Bach Printed Music Database Search Result

Series : ^Bachperspectives$
Max number of results shown : 300
Output sorted : by Title (table)

Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Renwick, William	39. Praeludia et Fugen del Signor Johann Sebastian Bach? The Langloz Manuscript, SBB Mus. ms. Bach P 296.	BachPerspectives	4		1999	137-158
	2.	Leaver, Robin A.	A Catholic Hymnal for Use in Lutheran Leipzig: Catholisches Gesang-Buch (Leipzig, 1724).	BachPerspectives	12		2018	36-62
	3.	Swack, Jeanne	A Comparison of Bach's and Telemann's Use of the Ouverture as Theological Signifier.	BachPerspectives	6		2007	99-135
	4.	Zohn, Steven	Aesthetic Mediation and Tertiary Rhetoric.	BachPerspectives	9		2013	24-49
	5.	Schulze, Hans-Joachim	'A Lineal Descendant of the Great Musician, John Sebastian Bach'? Bach Descendants in the United States and the Problem of Family Oral Tradition.	BachPerspectives	5		2003	115-122
	6.	Chafe, Eric T.	'Anfang und Ende': Cyclic Recurrence in Bach's Cantata 'Jesu, nun sei gepreiset', BWV 41.	BachPerspectives	1		1995	103-134
	7.	Heber, Noelle M.	A Pursuit of Wealth: The Freelance Endeavors of Bach and Mozart.	BachPerspectives	14		2022	38-59
	8.	Christensen, Thomas	Bach among the Theorists.	BachPerspectives	3		1998	23-46
	9.	Corneilson, Paul (ed.)	Bach and Mozart: Connections, Patterns, and Pathways.	BachPerspectives	14		2022	xiv, 132p
	10.	Marshall, Robert L.	Bach and Mozart's Artistic Maturity.	BachPerspectives	3		1998	47-79
	11.	Zohn, Steven	Bach and the Concert en ouverture.	BachPerspectives	6		2007	137-156
	12.	Leaver, Robin A. (ed.)	Bach and the Counterpoint of Religion.	BachPerspectives	12		2018	x, 157p
	13.	Dirst, Matthew (ed.)	Bach and the Organ.	Bachperspectives	10		2016	viii, 122p
	14.	Crist, Stephen A.	Bach as Modern Jazz.	BachPerspectives	13		2020	101-121
	15.	Frisch, Walter	Bach, Brahms, and the Emergence of Musical Modernism.	BachPerspectives	3		1998	109-131
	16.	Owen, Barbara	Bach Comes to America.	BachPerspectives	5		2003	1-14
	17.	Talle, Andrew	Bach, Graupner, and the Rest of Their Contented Contemporaries.	BachPerspectives	9		2013	50-76
	18.	Kinderman, William	Bachian Affinities in Beethoven.	BachPerspectives	3		1998	81-108
	19.	Crist, Stephen A. (ed.)	Bach in America.	BachPerspectives	5		2003	xiv, 227p
	20.	Stinson, Russell (ed.)	Bach Perspectives I.	BachPerspectives	1		1995	xii, 226p
	21.	Butt, John	Bach Recordings since 1980: A Mirror of Historical Performance.	BachPerspectives	4		1999	181-198
	22.	Buch, Laura (ed.)	Bach Reworked.	BachPerspectives	13		2020	149p
	23.	Chafe, Eric	Bach's Ascension Oratorio: God's Kingdoms and Their Representation.	BachPerspectives	8		2011	122-145
	24.	Leaver, Robin A.	Bach's Choral-Buch? The Significance of a Manuscript in the Sibley Library.	Bachperspectives	10		2016	16-38
	25.	Rathey, Markus	Bach's Christmas Oratorio and the Mystical Theology of Bernard of Clairvaux.	BachPerspectives	12		2018	84-103
	26.	Finscher, Ludwig	Bach's Posthumous Role in Music History.	BachPerspectives	3		1998	1-21
	27.	Butler, Lynn Edwards	Bach's Report on Johann Scheibe's Organ for St Paul's Church, Leipzig: A Reassessment.	Bachperspectives	10		2016	1-15
	28.	Butler, Gregory G.	Bach the Cobbler: The Origins of J. S. Bach's E-Major Concerto (BWV 1053).	BachPerspectives	7		2008	1-20
	29.	Maul, Michael	Bach versus Scheibe: Hitherto Unknown Battlegrounds in a Famous Conflict.	BachPerspectives	9		2013	120-143
	30.	Kobayashi, Yoshitake	Breitkopf Attributions and Research on the Bach Family.	BachPerspectives	2		1996	53-63
	31.	Landmann, Ortrun	Breitkopf's Music Trade as Reflected in the Holdings of the Sächsische Landesbibliothek.	BachPerspectives	2		1996	169-179
	32.	Exner, Ellen	Certifying J. S. Bach's Interplanetary Funksmanship; or, What Bach Meant to Bernie Worrell.	BachPerspectives	13		2020	122-142
	33.	Glöckner, Andreas	Church Cantatas in the Breitkopf Catalogs.	BachPerspectives	2		1996	27-33
	34.	Schulenberg, David	Composition and Improvisation in the School of J. S. Bach.	BachPerspectives	1		1995	1-42
	35.	Marissen, Michael	Concerto Styles and Signification in Bach's First Brandenburg Concerto.	BachPerspectives	1		1995	79-101
	36.	May, Ernest	Connections between Breitkopf and J. S. Bach.	BachPerspectives	2		1996	11-26
	37.	Schulenberg, David	C. P. E. Bach's Keyboard Music and the Question of Idiom.	BachPerspectives	11		2017	83-112
	38.	Marissen, Michael (ed.)	Creative Responses to Bach from Mozart to Hindemith.	BachPerspectives	3		1998	ix, 160p
	39.	Irwin, Joyce L.	Dancing in Bach's Time: Sin or Permissible Pleasure?	BachPerspectives	12		2018	17-35
	40.	Wolff, Christoph	Descendants of Wilhelm Friedemann Bach in the United States.	BachPerspectives	5		2003	123-130
	41.	Wolff, Christoph	Did J. S. Bach Write Organ Concertos? Apropos the Prehistory of Cantata Movements with Obbligato Organ.	Bachperspectives	10		2016	60-75
	42.	Dirst, Matthew	Doing Missionary Work: Dwight's Journal of Music and the American Bach Awakening.	BachPerspectives	5		2003	15-35
	43.	Maul, Michael	Doles and the Prefect of the Choir: Mew Observations on Mozart's Visit to the Thomaschule.	BachPerspectives	14		2022	107-122
	44.	Rathey, Markus	Drama and Discourse: The Form and Function of Chorale Tropes in Bach's Oratorios.	BachPerspectives	8		2011	42-68
	45.	Marshall, Robert L.	Father and Sons: Confronting a Uniquely Daunting Paternal Legacy.	BachPerspectives	11		2017	1-23
	46.	Baron, Carol Kitzes	'Father Knew (and Filled Me Up with) Bach': Bach and Ives--Affinities in Lines and Spaces.	BachPerspectives	5		2003	151-177
	47.	Walker, Paul	Fugue in the Music-Rhetorical Analogy and Rhetoric in the Development of Fugue.	BachPerspectives	4		1999	159-179
	48.	Broyles, Michael	Haupt's Boys: Lobbying for Bach in Nineteenth-Century Boston.	BachPerspectives	5		2003	37-55
	49.	Hirschmann, Wolfgang	'He Liked to Hear the Music of Others': Individuality and Variety in the Works of Bach and His German Contemporaries.	BachPerspectives	9		2013	1-23
	50.	Hinton, Stephen	Hindemith, Bach, and the Melancholy of Obligation.	BachPerspectives	3		1998	133-150
	51.	Noll, Mark	Historical Proximity: John Wesley Visits Leipzig in 1738.	BachPerspectives	12		2018	1-16
	52.	Hill, Goerge R.	Identifying Breitkopf House Copies Produced by the Firm's Own Scribes: A Preliminary Survey.	BachPerspectives	2		1996	123-141
	53.	Mann, Alfred	Introduction: Bach's Orchestral Music.	BachPerspectives	4		1999	3-8
	54.	Roe, Stephen	Johann Christian Bach's German Heritage.	BachPerspectives	14		2022	60-71
	55.	Butler, Gregory G.	Johann Gottlob Immanuel Breitkopf: The Formative Years.	BachPerspectives	2		1996	159-168
	56.	Melamed, Daniel R.	Johann Sebastian Bach and Barthold Heinrich Brockes.	BachPerspectives	8		2011	13-41
	57.	Talle, Andrew (ed.)	J. S. Bach and His German Contemporaries.	BachPerspectives	9		2013	viii, 151p
	58.	Oleskiewicz, Mary (ed.)	J. S. Bach and His Sons.	BachPerspectives	11		2017	x, 191p
	59.	Melamed, Daniel R. (ed.)	J. S. Bach and the Oratorio Tradition.	BachPerspectives	8		2011	ix, 153p
	60.	Butler, Gregory G. (ed.)	J. S. Bach's Concerted Ensemble Music, The Concerto.	BachPerspectives	7		2008	xi, 121p
	61.	Butler, Gregory G.	J. S. Bach's Concerted Ensemble Music, The Ouverture.	BachPerspectives	6		2007	xi, 163p
	62.	Dirksen, Pieter	J. S. Bach's Violin Concerto in G Minor.	BachPerspectives	7		2008	21-54
	63.	Schulze, Hans-Joachim	J. S. Bach's Vocal Works in the Breitkopf Nonthematic Catalogs of 1761 to 1836.	BachPerspectives	2		1996	35-49
	64.	Stauffer, George B. (ed.)	J. S. Bach, the Breitkopfs, and Eighteenth-Century Music Trade.	BachPerspectives	2		1996	xv, 219p
	65.	Oleskiewicz, Mary	Keyboards, Music Rooms, and the Bach Family at the Court of Frederick the Great.	BachPerspectives	11		2017	24-82
	66.	Stockigt, Janice B.	Liturgical Music for a New Elector: Origins of Bach's 1733 Missa Revisited.	BachPerspectives	12		2018	63-83
	67.	Stauffer, George B.	Miscellaneous Organ Trios from Bach's Leipzig Workshop.	Bachperspectives	10		2016	39-59
	68.	Swack, Jeanne	Modular Structure and the Recognition of Ritornello in Bach's Brandenburg Concertos.	BachPerspectives	4		1999	33-53
	69.	Schulenberg, David	Mozart, J. C. Bach, and the Bach Tradition.	BachPerspectives	14		2022	72-106
	70.	Cron, Matthew	Music from Heaven: An Eighteenth-Century Context for Cantatas with Obbligato Organ.	Bachperspectives	10		2016	87-118
	71.	Cypess, Rebecca	Music Historicism: Sara Levy and the Jewish Enlightenment.	BachPerspectives	12		2018	129-151
	72.	Wollny, Peter	On Miscellaneous American Bach Sources.	BachPerspectives	5		2003	131-150
	73.	Kobayashi, Yoshitake	On the Identification of Breitkopf's Manuscripts.	BachPerspectives	2		1996	107-121
	74.	Snyder, Kerala J.	Oratorio on Five Afternoons: From the Lübeck Abendmusiken to Bach's Christmas Oratorio.	BachPerspectives	8		2011	69-95
	75.	Greenberg, Yoel	Precedents for the 'Secondary Development' from Bach to Mozart and Their Implications for Understanding Early Sonata Form.	BachPerspectives	14		2022	23-37
	76.	Blanken, Christine	Recently Rediscovered Sources of Music of the Bach Family in the Breitkopf Archive.	BachPerspectives	11		2017	132-171
	77.	Hill, Moira Leanne	Repaying Debt with Interest: The Revision of Borrowed Movements in C. P. E. Bach's Passions.	BachPerspectives	13		2020	36-73
	78.	Zepf, Markus	Reworking Fischer: Some Observations about Johann Sebastian Bach and Johann Caspar Ferdinand Fischer.	BachPerspectives	13		2020	1-35
	79.	Wolff, Christoph	Sicilianos and Organ Recitals: Observations on J. S. Bach's Concertos.	BachPerspectives	7		2008	97-114
	80.	Knyt, Erinn E.	The Bach-Busoni Goldberg Variations.	BachPerspectives	13		2020	74-100
	81.	Rifkin, Joshua	The 'B-Minor Flute Suite' Deconstructed. New Light on Bach's Ouverture BWV 1067.	BachPerspectives	6		2007	1-98
	82.	Stauffer, George B.	The Breitkopf Family and Its Role in Eighteenth-Century Music Publishing.	BachPerspectives	2		1996	1-9
	83.	Zaslaw, Neal	The Breitkopf Firm's Relations with Leopold and Wolfgang Mozart.	BachPerspectives	2		1996	85-103
	84.	Butler, Gregory G.	The Choir Loft as Chamber: Concerted Movements by Bach from the Mid- to Late 1720s.	Bachperspectives	10		2016	76-86
	85.	Stauff, Derek	The Church under Persecution: Bach's Cantatas for the Fourth Sunday after Epiphany.	BachPerspectives	12		2018	104-128
	86.	Stinson, Russell	The Compositional History of Bach's Orgelbüchlein Reconsidered.	BachPerspectives	1		1995	43-78
	87.	Dunlop, Alison J.	The Famously Little-Known Gottlieb Muffat.	BachPerspectives	9		2013	77-119
	88.	Koster, John	The Harpsichord Culture in Bach's Environs.	BachPerspectives	4		1999	57-77
	89.	Selfridge-Field, Eleanor	The Keyboard Transcriptions of J. S. Bach and J. G. Walther.	BachPerspectives	14		2022	1-22
	90.	Cammarota, Robert M.	The Magnificat Listings in the Early Breitkopf Nonthematic Catalogs.	BachPerspectives	2		1996	143-156
	91.	Schulenberg, David (ed)	The Music of J. S. Bach. Analysis and Interpretation.	BachPerspectives	4		1999	x, 208p
	92.	Brokaw, James A., II	The Perfectability of J. S. Bach, or Did Bach Compose the Fugue on a Theme by Legrenzi, BWV 574a?	BachPerspectives	1		1995	163-180
	93.	Daub, Peggy	The Publications Process and Audience for C. P. E. Bach's 'Sonaten für Kenner und Liebhaber'.	BachPerspectives	2		1996	65-83
	94.	Greer, Mary J.	'The Public...Would Probably Prefer Something that Appeals Less to the Brain and More to the Senses': The Reception of Bach's Music in New York City, 1855-1900.	BachPerspectives	5		2003	57-114
	95.	Butler, Gregory G.	The Question of Genre in J. S. Bach's Fourth Brandenburg Concerto.	BachPerspectives	4		1999	9-32
	96.	Crist, Stephen A.	The Question of Parody in Bach's Cantata 'Preise dein Glücke, gesegnetes Sachsen', BWV 215.	BachPerspectives	1		1995	135-161
	97.	Crist, Stephen A.	The Role and Meaning of the Bach Chorale in the Music of Dave Brubeck.	BachPerspectives	5		2003	179-215
	98.	Schulenberg, David	The Sonate auf Concertenart: A Postmodern Invention?	BachPerspectives	7		2008	55-96
	99.	Stauffer, George B.	The Thomasschule and the Haus 'zum Goldenen Bären': A Bach-Breitkopf Architectural Connection.	BachPerspectives	2		1996	181-203
	100.	Oleskiewicz, Mary	The Trio in Bach's Musical Offering: A Salute to Frederick's Tastes and Quantz's Flutes?	BachPerspectives	4		1999	79-110
	101.	Dreyfus, Laurence	The Triumph of 'Instrumental Melody': Aspects of Musical Poetics in Bach's St. John Passion.	BachPerspectives	8		2011	96-121
	102.	Wolff, Christoph	Under the Spell of Opera? Bach's Oratorio Trilogy.	BachPerspectives	8		2011	1-12
	103.	Schulenberg, David	Versions of Bach: Performing Practice in the Keyboard Works.	BachPerspectives	4		1999	111-135
	104.	Cortens, Evan	Voices and Invoices: The Hamburg Vocal Ensemble of C. P. E. Bach.	BachPerspectives	11		2017	113-131