Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Kelly, Elaine | 'A More Beautiful Era of Art.' Figurenlehre, Style Brisé and Other Baroque Elements in Brahms's Piano Compositions: Brahms's Involvement as a Scholar, Performer and Editor of Baroque Keyboard Music and the Effect It Exerted on His Compositional Style. |
diss |
| | 2002 |
v, 500p |
|
| 2. | Petty, Wayne Christopher | Compositional Techniques in the Keyboard Sonatas of Carl Philipp Emanuel Bach: Reimagining the Foundations of a Musical Style. |
diss |
| | 1995 |
xiv, 572p |
|
| 3. | Heinemann, Michael | Die Bach-Rezeption Franz Liszts. |
diss |
| | 1991 |
276p |
|
| 4. | Kasahara, Kiyoshi | 'L'Art de la Fugue' de Jean-Sébastien Bach. |
diss |
| | 1975 |
|
|
| 5. | Cantoni, Angelo | La référence à Bach dans les œuvres néo-classiques de Stravinsky: sa fonction dans le renouvellement stylistique du compositeur. |
diss |
| | 1994 |
497p |
|
| 6. | Elliott, P. | Phrasing and interpretation in Bach's harpsichord suites: some interpretations taken in historical perspective. |
diss |
| | 1980 |
|
|
| 7. | Sharp, Michael Durward | Relationships among model performances and performances by piano majors: Articulation and dynamics in selected Bach fugal excerpts. |
diss |
| | 1988 |
176p |
|
| 8. | Vincis, Claudia | 'Una rara forma di cleptomania'. Le riletture stravinskiane di due modelli del passato: Bach e Gesualdo / Claudia Vincis. |
diss |
| | 1999 |
173p |
|
| 9. | Ottenberg, Hans-Günter | Untersuchungen zur sozialen Stellung des Musikers, zur kompositorischen Produktion und Distribution in der 2. Hälfte des 18. Jahrhunderts unter besonderer Berücksichtigung des Wirkens von C. Ph. E. Bach. |
diss |
| | 1991 |
|
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