Bach Printed Music Database Search Result - Ordered Chronologically

Series : IrishMStud
Volume : 8
Year : 2004

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Abravaya, Ido:   The Baroque upbeat: outline of its typology and evolution. IrishMStud 8 (2004), 17-28
	2.	White, Harry:   Johann Joseph Fux and the question of Einbau technique. IrishMStud 8 (2004), 29-48
	3.	Stockigt, Janice B.:   The royal Polish and electoral Saxon court and state calendars, 1728-50. IrishMStud 8 (2004), 49-64
	4.	Kan, Rebecca:   Vivaldi, Bach and their concerto slow movements. IrishMStud 8 (2004), 65-91
	5.	Butler, Gregory G.:   The prelude to the third English Suite BWV 808: an allegro concerto movement in ritornello form. IrishMStud 8 (2004), 93-101
	6.	Franklin, Don O.:   Composing in time: Bach's temporal design for the Goldberg Variations. IrishMStud 8 (2004), 103-128
	7.	Leaver, Robin A.:   Eschatology, theology and music: death and beyond in Bach's vocal music. IrishMStud 8 (2004), 129-147
	8.	Stephen, J. Drew:   Bach's horn parts: alternatives to nodal venting and hand stopping. IrishMStud 8 (2004), 149-160
	9.	Elste, Martin:   Bach in North America during the shellac era (1900-50): early sound documents of art and commerce. IrishMStud 8 (2004), 161-178
	10.	Fabian, Dorottya:   Bach performance practice in the twentieth century: recordings, reviews and reception. IrishMStud 8 (2004), 179-189
	11.	Butt, John:   Bach in the twenty-first century: re-evaluating him from the perspective of performance. IrishMStud 8 (2004), 191-204
	12.	Tomita, Yo:   Bach's Credo in England: an early history. IrishMStud 8 (2004), 205-227
	13.	Boydell, Barra:   'This most crabbed of all earthly music': the performance and reception of Bach's vocal music in Dublin in the nineteenth and early twentieth centuries. IrishMStud 8 (2004), 229-246
	14.	Schulze, Hans-Joachim:   Bach at the turn of the twenty-first century. IrishMStud 8 (2004), 247-260
	15.	Leahy, Anne; Tomita, Yo (eds.):   Bach Studies from Dublin: Selected papers presented at the ninth biennial conference on Baroque music, held at Trinity College Dublin from 12th to 16th July 2000. IrishMStud 8 (2004), 270p