Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Buelow, George J.: Expressivity in the accompanied recitatives of Bach's cantatas. BachStud 1 (1989), 18-35 | |
| 2. | Marshall, Robert L.: On the origin of Bach's Magnificat: a Lutheran composer's challenge. BachStud 1 (1989), 3-17 | |
| 3. | Crist, Stephen A.: Aria forms in the Cantatas from Bach's first Leipzig Jahrgang. BachStud 1 (1989), 36-53 | |
| 4. | Brainard, Paul: The regulative and generative roles of verse in Bach's 'thematic' invention. BachStud 1 (1989), 54-74 | |
| 5. | Chafe, Eric T.: The St John Passion: theology and musical structure. BachStud 1 (1989), 75-112 | |
| 6. | Mann, Alfred: Bach's parody technique and its frontiers. BachStud 1 (1989), 115-124 | |
| 7. | Stinson, Russell: Three organ-trio transcriptions from the Bach circle: keys to a lost Bach chamber work. BachStud 1 (1989), 125-159 | |
| 8. | Stauffer, George B.: 'This fantasia... never had its like': on the enigma and chronology of Bach's Chromatic Fantasia and Fugue in D Minor, BWV 903. BachStud 1 (1989), 160-182 | |
| 9. | Williams, Peter F.: French overture conventions in the hands of the young Bach and Handel. BachStud 1 (1989), 183-193 | |
| 10. | Siegele, Ulrich: The four conceptual stages of the Fugue in C Minor, WTC I. BachStud 1 (1989), 197-224 | |
| 11. | Brokaw, James A., II.: The genesis of the Prelude in C Major, BWV 870. BachStud 1 (1989), 225-239 | |
| 12. | Franklin, Don O.: Reconstructing the Urpartitur for WTC II: a study of the 'London Autograph' (BL Add. MS 35021). BachStud 1 (1989), 240-278 | |
| 13. | Finscher, Ludwig: Bach in the eighteenth century. BachStud 1 (1989), 281-296 | |
| 14. | Zenck, Martin: Tradition as authority and provocation: Anton Webern's confrontation with Johann Sebastian Bach. BachStud 1 (1989), 297-322 | |
| 15. | Herz, Gerhard: The human side of the American Bach sources. BachStud 1 (1989), 323-350 | |
| 16. | Franklin, Don O. (ed.): Bach Studies. [1] BachStud 1 (1989), 362p | |