fugue: A Fragment. | Bach | 28 | 1-2 | 82-86 | ||
| | 264. | Leaver, Robin A. | Number Associations in the Structure of Bach's Credo, BWV 232. | Bach | 7 | 3 | 17-24 | ||
| | 265. | Hirsch, Artur | Number Symbolism in Bach's First Cantata Cycle: 1723-1724 -- Part I. | Bach | 6 | 3 | 11-19 | ||
| | 266. | Hirsch, Artur | Number Symbolism in Bach's First Cantata Cycle: 1723-1724 -- Part II. | Bach | 6 | 4 | 14-19 | ||
| | 267. | Hirsch, Artur | Number Symbolism in Bach's First Cantata Cycle: 1723-1724 -- Part III. | Bach | 7 | 1 | 27-32 | ||
| | 268. | Boer, Bertil H. van, Jr. | Observations on Bach's Use of the Horn. | Bach | 11 | 3 | 9-23 | ||
| | 269. | Boer, Bertil Herman van Jr. | Observations on Bach's Use of the Horn. | Bach | 11 | 2 | 21-28 | ||
| | 270. | Wollny, Peter | Observations on the Autograph of the B-Minor Mass. | Bach | 47 | 2 | 27-46 | ||
| | 271. | Collins, Timothy | Observations on the Origins and Influences Leading to Bach's Idiomatic Writing for the Trumpet in Grosser Herr o starker König from the Christmas Oratorio. | Bach | 17 | 2 | 31-45 | ||
| | 272. | Serebrennikov, Maxim | Once Again on the Authorship of BWV 907 and BWV 908. | Bach | 44 | 2 | 52-66 | ||
| | 273. | Jerold, Beverly | [On Gertrud Schmeling Mara.] | Bach | 36 | 2 | 120-122 | ||
| | 274. | Marissen, Michael | On Linking Bach's F-Major Sinfonia and his Hunt Cantata. | Bach | 23 | 2 | 31-46 | ||
| | 275. | Hoag, Melissa | On Relevance and Repertoire in the Eighteenth-Century Counterpoint Classroom | Bach | 49 | 2 | 388-401 | ||
| | 276. | Clement, Albert | On the Inner Correlation of the Six Chorales BWV 645-650 and its Significance. | Bach | 34 | 2 | 1-62 | ||
| | 277. | Jenne, Natalie | On the Performance of Keyboard Allemandes. | Bach | 10 | 2 | 13-30 | ||
| | 278. | Paczkowski, Szymon | On the Problems of Parody and Style in the 'Et resurrexit' from the Mass in B minor by Johann Sebastian Bach. | Bach | 37 | 2 | 1-44 | ||
| | 279. | Wentz, Jed | On the Protestant Roots of Gustav Leonhardt's Performance Style. | Bach | 48 | 2 and 49/1 | 48-92 | ||
| | 280. | Adams, Courtney S. | Organization in the Two-Part Inventions of Johann Sebastian Bach, Part I. | Bach | 13 | 2 | 6-16 | ||
| | 281. | Adams, Courtney S. | Organization in the Two-Part Inventions of Johann Sebastian Bach, Part II. | Bach | 13 | 3 | 12-19 | ||
| | 282. | Leaver, Robin A. | Parody and Theological Consistency: Notes on Bach's A-Major Mass. | Bach | 21 | 3 | 30-43 | ||
| | 283. | Krenek, Ernst | Parvula Corona Musicalis. | Bach | 2 | 4 | 18-31 | ||
| | 284. | Parvula Corona Musicalis by Ernst Krenek: The Composer's Autograph Manuscript and Explanations. | Bach | 27 | 1 | 66-85 | |||
| | 285. | Moore, Andrea | Passion as History, History as Passion. | Bach | 52 | 2 | 125-158 | ||
| | 286. | Kochevitsky, George A. | Performing Bach's Keyboard Music: Articulation. | Bach | 4 | 1 | 21-25 | ||
| | 287. | Kochevitsky, George A. | Performing Bach's Keyboard Music: Dynamics. A Postscript. | Bach | 7 | 1 | 3-11 | ||
| | 288. | Kochevitsky, George A. | Performing Bach's Keyboard Music -- Embellishments. Part I | Bach | 5 | 3 | 37-40 | ||
| | 289. | Kochevitsky, George A. | Performing Bach's Keyboard Music -- Embellishments. Part I (Continued). | Bach | 5 | 4 | 25-30 | ||
| | 290. | Kochevitsky, George A. | Performing Bach's Keyboard Music -- Embellishments, Part III, The Trill. | Bach | 6 | 1 | 24-35 | ||
| | 291. | Kochevitsky, George A. | Performing Bach's Keyboard Music -- Embellishments, Part IV, The Appoggiatura. | Bach | 6 | 2 | 27-40 | ||
| | 292. | Kochevitsky, George A. | Performing Bach's Keyboard Music -- Embellishments, Part V, Acciaccaturas and Broken Chords. Part VI, Mordents and Inverted Mordents. | Bach | 6 | 3 | 20-35 | ||
| | 293. | Kochevitsky, George A. | Performing Bach's Keyboard Music -- Embellishments, Part VII, The Turn and the Slide. Part VIII, Compound Ornaments. Part IX, Additional Remarks. | Bach | 6 | 4 | 23-29 | ||
| | 294. | Kochevitsky, George A. | Performing Bach's Keyboard Music -- Notes Inégales: A Brief History and a Summary. | Bach | 4 | 4 | 27-35 | ||
| | 295. | Kochevitsky, George A. | Performing Bach's Keyboard Music -- Phrasing. | Bach | 3 | 4 | 28-32 | ||
| | 296. | Kochevitsky, George A. | Performing Bach's Keyboard Music: Tempo. | Bach | 4 | 2 | 22-24 | ||
| | 297. | Kochevitsky, George A. | Performing Bach's Keyboard Music -- The Choice of an Instrument. | Bach | 3 | 2 | 33-37 | ||
| | 298. | Mendel, Arthur | Persönliches zur Geschichte der Jüngeren Bach-Forschung. ('A Personal Message Concerning the History of Recent Bach Scholarship') | Bach | 20 | 3 | 6-14 | ||
| | 299. | Jerold, Beverly | Pitch in the Vocal Works of J. S. Bach. | Bach | 31 | 1 | 74-95 | ||
| | 300. | Sampsell, Gary | Popular Music in the Time of J. S. Bach: The Leipzig Mandora Manuscript. | Bach | 48 | 1 | 1-35 | ||
| | 301. | Schenkman, Walter | Portrait of Mattheson, the Editor, Together with His Correspondents. (1978-1979) | Bach | 25 | 2 | 63-90 |
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