Bach Printed Music Database Search Result

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	David, Hans T.; Mendel, Arthur (eds.): The Bach Reader. (1945), 474p A Life of Johann Sebastian Bach in Letters and Documents. N. Y., London: W. W. Norton, 1945, 431p. - Revised, with a Supplement 1966, 474p. Reviews: Notes iii/1 (Dec 1945) 40-41 (Erich Hertzmann) MTimes lxxxvii/1243 (Sep 1946) 268-269 (W. E.); no.1244 (Oct 1946) 313 (S. Godman) MLetters xxvii/4 (Oct 1946) 265-266 (E.B.) MTimes lxxxviii/1247 (Jan 1947) 30-31 (Hans T. David and Arthur Mendel); no.1248 (Feb 1947) 70 (W. E.) MQ xxxii/1 (Jan 1946) 137-140 (Alfred Einstein) MReview viii (1947) 301-302 (Hubert J. Foss) MLetters xxxii/2 (Apr 1951) 195-197 (Richard Capell) Einstein (1957) 45-48 (Alfred Einstein) MTimes cviii/1491 (May 1967) 424-425 (Walter Emery) MLetters xlviii/2 (Apr 1967) 155 (Jack A. Westrup) Composer No.25 (1967) 31 MClubsMag xlvi (1967) 55 ColMSymposium vii (1967) 149 Pan Pipes of Sigma Alpha Jota lx (1967) 44-45 MReview xxix (1968) 52-53 (Hans F. Redlich) HudebniVeda vi/4 (1969) 467-468 (Tomislav Volek)
	2.	David, Hans T.: J. S. Bach's Musical Offering. History, Interpretation, and Analysis. (1945), xi, 190p New York: Dover, 1945. R/1972, xi, 190p; London: Constable, 1972, 190p. Reviews: MQ xxxi/4 (Oct 1945) 538-540 (Harold Gleason) Notes ii/3 (Jun 1945) 167-168 (R. S. H.) RassegnaM xx/3 (1950) 270-272 (m. m.)
	3.	Bach, Carl Philipp Emanuel: Essay on the True Art of Playing Keyboard Instruments. (1949), xiii, 449p Translated and edited by William J. Mitchell. London, etc: Cassell and Co., 1949. 1974. xiii, 449p. - London: Eurenburg Books, 1974. xiii, 449p. Reviews: JAMSoc ii/2 (1949) 123-125 (Putnam Aldrich) MQ xxxv/2 (Apr 1949) 323-329 (Arthur Mendel) MTimes xc (1949) 438-439 (W. E.) MReview xi (1950) 57-58 (G. A.) MLetters xxxi/1 (Jan 1950) 71-73 (R. D.) MSurvey ii/3 (Winter 1950) 193 (E. H. W. M.) MReview xxxix (1978) 69 (A. F. L. T.)
	4.	Aldrich, Putnam: Ornamentation in J. S. Bach's Organ Works. (1950), 61p New York: Coleman-Ross, 1950. 61p. - New York: Da Capo Press 1978. 61p. Reviews: MReview xii (1951) 239-240 MTimes xcii/1300 (Jun 1951) 266-267 (W.E.) MQ xxxvii/2 (1951) 290-294 (Arthur Mendel) Notes ix/2 (Mar 1952) 291 (Hans T. David) AmerOrganist(2) xiv/10 (1980) 8 (Hettrick Jane Schatkin) AmerRecorder xxi/2 (1980) 89-91 (Dale Higbee)
	5.	Smend, Friedrich: Bach in Köthen. (1951), 229p Berlin: Christlicher Zeitschrift Verlag 1951, 229p. Reviews: MQ xxxviii/4 (Oct 1952) 625-630 (Walter E Buszin) MUsica vi/5 (1952) 216-218 (Otto Riemer) Mf vi/4 (1953) 381-385 (Alfred Dürr) JAMSoc vi/1 (Spring 1953) 69-74 (William H. Scheide)
	6.	Leonhardt, Gustav: The Art of Fugue. Bach's Last Harpsichord Work: An Argument. (1952), vi, 58p Den Haag: Martinus Nijhoff, 1952, vi, 58p. Reviews: Mf vi/4 (1953) 385-386 (Heinrich Husmann) MonMRecord lxxxiii/946 (1953) 102 (G. A.) MQ xxxix/3 (Jul 1953) 463-466 (Hans T. David)
	7.	Parrish, Carl George; Ohl, John F.: Masterpieces of Music before 1750. An anthology of musical examples from Gregorian chant to J. S. Bach. (1952), x, 235p Compiled and edited with historical and analytical notes by C. Parrish and J. F. Ohl. - London: Faber & Faber: London, 1952. x, 235p. Reviews: Notes viii/4 (Sep 1951) 698-699 (Charles Warren Fox) MQ xxxvii/4 (Oct 1951) 598-603 (G. S. Dickinson) MEducatorsJ (Jan 2002) 70 (Jeanne Spaeth)
	8.	Rothschild, Fritz: The lost Tradition in Music. Rhythm and Tempo in J. S. Bach's Time. (1953), 325p London: Adam and Charles Black, 1953. xi, 325p; N.Y.: Dufeur, 1954, 325p. Reviews: MTimes xciv (1953) 309-311 (Denis Stevens) MLetters xxxiv/3 (Jul 1953) 250-264 (Walter Emery) MReview xiv (1953) 237-238 MQ xxxix/4 (Oct 1953) 617-630 (Arthur Mendel) Notes xi/2 (Mar 1954) 303-306 (Otto Kinkeldey) Mf (1954) 352-353 (Hans F. Redlich)
	9.	Geiringer, Karl: The Bach Family. Seven generations of creative genius. (1954), 514p In collaboration with Irene Geiringer. London: Allen & Unwin 1954, xiv, 514p. - N.Y.: Da Capo Press 1980, 1981, 514p. Reviews: MTimes xcvi/1350 (Aug 1955) 420-421 (A. E. F. Dickinson) Notes xii/2 (Mar 1955) 216-217 (Nathan Broder) MLetters xxxvi/1 (Jan 1955) 74-76 (H. F. R.) MReview xvi (1955) 155-157 MQ xlii/1 (Jan 1956) 99-103 (Walter E. Buszin) JAMSoc xi/1 (Spring 1958) 56-58 (Herberg Livingston)
	10.	Geiringer, Karl (ed.): The Music of the Bach Family: An Anthology. (1955), 248p Cambridge, Mass.: Harvard University Press; London: Cumberlege, 1955. - N.Y.: Da Capo Press 1980. 248p. Reviews: Notes xiii/2 (Mar 1956) 334/335 (William H. Scheide) MLetters xxxvii/4 (Oct 1956) 406-407 (P. J. P.) MQ xlii/1 (1956) 99 (Walter Buszin) Mf ix/2 (1956) 234 (Wirth) JAMSoc xi (Spring 1958) 58-59 (Herbert Livingston)
	11.	LaRue, Jan (ed.): International Musicological Society. Report of the Eighth Congress, New York 1961. Volume I -- Papers. [cr]NewYork1961 1 (1961), xi, 472p Edited by Jan LaRue. Published for the International Musicological Society by the American Musicological Society. - Kassel [u.a.]: Bärenreiter, 1961. xi, 472p. Reviews: Notes xviii/4 (Sep 1961) 569-570 (Jan LaRue) MQ xlvii/4 (Oct 1961) 540-544 (Edward A. Lippman) Notes xx/4 (Autumn 1963) 631-632 (Karl Geiringer) MLetters xliv/3 (Jul 1963) 278-279 (F. W. S.) RevueMcol 49/127 (Dec 1963) 222-223 (Simone Wallon) JIFolkMCouncil xvi (1964) 133-134 (W. R.) MReview xxvi (1965) 64
	12.	LaRue, Jan (ed.): International Musicological Society. Report of the Eighth Congress, New York 1961. Volume II -- Reports. [cr]NewYork1961 2 (1962), xv, 184p Edited by Jan LaRue. Published for the International Musicological Society by the American Musicological Society. - Kassel [u.a.]: Bärenreiter, 1962. xv, 184p. Reviews: Notes xviii/4 (Sep 1961) 569-570 (Jan LaRue) MQ xlvii/4 (Oct 1961) 540-544 (Edward A. Lippman) Notes xx/4 (Autumn 1963) 631-632 (Karl Geiringer) MLetters xliv/3 (Jul 1963) 278-279 (F. W. S.) RevueMcol 49/127 (Dec 1963) 222-223 (Simone Wallon) JIFolkMCouncil xvi (1964) 133-134 (W. R.) MReview xxvi (1965) 64
	13.	Geiringer, Karl; Geiringer, Irene: Johann Sebastian Bach. The culmination of an era. (1966), 382p In collaboration with Irene Geiringer. N. Y.: Oxford Univ. Press, 1966. 382p. - Nowich: Jarrold & Sons, London: Allan and Unwin 1967. xi, 382p. Reviews: Instrumentalist xxi (1966) 42 Clavier v (1966) 6 MLetters xlviii/4 (Oct 1967) 380-381 (Jack A. Westrup) MEvents xxii (1967) 27-28 MTimes cviii/1498 (Dec 1967) 1108-1109 (Walter Emery) MEduc xxxi (1967) 639 Pan pipes of Signa Alpha Jota lx (1967) 44-45 Church Music, Nr.2 (1967) 51 AmerChoralReview ix (1967) 46-48 AmerRecGuide xxxiv (1967) 157 MClubsMag xlvi (1967) 55 NATSBul xxiii (1967) 37 Notes xxiv/4 (Jun 1968) 709-710 (Henry Woodward) JAMSos xxi/3 (Autumn 1968) 396-400 (Arthur Mendel) StudMcolAcadSciHungaricae x facs.3/4 (1968) 377-379 (Csomasz K. Tóth) MUnterricht A. lix (1968) 215-216 (Hans Hollander) MEducatorsJ liv/5 (1968) 100-102 (Donald M. McCorkle) MGesellschaft xix/12 (1969) 855-856 (Gerd Schönfelder) MQ lv/1 (Jan 1969) 121-125 (John F. Ohl)
	14.	Bach, Johann Sebastian: Two- and Three-part Inventions. (1968), xii, 150p Facsimile of the Autograph Manuscript together with a reprint of the Bach-Gesellschaft Edition. With an Introduction by Eric Simon. - N. Y.: Dover 1968. xii, 150p. - R/1978 [omitting the reprint from the Bach-Gesellschaft edition]. vii, 62p. [BWV 772-801] Reviews: MQ lvi/1 (1970) 130-132 (Paul Henry Lang)
	15.	Wolff, Christoph: Der stile antico in der Musik Johann Sebastian Bachs. Studien zu Bachs Spätwerk. BeihAfMw 6 (1968), viii, 227p Wiesbaden: Franz Steiner Verlag, 1968. viii, 227p. (= Beihefte zum Archiv für Musikwissenschaft. ed. Hans Heinrich Eggebrecht, 6) Reviews: MQ lv (1969) 545-558 (Paul Henry Lang) Erasmus xxi (1969) 160-161 (Hyatt A. King) MKirche xxxix (1969) 187 KmlJb liii (1969) 159 (Karl Gustav Fellerer) Musica xxiv/1 (1970) 66 (Alfred Dürr) Mf xxiii/3 (1970) 324-328 (Alfred Dürr) LitMFineArts iii/2 (1970) 208-209 (Günter Haußwald) Notes xxvii/1 (1970) 33-34 (Robert L. Marshall)
	16.	Williams, Peter F.: Figured Bass Accompaniment. (1970), 117, 131p Edinburgh: Edinburgh University Press, 1970. in 2 vols. [8], 117p; [6],131p. ISBN: 0-85224-054-6; 0-85224-055-4 Reviews: MTimes cxii (1971) 239-240 (Denis Arnold) MLetters lii/3 (1971) 321-322 (Jack Allen Westrup) JAMSoc xxv/3 (1972) 476-479 (Tharald Borgir) OrganYb iii (1972) 105 (Gustav Leonhardt) MQ lviii/2 (1972) 308-315 (George J. Buelow) AmerRecorder xiv/3 (1973) 91 (Dale Higbee)
	17.	Marshall, Robert Lewis: The Compositional Process of J. S. Bach. A study of the Autograph Scores of the Vocal works. PrincetonStudM 4 (1972), xv, 271p; 189p 2 vols. Princeton, NJ: Princeton Univ. Press, 1972. xv, 271p.; 189p. ISBN: 0-691-09113-7. (= Princeton Studies in Music, 4) Reviews: AmerRecorder xiii/4 (1972) 135 (Dale Higbee) JMTheory xvi/1-2 (Spring-Winter 1972) 220-237 (Felix Salzer) MTimes cxiv/1562 (Apr 1973) 380-381 (Walter Emery) Notes xxix/4 (Jun 1973) 714-716 (Gerhard Herz) JAMSoc xxvi/3 (Autumn 1973) 483-488 (Paul Brainard) MLetters liv/3 (Jul 1973) 362-363 (J. A. Westrup) MQ lx/2 (Apr 1974) 275-279 (Christoph Wolff) SvenskTidskrMf lvi/1 (1974) 77-80 (Hans Eppstein) Mf xxviii/4 (1975) 463-466 (Alfred Dürr) MiscelMcol ix (1977) 218-220 (Andrew D. McCredie)
	18.	Donington, Robert: A Performers Guide to Baroque Music. (1973), 320p London: Faber & Faber: 1973. 320p. Reviews: MLetters lv (1974) 215-219 (Basil Lam) EarlyM ii/2 (1974) 117-121 (Michael Collins); 121-122 (Trevor Pinnock) MQ lx/4 (1974) 658-664 (Frederick Neumann) AmerRecorder xv/2 (1974) 57-59 (Dale Higbee) MTimes cxvi (1975) 626 (Howard Mayer Brown) MReview xxxvi (1975) 148 (Henry Raynor) American reference books annual vi (1975) 499 (Claude V. Palisca) MEducatorsJ lxii/3 (1975) 101-102 (William Pepper) Notes xxxiii/2 (1976) 296-298 (Gilbert L. Blount) Muzsika xxii/3 (1979) 43-45 (András Wilheim)
	19.	Smither, Howard E.: A History of the oratorio. Vol.2: The oratorio in the Baroque era. Protestant Germany and England. (1977), xxii, 393p Chapel Hill, Carolina: University of North Carolina Press, 1977. xxii, 393p. Reviews: MQ lxi/1 (1979) 128-133 (Helen E. Baker) RevueMcol lxvi/2 (1980) 233-234 (Michel Noiray) OMzs xxxvii/12 (1982) 716 (Theophil Antonicek)
	20.	Smither, Howard E.: A History of the oratorio. Vol.1: The oratorio in the Baroque era. Protestant Germany and England. (1977), xxvii, 480p Chapel Hill: University of North Carolina Press, 1977. xxvii, 480p. ISBN: 0807812749. Reviews: Brio xv/2 (1978) 56-57 (Clifford Bartlett) MQ lxiv/3 (1978) 397-402 (Ellen T. Harris) Notes xxxiv/4 (1978) 55-57 (Margaret Murata) EtudesClassiques xlvii/1 (1979) 57 (Joseph Legrand) MLetters lx/3 (1979) 341-345 (Winton Dean) NRivistaMItali xiii/3 (1979) 699-703 (Lino Bianchi) JAMSoc xxxii/2 (1979) 343-349 (Sven H. Hansell) OMzs xxxvii/12 (1982) 716 (Theophil Antonicek)
	21.	Neumann, Frederick: Ornamentation in Baroque and Post-Baroque Music with Special Emphasis on J. S. Bach. (1978), 630p Princeton, New Jersey: Princeton University Press 1978. 1983. xiv, 630p. Reviews: MTimes cxx (1979) 625, 638-639 (George Buelow) MQ lxv/4 (1979) 597-604 (Lowell Lindgren) Brio xvi/1 (1979) 18-19 (Clifford Bartlett) Diapason lxx/9:837 (Aug 1979) 6-9 (Bruce Gustafson) Notes xxxvi/4 (Jun 1980) 886-887 (Edward R. Reilly) OrganYb xi (1980) 153-154 (Peter Williams) JAMSos xxxiii/2 (Summer 1980) 394-402 (David Fuller) FontesArtisM xxvii/3-4 (1980) 233-236 (Sven Hansell) AmerOrganist(2) xiv/2 (1980) 18 (Hettrick Jane Schatkin) MReview xli/1 (1980) 60-62 (Malcolm Boyd) Studies in music xiv (1980) 128-133 (Graham Pont) NZsfM(2) cxli/1 (1980) 67 (Klaus Hortschansky) Tibia v/1 (1980) 49-50 (Hans-Peter Schmitz) EarlyM ix/1 (Jan 1981) 63-64, 67-68 (Neal Zaslaw) AmerRecorder xxi/4 (1981) 175-177 (Dale Higbee) MLetters lxiii/1-2 (Jan-Apr 1982) 96-101 (Peter Williams) Concerto ix/74 (1992) 5-6 (Thomas Synofzik) OMzs xxxvii/12 (1982) 717 (Eduard Melkus) RevueMcol lxix/1 (1983) 109-116 (Dennis Collins)
	22.	Williams, Peter F.: A New History of the Organ from the Greeks to the Present Day. (1980), 233p London: Faber & Faber; Bloomington, Indiana, 1980. 233p Reviews: MReview xli/3 (Aug 1980) 235-237 (John Horton) FontesArtisM xxvii/3-4 (Jul-Dec 1980) 231-232 (Pierre J. Hardouin) EarlyM ix/1 (Jan-Mar 1981) 106-107 (Howard Schott) GalpinSocJ xxxiv (Mar 1981) 166-168 (Edward Ridley; Keane Alexander) MQ lxvii/1 (Jan 1981) 118-124 (George B. Stauffer) Notes xxxviii/1 (Sep 1981) 71 (George R. Hill) MLetters lxii/3-4 (Jul-Oct 1981) 370-371 (James Dalton)
	23.	Williams, Peter F.: The Organ Music of J. S. Bach. II: Works based on Chorales (BWV 599-771 etc.) (1980), 357p Univ. press Cambridge 1980, x, 357p. Reviews: EarlyM ix/1 (Jan 1981) 96, 99-100 (Stephen Daw) Music in Worship xvi (Jun 1981) 17-18 (Robin A. Leaver) Notes xxxviii/1 (Sep 1981) 65-66 (George Stauffer) Mf xxxv/2 (1982) 195 (Raimund W. Sterl) MLetters lxiii/3-4 (Jul-Oct 1982) 347-348 (James Dalton) BachJb lxviii (1982) 166-169 (Ernest May) OrganYb xiii (1982) 146-147 (Gustav Leonhardt) MQ lxix/1 (Winter 1983) 134-138 (Russell Stinson) AmerOrganist(2) xx (1986) 29 (Arthur Lawrence)
	24.	Williams, Peter F.: The Organ Music of J. S. Bach. I: Preludes, Toccatas, Fantasias, Fugues, Sonatas, Concertos and Miscellaneous Pieces (BWV 525-598, 802-805 etc). 1 (1980), 365p Univ. press Cambridge 1980, 365p. Reviews: AmerOrganist(2) xiv/10 (1980) 6-8 (Hettrick Jane Schatkin) Notes xxxviii/1 (1981) 65-66 (George Stauffer) MLetters lxiii/3-4 (Jul-Oct 1982) 347-348 (James Dalton), followed by author in MLetters lxv/1 (Jan 1984) 135 BachJb lxviii (1982) 166-169 (Ernest May) Mf xxxv/2 (1982) 193-196 (Raimund W. Sterl) JBritishInstOrganStud vi (1982) 117-118 (John Rowntree) MQ lxix/1 (Winter 1983) 134-138 (Russell Stinson) AmerOrganist(2) xx (1986) 29 (Arthur Lawrence)
	25.	Stauffer, George Boyer: The Organ Preludes of Johann Sebastian Bach. StudMcol 27 (1980), xi, 261p [Zugl.: New York, Columbia Univ., Diss., 1978 u.d.T.: The free organ preludes of Johann Sebastian Bach] Ann Arbor, MI: University Microfilms International Research Press, 1980. xi, 261p. ISBN: 0-8357-1117-X (= Studies in musicology, 27) Reviews: AmerOrganist(2) xiv/12 (1980) 14-15 (Hettrick Jane Schatkin) BachJb lxviii (1982) 169-171 (Peter Williams) MQ lxviii/3 (Jul 1982) 419-424 (Russell Stinson) MKirche lii/5 (1982) 251-254 (Russell Stinson [eng.], Renate Steiger [germ.]) OrganYb xiv (1983) 127-128 (Peter Williams) ArsOrgani xxxv/2 (1987) (Hans Musch)
	26.	Buelow, George J.; Marx, Hans Joachim (eds.): New Mattheson Studies. [ce]NewMatthesonStudies (1983), xiv, 495p London, N.Y., New Rochelle: Cambridge Univ. Press. 1983. xiv, 495p. Reviews: EarlyM xii/4 (1984) 539, 541 (Hans Lenneberg) NZsfM(2) cxlv/6 (1984) 44-45 (Peter Cahn) MQ lxxi/1 (1985) 98-101 (Georgia Cowart) Notes xli/3 (1985) 506-508 (Roger L. Lustig) MLetters lxvii/1 (1986) 74-76 (Susan Wollenberg)
	27.	Page, Tim (ed.): The Glenn Gould Reader. [ce]GlennGouldReader (1984), 476p New York: Alfred A. Knopf, 1984; London: Faber and Faber, 1987, 476p; New York: Vintage Books, 1990. 475p. ISBN: 0-679-73135-0. Reviews: NZsfM(2) cxlix/5 (1988) 60-61 (Michael Mäckelmann) JALS xvii (1985) 117-119 (Mark Wait) MQ lxxii/2 (1988) 284-295 (Kevin Bazzana)
	28.	Finson, Jon W.; Todd, R. Larry (eds.): Mendelssohn and Schumann: essays on their music and its context. [ce]MendelssohnSchumann (1984), 189p ed. by Jon W. Finson and R. Larry Todd. - Durham, NC: Duke Univ.Press, 1984. 189p. ISBN: 0-8223-0569-0. Reviews: MReview xlvi/2 (May 1985) 138-139 (John Horton) MQ lxxii/1 (1986) 138-147 (Leon Botstein) MLetters lxvii/2 (Apr 1986) 179-180 (Clive Brown)
	29.	Williams, Peter F.: Bach, Handel, Scarlatti Tercentenary Essays. [ce]BHSTercentenaryEssays (1985), xiv, 363p Cambridge: Cambridge Univ. Press 1985. xiv, 363p. Reviews: EarlyM xiii/4 (Nov 1985) 571,573 (Malcolm Boyd) MLetters lxvii/3 (Jul 1986) 290-292 (George J. Buelow) MQ lxxii/2 (1986) 272-282 (George B. Stauffer) AmerRecorder xxvii/3 (1986) 117 (Eleanor Selfridge-Field) Mf xl/4 (1987) 364-366 (Hellmut Federhofer) BachJb lxxiv (1988) 240-243 (Hans-Joachim Schulze)
	30.	Herz, Gerhard: Essays on J. S. Bach. StudMcol 73 (1985), xxxi, 276p [partially based on PhD diss., Zürich, Univ., 1934]. Ann Arbor, Mich.: UMI Research Press, 1985. xxxi, 276p. ISBN: 0-8357-1475-6. (= Studies in Musicology, 73) Reviews: MQ lxxii/2 (1986) 272-282 (George Stauffer) Mf xliii/2 (1990) 169-171 (Ulrich Siegele)
	31.	Franklin, Don O. (ed.): Bach Studies. [1] BachStud 1 (1989), 362p Cambridge University Press, 1989. 362p. ISBN: 0532 341051. - Paperback edn. 2008, 380p. ISBN-13: 978-0521088329. Reviews: TimesLiterarySuppl 4517 (Oct 27-Nov 2 1989) 1190 (Malcolm Boyd) MQ lxxiv/3 (1990) 451-455 (David Hush) Notes xlvii/2 (Dec 1990) 361-368 (John Butt) JRMA cxv/2 (1990) 261-265 (John Butt) MLetters lxxi/3 (Aug 1990) 387-391 (Richard Jones) Mf xlvi/2 (1993) 209-210 (Krummacher)
	32.	Marshall, Robert L.: The Music of Johann Sebastian Bach. The Sources, The Style, The Significance. [ce]Marshall (1989), xxiii, 375p New York: Schirmer Books, 1989. xxiii, 375p. Reviews: Notes xlvii/2 (Dec 1990) 361-368 (John Butt) MQ lxxiv/3 (1990) 451-453 (David Hush) OrganYb xxi (1990) 135 (Peter Williams) MLetters lxxi/4 (Nov 1990) 451-453 (Richard D Jones) Diapason lxxxii/7:980 (Jul 1991) 8 (James B. Hartmann) EarlyKeyboardJ ix (1991) (Leslie Ellen Brown)
	33.	Neumann, Frederick: New Essays on Performance Practice. StudMcol 108 (1989), x, 257p Ann Arbor: UMI Research Press, 1989. x, 257p. ISBN: 0-8357-1951-0. (= Studies in musicology, 108); Rochester, NY: University of Rochester Press, 1992. x, 257p. ISBN: 1878822128; 1878822136. Reviews: PerformPractReview iv/1 (Spring 1991) 89-95 (Erich Schwandt) Notes xlviii/2 (1991) 482-484 (Thomas E. Binkley) MQ lxxvi/2 (1992) 264-282 (David Montgomery)
	34.	Huray, Peter Le: Authenticity in Performance. Eighteenth-Century Case Studies. [ce]Huray AuthenticityInPerformance (1990), xvii, 202p Cambridge: Cambridge University Press 1990. xvii, 202p. ISBN: 0-521-39044-3. [BWV 582,106, 870-893] Reviews: PerformPractReview iv/2 (Fall 1991) 208-210 (George Houle) Notes xlviii/3 (1992) 866-867 (Thomas E. Binkley) MQ lxxvi/2 (1992) 264-282 (David Montgomery) Concerto ix/70 (1992) 10 (Thomas Synofzik) Mf xlvi/4 (1993) 427-428 (Dieter Gutknecht)
	35.	Siegel, Hedi (ed.): Schenker Studies. [ce]SchenkerStud (1990), xii, 206p New York: Cambridge University Press, 1990. xii, 206p. ISBN: 0-521-36038-2. Reviews: McolAustralia xiv (1991) 89-92 (Michael Kassler) MTheorySpec xiii/2 (1991) 265-273 (Matthew Gordon Brown) MLetters lxxii/1 (1991) 141-144 (Nicholas Marston) Mf xlv/2 (1992) 177-178 (Hellmut Federhofer) MQ lxxvi/2 (1992) 242-263 (Timothy L. Jackson) Notes xlix/3 (1993) 1048-1053 (Allan R. Keiler) TheoryPractice xix (1994) 121-152 (Walter Everett) RevueMcol lxxxii/2 (1996) 374-375 (Serge Gut)

35 matches.