Bach Printed Music Database
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Series : ^JMcol$
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
[]
1. Marissen, MichaelA Critical Reappraisal of J. S. Bach's A-major Flute Sonata. JMcol 6 3 Summer 1988 367-386
2. Burrows, DavidA dynamical systems perspective on music. JMcol 15 4 Autumn 1997 529-545
3. Chafe, Eric T.Allegorical Music: The 'Symbolism' of Tonal Language in the Bach Canons. JMcol 3 4 Autumn 1984 340-362
4. Silbiger, AlexanderBach and the Chaconne. JMcol 17 3 Summer 1999 358-385
5. Ladewig, JamesBach and the 'Prima prattica': The Influence of Frescobaldi on a Fugue from the 'Well-Tempered Clavier'. JMcol 9 3 Summer 1991 358-375
6. Butt, JohnBach's Mass in B Minor: Considerations of its Early Performance and Use. JMcol 9 1 Winter 1991 109-123
7. Whaples, Miriam K.Bach's Recapitulation Forms. JMcol 14 4 Autumn 1996 475-513
8. Zohn, Steven; Payne, IanBach, Telemann, and the Process of Transformative Imitation in BWV 1056/2 (156/1) JMcol 17 4 Autumn 1999 546-584
9. Steichen, JamesBalanchine's 'Bach ballet' and the dances of Rodgers and Hart's On your toes. JMcol 35 2 Spring 2018 267-293
10. Leaver, Robin A.Brahms's Opus 45 and German Protestant Funeral Music. JMcol 19 4 Autumn 2002 616-640
11. Miller, Leta E.C.P.E. Bach's sonatas for solo flute. JMcol 11 2 Spring 1993 203-249
12. Berg, Darrell M.C.P.E. Bach's 'Variations' and 'Embellishments' for his keyboard sonatas. JMcol 2 2 Spring 1983 151-173
13. Brown, A. PeterEighteenth-century traditions and Mozart's 'Jupiter' symphony K.551. JMcol 20 2 Spring 2003 157-195
14. Schulenberg, DavidExpression and Authenticity in the Harpsichord Music of J. S. Bach. JMcol 8 4 Fall 1990 449-476
15. Stauffer, George B.Forkel's letters to Hoffmeister & Kühnel: A Bach Biographical Source Recovered. JMcol 5 4 Autumn 1987 549-561
16. Telesco, PaulaForward-Looking Retrospection: Enharmonicism in the Classical Era. JMcol 19 2 Spring 2002 332-373
17. Knyt, Erinn E.'How I compose': Ferruccio Busoni's Views about Invention, Quotation, and the Compositional Process. JMcol 27 2 Spring 2010 224-263
18. Wolff, ChristophImages of Bach in the Perspective of Basic Research and Interpretative Scholarship. JMcol 22 4 Autumn 2005 503-520
19. Melamed, Daniel R.J.F. Doles's Setting of a Picander Libretto and J.S. Bach's Teaching of Vocal Composition. JMcol 14 4 Autumn 1996 453-474
20. Silbiger, AlexanderJohann Sebastian Bach: 300th Anniversary Celebration. University of North Carolina at Chapel Hill. [Conference Report]. JMcol 4 1 Winter 1985 114-120
21. Butler, Gregory G.J. S. Bach and the Concord-Discord Paradox. JMcol 9 3 Summer 1991 343-357
22. Dreyfus, LaurenceJ. S. Bach and the Status of Genre: Problems of Style in the G-minor sonata, BWV 1029. JMcol 5 1 Winter 1987 55-78
23. Varwig, BettinaMetaphors of time and modernity in Bach. JMcol 29 2 Spring 2012 154-190
24. Schulenberg, DavidMusical Allegory Reconsidered: Representation and Imagination in the Baroque. JMcol 13 2 Spring 1995 203-239
25. Cammarota, Robert M.On the Performance of 'Quia respexit ... omnes generationes' from J. S. Bach's Magnificat. JMcol 18 3 Summer 2001 458-489
26. Bittmann, AntoniusReconciling God And Satan: Max Reger's Phantasie und Fuge über den Namen B-A-C-H, Op. 46. JMcol 18 3 Summer 2001 490-515
27. Mercer-Taylor, PeterRethinking Mendelssohn's historicism: A lesson from St Paul. JMcol 15 2 Spring 1997 208-229
28. Bernstein, Lawrence F.'Singende Seele' or 'unsingbar'? Forkel, Ambros, and the Forces behind the Ockeghem Reception during the Late 18th and 19th Centuries. JMcol 23 1 Winter 2006 3-61
29. Stinson, RussellSome Thoughts on Bach's Neumeister Chorales. JMcol 11 4 Autumn 1993 455-477
30. Ceballos, Sara GrossSympathizing with C.P.E. Bachs Empfindungen. JMcol 34 1 Winter 2017 1-31
31. Corneilson, PaulThe case of J.C. Bach's Lucio Silla. JMcol 12 2 Spring 1994 208-220
32. Clark, Stephen L.The Letters from Carl Philipp Emanuel Bach to Georg Michael Telemann. JMcol 3 2 Spring 1984 177-195
33. Butler, Gregory G.The Printing History of J. S. Bach's Musical Offering: New Interpretations. JMcol 19 2 Spring 2002 306-331
34. Sheldon, David A.The Stretto Principle: Some Thoughts on Fugue as Form. JMcol 8 4 Fall 1990 553-568
35. Hill, DavidThe Time of the Sign: 'O Haupt voll Blut und Wunden' in Bach's St. Matthew Passion. JMcol 14 4 Autumn 1996 514-543
36. Stinson, RussellToward A Chronology Of Bach's Instrumental Music: Observations On Three Keyboard Works. JMcol 7 4 Fall 1989 440-470

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