Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Marissen, Michael | A Critical Reappraisal of J. S. Bach's A-major Flute Sonata. |
JMcol |
6 | 3 | Summer 1988 |
367-386 |
|
| 2. | Burrows, David | A dynamical systems perspective on music. |
JMcol |
15 | 4 | Autumn 1997 |
529-545 |
|
| 3. | Chafe, Eric T. | Allegorical Music: The 'Symbolism' of Tonal Language in the Bach Canons. |
JMcol |
3 | 4 | Autumn 1984 |
340-362 |
|
| 4. | Silbiger, Alexander | Bach and the Chaconne. |
JMcol |
17 | 3 | Summer 1999 |
358-385 |
|
| 5. | Ladewig, James | Bach and the 'Prima prattica': The Influence of Frescobaldi on a Fugue from the 'Well-Tempered Clavier'. |
JMcol |
9 | 3 | Summer 1991 |
358-375 |
|
| 6. | Butt, John | Bach's Mass in B Minor: Considerations of its Early Performance and Use. |
JMcol |
9 | 1 | Winter 1991 |
109-123 |
|
| 7. | Whaples, Miriam K. | Bach's Recapitulation Forms. |
JMcol |
14 | 4 | Autumn 1996 |
475-513 |
|
| 8. | Zohn, Steven; Payne, Ian | Bach, Telemann, and the Process of Transformative Imitation in BWV 1056/2 (156/1) |
JMcol |
17 | 4 | Autumn 1999 |
546-584 |
|
| 9. | Steichen, James | Balanchine's 'Bach ballet' and the dances of Rodgers and Hart's On your toes. |
JMcol |
35 | 2 | Spring 2018 |
267-293 |
|
| 10. | Leaver, Robin A. | Brahms's Opus 45 and German Protestant Funeral Music. |
JMcol |
19 | 4 | Autumn 2002 |
616-640 |
|
| 11. | Miller, Leta E. | C.P.E. Bach's sonatas for solo flute. |
JMcol |
11 | 2 | Spring 1993 |
203-249 |
|
| 12. | Berg, Darrell M. | C.P.E. Bach's 'Variations' and 'Embellishments' for his keyboard sonatas. |
JMcol |
2 | 2 | Spring 1983 |
151-173 |
|
| 13. | Brown, A. Peter | Eighteenth-century traditions and Mozart's 'Jupiter' symphony K.551. |
JMcol |
20 | 2 | Spring 2003 |
157-195 |
|
| 14. | Schulenberg, David | Expression and Authenticity in the Harpsichord Music of J. S. Bach. |
JMcol |
8 | 4 | Fall 1990 |
449-476 |
|
| 15. | Stauffer, George B. | Forkel's letters to Hoffmeister & Kühnel: A Bach Biographical Source Recovered. |
JMcol |
5 | 4 | Autumn 1987 |
549-561 |
|
| 16. | Telesco, Paula | Forward-Looking Retrospection: Enharmonicism in the Classical Era. |
JMcol |
19 | 2 | Spring 2002 |
332-373 |
|
| 17. | Knyt, Erinn E. | 'How I compose': Ferruccio Busoni's Views about Invention, Quotation, and the Compositional Process. |
JMcol |
27 | 2 | Spring 2010 |
224-263 |
|
| 18. | Wolff, Christoph | Images of Bach in the Perspective of Basic Research and Interpretative Scholarship. |
JMcol |
22 | 4 | Autumn 2005 |
503-520 |
|
| 19. | Melamed, Daniel R. | J.F. Doles's Setting of a Picander Libretto and J.S. Bach's Teaching of Vocal Composition. |
JMcol |
14 | 4 | Autumn 1996 |
453-474 |
|
| 20. | Silbiger, Alexander | Johann Sebastian Bach: 300th Anniversary Celebration. University of North Carolina at Chapel Hill. [Conference Report]. |
JMcol |
4 | 1 | Winter 1985 |
114-120 |
|
| 21. | Butler, Gregory G. | J. S. Bach and the Concord-Discord Paradox. |
JMcol |
9 | 3 | Summer 1991 |
343-357 |
|
| 22. | Dreyfus, Laurence | J. S. Bach and the Status of Genre: Problems of Style in the G-minor sonata, BWV 1029. |
JMcol |
5 | 1 | Winter 1987 |
55-78 |
|
| 23. | Varwig, Bettina | Metaphors of time and modernity in Bach. |
JMcol |
29 | 2 | Spring 2012 |
154-190 |
|
| 24. | Schulenberg, David | Musical Allegory Reconsidered: Representation and Imagination in the Baroque. |
JMcol |
13 | 2 | Spring 1995 |
203-239 |
|
| 25. | Cammarota, Robert M. | On the Performance of 'Quia respexit ... omnes generationes' from J. S. Bach's Magnificat. |
JMcol |
18 | 3 | Summer 2001 |
458-489 |
|
| 26. | Bittmann, Antonius | Reconciling God And Satan: Max Reger's Phantasie und Fuge über den Namen B-A-C-H, Op. 46. |
JMcol |
18 | 3 | Summer 2001 |
490-515 |
|
| 27. | Mercer-Taylor, Peter | Rethinking Mendelssohn's historicism: A lesson from St Paul. |
JMcol |
15 | 2 | Spring 1997 |
208-229 |
|
| 28. | Bernstein, Lawrence F. | 'Singende Seele' or 'unsingbar'? Forkel, Ambros, and the Forces behind the Ockeghem Reception during the Late 18th and 19th Centuries. |
JMcol |
23 | 1 | Winter 2006 |
3-61 |
|
| 29. | Stinson, Russell | Some Thoughts on Bach's Neumeister Chorales. |
JMcol |
11 | 4 | Autumn 1993 |
455-477 |
|
| 30. | Ceballos, Sara Gross | Sympathizing with C.P.E. Bachs Empfindungen. |
JMcol |
34 | 1 | Winter 2017 |
1-31 |
|
| 31. | Corneilson, Paul | The case of J.C. Bach's Lucio Silla. |
JMcol |
12 | 2 | Spring 1994 |
208-220 |
|
| 32. | Clark, Stephen L. | The Letters from Carl Philipp Emanuel Bach to Georg Michael Telemann. |
JMcol |
3 | 2 | Spring 1984 |
177-195 |
|
| 33. | Butler, Gregory G. | The Printing History of J. S. Bach's Musical Offering: New Interpretations. |
JMcol |
19 | 2 | Spring 2002 |
306-331 |
|
| 34. | Sheldon, David A. | The Stretto Principle: Some Thoughts on Fugue as Form. |
JMcol |
8 | 4 | Fall 1990 |
553-568 |
|
| 35. | Hill, David | The Time of the Sign: 'O Haupt voll Blut und Wunden' in Bach's St. Matthew Passion. |
JMcol |
14 | 4 | Autumn 1996 |
514-543 |
|
| 36. | Stinson, Russell | Toward A Chronology Of Bach's Instrumental Music: Observations On Three Keyboard Works. |
JMcol |
7 | 4 | Fall 1989 |
440-470 |
|