Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Mills, Ian: A Scholar and a Gentleman. Identifying and Assessing Walter Emery's Key Contributions to Twentieth-Century Bach Scholarship. diss. (2006), 67p | |
| 2. | Tomita, Yo; Crean, Elise; Mills, Ian (eds.): International Symposium: Understanding Bach's B-minor Mass. Discussion Book 1. Full Papers by the Speakers at the Symposium on 2, 3 and 4 November 2007. [cr]Belfast2007 1 (2007), x, 356p | |
| 3. | Mills, Ian: Extracting Performance Clues from Mus. Ms. Bach P 271: An Assessment of Micro and Macro Corrections Found in Two Chorale Preludes from the Leipzig Autograph. [p]SMI_DIT (May 2007) | |
| 4. | Mills, Ian: From Autograph to Print: Re-examining the Transmission History of J.S. Bach's 'Great Eighteen' Chorales. [p]BICB_Leeds (Jul 2008) | |
| 5. | Mills, Ian: J.S. Bach's Choralvorspiele in 1750: their Position, Associations and Implications. [p]ISD_Belfast (Nov 2008) | |
| 6. | Mills, Ian: The 'Lost' Eighteen: Breitkopf, Mendelssohn and the Nineteenth-century Re-emergence of Bach's 15 Grand Preludes on Corales. UnderstandingBach 3 (2008), 99-104 | |
| 7. | Mills, Ian: J. S. Bach, the Choralvorspiele and the Late Eighteenth-Century Aesthetic Notion UnderstandingBach 5 (2010), 76-86 | |
| 8. | Ebata, Nobuaki; Tomita, Yo; Mills, Ian: Mendelssohn and The Schübler Chorales (BWV 645-650): A New Source found in the Riemenschneider Bach Institute Collection. Bach 44/1 (2013), 1-45 | |
| 9. | Mills, Ian: The historical position and reception of J. S. Bach's 'Great Eighteen' and Orgelbüchlein Choralvorspiele, 1750-1850. diss. (2016) | |