Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Jarvis, Martin W. B.: Did JS Bach write the cello suites? MOpinion 126/1431 (Nov-Dec 2002), 78-82 | |
| 2. | Jarvis, Martin W. B.: Who Composed the Bach Cello Suites? [p]MSA_Newcastle (Oct 2002) | |
| 3. | Jarvis, Martin W. B.: Did J.S. Bach write the Cello Suites? Part 1. Stringendo 24/2 (2002), 28-32 | |
| 4. | Jarvis, Martin W. B.: Did J.S. Bach write the Cello Suites? Part 2 Stringendo 25/1 (2003), 20-22 | |
| 5. | Jarvis, Martin W. B.: The Significance of Anna Magdalena Bach. [1] MOpinion 128/1447 (Jul-Aug 2005), 36-38 | |
| 6. | Jarvis, Martin W. B.: The Significance of Anna Magdalena Bach [2]: Forensic Document Examination of the 1720 Notebook for Wilhelm Friedemann Bach. MOpinion 129/1448 (Sep-Oct 2005), 44-46 | |
| 7. | Jarvis, Martin W. B.: Strange to my ears! The Anna Magdalena Bach Cello Suites? Stringendo 28/1 (2006), 18-22 | |
| 8. | Jarvis, Martin W. B.: Did Johann Sebastian Bach Write the Six Cello Suites? diss. (2007), 430p | |
| 9. | Jarvis, Martin W. B.: BWV 1127 - new evidence from a Forensic Document Examination which may also have implications for the question of who wrote the Six Cello Suites. [p]SMI_DIT (May 2007) | |
| 10. | Jarvis, Martin W. B.: Is Anna Magdalena's manuscript of the Violin Sonatas & Partitas a copy of the '1720 Autograph' of the Unaccompanied Violin Sonatas & Partitas of JS Bach? Stringendo 29/2 (2007), 41-42 | |
| 11. | Jarvis, Martin W. B.: Is the '1720 Autograph' of the Unaccompanied Violin Sonatas & Partitas what it purports to be? Stringendo 30/2 (2008), 37-39 | |
| 12. | Jarvis, Martin W. B.: The Application of Forensic Document Examination Techniques to the Writings of J. S. Bach and A. M. Bach. UnderstandingBach 3 (2008), 87-92 | |
| 13. | Jarvis, Martin W. B.: The Music-Calligraphy of Johann Sebastian and Anna Magdalena Bach. JForensicDocExamination 20 (2010), 49-61 | |
| 14. | Jarvis, Martin W. B.: Written by Mrs Bach: The Amazing Discovery That Shocked the Music World. (2011), 224p | |
| 15. | Jarvis, Martin W. B.: Transmission and Filiations: Sources of the Six Cello Suites. Stringendo 34/2 (2012), 24-25 | |
| 16. | Harralson, Heidi H.; Kaufman, Clare; Jarvis, Martin W. B.: Handwriting and Visual Impairment: A Forensic Analysis of J. S. Bach's Signatures. [cr]Guadeloupe2015 (2015), 99-102 | |
| 17. | Jarvis, Martin W. B.: Gender bias in music history. (awaiting) (2021), 129-135 | |