Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Maul, Michael: New Evidence on Thomaskantor Kuhnau's Operatic Activities, or: Could Bach have been allowed to compose an Opera? UnderstandingBach 4 (2009), 9-20 | |
| 2. | Scheitler, Irmgard: Passion and Drama in German Literature. UnderstandingBach 4 (2009), 21-31 | |
| 3. | HaCohen, Ruth: The Dramaturgy of Religious Emotions in Bach's Cantatas: Aristotelian Process in Neoplatonic Frames. UnderstandingBach 4 (2009), 33-54 | |
| 4. | Kubik, Reinhold, Legler, Margit: Rhetoric, Gesture and Scenic Imagination in Bach's Music. UnderstandingBach 4 (2009), 55-76 | |
| 5. | Shabalina, Tatiana [Shabalina, Tat'jana]: Recent Discoveries in St Petersburg and their Meaning for the Understanding of Bach's Cantatas. UnderstandingBach 4 (2009), 77-99 | |
| 6. | Smaill, Peter: Bach among the Heretics: Inferences from the Cantata Texts. UnderstandingBach 4 (2009), 101-118 | |
| 7. | Mincham, Julian: Relationships between Text and Music in the 'hybrid' Recitatives of Bach’s second Leipzig Cantata Cycle. UnderstandingBach 4 (2009), 119-133 | |