Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Jones, Richard D. P.: 'His superior ideas are the consequences of those inferior ones': Influence and Independence in Bach's Early Creative Development. UnderstandingBach 3 (2008), 31-38 | |
| 2. | Leaver, Robin A.: An Early English Imprint of the 'Crucifixus' of the B minor Mass (BWV 232II/5). UnderstandingBach 3 (2008), 39-54 | |
| 3. | Rose, Stephen: The Musician-Novels of the German Baroque: New Light on Bach's World. UnderstandingBach 3 (2008), 55-66 | |
| 4. | Wollny, Peter; Maul, Michael: The Weimar Organ Tablature: Bach's Earliest Autographs. UnderstandingBach 3 (2008), 67-74 | |
| 5. | Baldock, Rachel: Responding to Notation: Interpreting Dynamic Markings in the Instrumental Music of C.P.E. Bach. UnderstandingBach 3 (2008), 77-79 | |
| 6. | Crean, Elise: New Perspectives on the Canons of Johann Sebastian Bach. UnderstandingBach 3 (2008), 80-82 | |
| 7. | Dunlop, Alison: The Keyboard Copyists of Fux's Circle with Particular Emphasis on Gottlieb Muffat. UnderstandingBach 3 (2008), 83-86 | |
| 8. | Jarvis, Martin W. B.: The Application of Forensic Document Examination Techniques to the Writings of J. S. Bach and A. M. Bach. UnderstandingBach 3 (2008), 87-92 | |
| 9. | Cohen, Dalia: Bach: Forerunner of the Future through Exploration of the Potential of Learned and Natural Schemata. UnderstandingBach 3 (2008), 9-30 | |
| 10. | Kovacevic, Tanja; [Kovačević]: Trailing the Sources: A Pursuit of a Europe-wide Picture of Bach Reception in the Eighteenth and Early Nineteenth Centuries. UnderstandingBach 3 (2008), 93-98 | Latin 2
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| 11. | Mills, Ian: The 'Lost' Eighteen: Breitkopf, Mendelssohn and the Nineteenth-century Re-emergence of Bach's 15 Grand Preludes on Corales. UnderstandingBach 3 (2008), 99-104 | |
| 12. | Schwalbach, Burkhard: Eighteenth-century Coffee-House Culture: A New Context for Bach's Music? UnderstandingBach 3 (2008), 105-108 | |
| 13. | Tatlow, Ruth: Report on the Third J. S. Bach Dialogue Meeting: New Directions in Bach Studies. UnderstandingBach 3 (2008), 109-111 | |