Search Result - Ordered Chronologically
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Bach Printed Music Database Search Result - Ordered Chronologically |
Author : Marshall, Robert L.Your search has generated the following results ...
| Type | List | Author: Title  , Series, Vol/No (Year/Month/Date of Publication), Pages | Status |
|---|---|---|---|
 | 1. | Marshall, Robert L.: Zur Vollständigkeit der Arie 'Mein Jesus soll mein alles sein' aus Kantate BWV 75. BachJb 51 (1965), 144-147 |  |
 | 2. | Marshall, Robert Lewis: The Compositional Process of J. S. Bach. A study of the Autograph Scores of the Vocal Works. diss. (1968), 660p |  |
| | 3. | Marshall, Robert L.: Musical sketches in J. S. Bachs cantata autographs. [fs]Strunk (1968), 405-427 | |
| | 4. | Marshall, Robert L.: How J. S. Bach composed four-part Chorales. MQ 56/2 (Apr 1970), 198-221 | |
 | 5. | Marshall, Robert L.: The Genesis of an Aria Ritornello: Observations on the Autograph Score of J. S. Bach's 'Wie zittern and Wanken', BWV 105/3. [p]AMS_GreaterNewYork (Oct 1971) | |
 | 6. | Marshall, Robert Lewis: The Compositional Process of J. S. Bach. A study of the Autograph Scores of the Vocal works. PrincetonStudM 4 (1972), xv, 271p; 189p | |
| | 7. | Marshall, Robert L.: Bachs Skizzenarbeit und Kompositionsprozeß. Fest-Vortrag, geh. zum 48. Bachfest der NBG Nürnberg 1973. (1973), 31p | |
| | 8. | Marshall, Robert L.: The Genesis of an Aria Ritornello: Observations on the Autograph Score of 'Wie zittern und wanken' BWV 105/3. [fs]Mendel (1974), 165-182 | |
| | 9. | Marshall, Robert L. (ed.): Studies in Renaissance and Baroque music in Honor of Arthur Mendel. [fs]Mendel (1974), 392p | |
| | 10. | Marshall, Robert L.: Bach the Progressive: Observations on His Later Works. MQ 62/3 (Jul 1976), 313-357 | |
| | 11. | Marshall, Robert L.: Towards a Chronology of J. S. Bach's Sonatas and Partitas for Solo Flute. [p]AMS_Midwest (Nov 1977) | |
| | 12. | Marshall, Robert L.: Anmerkungen zur späteren Geschichte der alten Bach-Ausgabe: ein kleines bibliographisches Rätsel. BachJb 64 (1978), 229-231 | |
| | 13. | Marshall, Robert L.: J. S. Bach's Compositions for Solo Flute: A Reconsideration of their Authenticity and Chronology. JAMSoc 32/3 (Autumn 1979), 463-498 | |
| | 14. | Emery, Walter; Marshall, Robert L.: Bach, Johann Sebastian. NEncyclBritannica 2 (1979), 556-561 | |
| | 15. | Marshall, Robert L.: Beobachtungen am Autograph der h-moll-Messe: Zum Kompositionsprozeß J. S. Bachs. MKirche 50/5 (1980), 230-239 | |
| | 16. | Marshall, Robert L.: Zur Echtheit und Chronologie der Bachschen Flötensonaten: Biographische und stilistische Erwägungen. [cr]Marburg1978 (1981), 48-71 | |
| | 17. | Marshall, Robert L.: Bachs h-moll-Messe. Zur Quellensituation und Überlieferung. SommerAkadJSBach (1981), 2-12 | |
| | 18. | Marshall, Robert L.: Beobachtungen am Autograph der h-moll-Messe zum Kompositionsprozeß J. S. Bachs. SommerAkadJSBach (1981), 13-21 | |
| | 19. | Marshall, Robert L.: Bach's 'choruses' reconstituted. HiFi 32/10 (1982), 64-66, 94 | |
| | 20. | Marshall, Robert L.: Editore traditore: Ein weiterer 'Fall Rust'? [fs]Dürr65 (1983), 183-191 | |
| | 21. | Marshall, Robert L.: Bach's Chorus: A preliminary reply to Joshua Rifkin. MTimes 124/1679 (Jan 1983), 19-22 | |
| | 22. | Marshall, Robert L.: Tempo and Dynamic Indications in the Bach Sources: A Review of the Terminology. [ce]BHSTercentenaryEssays (1985), 259-276 | |
| | 23. | Marshall, Robert L.: Bach's 'Orchestre'. EarlyM 13/2 (May 1985), 176-179 | |
| | 24. | Marshall, Robert L.: Bach the progressive: Observations on his later works. GarlandLibHistWestM 6 (1985) | |
 | 25. | Marshall, Robert L. (ed.): Kantaten zum 9. und 10. Sonntag Nach Trinitatis / Johann Sebastian Bach. NBA 1/19 (1985), xii (6p facs), 276p | |
| | 26. | Marshall, Robert L.: Organ or 'Klavier'? Instrumental Prescriptions in the Early Sources of Bach's Keyboard Music. [p]AMS_Vancouver (Nov 1985) | |
| | 27. | Marshall, Robert L.: Organ or 'Klavier'? Instrumental Prescriptions in the Sources of Bach's Keyboard Works. [ce]JSBOrganist (1986), 212-239 | |
| | 28. | Marshall, Robert L.: On Bach's Universality. [cr]Philadelphia1985 (1986), 50-81 | |
| | 29. | Marshall, Robert L.: The Eighteenth Century as a Music-Historical Epoch: A Different Argument for the Proposition. ColMSymposium 27 (1987), 198-205 | |
| | 30. | Marshall, Robert L.: A Lutheran Composer's Challenge: The Genesis of Bach's Magnificat. [p]AMS_NewEngland (Sep 1987) | |
| | 31. | Marshall, Robert L.: Orgel oder 'Klavier'? Instrumentenangaben in den frühen Quellen der Bachschen Tastenmusik. [cr]Leipzig1985 (1988), 303-314 | |
| | 32. | Marshall, Robert L.: On the origin of Bach's Magnificat: a Lutheran composer's challenge. BachStud 1 (1989), 3-17 | |
| | 33. | Marshall, Robert L.: Bach, Johann Sebastian. [ce]Marshall (1989), 3-20 | |
| | 34. | Marshall, Robert L.: Bach the Progressive: Observations on His Later Works. [ce]Marshall (1989), 23-58, 295-303 | |
| | 35. | Marshall, Robert L.: Bach's Orchestre. [ce]Marshall (1989), 59-63, 303 | |
| | 36. | Marshall, Robert L.: On Bach's Universality. [ce]Marshall (1989), 65-79, 303-304 | |
| | 37. | Marshall, Robert L.: 'Composing Scores' and 'Fair Copies'. [ce]Marshall (1989), 83-110, 304-305 | |
| | 38. | Marshall, Robert L.: The Sketches. [ce]Marshall (1989), 111-129, 305-308 | |
| | 39. | Marshall, Robert L.: The Autograph Score of Herr, gehe nicht ins Gericht, BWV 105. [ce]Marshall (1989), 131-142 | |
| | 40. | Marshall, Robert L.: The Genesis of an Aria Ritornello: Observations on the Autograph Score of 'Wie zittern und wanken,' BWV 105/3. [ce]Marshall (1989), 143-159, 308-312 | |
| | 41. | Marshall, Robert L.: On the Origin of the Magnificat: A Lutheran Composer's Challenge. [ce]Marshall (1989), 161-173, 312-313 | |
| | 42. | Marshall, Robert L.: The Mass in B Minor: The Autograph Scores and the Compositional Process. [ce]Marshall (1989), 175-189, 313-314 | |
| | 43. | Marshall, Robert L.: The Autograph Fair Copies of the Fantasia per il Cembalo, BWV 906. [ce]Marshall (1989), 193-200, 314-316 | |
| | 44. | Marshall, Robert L.: The Compositions for Solo Flute: A Reconsideration of Their Authenticity and Chronology. [ce]Marshall (1989), 201-225, 316-328 | |
| | 45. | Marshall, Robert L.: 'Authentic' Performance: Musical Text, Performing Forces, Performance Style (A Review Essay). [ce]Marshall (1989), 229-239, 328-331 | |
| | 46. | Marshall, Robert L.: 'Editore traditore': Suspicious Performance Indications in the Bach Sources. [ce]Marshall (1989), 241-254, 331-333 | |
| | 47. | Marshall, Robert L.: Tempo and Dynamics: The Original Terminology. [ce]Marshall (1989), 255-269, 333-337 | |
| | 48. | Marshall, Robert L.: Organ or 'Klavier'? Instrumental Prescriptions in the Sources of the Keyboard Works. [ce]Marshall (1989), 271-293, 337-339 | |
| | 49. | Marshall, Robert L.: The Music of Johann Sebastian Bach. The Sources, The Style, The Significance. [ce]Marshall (1989), xxiii, 375p | |
| | 50. | Marshall, Robert L.: Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie I · Band 19. Kantaten zum 9. und 10. Sonntag Nach Trinitatis. Kritischer Bericht. NBA 1/19 (1989), 255p | |
| | 51. | Marshall, Robert L.: Truth and Beauty: J. S. Bach at the Crossroads of Cultural History. Bach 21/2 (Summer 1990), 3-14 | |
| | 52. | Marshall, Robert L.: The Notebooks for Wilhelm Friedemann and Anna Magdalena Bach: Some Biographical Lessons. [fs]AlvinJohnson (1990), 192-200 | |
| | 53. | Marshall, Robert L.: Bachs h-Moll-Messe. Zur Quellensituation und Überlieferung. SchrRIBachAkadStuttgart 3 (1990), 48-67 | |
| | 54. | Marshall, Robert L.: Beobachtungen am Autograph der h-Moll-Messe. Zum Kompositionsprozeß J. S. Bachs. SchrRIBachAkadStuttgart 3 (1990), 68-82 | |
| | 55. | Marshall, Robert L.: Bach and Mozart: Styles of Musical Genius. Bach 22/1 (Spring-Summer 1991), 16-32 | |
| | 56. | Marshall, Robert L.: Bach and Mozart: Styles of musical genius. [ce]PsychoanalyticExplorations 2 (1993), 153-169 | |
| | 57. | Marshall, Robert L.: Truth and Beauty: J. S. Bach at the Crossroads of Cultural History. [fs]Scheide (1993), 179-188 | |
| | 58. | Marshall, Robert L.: Bach's Tempo ordinario: A Plaine and Easie Introduction to the System. [p]AMS_NewEngland (Apr 1993) | |
| | 59. | Marshall, Robert L.: Johann Sebastian Bach. [ce]18cKeyboardM (1994), 68-123 | |
| | 60. | Marshall, Robert L. (ed.): Eighteenth-Century Keyboard Music. [ce]18cKeyboardM (1994), xvi, 443p | |
| | 61. | Marshall, Robert L.: Luther, Bach, and the early reformation chorale. (1995), iv, 15p | |
| | 62. | Marshall, Robert L.: Bach's 'tempo ordinario:' A Plaine and Easie Introduction to the System. [fs]Brainard (1996), 249-278 | |
| | 63. | Marshall, Robert L.: Bach and Mozart's Artistic Maturity. BachPerspectives 3 (1998), 47-79 | |
| | 64. | Marshall, Robert L.: Wenn Mozart länger gelebt hätte. Eine wissenschaftliche Fantasie. [fs]Schulze65 (1999), 270-281 | |
| | 65. | Marshall, Robert L.: The Nathan Bequest: Payment Receipts in the Hand of Johann Sebastian Bach, 1746 to 1748 (With a Fragment for the Year 1749 in the Hand of His Son). [gs]Moldenhauer (2000), 81-85 | |
| | 66. | Marshall, Robert L.: Toward a Twenty-First-Century Bach Biography. MQ 84/3 (Fall 2000), 497-525 | |
| | 67. | Marshall, Robert L.: Bach 2000: Tue Rechung! [p]ABS_Washington (Apr 2000) | |
| | 68. | Scheide, William H.; Marshall, Robert L.; Marissen, Michael; Wolff, Christoph: Arthur Mendel and the World of J. S. Bach. [p]Mendel60BR (Nov 2005) | |
| | 69. | Curry, Robert; Gable, David; Marshall, Robert L. (eds.): Variations on the canon: Essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday. EastmanStudM 58 (2008), x, 375p | |
| | 70. | Marshall, Robert L.: Bach's Tempo ordinario: A Plaine and Easie Introduction to the System. PerformPractReview 13/1 (2008), 1-33 | |
| | 71. | Marshall, Robert L.: Bach and Luther. [ce]AstonMagnaAcademy (2009), 229-241 | |
| | 72. | Marshall, Robert L.: Belated Thoughts on Bach's Chorus: A Reexamination of the Minimalist and Traditional Approaches to performing the choral music of Bach. EarlyMAmer 15/4 (Winter 2009), 24-27 | |
| | 73. | Marshall, Robert L.; Rifkin, Joshua: In Memoriam: Alfred Dürr (March 3, 1918-April 7, 2011). BachNotesABS 15 (Fall 2011), 1-4 | |
| | 74. | Marshall, Robert L.: Bach the Progressive: Observations on His Later Works. [ce]BaroqueComposers (2011), 399-443 | |
| | 75. | Marshall, Robert L.: Postscript [to 'Bach the Progressive'] [ce]BaroqueComposers (2011), 459-463 | |
| | 76. | Marshall, Robert L.: Bach at Mid-Life: The Christmas Oratorio and the Search for New Paths. Bach 43/1 (2012), 1-28 | |
| | 77. | Marshall, Robert L.: Redeeming the St. John Passion... And J. S. Bach. BachNotesABS 17 (Fall 2012), 5-11 | |
| | 78. | Marshall, Robert L.: Redeeming the St. John Passion: How modern sensitivity has clouded Bach's masterpiece. Commentary (Jul-Aug 2012), 36-39 | |
| | 79. | Marshall, Robert L.; Marshall, Traute M.: Wenig bekannte Dokumente zu J. S. Bachs Ohrdrufer Zeit. BachJb 101 (2015), 155-165 | |
| | 80. | Marshall, Robert L.; Marshall, Traute M.: Exploring the World of J. S. Bach: A Travelor's Guide (2016), xxx, 245p | |
| | 81. | Marshall, Robert L.: Father and Sons: Confronting a Uniquely Daunting Paternal Legacy. BachPerspectives 11 (2017), 1-23 | |
| | 82. | Marshall, Robert L.: Bach at the Boundaries of Music History: Preliminary Thoughts on the B-minor Mass and the Late Style Paradigm. ContextBachStud 8 (2018), 297-303 | |
 | 83. | Marshall, Robert L.: A Report on the 2019 UMass Amherst Bach Symposium. BachNotesABS 31 (Fall 2019), 16-17 | |
| | 84. | Marshall, Robert L.: Bach, Handel, and the harpsichord. [ce]CambridgeCompanion_Harpsichord (2019), 263-298 | |
| | 85. | Marshall, Robert L.: Prologue. The Century of Bach and Mozart as a Music-Historical Epoch: A Different Argument for the Proposition. [ce]Marshall (2019), 1-8, 261 | |
| | 86. | Marshall, Robert L.: Young Man Bach: Toward a Twenty-First-Century Bach Biography. [ce]Marshall (2019), 9-29, 261-266 | |
| | 87. | Marshall, Robert L.: The Notebooks for Wilhelm Friedemann and Anna Magdalena Bach: Some Biographical Lessons. [ce]Marshall (2019), 30-37, 266-268 | |
| | 88. | Marshall, Robert L.: Bach and Luther. [ce]Marshall (2019), 38-55, 268-269 | |
| | 89. | Marshall, Robert L.: Redeeming the St. John Passion--and J. S. Bach. [ce]Marshall (2019), 56-64, 269-270 | |
| | 90. | Marshall, Robert L.: Bach's Keyboard Music. [ce]Marshall (2019), 65-113, 270-276 | |
| | 91. | Marshall, Robert L.: The Minimalist and Traditionalist Approaches to Performing Bach's Choral Music: Some Further Thoughts [ce]Marshall (2019), 114-120, 276-277 | |
| | 92. | Marshall, Robert L.: Truth and Beauty: J. S. Bach at the Crossroads of Cultural History. [ce]Marshall (2019), 121-129, 277-278 | |
| | 93. | Marshall, Robert L.: Bach at Mid-Life: The Christmas Oratorio and the Search for New Paths. [ce]Marshall (2019), 130-147, 278-279 | |
| | 94. | Marshall, Robert L.: Bach at the Boundaries of Music History: Preliminary Reflections on the B-Minor Mass and the Late-Style Paradigm. [ce]Marshall (2019), 148-155, 279-280 | |
| | 95. | Marshall, Robert L.: Father and Sons: Confronting a Uniquely Daunting Paternal Legacy. [ce]Marshall (2019), 156-173, 280-284 | |
| | 96. | Marshall, Robert L.: Johann Christian Bach and Eros. [ce]Marshall (2019), 174-185, 284-286 | |
| | 97. | Marshall, Robert L.: Bach and Mozart: Styles of Musical Genius. [ce]Marshall (2019), 186-196, 286-289 | |
| | 98. | Marshall, Robert L.: Mozart and Amadeus. [ce]Marshall (2019), 197-211, 289-292 | |
| | 99. | Marshall, Robert L.: Bach and Mozart's Artistic Maturity. [ce]Marshall (2019), 212-237, 292-294 | |
| | 100. | Marshall, Robert L.: Mozart's Unfinished: Some Lessons of the Fragments [ce]Marshall (2019), 238-251, 294-296 | |
| | 101. | Marshall, Robert L.: Had Mozart Lived Longer: Some Cautious (and Incautious) Speculations. [ce]Marshall (2019), 252-259, 296-298 | |
| | 102. | Marshall, Robert L.: Bach and Mozart: Essays on the Enigma of Genius. [ce]Marshall (2019), xxi, 331p | |
| | 103. | Marshall, Robert L.; Marshall, Traute M.: Bach Family Sites. Bach 51/1 (2020), 70-121 | |
| | 104. | Marshall, Robert L.: Late Bach and Late Style Theory. Bach 54/1 (2023), 1-16 | |