Bach Printed Music Database Search Result - Ordered Chronologically

Series : Bach
Volume : 17
Year : 1986

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Schenbeck, Lawrence:   Tempo and Rhythm in Bach's Cantata Ouvertures. Bach 17/1 (Jan 1986), 3-17
	2.	Payne, Thomas B.:   Musical Terminology in the Contrapuntal and Canonic Works of J. S. Bach. Bach 17/1 (Jan 1986), 18-35
	3.	Linton, Michael:   Bach, Luther, and the Magnificat. Bach 17/2 (Apr 1986), 3-15
	4.	Smith, Timothy A.:   More Evidence of Numeral-Logical Design in Bach's St.Matthew Passion. Bach 17/2 (Apr 1986), 24-30
	5.	Collins, Timothy:   Observations on the Origins and Influences Leading to Bach's Idiomatic Writing for the Trumpet in Grosser Herr o starker König from the Christmas Oratorio. Bach 17/2 (Apr 1986), 31-45
	6.	Ambrose, Jane:   Notations on Mattheson's Der Brauchbare Virtuoso. Bach 17/3 (Jul 1986), 3-9
	7.	Konecni, Vladimir J.; [Koneèni]:   Bach's St. Matthew Passion: A Rudimentary Psychological Analysis, Part I. Bach 17/3 (Jul 1986), 10-21	Latin 2
	8.	Bostrom, Kerry L.:   The Use of Recitative and the Communal Style in the Solo Cantatas of Dietrich Buxtehude. Bach 17/3 (Jul 1986), 22-32
	9.	Konecni, Vladimir J.; [Koneèni]:   Bach's St. Matthew Passion: A Rudimentary Psychological Analysis, Part II. Bach 17/4 (Oct 1986), 3-16	Latin 2
	10.	Stinson, Russell:   Bach's Tercentenary Issues of Periodicals: A Selected Bibliography. Bach 17/4 (Oct 1986), 17-23
	11.	Barber, Elinore:   Bach's 'Incomplete' Quadruple Fugue from Die Kunst der Fuge (1752-Edition Print Held by the Riemenschneider Bach Institute.) Bach 17/4 (Oct 1986), 24-29
	12.	Heinrich, Adel:   Heretofore Unpublished Conclusions for the 'Incomplete' Quadruple Fugue (Die Kunst der Fuge) Project. Part I: Adel Heinrich's 1986 Contribution. Bach 17/4 (Oct 1986), 30-41