Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Schulze, Hans-Joachim: The Parody Process in Bach's Music: An Old Problem Reconsidered. Bach 20/1 (Spring 1989), 7-21 | |
| 2. | Cox, Howard H.: Bach's Conception of His Office. Bach 20/1 (Spring 1989), 22-30 | |
| 3. | Whaples, Miriam K.: Bach's Earliest Arias. Bach 20/1 (Spring 1989), 31-54 | |
| 4. | Wolff, Christoph: Bach the Cantor, the Capellmeister, and the Musical Scholar: Aspects of the B-Minor Mass. Bach 20/1 (Spring 1989), 55-64 | |
| 5. | Butler, Gregory G.: J. S. Bach's Einige Canonische Veraenderungen: The View from the Original Print. Bach 20/2 (Summer 1989), 4-37 | |
| 6. | Snyder, Kerala J.: To Lübeck in the Steps of J. S. Bach. Bach 20/2 (Summer 1989), 38-48 | |
| 7. | Dadelsen, Georg von: Friedrich Smend's Edition of the B-minor Mass by J. S. Bach. Bach 20/2 (Summer 1989), 49-74 | |
| 8. | Mann, Alfred: A Document from the Hand of Arthur Mendel: Introduction and Commentary. Bach 20/3 (Fall 1989), 4-5(-14) | |
| 9. | Mendel, Arthur: Persönliches zur Geschichte der Jüngeren Bach-Forschung. ('A Personal Message Concerning the History of Recent Bach Scholarship') Bach 20/3 (Fall 1989), 6-14 | |
| 10. | Tatlow, Ruth: J. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number-Alphabet Theory. Bach 20/3 (Fall 1989), 15-33 | |
| 11. | Leaver, Robin A.: The Revival of the St. John Passion: History and Performance Practice. Bach 20/3 (Fall 1989), 34-49 | |