Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Seaman, Gerald | An Eighteenth-Century Russian Pocket-Book. |
CurMcol |
| 34 | 1982 |
53-63 |
|
| 2. | Moe, Orin | Art of the Fugue. |
CurMcol |
| 7 | 1968 |
23-25 |
|
| 3. | Koprowski, Richard | Bach 'Fingerprints' in the Engraving of the Original Edition. |
CurMcol |
| 19 | 1975 |
61-67 |
|
| 4. | Lloyd, Rebecca | Bach: Luther's Musical Prophet? |
CurMcol |
| 83 | Spring 2007 |
5-32 |
|
| 5. | May, Ernest | Bach Research. |
CurMcol |
| 10 | 1970 |
21-25 |
|
| 6. | Stauffer, George B. | Bach's 'Art of fugue': An Examination of the Sources. Introduction. [Seminar Report.] |
CurMcol |
| 19 | 1975 |
47-50 |
|
| 7. | Baker, Thomas | Bach's Revisions in the Augmentation Canon. |
CurMcol |
| 19 | 1975 |
67-71 |
|
| 8. | Hudson, Frederick | Bach's wedding music. |
CurMcol |
| 7 | 1968 |
111-120 |
|
| 9. | Greitzer, Mary Lee | Becoming Bach, blaspheming Bach: Kinesthetic Knowledge and Embodied Music Theory in Ysa˙e's 'Obsession' for Solo Violin. |
CurMcol |
| 86 | Fall 2008 |
63-78 |
|
| 10. | Schulenberg, David | Composition as Variation: Inquiries Into The Compositional Procedures of the Bach Circle of Composers. |
CurMcol |
| 33 | 1982 |
57-88 |
|
| 11. | Waltham-Smith, Naomi | Disruptive Spatiality and the Experience of Recordings of Bach's Solo Cello Suites. |
CurMcol |
| 82 | Fall 2006 |
33-60 |
|
| 12. | Dedel, Peter | Dissemination and Dispute. |
CurMcol |
| 19 | 1975 |
50-54 |
|
| 13. | Chafe, Eric T. | Key structure and tonal allegory in the Passions of J. S. Bach: an introduction. |
CurMcol |
| 31 | 1981 |
39-54 |
|
| 14. | Lester, Joel | Problems in the Neue Bach Ausgabe of the E major Partita for Violin Alone. |
CurMcol |
| 13 | 1972 |
64-67 |
|
| 15. | Wright, Craig | Rare music manuscripts at Harvard. |
CurMcol |
| 10 | 1970 |
25-33 |
|
| 16. | Lester, Joel | Reading and Misreading: Schumann's Accompaniments to Bach's Sonatas and Partitas for Solo Violin. |
CurMcol |
| 56 | 1994 |
24-53 |
|
| 17. | Newman, Anthony | The 20th-Century Performer as Interpreter of the Baroque Tradition. |
CurMcol |
| 14 | 1972 |
145-154 |
|
| 18. | Seaton, Douglass | The Autograph: An Early Version of the 'Art of Fugue'. |
CurMcol |
| 19 | 1975 |
54-59 |
|
| 19. | Lester, Joel | The Fux-Mattheson Correspondence: An Annotated Translation. |
CurMcol |
| 24 | 1977 |
37-62 |
|
| 20. | Wolff, Christoph | The Last Fugue: Unfinished? |
CurMcol |
| 19 | 1975 |
71-77 |
|
| 21. | Steingo, Gavin | The musical work reconsidered: In hindsight. |
CurMcol |
| 97 | Spring 2014 |
81-112 |
|
| 22. | Schachter, Carl | The Prelude from Bach's Suite No.4 for Violoncello Solo: The Submerged Urlinie. |
CurMcol |
| 56 | 1994 |
54-71 |
|
| 23. | Bagnall, Anne; et al. | The Simple Fugues. |
CurMcol |
| 19 | 1975 |
59-61 |
|
| 24. | Cammarota, Robert M. | The Sources of the Christmas Interpolations in J. S. Bach's Magnificat in E-flat Major (BWV 243a). |
CurMcol |
| 36 | 1983 |
79-99 |
|
| 25. | Cantrell, Byron | Three B's--three chaconnes. |
CurMcol |
| 12 | 1971 |
63-74 |
|
| 26. | Wiora, Walter | Zur Stellung Bachs im Weltbild der Goethezeit. - Bach's Place in the World-view of the Goethe Era. |
CurMcol |
| 9 | 1969 |
174-182 |
|