Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Schulenberg, David: Composition and Improvisation in the School of J. S. Bach. BachPerspectives 1 (1995), 1-42 | |
| 2. | Stinson, Russell: The Compositional History of Bach's Orgelbüchlein Reconsidered. BachPerspectives 1 (1995), 43-78 | |
| 3. | Marissen, Michael: Concerto Styles and Signification in Bach's First Brandenburg Concerto. BachPerspectives 1 (1995), 79-101 | |
| 4. | Chafe, Eric T.: 'Anfang und Ende': Cyclic Recurrence in Bach's Cantata 'Jesu, nun sei gepreiset', BWV 41. BachPerspectives 1 (1995), 103-134 | |
| 5. | Crist, Stephen A.: The Question of Parody in Bach's Cantata 'Preise dein Glücke, gesegnetes Sachsen', BWV 215. BachPerspectives 1 (1995), 135-161 | |
| 6. | Brokaw, James A., II: The Perfectability of J. S. Bach, or Did Bach Compose the Fugue on a Theme by Legrenzi, BWV 574a? BachPerspectives 1 (1995), 163-180 | |
| 7. | Stinson, Russell (ed.): Bach Perspectives I. BachPerspectives 1 (1995), xii, 226p | |