Bach Printed Music Database Search Result - Ordered Chronologically

Author : Cressy, Thomas

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Cressy, Thomas:   Bahha: Bach and Japan. [p]BNUK_Cambridge (Jul 2015)
	2.	Cressy, Thomas:   The Case of Bach and Japan: Some Concepts and their Possible Significance. UnderstandingBach 11 (2016), 140-146
	3.	Cressy, Thomas:   19-seiki no Nihon ni okeru Bach Juyoshi: Shinbun Kiji to Mikensho Shiryo kara no Saiko. diss. (2017), 123, 70, 2p
	4.	Cressy, Thomas:   Bach and the samurai aesthetic framework: the implications of the writings of Utagawa Yoan and Kume Kunitake. [p]BNUK_Cambridge (Jul 2017)
	5.	Cressy, Thomas:   The Reception and Dissemination of Bach's Music in Meiji-Era Japan: Repertoire, Social Agency, and Westernization. [p]IMS_Tokyo (Mar 2017)
	6.	Cressy, Thomas:   Eighth Johann Sebastian Bach Dialogue Meeting. NEMANL 2/1 (Jan 2018), 80-82
	7.	Cressy, Thomas:   Bach in the Imaginary Museum and Bach Re-imagined: Contemporary Perspectives on Performing and Re-Creating Bach. Umiversity of Massachusetts Amherst, 12-14 April 2019. 18cM 17/1 (Mar 2020), 140-141
	8.	Cressy, Thomas:   Bahe de yinyue zai 19 shiji de Zhongguo yu Riben: Shouzi youjilu de yanchu. ZhongyangYinyueXueyuanXuebao 4:161 (Fall 2020), 36-48
	9.	Cressy, Thomas A.:   Baroque Pop and Psychedelia: Bachian Pastness, Prestige, and Hybridity. Bach 54/1 (2023), 17-75