Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Baumgartner, Nicholas: European Bach Interpretation at the Turn of the Millennium. Bach 33/1 (2002), 1-56 | |
| 2. | Butler, Gregory G.: The Galant Style in J. S. Bach's Musical Offering: Widening the Dimensions. Bach 33/1 (2002), 57-68 | |
| 3. | Ahrens, Christian: Johann Sebastian Bach and The 'New Gusto' In Music Around 1740. Bach 33/1 (2002), 69-83 | |
| 4. | Jerold, Beverly: Editorial Decisions for Ornaments in Bach's Works. Bach 33/2 (2002), 1-14 | |
| 5. | Collins, Denis: Bach's Occasional Canon BWV 1073 and 'Stacked' Canonic Procedure in the Eighteenth Century. Bach 33/2 (2002), 15-34 | |
| 6. | Steiger, Renate: Dialogue Structures in J. S. Bach's Cantatas: The Basic Form of Worship as a Model for Artistic Shaping. Bach 33/2 (2002), 35-70 | |
| 7. | Mayerovitch, Robert: CD Review: Johann Sebastian Bach. Art of Fugue. Peter Elyakim Taussig, piano solo. MS 102 Crystal Music Records, 2001. Recorded on the Yamaha Disklavier PRO(R)piano. Bach 33/2 (2002), 71-76 | |