Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Huray, Peter Le; Butt, John: In Search of Bach the Organist. [ce]BHSTercentenaryEssays (1985), 185-206 | |
| 2. | Butt, John Anthony: The Significance and Incidence of Articulation Marks in the Primary Sources of J. S. Bach. diss. (1987), 336, 79, 31p | |
| 3. | Butt, John: Bach's organ sonatas BWV 525-530: Compilation and Recomposition. OrganYb 19 (1988), 80-90 | |
| 4. | Butt, John: Bach Interpretation. Articulation Marks in Primary Sources of J. S. Bach. (1990), xiii, 278p | |
| 5. | Butt, John: Bach: 'Mass in B Minor'. CambridgeMHandb (1991), 126p | |
| 6. | Butt, John: Bach's Mass in B Minor: Considerations of its Early Performance and Use. JMcol 9/1 (Winter 1991), 109-123 | |
| 7. | Butt, John: Improvised Vocal Ornamentation and German Baroque Compositional Theory - An Approach to 'Historical' Performance Practice. JRMA 116/1 (1991), 41-62 | |
| 8. | Butt, John: Historical Performance of Bach in the Late-Twentieth Century: Meaningless, Desirable, or Unavoidable? [p]AMS_NorthernCalifornia (Fall 1992) | |
| 9. | Butt, John: Music education and the art of performance in the German Baroque. CambridgeMlTextsMonographs (1994), xix, 237p | |
| 10. | Butt, John: Bach the heretic? [p]BCB_Edinburgh (Jul 1994) | |
| 11. | Butt, John: J. S. Bach and G. F. Kauffmann: reflections on Bach's later style. BachStud 2 (1995), 47-61 | |
| 12. | Butt, John: Perfectly infinite. BBCMMag (1997), 38-40 | |
| 13. | Butt, John: Bach's metaphysics of music. [ce]CambridgeCompanion_Bach (1997), 46-59 | |
| 14. | Butt, John: 'A mind unconscious that it is calculating'? Bach and the rationalist philosophy of Wolff, Leibniz and Spinoza. [ce]CambridgeCompanion_Bach (1997), 60-71 | |
| 15. | Butt, John (ed.): The Cambridge Companion to Bach. [ce]CambridgeCompanion_Bach (1997), xv, 326p | |
| 16. | Butt, John: Historical Perspective & Introduction. [ce]SacredChoralMusicJSB (1997), 1-4 | |
| 17. | Butt, John: Ornamentation. [ce]SacredChoralMusicJSB (1997), 48-54 | |
| 18. | Butt, John (ed.): The Sacred Choral Music of J. S. Bach: A Handbook. [ce]SacredChoralMusicJSB (1997), 66p | |
| 19. | Butt, John: Bach's vocal scoring: what can it mean? EarlyM 26/1 (Feb 1998), 99-107 | |
| 20. | Butt, John: Los signos de articulacion de la música para cuerda en la epoca de J.S. Bach. Quodlibet 11 (Jun 1998), 3-15 | |
| 21. | Butt, John: Bach Recordings since 1980: A Mirror of Historical Performance. BachPerspectives 4 (1999), 181-198 | |
| 22. | Butt, John: Vida de Bach. (2000), 384p | |
| 23. | Butt, John: The historical performance movement; Bach and the organ in 2000. [ce]IAOMillenniumBook (2000), 15-19 | |
| 24. | Butt, John: Bach in the 21st Century: Re-evaluating him from the perspective of performance. [p]BCB_Dublin (Jul 2000) | |
| 25. | Butt, John: Performer's View: Bach and the Performance of Meaning. AmerBachSocNL (Fall 2001), 5, 10 | |
| 26. | Butt, John: Bach, the Postmodern Mindset and Scholarship Today. [p]IS_Oxford (Dec 2001) | |
| 27. | Butt, John: Playing with History: The Historical Approach to Musical Performance. (2002), xv, 265p | |
| 28. | Butt, John: Choral music. [ce]CambridgeHist19cM (2002), 213-236 | |
| 29. | Butt, John: Choral culture and the regeneration of the organ. [ce]CambridgeHist19cM (2002), 522-543 | |
| 30. | Butt, John: Towards a genealogy of the keyboard concerto. [ce]KeyboardInBaroqueEurope (2003), 93-110 | |
| 31. | Butt, John: Recordings: Altbachisches Archiv: Works by Johann Bach (1604-1673), Johann Christoph Bach (1642-1703), Georg Christoph Bach (1642-1697), Johann Michael Bach (1648-1694), Johann Sebastian Bach (1685-1750). 18cM 1/1 (Mar 2004), 109-111 | |
| 32. | Butt, John: Bach in the twenty-first century: re-evaluating him from the perspective of performance. IrishMStud 8 (2004), 191-204 | |
| 33. | Butt, John: Bach in the twenty-first century: re-evaluating him from the perspective of performance. BachNachwelt 4 (2005), 169-181 | |
| 34. | Butt, John: Figuring out Bach. [fs]Elliott (2005), 211-219 | |
| 35. | Butt, John: The universal musician. Guardian (12 Dec 2005), 16-19 | |
| 36. | Butt, John: Bach Passions and the Concepts of Time. [p]CWolff_Harvard (Sep 2005) | |
| 37. | Butt, John: Bringing Christ to the Concert Hall -- Mendelssohn and the Reshaping of the St Matthew Passion. [p]MendelssohnL19C_Dublin (Jul 2005) | |
| 38. | Butt, John: Bach: cantatas and a passion. EarlyM 34/1 (Feb 2006), 168-171 | |
| 39. | Butt, John: Historical instruments and the embodiment of music. PubSchweizerischMfG 46 (2006), 9-16 | |
| 40. | Butt, John: The Postmodern Mindset, Musicology and the Future of Bach Scholarship. UnderstandingBach 1 (2006), 9-18 | |
| 41. | Butt, John: Choralpartiten. BachHandb 4/1 (2007), 494-510 | |
| 42. | Strohm, Reinhard; Butt, John; Dreyfus, Laurence; Tatlow, Ruth: Bach Network UK -- latest report: New Directions in Bach Studies: Second J S Bach Dialogue Meeting [9-10 December 2006 in Oxford] BachNotesLBS (Mar 2007), [5] | |
| 43. | Butt, John: Clavier Übung III. BachHandb 4/2 (2008), 906-929 | |
| 44. | Butt, John: Canonische Veränderungen über Vom Himmel hoch. BachHandb 4/2 (2008), 949-961 | |
| 45. | Butt, John: Die 'Schübler-Choräle'. BachHandb 4/2 (2008), 996-1006 | |
| 46. | Butt, John: Bach's Passions and the Textures of Time. HarvardPubM 22 (2008), 111-120 | |
| 47. | Butt, John: Between rhetoric and dialectic - Bach's inventive stance in the Passions. [p]SMA_Glasgow (Apr 2009) | |
| 48. | Butt, John: Bach's Dialogue with Modernity: Perspectives on the Passions. (2010), 336p | |
| 49. | Butt, John: Emotion in the German Lutheran Baroque and the development of subjective time consciousness. MAnalysis 29/1-3 (Mar-Oct 2010), 19-36 | |
| 50. | Butt, John: Who is speaking in the Bach passions? [cr]Weimar2004 2 (2012), 428-433 | |
| 51. | Butt, John: Organs and universities—A universal association? [cr]Harvard2012 (2013), 1-10 | |
| 52. | Butt, John; Tomita, Yo; Marissen, Michael; Varwig, Bettina: Principles of Performance Lost and Gained: John Butt on Bach-related subjects in conversation with Yo Tomita, Michael Marissen and Bettina Varwig. [p]BNUK_Cambridge (Jul 2015) | |
| 53. | Butt, John: Leonhardt's Role in the Invention of Historically Informed Performance. Bach 48/2 and 49/1 (2018), 9-12 | |
| 54. | Butt, John: Bach and the dance of humankind. [ce]MusicologyDance (2020), 19-48 | |
| 55. | Butt, John: Bach's Works and the Listener's Viewpoint. [ce]RethinkingBach (2021), 251-267 | |
| 56. | Butt, John: Lutheran music culture: A reflection. ArbKges 142 (2022), 303-306 | |