Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Kellner, Herbert Anton: A Mathematical Approach Reconstructing J. S. Bach's Keyboard Temperament. Bach 30/1 (Spring-Summer 1999), 1-9 | |
| 2. | Kellner, Herbert Anton: Considering the Tempering Tonality B-Major in Well-Tempered Clavier II. Bach 30/1 (Spring-Summer 1999), 10-25 | |
| 3. | Leahy, Anne: The Opening Chorus of Cantata BWV 78, Jesu, der du meine Seele; Another Example of Bach's Interest in Matters Soteriological. Bach 30/1 (Spring-Summer 1999), 26-41 | |
| 4. | Payne, Ian: Telemann's Musical Style c.1709-c.1730 and J. S. Bach: The Evidence of Borrowing. Bach 30/1 (Spring-Summer 1999), 42-64 | |
| 5. | Markevitch, Dimitry: Bach's Cello Suites Revisited: The Manuscripts of the Bach Cello Suites, an Inextricable Labyrinth for Cellists? [A Reader's Response] Bach 30/1 (Spring-Summer 1999), 66-69 | |
| 6. | Rifkin, Joshua: The Emperor's Headgear: A Brief Response to Don Smithers. Bach 30/1 (Spring-Summer 1999), 70-73 | |
| 7. | Baumgartner, Nicholas: Currents in Bach Interpretation in Contemporary Germany. Bach 30/2 (1999), 1-26 | |
| 8. | Collins, Denis: Bach and Approaches to Canonic Composition in Early Eighteenth-Century Theoretical and Chamber Music Sources. Bach 30/2 (1999), 27-48 | |
| 9. | Tomita, Yo: Bach and His Early Drafts: Some Observations on Little Known Early Versions of Well-Tempered Clavier II and the Goldberg Variations from the Manfred Gorke Collection. Bach 30/2 (1999), 49-72 | |