Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | HaCohen, Ruth: Between Noise and Harmony: The Oratorical Moment in the Musical Entanglements of Jews and Christians. CriticalInquiry 32 (2006), 250-277 | |
| 2. | HaCohen, Ruth: Exploring the Limits: the Tonal, the Gestural, and the Allegorical in Bach's Musical Offering. UnderstandingBach 1 (2006), 19-38 | |
| 3. | Bruckstein, Almut Sh.; HaCohen, Ruth: An experiment in reception and conception: re-texting Bach's St John Passion for Good Friday 2005. UnderstandingBach 1 (2006), 87-88 | |
| 4. | HaCohen, Ruth: Nineteenth-Century Legacy Projected onto the Twenty First: A German-Israeli Dialogue on Bach's Passions. [p]BNUK_Oxford (Jan 2008) | |
| 5. | HaCohen, Ruth: The Dramaturgy of Religious Emotions in Bach's Cantatas: Aristotelian Processes in Neo-Platonic Frames. [p]BNUK_Oxford (Jan 2009) | |
| 6. | HaCohen, Ruth: The Dramaturgy of Religious Emotions in Bach's Cantatas: Aristotelian Process in Neoplatonic Frames. UnderstandingBach 4 (2009), 33-54 | |
| 7. | HaCohen, Ruth: The Music Libel Against the Jews. (2011), 532p | |