Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Smith, Timothy A.: More Evidence of Numeral-Logical Design in Bach's St.Matthew Passion. Bach 17/2 (Apr 1986), 24-30 | |
| 2. | Smith, Timothy A.: Bach's Mass in B Minor as Musical Icon. (1996) | |
| 3. | Smith, Timothy A.: Was Bach a Rationalist, Pietist, Neither, or Both? (1996) | |
| 4. | Smith, Timothy A.: Intentionality and Meaningfulness in Bach's Cyclical Works. (1996) | |
| 5. | Smith, Timothy A.: Trinitarian and Catechistic Connotations of the Clavier-Übung III (1997) | |
| 6. | Smith, Timothy A.: That 'Crown of Thorns'. Bach 28/1-2 (1997), 144-150 | |
| 7. | Smith, Timothy A.: 'Circulatio' as Tonal Morpheme in the Liturgical Music of J. S. Bach (1998) | |
| 8. | Smith, Timothy A.: Fugues of the Well-Tempered Clavier. (2002) | |
| 9. | Smith, Timothy A.: Bach Fan Thrills to Discovery of Lost 1724 Pages. (31 Aug 2008) | |
| 10. | Smith, Timothy A.: Fugues Without Words: A Hearing of Four Fugues from The Well-Tempered Clavier as Passion Music. Bach 40/2 (2009), 44-65 | |
| 11. | Smith, Timothy A.: Fugues without Words: a hearing of four fugues from the Well-Tempered Clavier as passion music. [p]SMA_Glasgow (Apr 2009) | |