Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Williams, Peter F.: J. S. Bach and English Organ Music. MLetters 44/2 (Apr 1963), 140-151 | |
| 2. | Williams, Peter F.: Bach at Edinburgh. MTimes 104/1449 (Nov 1963), 815 | |
| 3. | Williams, Peter F.: Bach Thoughts from Edinburgh. MTimes 106/1472 (Oct 1965), 771-772 | |
| 4. | Williams, Peter F.: The European Organ 1450-1850. (1966), 336p | |
| 5. | Williams, Peter F.: The Harpsichord Acciaccatura: Theory and Practice in Harmony, 1650-1750. MQ 54/4 (Oct 1968), 503-523 | |
| 6. | Williams, Peter F.: Basso continuo on the Organ. MLetters 50/1, 2 (Jan; Apr 1969), 136-152; 230-245 | |
| 7. | Williams, Peter F.: Figured Bass Accompaniment. (1970), 117, 131p | |
| 8. | Williams, Peter F.: The Organs of Saxony. MTimes 111/1533 (Nov 1970), 1141-1143 | |
| 9. | Williams, Peter F.: The French Silbermann. MTimes 112/1535 (Jan 1971), 77-78 | |
| 10. | Williams, Peter F.: Bach Organ Music. BBCMGuides 20 (1972), 71p | |
| 11. | Williams, Peter F.: Bach Recitatives. MTimes 115/1579 (Sep 1974), 747 | |
| 12. | Williams, Peter F.: Bach's Seven Fughette. MTimes 116/1589 (Jul 1975), 653, 655, 657 | |
| 13. | Williams, Peter F.: Why do we need a new book on Bach's Organ Music? MReview 38/4 (1977), 249-257 | |
| 14. | Williams, Peter F.: Figurenlehre from Monteverdi to Wagner. 1: What is 'Figurenlehre'? MTimes 120/1636 (Jun 1979), 476-479 | |
| 15. | Williams, Peter F.: Figurenlehre from Monteverdi to Wagner. 2: The chromatic 4th continued. MTimes 120/1637 (Jul 1979), 571-573 | |
| 16. | Williams, Peter F.: Figurenlehre from Monteverdi to Wagner. 3: The suspirans. MTimes 120/1638 (Aug 1979), 648-650 | |
| 17. | Williams, Peter F.: Figurenlehre from Monteverdi to Wagner. 4: 'Orfeo' and 'Meistersinger'. MTimes 120/1640 (Oct 1979), 816-818 | |
| 18. | Williams, Peter F.: A New History of the Organ from the Greeks to the Present Day. (1980), 233p | |
| 19. | Williams, Peter F.: The Organ Music of J. S. Bach. II: Works based on Chorales (BWV 599-771 etc.) (1980), 357p | |
| 20. | Williams, Peter F.: The Organ Music of J. S. Bach. I: Preludes, Toccatas, Fantasias, Fugues, Sonatas, Concertos and Miscellaneous Pieces (BWV 525-598, 802-805 etc). 1 (1980), 365p | |
| 21. | Williams, Peter F.: BWV 565: A toccata in D minor for Organ by J.S. Bach? EarlyM 9/3 (Jul 1981), 330-337 | |
| 22. | Williams, Peter F.: The Musical Aims of J. S. Bach's 'Clavierübung III'. [gs]Dart (1981), 259-278 | |
| 23. | Williams, Peter F.: J. S. Bach -- Orgelsachverständiger unter dem Einfluß Andreas Werckmeisters? BachJb 68 (1982), 131-142 | |
| 24. | Williams, Peter F.: Need Organists Pay Attention to Theorists of Rhetoric? Diapason 73/ 4:869 (Apr 1982), 3-4 | |
| 25. | Williams, Peter F.: Suggestions for Playing the Works of J. S. Bach--I. AmerOrganist(2) 17/ 1 (Jan 1983), 45-47 | |
| 26. | Williams, Peter F.: Suggestions for Playing the Works of J. S. Bach-II. Harpsichord versus Organ in Six Trio Sonatas. AmerOrganist(2) 17/ 3 (Mar 1983), 50-52 | |
| 27. | Williams, Peter F.: Suggestions for Playing the Works of J. S. Bach--III. BWV 565: A Toccata in d Minor for Organ by J. S. Bach? AmerOrganist(2) 17/ 9 (Sep 1983), 42-47 | |
| 28. | Williams, Peter F.: The Snares and Delusions of Musical Rhetoric: Some Examples from recent writings on J. S. Bach. BaslerJbHistMpraxis [Sonderband] (1983), 230-240 | |
| 29. | Williams, Peter F.: J. S. Bach's Well-tempered Clavier: A new approach. EarlyM 11/1, 3 (Jan, Jul 1983), 46-52; 332-339 | |
| 30. | Williams, Peter F.: The Organ Music of J. S. Bach. III: A Background. 3 (1984), 309p | |
| 31. | Williams, Peter F.: Suggestions for Playing the Works of Bach--IV. Motifs in the Passacaglia. AmerOrganist(2) 18/ 2 (Feb 1984), 38-39 | |
| 32. | Williams, Peter F.: Suggestions for Playing the Works of Bach--V. Motifs in the Orgelbüchlein. AmerOrganist(2) 18/ 9 (Sep 1984), 44-45 | |
| 33. | Williams, Peter F.: J. S. Bach: Mass in B minor. EarlyM 12/1 (Feb 1984), 137,139,141 | |
| 34. | Williams, Peter F.: Bach's G minor Sonata for viola da gamba and harpsichord BWV 1029: A seventh Brandenburg Concerto? EarlyM 12/3 (Aug 1984), 345-354 | |
| 35. | Williams, Peter F.: Some Tercentenary Questions for the Performer. AmerOrganist(2) 19/ 1 (Jan 1985), 42-46 | |
| 36. | Williams, Peter F.: Suggestions for Playing the Works of Bach--VI: The Larger Chorals of Clavier-übung III. AmerOrganist(2) 19/ 2 (Feb 1985), 56-57 | |
| 37. | Williams, Peter F.: Suggestions for Playing the Works of Bach--VII: The Smaller Pieces of Clavier-übung III. AmerOrganist(2) 19/ 3 (Mar 1985), 118-119 | |
| 38. | Williams, Peter F.: Suggestions for Playing the Works of Bach--VIII: Certain Early Preludes and Fugues: BWV 531 and 549. AmerOrganist(2) 19/ 4 (Apr 1985), 82-84 | |
| 39. | Williams, Peter F.: Suggestions for Playing the Works of Bach--IX: The Italian music. AmerOrganist(2) 19/ 5 (May 1985), 74-75 | |
| 40. | Williams, Peter F.: Suggestions for Playing the Works of Bach--X: The Transcriptions. AmerOrganist(2) 19/ 6 (Jun 1985), 44-46 | |
| 41. | Williams, Peter F.: Suggestions for Playing the Works of J. S. Bach--XI: Chorale Fughettas. AmerOrganist(2) 19/ 7 (Jul 1985), 56-58 | |
| 42. | Williams, Peter F.: Suggestions for Playing the Works of Bach--XII: Stylistic Allusions in Certain Mature Preludes. AmerOrganist(2) 19/ 8 (Aug 1985), 38-40 | |
| 43. | Williams, Peter F.: Suggestions for Playing the Works of J. S. Bach--XIII: Manual Changing in Certain Fugues. AmerOrganist(2) 19/ 9 (Sep 1985), 62-64 | |
| 44. | Williams, Peter F.: Suggestions for Playing the Works of Bach--XIV: Dividing Solo Lines Between the Hands; Clues to Articulation? AmerOrganist(2) 19/10 (Oct 1985), 117-119 | |
| 45. | Williams, Peter F.: Suggestions for Playing the Works of Bach--XV: Some Issues Raised in Certain Early Chorales. AmerOrganist(2) 19/11 (Nov 1985), 91-93 | |
| 46. | Williams, Peter F.: Suggestions for Playing the Works of Bach--XVI: More Organ Works by J. S. Bach? AmerOrganist(2) 19/12 (Dec 1985), 60-62 | |
| 47. | Williams, Peter F.: 'Figurae' in the Keyboard Works of Scarlatti, Handel and Bach: An Introduction. [ce]BHSTercentenaryEssays (1985), 327-346 | |
| 48. | Williams, Peter F.: Bach, Handel, Scarlatti Tercentenary Essays. [ce]BHSTercentenaryEssays (1985), xiv, 363p | |
| 49. | Williams, Peter F.: Johann Sebastian Bachs Sonate in g-moll (BWV 1029)... ein siebtes Brandenburgisches Konzert? Concerto 2/4 (Jun 1985), 41-48 | |
| 50. | Williams, Peter F.: Was Johann Sebastian Bach an Organ Expert or an Acquisitive Reader of Andreas Werckmeister? JAmerMInstrSoc 11 (1985), 38-54 | |
| 51. | Williams, Peter F.: Encounters with the Chromatic Fourth ... or, More on Figurenlehre. MTimes 126/1707-1708 (May-Jun 1985), 276-278; 339-343 | |
| 52. | Williams, Peter F.: New Bach? [on recently discovered chorales] MTimes 126/1710 (Aug 1985), 452 | |
| 53. | Williams, Peter F.: Bach's Organ Chorales from the Neumeister Collection. First Edition and Recordings. A Feature Review. AmerOrganist(2) 20/ 6 (Jun 1986), 63-64 | |
| 54. | Williams, Peter F.: Noch einmal: J. S. Bach -- Orgelsachverständiger unter dem Einfluß Andreas Werckmeisters? BachJb 72 (1986), 123-125 | |
| 55. | Williams, Peter F.: The Snares and Delusions of Notation: Bach's Early Organ Works. [ce]JSBOrganist (1986), 274-294 | |
| 56. | Williams, Peter F. (ed.): Musicalisches Opfer, BWV 1079 / Johann Sebastian Bach. EdEulenburg 1390 (1986), xxxviii, 51p | |
| 57. | Williams, Peter F. (ed.): Kunst der Fuge / Johann Sebastian Bach. EdEulenburg 1391 (1986), xlvi, 138p | |
| 58. | Williams, Peter F.: The Acquisitive Minds of Handel & Bach: Some Reflections on the Nature of 'Influences' [fs]Fisk (1986), 267-282 | |
| 59. | Williams, Peter F.: Hints for performance in J. S. Bach's 'Clavierübung' prints. EarlyKeyboardJ 5 (1986-87), 29-44 | |
| 60. | Williams, Peter F.: Playing the organ works of Bach: Some case studies. (1987), 128p | |
| 61. | Williams, Peter F.; Owen, Barbara: The Organ. (1988), 438p | |
| 62. | Williams, Peter F.: 2/4 Time and J. S. Bach. [p]AMS_Southeast (Mar 1988) | |
| 63. | Williams, Peter F.: French overture conventions in the hands of the young Bach and Handel. BachStud 1 (1989), 183-193 | |
| 64. | Williams, Peter F.: A chaconne by Georg Böhm: a note on German composers and French styles. EarlyM 17/1 (Feb 1989), 43-54 | |
| 65. | Williams, Peter F.: Two case studies in performance practice and the details of notation: 1. J. S. Bach and 2/4 Time. EarlyM 21/4 (Nov 1993), 613-622 | |
| 66. | Williams, Peter F.: Johann Sebastian Bach and the Basso Continuo. BaslerJbHistMpraxis 18 (1994), 67-86 | |
| 67. | Williams, Peter F.: Two case studies in performance practice and the details of notation: 2: J. S. Bach and left-hand-right-hand distribution. EarlyM 22/1 (Feb 1994), 101-113 | |
| 68. | Williams, Peter F.: Towards a close reading of Carl Philipp Emanuel Bach. FestschriftSer 13 (1994), 143-156 | |
| 69. | Williams, Peter F.: Két esettanulmány az elõadói gyakorlat és a notáció részleteinek témakörébõl; 1. J. S. Bach és a 2/4 metrum; 2. J. S. Bach és a balkéz-jobbkéz megosztás. BachTanulmanyok 4 (1995), 5-41; 25-41 | Latin 2
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| 70. | Williams, Peter F.: Johann Sebastian Bachs Orgelwerke 1. Präludien, Toccaten, Fantasien, Fugen, Sonaten, Concerti und Einzelwerke. (1996), 441p | |
| 71. | Williams, Peter F.: Orugan Kyoku. [ce]BachJiten (1996), 294-298 | |
| 72. | Williams, Peter F.: Considérations sur la nouvelle mesure à 2/4 au début du XVIIIe siècle. [cr]Metz1994 (1996), 85-98 | |
| 73. | Williams, Peter F.: J.S. Bach y el compás de 2/4. Quodlibet 5 (Jun 1996), 3-18 | |
| 74. | Williams, Peter F.: The Chromatic Fourth. During Four Centuries of Music. (1998), 272p | |
| 75. | Williams, Peter F.: Johann Sebastian Bachs Orgelwerke. Band 2: Choralbearbeitungen. (1998), 476p | |
| 76. | Williams, Peter F.: Some thoughts on Italian elements in certain music of Johann Sebastian Bach. Recercare 11 (1999), 185-198 | |
| 77. | Hurford, Peter; Williams, Peter F.: Approaches to Bach Performance and Scholarship, then, now, next (Nov-Dec 2000) | |
| 78. | Williams, Peter F.: Johann Sebastian Bachs Orgelwerke. Band 3: Liturgie, Kompositionstechnik, Instrumente und Aufführungspraxis. (2000), 365p | |
| 79. | Williams, Peter F.: Playing and studying Bach: Where next? BIOSJ 24 (2000), 80-92 | |
| 80. | Williams, Peter F.: Are we any closer to understanding Bach, the organist and organ-composer? [ce]IAOMillenniumBook (2000), 1-14 | |
| 81. | Williams, Peter F.: Witting and Unwitting Allusion in Certain Keyboard Music of J. S. Bach. MQ 84/4 (Winter 2000), 756-775 | |
| 82. | Williams, Peter F.: Stop Press: Some questions about JS Bach and his organ music. MTimes 141/1870 (Spring 2000), 34-40 | |
| 83. | Williams, Peter F.: Sui generis: some fashionable uses to which Bach is put. MTimes 141/1871 (Summer 2000), 8, 10, 12-15 | |
| 84. | Williams, Peter F.: Decoding Bach 2: Clouds of witness. MTimes 141/1872 (Autumn 2000), 13-15 | |
| 85. | Williams, Peter F.: Further on Changing Manuals in Works of J. S. Bach. OrganYb 29 (2000), 75-90 | |
| 86. | Williams, Peter F.: J. S. Bach y la distribución entre las manos derecha e izquierda. Quodlibet 18 (Oct 2000), 68-84 | |
| 87. | Williams, Peter F.: Bach: The Goldberg Variations. CambridgeMHandb (2001), 101p | |
| 88. | Williams, Peter F.: Recent questionable approaches to J. S. Bach. [fs]Tagliavini70 (2001), 553-572 | |
| 89. | Williams, Peter F.: The Organ Music of J. S. Bach. Second Edition. (2003), x, 624p | |
| 90. | Williams, Peter F.: Is there an anxiety of influence discernible in J. S. Bach's 'Clavierübung I'? [ce]KeyboardInBaroqueEurope (2003), 140-156 | |
| 91. | Williams, Peter F.: Some further Thoughts. DortmundBachF 6 (2003), 371-388 | |
| 92. | Williams, Peter F.: The Life of Bach. (2004), viii,219p | |
| 93. | Williams, Peter F.: Public Executions and the Bach Passions. BachNotesABS 2 (Fall 2004), 1-4 | |
| 94. | Williams, Peter F.: More on the question, Is there a 'Toccata and Fugue in D minor for Organ' by J. S. Bach? OrganYb 33 (2004), 139-143 | |
| 95. | Williams, Peter F.: Some observations on three keyboard-composers: Frescobaldi, J.S. Bach and Domenico Scarlatti. [fs]Owen (2005), 53-71 | |
| 96. | Williams, Peter F.: J.S. Bach: A Life in Music. (2007), xi, 405p | |
| 97. | Williams, Peter F.: The music of J.S. Bach: excerpts from the writings of Peter Williams. [fs]Williams70 (2007), 371-381 | |
| 98. | Williams, Peter F.: Again: Was J.S. Bach an expert on organs? OrganYb 36 (2007), 86-105 | |
| 99. | Williams, Peter F.: Can editions of Bach or Scarlatti be entirely trusted? RCOJ 1 (2007), 18-28 | |
| 100. | Williams, Peter F.: J. S. Bach: Ein Leben in der Musik. (2008), 575p | |
| 101. | Williams, Peter F.: Johann Sebastian Bach's ideal organ. OrganistsReview 94/2 (May 2008), 7-13 | |
| 102. | Williams, Peter F.: Frescobaldi's Fiori musicali and Bach. Recercare 24/1-2 (2012) | |
| 103. | Williams, Peter F.: Another book on JS Bach? MTimes 157/1934 (Spring 2016), 5-18 | |