Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Shabalina, Tatiana: Activities around the Composer's Desk: The Roles of Bach and his Copyists in Parody Production. UnderstandingBach 11 (2016), 9-38 | |
| 2. | Owens, Samantha: Music via Correspondence: A List of the Music Collection of Dresden Kreuzorganist Emanuel Benisch. UnderstandingBach 11 (2016), 39-56 | |
| 3. | Stockigt, Janice B.: The Music of Leipzig's Royal Catholic Chapel during the Reign of August II. UnderstandingBach 11 (2016), 57-66 | |
| 4. | Siegele, Ulrich: On J. S. Bach's Compositional Technique. UnderstandingBach 11 (2016), 67-82 | |
| 5. | Fazekas, Gergely: The Conflict of Symmetrical Form and Text Settings by J. S. Bach. UnderstandingBach 11 (2016), 83-105 | |
| 6. | Brookshire, Bradley: Edwin Fischer's Bach-Pianism in Context. UnderstandingBach 11 (2016), 107-127 | |
| 7. | Frampton, Andrew: A Copyist of Bach and Zelenka: Identifying the Scribes of GB-Ob, MS Tenbury 749. UnderstandingBach 11 (2016), 131-139 | |
| 8. | Cressy, Thomas: The Case of Bach and Japan: Some Concepts and their Possible Significance. UnderstandingBach 11 (2016), 140-146 | |
| 9. | Tatlow, Ruth: A Glorious Summer Meeting: the 2015 Dialogue Report. UnderstandingBach 11 (2016), 149-152 | |