Bach Printed Music Database Listing of Journal Contents

Series : diss.

Author	Title	Series	Vol	No	Year	Pages	NB
Polk, Keith	Flemish Wind Bands in the Late Middle Ages: A Study of Improvisatory Instrumental Practices.	diss.				ii, 318p
Ettmüller, Michael Ernst	Disputatio Effectus Musicæ In Hominem Gratiosissimæ Facultatis Medicæ Consensu / Præside Michael Ernst Ettmullero,... Et Respondente Christian Gottlieb Jöchero, ... Die Calend. III. Januarii Anni M DCC XIV. Sistens resp.	diss.			1714	39p
Mizler, Lorenz Christoph	Dissertatio Qvod Mvsica Ars Sit Pars Ervditionis Philosophicae.	diss.			1734	24p
Mizler, Lorenz Christoph	Dissertatio Qvod Mvsica Scientia Sit Et Pars Ervditionis Philosophicae.	diss.			1736	32p
Spitta, Philippus [Spitta, Philipp]	De Taciti in componendis enuntiatis ratione. Pars prior: dissertatio.	diss.			1866	175p
Kuhlo, Franz	Über melodische Verzierungen in der Tonkunst.	diss.			1893	53p
Krome, Ferdinand	Die Anfänge des musikalischen Journalismus in Deutschland.	diss.			1896	71p
Lange, Adolf	Über die Sprache der Gottschedin in ihren Briefen.	diss.			1896	iv, 122p
Schwarz, Max	Johann Christian Bach: Sein Leben und seine Werke, mit besonderer Berücksichtigung seiner Symphonien und Kammermusik, nebst einem Kataloge seiner sämtlichen Kompositionen und zwei noch nicht veröffentlichten Briefen.	diss.			1901	36p
Kobelt, Martin	J. S. Bachs 'großes Magnificat in D-dur' und die für die Anlage der Composition maßgebenden, günstigen und ungünstigen Factoren.	diss.			1902	71p
Flueler, Max	Die norddeutsche Sinfonie zur Zeit Friedrichs des Grossen und besonders die Werke Phil. Em. Bachs.	diss.			1908	73p
Reichel, Eugen	Gottsched.	diss.			1908-12	xiii, 758p; 955p
Kromolicki, Joseph	Die Practica Artis Musicae des Amerus und ihre Stellung in der Musiktheorie des Mittelalters.	diss.			1909	vii, 41p
Falck, Martin	Wilhelm Friedemann Bach. Seine Leben und seine Werke mit thematischem Verzeichnis seiner kompositionen und zwei Bildern.	diss.			1913	iv, 170, 31p
Armington, Clara Grace	The development of the pianoforte fugue since Bach.	diss.			1918	18p
Luedtke, Hans	J. S. Bachs Choralvorspiele.	diss.			1918	98p
Brausch, Paul	Die Kantate: Ein Beitrag zur Geschichte der deutschen Dichtungsgattung. Teil. 1: Geschichte der Kantate bis Gottsched.	diss.			1921	v, 254, 15p
Leube, Hans	Die Geschichte der pietistischen Bewegung in Leipzig.	diss.			1921	viii, 127p
Esser, Josef	Felix Mendelssohn-Bartholdy und die Rheinlande.	diss.			1923	106p
Koch, Herbert	Die deutschen musikalischen Fachzeitschriften des achtzehnten Jahrhunderts.	diss.			1923	89p
Virneisel, Wilhelm	Christian Benjamin Klein und seine Sammlung musikalischer Handschriften.	diss.			1924	116 Bl
Hughes, Royal Delaney	The French Influence on Bach.	diss.			1926	125 Bl
Bormann, Oskar	Johann Nepomuk Schelble, 1789 - 1837: Sein Leben, sein Wirken und seine Werke. Ein Beitrag zur Musikgeschichte in Frankfurt am Main.	diss.			1926	145p
Schökel, Heinrich Peter	Johann Christian Bach und die instrumentalmusik seiner Zeit.	diss.			1926	203p
Noack, Friedrich	Christoph Graupner als Kirchenkomponist. - Vorwort zu Bd 51 und 52 der Denkmäler deutscher Tonkunst, Erste Folge[,] und Verzeichnis sämtlicher Kantaten des Meisters.	diss.			1926	87p
Katz, Erich	Die musikalische Stilbegriffe des 17. Jahrhunderts.	diss.			1926	89p
Souchay, Marc-André	Das Thema in der Fuge Bachs.	diss.			1927	102p
Piersig, Fritz	Die Einführung des Hornes in die Kunstmusik und seine Verwendung bis zum Tode Joh. Seb. Bachs: Ein Beitrag zur Geschichte d. Instrumentation.	diss.			1927	144p
Czach, Rudolf	Friedrich Wilhelm Rust.	diss.			1927	156p
Hoffmann, Hans	Die norddeutsche Triosonate des Kreises um Johann Gottlieb Graun und Carl Philipp Emanuel Bach.	diss.			1927	188p
Uldall, Hans	Das Klavierkonzert der Berliner Schule und ihres Führers Philipp Emanuel Bach: sowie neue Beiträge zur Geschichte des Klavierkonzerts.	diss.			1927	68p
Riemer, Otto	Erhard Bodenschatz und sein Florilegium Portense.	diss.			1927	ii, 117p
Hochstetter, Armin Caspar	Die Symmetrie im Aufbau der Orgelpräludien von Joh. Seb. Bach.	diss.			1928
Valentin, Erich	Die Entwicklung der Tokkata im 17. und 18. Jahrhundert (bis J. S. Bach).	diss.			1928	143p
Wien-Claudi, Hertha	Zum Liedschaffen Carl Philipp Emanuel Bachs.	diss.			1928	84p
Sirp, Hermann	Die Thematik der Kirchenkantaten J. S. Bachs in ihren Beziehungen zum protestantischen Kirchenlied.	diss.			1929	118p
Edelstein, Heinz	Die Musikanschauung Augustins nach seiner Schrift 'De musica'.	diss.			1929	128p
Miesner, Heinrich	Philipp Emanuel Bach in Hamburg. Beiträge zu seiner Biographie und zur Musikgeschichte seiner Zeit.	diss.			1929	134p
Jäger, Rudolf	August Alexander Klengel und seine 'Kanons und Fugen'.	diss.			1929	91p
Ziebler, Karl	Das Symbol in der Kirchenmusik Joh. Seb. Bachs.	diss.			1929	94p
Rosenkaimer, Eugen	Johann Adolph Scheibe als Verfasser seines 'Critischen Musicus'.	diss.			1929	95p
Allt, W. Greenhouse	The organ and its music from medieval times to Johann Sebastian Bach.	diss.			1930
Stilz, Ernst	Die Berliner Klaviersonate zur Zeit Friedrichs des Grossen.	diss.			1930	123, 14 Bl
Hadamowsky, Johann	Die Oboe bei Johann Sebastian Bach.	diss.			1930	iii, 79p
Werner, Rudolf	Felix Mendelssohn Bartholdy als Kirchenmusiker.	diss.			1930	ix, 191p
Huggler, Hans Erwin	Johann Sebastian Bachs Orgelbüchlein.	diss.			1930	viii, 128p
Mohr, Ernst Werner	Die Allemande in der deutschen Klaviersuite.	diss.			1931
Allerup, Albert	Die 'Musica practica' des Johann Andreas Herbst und ihre entwicklungsgeschichtliche Bedeutung. Ein Beitrag zur Geschichte der deutschen Schulmusik.	diss.			1931	76p
Wenk, Alexander	Beiträge zur Kenntnis des Opernschaffens von J. Christian Bach.	diss.			1932	138p
Barbour, J. Murray	Equal Temperament: its History from Ramis (1482) to Rameau (1737).	diss.			1932	353 Bl
Beswick, Delbert Meacham	The organ works of Dietrich Buxtehude.	diss.			1932	iii, 105p
Burkert, Georg	Gottfried Benjamin Hancke. Ein schlesischer Spät-Barockdichter.	diss.			1933
Borris, Siegfried	Kirnbergers Leben und Werk und seine Bedeutung im Berliner Musikkreis um 1750.	diss.			1933	110p
Donat, Friedrich-Wilhelm	Christian Heinrich Rinck und die Orgelmusik seiner Zeit. [Ein Beitrag zur Geschichte der deutschen protestantischen Kirchenmusik um 1800]	diss.			1933	xxvi, 104p
Besch, Hans	Die Frömmigkeit Johann Sebastian Bachs in der Bachbewegung und -forschung.	diss.			1934	vi, 166p
Herz, Gerhard	Johann Sebastian Bach im Zeitalter des Rationalismus und der Frühromantik. Zur Geschichte der Bachbewegung von ihren Anfängen bis zur Wiederaufführung des Matthäuspassion im Jahre 1829.	diss.			1935	48p
Dreger, Carl Otto	Die Vokalthematik Joh. Seb. Bachs. Dargestellt an den Arien der Kirchenkantaten.	diss.			1935	62p
Sietz, Reinhold	Die Orgelkompositionen des Schülerkreises um J. S. Bach.	diss.			1935	64p
Petzoldt, Richard	Die Kirchenkompositionen und weltlichen Kantaten Reinhard Keisers: 1674 - 1739.	diss.			1935	83p
Krause, Heinz	Johann Beer 1655-1700: Zur Musikauffassung im 17. Jahrhundert.	diss.			1935	iii, 99p
Dupont, Wilhelm	Geschichte der musikalischen Temperatur.	diss.			1935	viii, 143p
Diehl, Eleonore	Das Rezitativ bei Bach.	diss.			1936
Curtiss, Lola Winchell	A critical study of a manuscript collection of keyboard music dated 1688: from the Lowell Mason Library, Yale University.	diss.			1937	66, xii Bl
Langer, Gunther	Die Rhythmik der J. S. Bachschen Praeludien und Fugen für die Orgel. Ein Beitrag zur Entwicklungsgeschichte des Bachschen Personalstils.	diss.			1937	91p
Bruckner-Bigenwald, Martha	Die Anfänge der Leipziger Allgemeinen Musikalischen Zeitung.	diss.			1938	102p
Berger, Alfred	Homogenitätsuntersuchungen an den Fugenthemen des 'Wohltemperierten Klaviers' 1. Teil; von Joh. Seb. Bach.	diss.			1939	37, 12p
Lewis, Emmett	The Neapolitan sixth chord, its origin and development through J. S. Bach.	diss.			1939	58p
Blankenburg, Walter	Die innere Einheit von Bachs Werk.	diss.			1942	208p
Aldrich, Putnam	The Principal agréments of the seventeenth and eighteenth Centuries: A Study in Musical Ornamentation.	diss.			1942	cxxviii, 720p
Ward, William Reed	Altered chords in the 371 chorale harmonizations of J. S. Bach.	diss.			1942	v, 88p
Zimmer, Herbert	Julius Rietz	diss.			1943	168 Bl
Ohl, John Franklin	The Orchestration of Bach's Vocal Works.	diss.			1944	771 Bl
Rogerson, Brewster	Ut musica poesis: The Parallel of Music and Poetry in 18th Century Criticism.	diss.			1945	181 Bl
Hermelink, Siegfried	Das Präludium in Bachs Klaviermusik.	diss.			1945	80p
Spelman, Leslie P.	Art and the Reformation: A Critical Study of the Effects of the Protestant Reformation on the Continental Arts of the Sixteenth and Seventeenth Centuries, and in Particular on the Organ Music of France and Germany up to the Time of J. S. Bach.	diss.			1946	xiii, 284 Bl
Brockhoff, Maria-Elisabeth	Studien zur Struktur der italienischen und deutschen Triosonate im 17. Jahrhundert.	diss.			1947	147p
Schöneich, Friedrich	Untersuchungen zur Form der Orgelpräludien und Fugen des jungen Bach.	diss.			1947	219p
Graupner, Friedrich	Die Rezitative des Evangelisten in der Matthaeuspassion von Joh. Seb. Bach.	diss.			1947	222p
Presser, William Henry	The Fugue before Bach.	diss.			1947	557 Bl
Brockhoff, Victoia	Das Fugenthema im Wohltemperierten Klavier.	diss.			1947	78p
Eller, Rudolf	Die Konzertform Johann Sebastian Bachs.	diss.			1947	82p
Grossmann, Ursula	Studien zur Zahlensymbolik des Frühmittelalters.	diss.			1948	105p
Toussaint, Georg	Die Anwendung der musikalisch-rhetorischen Figuren in den Werken von Heinrich Schütz.	diss.			1949	118p
Osthoff, Gerald	Untersuchungen zur Bach-Auffassung im 19. Jahrhundert unter Berücksichtigung ihres Fortwirkens.	diss.			1949	326p
McConkie, James Wilson	The keyboard suites of Bach. A consideration of the horizontal and vertical elements found therein.	diss.			1950	249p
Finlay, Ian F.	Johann Sebastian Bachs weltliche Kantaten: eine musikwissenschaftlich-literarische Betrachtung.	diss.			1950	98p
Kelsey, Verne	The Use of the Diminished-Seventh Chord in the Recitatives of Bach's Church Cantatas.	diss.			1951
Dadelsen, Georg von	Alter Stil und alte Techniken in der Musik des 19. Jahrhunderts.	diss.			1951	138p
Ide, Reinhard	Die melodischen Formeln der Diminutionspraxis und ihre weitere Verwendung vor und bei Johann Sebastian Bach.	diss.			1951	86p
Kaashoek, Ruth	A study of the chromatic fantasy and fugue by Johann Sebastian Bach.	diss.			1951	v, 71p
Heckmann, Harald	Wolfgang Caspar Printz und seine Rhythmuslehre.	diss.			1952	103p
Massenkeil, Günther	Die oratorische Kunst in den lateinischen Historien und Oratorien Giacomo Carissimis.	diss.			1952	133, 46p
Beurmann, Andreas E.	Die Klaviersonaten Carl Philipp Emanuel Bachs.	diss.			1952	164p
Darenberg, Karlheinz	Mimesis: Die Aristotelische Nachahmungslehre im Wandel der Auffassungen und Interpretationen englischer Musikaesthetiker des 18. Jahrhunderts.	diss.			1952	vi, 197p
Palisca, Claude V.	Beginnings of Baroque Music, Its Roots in 16th Century Theory and Polemics.	diss.			1953	5, ix, 399 Bl
Feil, Arnold	Satztechnische Fragen in den Kompositionslehren von F. E. Niedt, J. Riepel und H. Chr. Koch.	diss.			1954	134p
Horn, Paul	Studien zum Zeitmaß in der Musik Johann Sebastian Bachs. Versuche über seine Kirchenliedbearbeitungen.	diss.			1954	177p
Hein, Johannes	Die Kontrapunktlehre bei den Musiktheoretikern im 17. Jahrhundert.	diss.			1954	vi, 164, 61p
Schramek-Kirchner, Alexander Matthias	Johann Georg Albrechtsbergers Fugenkompositionen in seinen Werken für Tasteninstrumente	diss.			1954	xii, 501, 26, 82p
Schleuter, R. F.	Johann Sebastian Bach and the Protestantism of his day.	diss.			1955
Machatius, Franz Jochen	Die Tempi in der Musik um 1600: Fortwirken und Auflösung einer Tradition.	diss.			1955	284p
Vogel, Martin	Die Zahl Sieben in der spekulativen Musiktheorie.	diss.			1955	339p
Neumann, Friedrich-Heinrich	Die Theorie des Rezitativs im 17. und 18. Jahrhundert: Unter besonderer Berücksichtigung des deutschen Musikschrifttums des 18. Jahrhunderts.	diss.			1955	372p
Feder, Georg	Bachs Werke in ihren Bearbeitungen 1750-1950: 1. Die Vokalwerke.	diss.			1955	387p
Wessel, Frederick T.	The Affektenlehre in the 18th Century.	diss.			1955	433p
Mann, Alfred	The Theory of Fugue.	diss.			1955	467p
Crickmore, Leon	C.P.E. Bach: Six harpsichord concertos. [Wq. 43]	diss.			1956
Adler, Gerhard	Symbols of Transformation vol.5 of the Collected works of C. G. Jung.	diss.			1956
Funk, Wolfgang	Studie zur deutschen Bach-Auffassung in der Musikgeschichtsschreibung zwischen 1850/70. Eine musikhistorische und ästhetische Untersuchung des Bach-Verstehens im 19. Jahrhundert Münster.	diss.			1956	154 Bl
Köhler, Karl-Heinz	Die Triosonate bei den Dresdner Zeitgenossen Johann Sebastian Bachs.	diss.			1956	158, 51 Bl
Haag, Charles Robert	The Keyboard Concertos of Karl Philipp Emanuel Bach.	diss.			1956	244p
Reddick, Harvey	Johann Mattheson's 48 Thorough-Bass Test-Pieces. Translation and commentary.	diss.			1956	330p
Ittenberg, Uriel M.	The fugues of J. S. Bach.	diss.			1956	363p
Krey, Johannes	Bachs Orgelmusik in der Weimarer Periode.	diss.			1956	ii, 223p
Canave, Paz Corazon G.	A Re-Evaluation of the Role Played by Carl Philipp Emanuel Bach in the Development of the Clavier Sonata.	diss.			1956	xv, 185p
Waegner, Günter	Die sechs Suiten für das Violoncello allein von Joh. Seb. Bach. Ein Beitrag zur Geschichte des Violoncellos und zur Erkenntnis des Bachschen Personalstiles.	diss.			1957	151 Bl
Platen, Emil	Untersuchungen zur Struktur der chorischen Choralbearbeitungen Johann Sebastian Bachs.	diss.			1957	261p
Jaffé, Angela Maria	The Cantatas of Johann Ludwig Bach.	diss.			1957	542p
Riedel, Friedrich Wilhelm	Quellenkundliche Beiträge zur Geschichte der Musik für Tasteninstrumente in der zweiten Hälfte des 17. Jahrhunderts.	diss.			1957	viii, 313p
Connor, Mary John Bosco	Gregorian chant and medieval hymn tunes in the works of J. S. Bach.	diss.			1957	xii, 187p
Fall, Henry Cutler	A Critical-Bibliographical Study of the Rinck Collection.	diss.			1958
Downes, Edward O. D.	The Operas of Johann Christian Bach as a Reflection of the Dominant Trends in opera seria, 1750-1780.	diss.			1958	1145 Bl
Melchert, Hermann	Das Rezitativ der Kirchenkantaten Joh. Seb. Bachs.	diss.			1958	156p
Plath, Wolfgang	Das Klavierbüchlein für Wilhelm Friedemann Bach.	diss.			1958	185p
Morgan, Catherine	The Bach fugue. A study in antecedents.	diss.			1958	266p
White, Joseph Addison Jr.	The Concerted Symphonies of John Christian Bach.	diss.			1958	576p
Tretick, Sidney J.	An analysis of performance practices for the Johann Sebastian Bach chaconne based upon the Anna Magdalena Manuscript.	diss.			1958	79p
Powell, Newman W.	Rhythmic Freedom in the Performance of French Music from 1650 to 1735.	diss.			1959
Müller, Werner	Das Ausdrucksproblem in der Klaviermusik C. Ph. E. Bachs.	diss.			1959	173p
Siegele, Ulrich	Kompositionsweise und Bearbeitungstechnik in der Instrumentalmusik Johann Sebastian Bachs.	diss.			1959	vii, 224 Bl
Horstman, Jean	The instrumental music of Johann Ludwig Krebs.	diss.			1959	xxi, 287p
Satterfield, John R.	Aspects of style in the two-part Inventions as revealed by a study of accentuation.	diss.			c 1960
Houle, George L.	The Musical Measure as Discussed by Theorists from 1650 to 1800.	diss.			1960
Mintz, Donald Monturean	The Sketches and Drafts of Three of Felix Mendelssohn's Major Works.	diss.			1960
Bullivant, Roger	The fugal technique of J. S. Bach.	diss.			1960	1498p
Holmes, Robert William	The use of Contrafacta in the large choral works of J. S. Bach.	diss.			1960	423p
Eickhoff, Henry John	The Ritornello principle in the organ works of Bach.	diss.			1960	524p
Kraft, Günther	Entstehung und Ausbreitung des musikalischen Bach-Geschlechtes in Thüringen: mit besonderer Berücksichtigung des Wechmarer Stammes.	diss.			1960	803p
Buelow, George J.	Johann David Heinichen, 'Der General-Bass in der Composition': a Critical Study with Annotated Translation of Selected Chapters.	diss.			1961
Lambert, Arthur Adams	The keyboard partitas of J. S. Bach: A study of background, text, and interpretation.	diss.			1961	292p
Lomnitzer, Helmut	Das musikalische Werk Friedrich Schneiders (1786 - 1853); insbesondere die Oratorien.	diss.			1961	376, 37p
Foelber, Paul Frederick	Bach's treatment of the subject of death in his choral music.	diss.			1961	435p
Scharf, W. A.	Bach's B minor mass: a study in interpretation.	diss.			1961	x, 344p
Shannon, John Reuben	The Mylauer Tabulaturbuch.	diss.			1961	xi, 146p
Steger, Werner	G. H. Stölzels 'Abhandlung vom Rezitativ'.	diss.			1962	283p
Davis, Richard C.	Self Parody among the Cantatas of Johann Sebastian Bach.	diss.			1962	547p
Hecklinger, Doris; (Finke-Hecklinger, Doris)	Tanzcharaktere in J. S. Bachs Vokalmusik. Studien zu ihrer Rhythmik und zur Chronologie.	diss.			1962	vii, 159p
Blechschmidt, Eva Renate	Die Amalien-Bibliothek. Musikbibliothek der Prinzessin Anna Amalia von Preußen (1723-1787). Historische Einordnung und Katalog mit Hinweisen auf die Schreiber der Handschriften.	diss.			1963
Pirner, Reuben George	The Bach evangelical Church Cantata as a liturgical form.	diss.			1963	243p
Tittel, Karl	Die musikalischen Vertreter der Familie Krebs: Mit besonderer Berücksichtigung der Bachschüler Johann Tobias und Johann Ludwig.	diss.			1963	836 Bl
Brofsky, Howard	The instrumental music of Padre Martini.	diss.			1963	iii, 356p
Jacobs, Richard Morris	The Chamber Ensembles of C. P. E. Bach Using Two or More Wind Instruments.	diss.			1963	xvii, 293p
Havard, Royston R.	The forms of Ritornello in the instrumental music of J. S. Bach.	diss.			1964
Hartung, Günther	Johann Friedrich Reichardt (1752-1814) als Schriftsteller und Publizist.	diss.			1964
Rudolph, Eberhard	Der junge Felix Mendelssohn: Ein Beitr. zur Musikgeschichte d. Stadt Berlin.	diss.			1964	236p
Sheveloff, Joel	Quaerendo invenietis.	diss.			1964	31p
Winzenburger, Walter P.	The Music of Franz Tunder.	diss.			1965
Falck, Myron	17th-Century Contrapuntal Theory in Germany.	diss.			1965
Heller, Karl	Die deutsche Vivaldi-Überlieferung. Untersuchungen über die in deutschen Bibliotheken handschriftlich überlieferten Konzerte und Sinfonien Antonio Vivaldis.	diss.			1965
Breckoff, Werner	Zur Entstehungsgeschichte des zweiten Wohltemperierten Klaviers von Johann Sebastian Bach.	diss.			1965	101p
Arfken, Ernst	Das Weimarer Orgelbüchlein von Johann Sebastian Bach.	diss.			1965	108p
Hansen, Edward Allen	Anomaly in the Organ Fugue Subjects of J. S. Bach.	diss.			1965	181p
Maul, William Joseph	The Organ Works of Nicolas de Grigny.	diss.			1965	186p
Schmitt, Kurt	Busoni als Pädagoge und Interpret. Dargestellt an seiner Bearbeitung der Klavierwerke J. S. Bachs.	diss.			1965	195p
Küntzel, Gottfried	Die Instrumentalwerke von Johann Friedrich Fasch (1688-1758).	diss.			1965	261p
Hennenberg, Fritz	Das Kantatenschaffen von Gottfried Heinrich Stölzel.	diss.			1965	348, 452p
Kloppers, Jacobus	Die Interpretation und Wiedergabe der Orgelwerke Bachs. Ein Beitrag zur Bestimmung von stilgerechten Prinzipien.	diss.			1965	390p
Jordahl, Robert Arnold	A Study of the use of the chorale in the works of Mendelssohn, Brahms, and Reger.	diss.			1965	iv, 441p
Stevens, Jane R.	The Keyboard Concertos of Carl Philipp Emanuel Bach.	diss.			1965	viii, 301p
Siedentopf, Henning	Beobachtungen zur Spieltechnik in der Klaviermusik Johann Sebastian Bachs.	diss.			1966	135p
Fischer, Wilfried	Möglichkeiten und Grenzen der Rekonstruktion verschollener Instrumentalkonzerte Johann Sebastian Bachs.	diss.			1966	150p
Reinfandt, Karl-Heinz	Das Verhältnis von Text und Stimmgattung in der deutschen evangelischen Kirchenmusik der Barockzeit.	diss.			1966	177p
Wolff, Christoph	Der stile antico in der Musik Johann Sebastian Bachs. Studien zu Bachs Spätwerk.	diss.			1966	227p
Staplin, Carl B.	Stylistic Changes in the Chorale Preludes of J. S. Bach	diss.			1966	230p
Stiller, Günther	Johann Sebastian Bach und das Leipziger gottesdienstiliche Leben seiner Zeit.	diss.			1966	343p
Lorince, Frank E. Jr.	A Study of Musical Texture in Relation to Sonata-Form As Evidenced in Selected Keyboard Sonatas from C. P. E. Bach through Beethoven.	diss.			1966	633p
Tessmer, Manfred	Johann Sebastian Bach: Dritter Teil der Clavierübung. I. Kritischer Bericht. 2. Notenband.	diss.			1967
Constantini, Franz-Peter	Die Entwicklung der Versettenkomposition vom ausgehenden Mittelbarock bis zum Rokoko.	diss.			1967
Zander, Ferdinand	Die Dichter der Kantatentexte Johann Sebastian Bachs. Untersuchung zu ihrer Bestimmung.	diss.			1967	113p
Igoe, James Thomas	J. S. Bach's transcriptions for solo keyboard.	diss.			1967	200p
Boldt, Kenwyn Guy	The solo clavier Sonatas attributed to J. S. Bach.	diss.			1967	32p
Broyles, Michael Everett	Textural Interpretations in the chorale Harmonizations of J. S. Bach.	diss.			1967	471p
Kidd, Ronald R.	The sonata for keyboard with violin accompaniment in England (1750-1790).	diss.			1967	534p
Macomber, Frank S.	Bach's re-use of his own music: a study in transcription.	diss.			1967	660p
Jenne, Natalie R.	Certain problems of rhythm and articulation in the performance of J. S. Bach's harpsichord music.	diss.			1967	68p
Burk, James Mack	Band transcriptions of the organ music of Johann Sebastian Bach.	diss.			1967	78p
Bower, C. M.	Boethius 'The Principlies of Music', an Introduction, Translation and Commentary.	diss.			1967	93-95
Schmitz, Eberhard	Die Messen Johann David Heinichens.	diss.			1967	vii, 321p
Mason, Christine M.	Ritornello form in movements for chorus and orchestra by J. S. Bach.	diss.			1967-68
Heuschneider, Karin Hildegard	Contributions to the development of the piano sonata: The piano sonata of the eighteenth century in Germany (W. F. Bach, C. P. E. Bach, G. Benda, C. S. Binder, C. G. Neefe).	diss.			1968
Sweetkind, David	Allegro and Adagio Rhythmic Style in the Instrumental Works of J. S. Bach.	diss.			1968
Munkachy, Louis	Franz Paul Rigler as Theorist and Composer.	diss.			1968	1029p
Fujisawa, Noriko	Johann Christian Bach: London ni okeru kare no Katsudo to Ongaku.	diss.			1968	105p
Kleiner, Nava	The chorale prelude before J.S. Bach.	diss.			1968	109p
Howard, Jay Norwood	Johann Crüger as a Music Theorist: A Translation and Critical Commentary of his Synopsis Musica of 1630.	diss.			1968	248p
Corra, Arthur B.	A guide to the performance of Bach's B Minor Mass.	diss.			1968	256p
Krastin', V. M.	Tradicii i novatorstvo v ispolnenii klavirnoj muzyki I. S. Bach.	diss.			1968	26p
Reed, Roy Alonzo	Spenerian pietism and the cantatas of Johann Sebastian Bach.	diss.			1968	270p
Wohlfarth, Hannsdieter	Johann Christoph Friedrich Bach als Instrumentalkomponist.	diss.			1968	288p
Suchalla, Ernst	Die Orchestersinfonien Carl Philipp Emanuel Bachs nebst einem thematischen Verzeichnis seiner Orchesterwerke.	diss.			1968	297p
Schramowski, Herbert	Der Einfluß der instrumentalen Improvisation auf den künstlerischen Entwicklungsgang des Komponisten.	diss.			1968	355p
Marshall, Robert Lewis	The Compositional Process of J. S. Bach. A study of the Autograph Scores of the Vocal Works.	diss.			1968	660p
Richards, Ruthann Louise	A Study of Johann Sebastian Bach's Orgelbüchlein and Eighteen Leipzig Chorales: Their Histories, an Analysis of the Treatment of the Chorale Melodies, and a Comparison of the Sets.	diss.			1968	91p
Kobayashi, Midori	Mozart to Taiiho: tokuni 1782 'Bach Taiken' o Chushin to shite.	diss.			1968	98p
Derr, Ellwood Shambaugh	Cefalo e Procri (London, 1776): Dramatic Cantata for Three Voices and Orchestra by Johann Christian Bach; Critical Edition with Performance Suggestions and Commentary.	diss.			1968	i, 162p
Minorgan, David Bruce	A study of the fugal imitative forms from their beginnings until the middle Baroque with special emphasis on those of southern Germany and Austria.	diss.			1968	x, 176p
Hanson, J.	An Operational approach to a theory of rhythm.	diss.			1969
Riedel, Herbot Hugo	Recognition and Re-cognition: Bach and The Well-tempered Clavier I.	diss.			1969
Ray, Martha Elizabeth Park	A study of the German church cantata exclusive of Bach, 1650-1750.	diss.			1969
Mulbury, David	A collection of organ music by pupils of J. S. Bach.	diss.			1969	102, 89p
Rixman, Eunice Elizabeth	The sacred cantata God hath awakened the Lord, by Carl Philipp Emanuel Bach, in relation to its performance.	diss.			1969	103, 50 p
Flothuis, Marius	Mozarts Bearbeitungen eigener und fremder Werke.	diss.			1969	104p
Bradley, Alan Louis	A modern performing edition for clarinet and piano of five selected Baroque sonatas with a study of performance practice and descriptive commentary of the sonatas.	diss.			1969	105p
Harriss, Ernest Charles	Johann Mattheson's 'Der vollkommene Capellmeister': a translation and commentary.	diss.			1969	1586p
Williams, Janet Leslie	An Analytical Study of Three Flute Sonatas by Johann Sebastian Bach.	diss.			1969	169p
Bruderer, Conrad	A comparison of the preludes found in common in the Clavierbüchlein für Wilhelm Friedemann Bach, the well-tempered Clavier, and the Forkel edition of the well-tempered Clavier.	diss.			1969	173p
Foster, Walter Charles	J. S. Bach's musical treatment of negative text passages.	diss.			1969	245p
Majskij, V. L.	Osobenosti golosovedenija J. S. Bacha.	diss.			1969	315p
Warburton, Ernest	A Study of Johann Christian Bach's Operas.	diss.			1969	324, 390 Bl
McKinney, James Carroll	The solo bass voice in the cantatas of J. S. Bach.	diss.			1969	330p
Hill, Vernon Willard, Jr.	The B Minor Mass by Johann Sebastian Bach: A study in Reformed Catholic thought.	diss.			1969	363p
Byrt, John Clare	Form and style in the works of Sebastian and Emanuel Bach.	diss.			1969	380, 201 Bl
Vos, Marie Ann Heiberg	The Liturgical Choral Works of Johann Christian Bach.	diss.			1969	iii, 744p
Frum, Bernard	The dramatic-dualistic style element in keyboard music published before 1750.	diss.			1969	v, 266p
Mekota, Beth Anna	The Solo and Ensemble Keyboard Works of Johann Christian Bach.	diss.			1969	vi, 309p
Dykstra, Brian James	The Interpretation of Bach's Well-Tempered Clavier, Book One: A Study in Diversity.	diss.			1969	xiii, 487p
Gerstung, Denman Wayne	Performance Practice of Multiple Stops in the Sonatas and Partitas for Unaccompanied Violin of J.S. Bach.	diss.			1970
Schaeffer, John Gerhardt	The Influence of the Late Baroque Instrumental Concerto on Bach's Free Forms for Organ and Clavier.	diss.			1970
Engler, Klaus	Georg Poelchau und seine Musikaliensammlung. Ein Beitrag zur Überlieferung Bachscher Musik im 19. Jahrhundert.	diss.			1970
Gillingham, B. R.	J. C. Bach's third set of keyboard concertos: a socio-musical study.	diss.			1970
Jones, Anita Joyce Gilstrap	A survey of organ works based on the motive B-A-C-H.	diss.			1970	106p
Alleln, Horst	Das Verhältnis Musik-Mathematik bei Johannes Kepler. Ein Beitrag zur Musiktheorie des frühen 17 Jahrhunderts.	diss.			1970	128p
Pribyl, Lieselotte	Das Phänomen der atonikalen Werkeröffnung in der Klaviermusik von Ph. E. Bach bis R. Schumann.	diss.			1970	155; 178; 273p
Waterman, Muriel Moore	The double keyboard concertos of Carl Philipp Emanuel Bach.	diss.			1970	173p
Lenz, Christfried	Studien zur Satztechnik Bachs. Untersuchung einiger vom Erscheinungsbild der Vokalpolyphonie geprägter Kompositionen.	diss.			1970	181p
Day, Thomas Charles	Palestrina in history: a preliminary study of Palestrina's reputation and influence since his death.	diss.			1970	201p
Lutz, Lorna Kay	Friedrich Wilhelm Franke--seine Bedeutung in der Kirchenmusik.	diss.			1970	202p
Heimann, Walter	Der Generalbaß-Satz und seine Rolle in Bachs Choralsatz.	diss.			1970	278p
Sragow, Ruth LaPorte	The harmonic circle-of-fifths technique in late-Baroque and Classic orchestral music: a comparison.	diss.			1970	284p
Chase, Harriet Ruth	German, Italian and Dutch Fugal Precursor of the Fugues in the Well-tempered Clavier I. 1600-1722.	diss.			1970	293p
Milka, Anatolij Pavloviè	Funkcional'nost' muzykal'noj struktury i dinamika strukturnogo razvitija v sjuitach I. S. Bacha.	diss.			1970	333p
Brown, Charles S.	The art of chorale-preluding and chorale accompaniment as presented in Kittel's Der angehende praktische Organist.	diss.			1970	350, 230p
Kellar, Allan Dean	The Hamburg Bach: Carl Philipp Emanuel Bach as Choral Composer.	diss.			1970	353p
Schleuning, Peter	Die Freie Fantasie. Ein Beitrag zur Erforschung der Klaviermusik des 18. Jahrhunderts.	diss.			1970	400p
Weeks, William B.	The use of the chorale in the organ works of Ernst Pepping.	diss.			1970	80p
Sollenberger, Elizabeth Travis	A Graded Analysis of the Organ Preludes and Fugues of Johann Sebastian Bach for Teachers and Students Providing a Compendium of Increasingly Difficult Performance Problems.	diss.			1970	88p
Brandon, Beverlz Ann	Ornamentation of Italian Vocal Music of the Eighteenth Century according to Pietro Francesco Tosi and Giovanni Battista Mancini.	diss.			1970	vi, 72p
Rose, Juanelva M.	The Harmonic Idiom of the Keyboard Works of C. P. E. Bach.	diss.			1970	xii, 289p
Hammitt, Jackson Lewis, III	Sacred music in Berlin, 1740 to 1786.	diss.			1970	xvii, 280p
Schwarz, Peter	Studien zur Orgelmusik Franz Liszts. Ein Beitrag zur Geschichte der Orgelkomposition im 19. Jahrhundert.	diss.			1971
Murata, Margaret	Extravagant Harmony and Dissonance in Early 'Seicento' Keyboard Music: 'Stravaganze' and 'Durrezze e ligature'.	diss.			1971
Dickreiter, Michael	Der Musikbegriff bei Johannes Kepler.	diss.			1971
König, Ingeborg	Studien zum Libretto des Tod Jesu von Karl Wilhelm Ramler und Karl Heinrich Graun.	diss.			1971	163p
Holten, W. van	Inleiding tot Das Wohltemperirte Clavier van Johann Sebastian Bach. gezien vanuit pianistische gezichthek. Bendaderd vanuit de spel-, toon- en klankmogelijkheden van de moderne vleugel. Kortom: muzikaal geïnterpreteerd vanuit het wezen der 20e eeuwse piano.	diss.			1971	191p
Streck, Harald	Die Verskunst in den poetischen Texten zu den Kantaten J. S. Bachs.	diss.			1971	214p
Lora, Doris Liechty	The perception of the motive in the Bach chorale preludes.	diss.			1971	270p
Cooper, Kenneth	The Clavichord, the Bachs and German Emotionalism in the Eighteenth Century.	diss.			1971	286p
Staral-Baierle, Ilse Susanne	Die Klavierwerke von Johann Christian Bach.	diss.			1971	328p
Clarke, J. Williams	Interpreting Rhythm in Bach. On the Expressive Aspects of Rhythm in the 'Free Style' and Tempo Rubato.	diss.			1971	85p
Fall, Henry Cutler	The Passion-tide cantatas of Christoph Graupner.	diss.			1971	ix, 252p
Harmon, Thomas Fredric	The Registration of J. S. Bach's Organ Works. A Study of German Organ-Building and Registration Practices of the Late Baroque Era.	diss.			1971	vii, 372p
Müller-Buscher, Henning	Studien zu den Choralbearbeitungen Georg Böhms (1661-1733).	diss.			1972
Grubbs, John Whitfield	The sacred vocal music of the Graun brothers: A bio-bibliographical study.	diss.			1972
Thomas, John Hugh	The opus 3 symphonies of John Christian Bach (with a critical edition).	diss.			1972
Robinson, Schuyler W.	The B-A-C-H-Motive in German Keyboard Compositions from the Time of J. S. Bach to the Present.	diss.			1972	158p
Tveit, Sigvald	Sekvensteknikken i funksjonell musikk, med saerlig vekt pa J. S. Bachs sekvensbruk.	diss.			1972	232p
Kohlhase, Thomas	Johann Sebastian Bachs Kompositionen für Lauteninstrumente: Kritische Edition mit Untersuchungen zur Überlieferung, Besetzung und Spieltechnik.	diss.			1972	247p
Higuchi, Ryuichi	Johann Sebastian Bach no Sosaku Katusdo ni okeru Parodii no Mondai ni tsuite.	diss.			1972	284p
Jaenecke, Joachim	Die Musikbibliothek des Ludwig Freiherrn von Pretlack (1716-1781).	diss.			1972	330p
Muller, Jean-Pierre	La fantaisie libre, esquisse historique et sociologique d'un genre musical, du 15e au 19e siècle.	diss.			1972	420p
Oberacker, Betty	The preludes of the Well-tempered Clavier, vol. I of Johann Sebastian Bach. A commentary and analysis.	diss.			1972	iii, 58p
Benedum, Richard	Ornamentation in the Secular Keyboard Music of the Faenza Codex.	diss.			1972	vi, 316p
Hanks, Sarah E.	The German Unaccompanied Keyboard Concerto in the Early Eighteenth Century, Including Works of Walther, Bach, and Their Contemporaries.	diss.			1972	x, 359p
Eichberg, Hartwig	Johann Sebastian Bach, Einzelnstehende Suiten, Sonaten, Variationen und Capricci für Klavier: Untersuchungen zur Überlieferung und Edition.	diss.			1973
Altenburg, Detlef	Untersuchungen zur Geschichte der Trompete im Zeitalter der Clarinblaskunst (1500-1800).	diss.			1973
Rudy, Helen E.	A Study of the Chorale Tune 'Nun komm der Heiden Heiland' and its Treatment by Selected Composers of the Baroque Period.	diss.			1973
Roberts, A. P.	Contrapuntal analysis of the canons in J. S. Bach's 'Musical Offering'.	diss.			1973
Gilvin, Sue McGehee	The Alto Solo Cantatas of J. S. Bach; Francis Poulenc's Melodies - a Mastery of Vocal Writing; Schumann Song Cycles Frauenliebe und Leben.	diss.			1973
Butler, Gregory G.	The Canonic Sequence in Theory and Practice: A musical-rhetorical study of its origins, and development in keyboard music to 1750.	diss.			1973
McLean, Cynthia	Some relationships in the keyboard music of J.C. Bach and W.A. Mozart, 1765-1776.	diss.			1973
Abramowitz, Jonathan	A Performance Edition of the 'Drei Sonaten für Clavier und Viola da Gamba' of J. S. Bach.	diss.			1973
Adamson, J. Philip I.	Problems for the Pianist in the Performance of J. S. Bach's Keyboard Works. Selected British Piano Works Composed between 1952 and 1971.	diss.			1973	150p
Yasuda, Keiko	Georg Böhm no Kantata.	diss.			1973	175p
John, Hans	Gottfried August Homilius und die evangelische Kirchenmusik Dresdens im 18. Jahrhundert, I-II.	diss.			1973	190, 180p
Keating, Henry John	The Organ Settings on 'Vater unser im Himmelreich' from 1601 to J. S. Bach. A Contribution to the Instrumental Development of a Choral Melody.	diss.			1973	201p
Solomon, Larry Joseph	Symmetry as a determinant of musical composition.	diss.			1973	227p
Kilgore, Edna Kellersberger	Metric Anomalies in the Well-tempered Clavier.	diss.			1973	290p
Spidler, Wolfgang	Untersuchungen zum Wort-Tonverhältnis in den Kantaten J. S. Bachs: die musicalische Umsetzung der rezitativtexte.	diss.			1973	293p
Spindler, Wolfgang	Das Verhältnis zwischen Wort und Ton in den Kantaten Johann Sebastian Bachs: die musikalische Umsetzung der Rezitativtexte.	diss.			1973	293p
Fanselau, Rainer	Die Orgel im Werk Edward Elgars.	diss.			1973	348p
Bland, Leland Dye	The instrumental ritornello in selected vocal works of Italian composers ca.1670 to ca. 1710.	diss.			1973	403p
Kobayashi, Yoshitake	Franz Hauser und seine Bach-Handschriftensammlung.	diss.			1973	414, 11p
Jones, Gregory Paul	Heinrich Christoph Koch's description of the symphony and a comparison with selected symphonies of C.P.E. Bach and Haydn.	diss.			1973	vii, 110p
Chamblee, James Monroe	The Cantatas and Oratorios of Carl Philipp Emanuel Bach.	diss.			1973	xiv, 560p
Nieden, Hans-Jörg	Philipp Wolfrum, Untersuchungen zur Bachrezeption um die Jahrhundertwende.	diss.			1974
Bolen, Jane	The Five Berlin Cembalo Concertos, P. 390, of John Christian Bach: A Critical Edition.	diss.			1974
Rideout, Sarah Margaret	Johann Sebastian Bach's solo cantatas for soprano.	diss.			1974
Tate, Elda Ann	Bach cantata movements suitable for flute transcription.	diss.			1974
Smith, Larry H.	A practical organ accompaniment for the Christmas oratorio of Johann Sebastian Bach.	diss.			1974
Matsuzaki, Kyoko	J. S. Bach 'Chromatic fantasie to fuga' no edition kenkyu.	diss.			1974	110p
Hoekstra, Thomas Earl	Tempo Considerations in the Choral Music of Johann Sebastian Bach.	diss.			1974	155p
Yamamoto, Kazuko	J. S. Bach no Kenbangakki Fuga no Kenkyu - Zen 128 Kyoku no Tema oyobi Heikinritsu Dai-2-Kan ni okeru Tema to Kozo.	diss.			1974	168p
Jur'ev, Aleksander	Skripiènye štrihi kak sredstvo artikuljacii v sonatah i partitah I. S. Baha dlja skripki solo.	diss.			1974	183p
May, Ernest Dewey	Breitkopf's Role in the Transmission of J. S. Bach's Organ Chorales.	diss.			1974	192p
Pleßke, Hans-Martin	Das Leipziger Musikverlagswesen und seine Beziehungen zu einigen namhaften Komponisten: ein Beitrag zur Geschichte des Musikalienhandels im 19. und zu Beginn des 20. Jahrhunderts.	diss.			1974	255, 11 Bl
Prinz, Ulrich	Studien zum Instrumentarium Johann Sebastian Bachs mit Besonderer Berücksichtigung der Kantaten.	diss.			1974	255p
Philippsborn, Magali	Die Frühdrucke der Werke J. S. Bachs in der ersten Hälfte des 19. Jahrhunderts: Eine kritisch vergleichende Untersuchung anhand des Wohltemperierten Klaviers I.	diss.			1974	270p
Gauger, Ronald Raymond	Ostinato Techniques in Chaconnes and Passacaglias of Pachelbel, Buxtehude and J. S. Bach.	diss.			1974	iv, 95p
Engelhardt, Ruth	Untersuchungen über Einflüsse Johann Sebastian Bachs auf das theoretische und praktische Wirken seines Schülers Johann Philipp Kirnberger.	diss.			1974	vi, 414p
Rovenko, Aleksander Ivanoviè	Strettnaja imitacija: Teoretièeskije, stilevyje i metodièeskije osnovy polifonii J. S. Bacha.	diss.			1975	114p
Rabin, Judy Ellen	An annotated chronological bibliography of literature and editions of 'Das Wohltemperierte Clavier'.	diss.			1975	144p
Murray, Robert P.	Evolution of Interpretation as Reflected in Successive Editions of J. S. Bach's 'Chaconne'.	diss.			1975	225p
Oefner, Claus	Das Musikleben in Eisenach 1650-1750.	diss.			1975	250p
Petrash, David Lloyd	Felix Mendelssohn as organ composer: Unpublished and little-known works, a lecture recital, together with 3 recitals of selected works of S. Adler, J. Alain, J. S. Bach, W. Bolcom, J. Cabanilles, A. de Cabezon, J. Charpentier, H. Distler, J. Froberger, S. A. de Heredia, M. Kluge, G. Ligeti, G. Litaize, O. Messiaen, J. Oxinagas, M. Reger, and A. Wyton.	diss.			1975	37p
Hoke, Hans Gunter	Neue Studien zur Kunst der Fuge BWV 1080. Zusammenfassendes Gesamtexposé meiner Veröffentlichungen.	diss.			1975	42, 10, 2p
Sharp, Nan Ellen Orthmann	The Use of Flutes and Recorders in the Church Cantatas of Johann Sebastian Bach.	diss.			1975	442p
Okuda, Yuko	J.C. Bach no Piano Kyosokyoku op. 7 no. 1-3 no Gakufu Kotei.	diss.			1975	49p
Claypool, Richard David	J. S. Bach's Sonatas for Melody Instrument and Cembalo Concertato: An Evaluation of All Related Manuscript Sources.	diss.			1975	545p
Holliman, Jamesetta H.	A Stylistic Study of Max Reger's Solo Piano Variations and Fugues on Themes by Johann Sebastian Bach and Georg Philipp Telemann.	diss.			1975	97p
Schneider-Cuvay, Michaela	Die Instrumentalwerke Johann Ernst Eberlins.	diss.			1975	iv, 370p
Gant, Robert Edward	The organ works of Anton Heiller.	diss.			1975	v, 185p
Berg, Darrell M.	The Keyboard Sonatas of C. P. E. Bach: An Expression of the Mannerist Principle.	diss.			1975	vi, 396p
Lewis, Horace Monroe	The Problem of the tromba da tirarsi in the Works of J. S. Bach.	diss.			1975	xiii, 147p
Marais, Bernese	The ternary sonata principle from 1731 to 1765: C. P. E. Bach.	diss.			1976
Velten, Klaus	Schönbergs Instrumentationen Bachscher und Brahmscher Werke als Dokumente seines Traditionsverständnisses.	diss.			1976
Lorenzen, Johannes	Max Reger als Bach-Bearbeiter.	diss.			1976
Bailey, Louis Lee	The Sacred Vocal Duets of Heinrich Schütz and Johann Sebastian Bach: an Introduction and an Annotated Listing.	diss.			1976	110p
Bauret, Gabriel	De la lecture de la partition à l'écoute de l'interprétation, essai de description de 'l'Art de fugue' de J.-S. Bach.	diss.			1976	159p
Norton, Michael Lee	The sacred song arrangements of C.P.E. Bach.	diss.			1976	172p
Holborn, Hans Ludwig	Bach and Pietism: The Relationship of the Church Music of Johann Sebastian Bach to Eighteenth-Century Lutheran Orthodoxy and Pietism with Special Reference to the 'Saint Matthew Passion'.	diss.			1976	180p
Baird, Julianne Charlotte	The vocal serenata of the seventeenth and eighteenth centuries.	diss.			1976	204p
Thiedt, Catherine	The idiomatic character of Romantic keyboard composition: a comparison of selected piano and organ works of Franz Liszt and a study of differentiation in their styles.	diss.			1976	218p
Chiba, Junnosuke	Juhachi-Seiki Deutsch no Ensoron Kenkyu - J.J. Quantz, E. Bach, Leopold Mozart no Chosho no Hikaku Kento.	diss.			1976	220p
Krejnina, Julija	Maks Reger kak javlenie nemeckoj muzykal'noj kul'tury.	diss.			1976	24p
Antonian, Robert Edward	Johann Sebastian Bach's Magnificat in D, BWV 243: a conductor's analysis and preparation for performance.	diss.			1976	275p
Heinrich, Adel Verna	Bach's 'Die Kunst der Fuge': a Living Compendium of Fugal Procedures.	diss.			1976	371p
Morrongiello, Lydia Anne	Music Symbolism in selected cantatas and chorale preludes of J. S. Bach.	diss.			1976	433p
Eichberg, Hartwig	Unechtes unter J. S. Bachs Klavierwerken.	diss.			1976	43p
Fenley, John Franklin	The Ornamentation in Seven Flute Sonatas Composed by, or Attributed to, J. S. Bach.	diss.			1976	477p
Henkel, Hubert	Beiträge zum historischen Cembalobau.	diss.			1976	628p
Cook, Larry D.	The German troped polyphonic Magnificat.	diss.			1976	685p
Yoshida, Miwako	C.P.E. Bach no Klavier Konzert Wq.43 no gakufu kotei.	diss.			1976	75p
La Fontaine, Michael de	Der Begriff der kunstlerischen Erfahrung bei Theodor W. Adorno.	diss.			1976	iii, 132p
Meffen, John	The Temperament of Keyboard Instruments in England from the Virginalists to the Middle of the Nineteenth Century.	diss.			1977
Williams, Peter J.	The performance of dotted rhythms and upbeat figures in J. S. Bach with particular reference to his organ music.	diss.			1977
Kianto, Mervi	Bach-tulkinta tyylin ja tradition valossa: J. S. Bachin Das Wohltemperierte Klavier II:n preludien ja fuugien n:o 17-24 pianotulkintojen vertailua.	diss.			1977
Häcker, Werner	Erbeadaption im Sozialismus. Das B-A-C-H-Motiv im Musikschaffen der DDR.	diss.			1977	102p
Matthews, Joseph	Busoni's contributions to piano pedagogy.	diss.			1977	120p
Domizlaff, Ilse	Sammeln, Ordnen, Vermitteln - die 1972 neu konzipierte Gestaltung und Arbeitsweise des Bachhauses Eisenach.	diss.			1977	127p
Schulze, Hans-Joachim	Studien zur Bach-Überlieferung im 18. Jahrhundert.	diss.			1977	180p
Denton, John William	The Use of Oboes in the Church Cantatas of Johann Sebastian Bach.	diss.			1977	214p
Seaton, Stuart Douglass	A Study of a Collection of Mendelssohn's Sketches and Other Autograph Material: Deutsche Staatsbibliothek Berlin, Mus. Ms. Autogr. Mendelssohn 19.	diss.			1977	256p
Magee, Noel Howard	Anton Reicha as theorist.	diss.			1977	276p
Butir, L. M.	Instrumental'nyi koncert v tvorèestve I. S. Bacha.	diss.			1977	27p
Moroni, Federico	Il settecento clavicembalistico italiano e suoi rapporti con il movimento musicale europeo.	diss.			1977	283p
Davis, William Jerryl	A study of the solo and chamber literature for the oboe d'amore from 1720-c.1760 with modern performance editions of select unpublished works.	diss.			1977	290p
Kirk, Elise Kuhl	The chamber music of Charles Koechlin (1867-1950).	diss.			1977	411p
Curtis, Robert Lee	Ludwig Bischoff: a mid-nineteenth-century music critic.	diss.			1977	442p
Towndrow, Sharon Louise	The melodic minor scale in selected works of Johann Sebastian Bach.	diss.			1977	50p
Urban, Darrell Eugene	Stromenti da tirarsi in the Cantatas of J. S. Bach. I: The Tromba da tirarsi. II: The Corno da tirarsi.	diss.			1977	643p
Kolczynski, Charlotte Ann	The eighteenth-century transverse flute: literature, structure and performance practices.	diss.			1977	93p
Brandes, Jeffrey Harold	The Organ as an Ensemble Instrument: Concerto Techniques in the Sinfonia of Cantata BWV 169 by Johann Sebastian Bach, Concerto for Organ and Chamber Orchestra, op.46, No.2, by Paul Hindemith, and Organ Concerto in G minor by Francis Poulenc.	diss.			1977	94p
Keahey, Delores Jerde	The Genoa Manuscripts: Recently Rediscovered Trios of Johann Christian Bach.	diss.			1977	xvii, 602p
Hays, E. L.	F. W. Marpurg's 'Anleitung zum Clavierspielen' (Berlin, 1755) and 'Principes du clavecin' (Berlin, 1756): translation and commentary.	diss.			1977	xviii, 309; vi, 351p
Löhlein, Heinz-Harald	Johann Sebastian Bach, Orgelbüchlein (BWV 599-644), Schübler-Choräle (BWV 645-650), Choralpartiten (BWV 766-768, 770). Quellenkritische Untersuchung und Edition.	diss.			1978
Ellis, Phillip	A critical study and transcription of J. C. Bach's symphonies op.6, nos.2 and 5.	diss.			1978
Lamprecht, Gideon Pieter	Vertolkings van Johann Sebastian Bach se vrye orrelwerke: 'n Stylkritiese analise van bestaande plaatopnames en Bach-edisies.	diss.			1978
Chin, Sheila Shin-Yin Lau	Variation techniques in selected organ literature.	diss.			1978	105p
Satake, Jun	Bach no kantata kenkyu: original shukofu ni miru sakkyoku, ensojo no shomondai.	diss.			1978	106p
Nail, James Isaac	The concept of developing variations as a means of producing unity and variety in Schoenberg's Theme and variations, op. 43a.	diss.			1978	138p
Metzger, Nancy Doris	The Performer's Goût: a Study of Rhythmic Conventions and their Application to Selected Organ Works of Johann Sebastian Bach.	diss.			1978	157p
Saunders, Mary Nell	Johann Christian Bach's Dies irae: an analysis for performance.	diss.			1978	176p
Kober, Anita	Die Bach-Rezeption als pädagogische Aufgabe der Erbe-Aneignung in der Erweiterten Oberschule.	diss.			1978	198p
Lindemann, Frayda	Pastoral instruments in French Baroque music: musette and vielle.	diss.			1978	287p
Fishbaugh, Ronald Lloyd	Elements of Romantic Tendency in Selected Keyboard Works of J. S. Bach: A Study with References to the Visual Arts.	diss.			1978	287p
Nishihara, Minoru	Kurth kenkyu josetsu: Kurth ni okeru shinteki keiki to ongaku tetsugaku no shomondai o megutte.	diss.			1978	376p
Malinowski, Stanley Anthony, Jr	The Baroque oratorio Passion. Part II: An edition of the St. Matthew Passion of Johann Valentin Meder.	diss.			1978	595p
Dressler, Carolyn Elizabeth	Armida abbandonata by George Frideric Handel. An edition reflecting the performance practice of the Baroque era.	diss.			1978	61p
Anthony, John Philip	The Organ Works of Johann Christian Kittel.	diss.			1978	636p
Evans, Margaret Ruth	An Annotated List of Sacred Cantatas: 1960 - 1976.	diss.			1978	688p
Augenblick, John Walter	J. S. Bach's Cantata No.5: a Conductor's Analysis.	diss.			1978	79p
Hager, Nancy Barnes	Rhythm and Voice-leading as a Facet of Style: Keyboard Works of J. S. Bach, C. P. E. Bach, and Mozart.	diss.			1978	833p
McNulty, Loretta Jean Wood	A Comparative Study on Bach Transcriptions of Schönberg, Webern, and Strawinsky.	diss.			1978	90p
Lisco, John D.	C.P.E. Bach and the fantasia.	diss.			1978	96p
Stauffer, George Boyer	The free organ preludes of Johann Sebastian Bach.	diss.			1978	iv, 311p
Albrecht, Timothy Edward	Musical Rhetoric in Selected Organ Works of Johann Sebastian Bach	diss.			1978	v, 211p
Brinkman, Alexander Russel	Johann Sebastian Bach's 'Orgelbüchlein': A Computer-Assisted Study of the Melodic Influence of the Cantus Firmus on the Contrapuntal Voices.	diss.			1978	xxiv, 831p
Uhl, Danny John	Articulation in the Performance of the Subjects of J. S. Bach's Organ fugues: a Study of Melody and Rhythm.	diss.			1979
Higuchi, Ryuichi	Johann Sebastian Bachs Kirchenkantaten zu Trauerfeiern und zu anderen nicht an das Kirchenjahr gebundenen Bestimmungen. Edition und kritischer Bericht.	diss.			1979
Wicker, Vernon	Solo Cantatas for Bass by Christoph Graupner.	diss.			1979
Schultz, John Ahern	The soli-tutti concept in the choral works of Johann Sebastian Bach.	diss.			1979	161p
Asmus, Jürgen	Die langsamen Sätze der Sonaten für Violine und obligates Cembalo (BWV 1014-1019): Ein Beitrag zur Sonatenkonzeption J. S. Bachs.	diss.			1979	172p, 12p
Thomas, Robert Jay	The Preludes and fugues, opus 87 of Dmitri Shostakovich.	diss.			1979	212p
Eder, Terry Edward	A conductor's guide to the performance of cantata no 21, 'Ich hatte viel Bekümmernis', by Johann Sebastian Bach.	diss.			1979	247p
Szeskus, Reinhard	Die musikalische Thematik in den Choralkantaten Johann Sebastian Bachs: Quellen, Gestalt und Entwicklung; eine stilkritische Studie.	diss.			1979	250p
Sherwood, Anne Kathryn	Two Keyboard Sonatas of Johann Christian Bach and Carl Philipp Emanuel Bach: A Historical Perspective.	diss.			1979	35p
Wade, Rachel W.	The Keyboard Concertos of Carl Philipp Emanuel Bach: Sources and Style.	diss.			1979	511p
Ward, Lois Janette	A Bassoon Performance Edition of Three Suites for Violincello [sic] Solo (BWV 1007-1009) by Johann Sebastian Bach.	diss.			1979	iv, 75p
Fjerstad, Helen Luvaas	A chronology of J. S. Bach's organ fugues by external and stylistic evidence.	diss.			1979	ix, 247p
Schwarze, Penny S.	Bach's cantata movements borrowed from his instrumental works.	diss.			1979	xi, 174p
Todd, Ralph Larry	The Instrumental Music of Felix Mendelssohn-Bartholdy: Selected Studies based on Primary Sources.	diss.			1979	xii, 544p
Smith, Mark Mervyn	The violoncello with special reference to Bach's 6 suites for violincello unaccompanied.	diss.			1979-80
Philips, Eric W.	Johann Christian Bach, the six keyboard concertos op.1: a dissertation and critical edition.	diss.			1980
Owens, William Steven	A solo woodwind transcription of J. S. Bach's 'Concerto No 4' BWV 1055.	diss.			1980
Hansell, D. J. K.	Changing structures in German organ music from 1600 to the death of J. S. Bach.	diss.			1980
Molkhou, Manuel	Les audaces harmoniques dans l'oeuvre de clavier de Jean-Sébastian Bach.	diss.			1980	104p
Schreiner, Frederick	An analytical Study for the Performance of Cantata No.55 and Cantata No.160 by Johann Sebastian Bach.	diss.			1980	118p
Smith, Charles Justice, III	Patterns and strategies: four perspectives of musical characterization.	diss.			1980	130p
Umstaedt, Monica Johanna	The Early Organ Preludes, Fugues, Toccatas and Fantasias of Johann Sebastian Bach as a Culmination of Italian and German Organ Literature of the 15th to 17th Centuries.	diss.			1980	177p
Rjazanova, Nina P.	Organnye choral'nye obrabotki I. S. Bach. Ih kompozicionno-strukturnye osobennosti.	diss.			1980	178p
Širokova, Valentina	O pretvorenii zakonomernostej vokal'nogo i reèevogo intonirovanija v instrumental'nom tematisme (na materiale muzyki Bacha).	diss.			1980	180p
Hawthorne, Walter Williams	J. S. Bach's Inventions and Sinfonias: an Analysis.	diss.			1980	197p
Leckie, Thomas Conley	A Comparison of Thematic and Episodic Analyses of the Bach two-part Inventions.	diss.			1980	212p
Seymen, Claude	Esthétique de la musique. Musique baroque. Cantates de Jean-Sébastien Bach.	diss.			1980	231p
Ide, Yumiko	A structural and stylistic analysis of selected inventions and sinfonias of Johann Sebastian Bach.	diss.			1980	257p
Schiffner, Markus	Zu Johann Sebastian Bachs Klavierübung (Teil I-III): Ordnungsprinzipien und zyklische Gestaltungskonzeption.	diss.			1980	261, 14p
Richter, Klaus Peter	Orgelchoral und instrumentaler Ensemblesatz: Studien zu Choralbearbeitungen von Johann Sebastian Bach.	diss.			1980	262p
Sip, Sergej	Princip simmetrii v muzyke i ego projavlenie v narodnom napeve.	diss.			1980	26p
Schweizer, Christophe	Le rapport du texte et de la musique dans la 'Passion selon Saint-Matthieu' de J.-S. Bach.	diss.			1980	303p
Jaskulsky, Hans	Die lateinischen Messen Franz Schuberts.	diss.			1980	340p
Dreyfus, Laurence Dana	Basso Continuo Practice in the Vocal Works of J. S. Bach: A study of the Original Performance Parts.	diss.			1980	341p
Lauderdale-Hinds, Lynne Allison	Four organ chorale preludes of Johann Sebastian Bach (1685-1750) as realized for the piano by Ferruccio Busoni (1866-1924): a comparative analysis of the piano transcriptions and the original works for organ.	diss.			1980	44p
Ellis, Mark	Linear aspects of the fugues of J. S. Bach's 'The Well-tempered Clavier'. A Quantitative Survey.	diss.			1980	594p
Nikolai, Monica Dagmar	J.C.F. Bach's clavier concertos.	diss.			1980	622p
Hopkins, Edwina Patricia	The Use of Pedal in J. S. Bach's French Suites, English Suites, and Partitas: a General Guide to Pedalling in the Keyboard Music.	diss.			1980	86p
Sircy, Virginia Rice	A comparison of selected Liszt and Schumann piano transcriptions of the Paganini violin caprices: a lecture recital, together with three recitals of selected works of Brahms, Mozart, J. S. Bach, von Weber, Dukas, Schoenberg, Rachmaninov and others.	diss.			1980	x, 62p
Simon, Carl Geoffrey	Musical Iconography in the Sacred Cantatas of Johann Sebastian Bach.	diss.			1980	xxiii, 255p
Adams, Robert Michael	Dmitri Shostakovich and the fugues of op. 87: a Bach bicentennial tribute.	diss.			1981
Roehrig, Helmut Joseph	The St. John passion by J. S. Bach in the light of the Neue Bach-Ausgabe (Edition 1973).	diss.			1981
Elste, Martin	Diskologische Analyse der Kunst der Fuge von Johann Sebastian Bach.	diss.			1981	160p
Zaharova, Ol'ga	Ritorika i nemeckaja muzyka XVII-pervoj poloviny XVIII veka.	diss.			1981	19p
Rozanov, Ivan	Principy klavirnoj pedagogiki i ispolnitel'stva Francii i Germanii pervoj poloviny XVIII veka (na materiale francuzskih i nemeckih traktatov).	diss.			1981	22p
Lobanova, Marina	Muzykal'nyj stil' i zanr v epohu barokko kak problema sovremmenoj istorii kul'tury (ma primere moteta).	diss.			1981	23p
Axmacher, Elke	'Aus Liebe will mein Heyland sterben'. Untersuchungen zum Wandel des Passionsverständnisses im frühen 18. Jahrhundert.	diss.			1981	245p
Cimberle, Michela	La vexata quaestio della Passio Domini Nostri Jesu Christi secundum Lucam.	diss.			1981	304p
Blake, Cevedra Marc	The Baroque Oboe d'amore.	diss.			1981	677p
Borysenko, Elena	The Cantatas of Wilhelm Friedemann Bach.	diss.			1981	889p
Weimer, Eric Douglas	Style and style change in the arias of opera seria, 1755-1772: Hasse - Jommelli - J.C. Bach.	diss.			1982
Dixon, Michelle Garner	A performer's study of selected organ compositions by Johann Sebastian Bach.	diss.			1982
Summers, Mary Lois	The use of the soprano voice by J. S. Bach as exemplified by the nine solo soprano cantatas.	diss.			1982
Owen, Jonathan	The computer implementation of harmonic analysis of the chorales of J. S. Bach.	diss.			1982
Malth, Rainer	Zur Funktion der Werke Johann Sebastian Bachs im Prozeß der Entwicklung musikalischer Begabungen.	diss.			1982	144p
Lo, Vivien Pui-Wen	Fugues Are Character Pieces of the Highest type: Schumann's Reception of Bach.	diss.			1982	176p
Saler, June Lee	The Theological Influence of the Pietist Movement on the Texts of Bach's Sacred Cantatas.	diss.			1982	178p
Storožuk, Valerij Konstantinovic [Storozuk, Valerij Konstantinowitsch]	Nemeckaja vokal'haja lirika XVII veka i kantaty I. S. Bacha.	diss.			1982	19p
Bötel, Friedhold	Felix Mendelssohn Bartholdys Präludien und Fugen für Orgel op. 37: Studien zur Orgelmusik Mendelssohns unter Berücksichtigung ihrer gattungsgeschichtlichen Stellung.	diss.			1982	232p
Allison, Brian Jerome	Carlos Seixas. The Development of the Keyboard Sonata in Eighteenth-Century Portugal. A Lecture Recital together with three Recitals of selected Works of Johann Sebastian Bach...	diss.			1982	24p
Comploi, Franz	Musik und Rhetorik insbesondere bei Johann Sebastian Bach	diss.			1982	39p
Bogle, James George	The development of a musically logical procedure for solving the problems of transcription for guitar performance of J. S. Bach's suite in e minor (BWV 996).	diss.			1982	507p
Gruber, Hubert	Der Passionstext und seine musikalische Gestaltung im Wandel der Zeit. Betrachtungen an 4 Werken: Matthäus-Passion von J.S. Bach; Christus, ein Oratorium von Franz Liszt; Lukaspassion von Krzysztof Penderecki; Jesus Christ Superstar, eine Rockoper von A.L. Webber und T. Rice.	diss.			1982	75p
Marchand, Richard T.	Musical settings of the Evangelist in the Passion.	diss.			1982	77p
Gosswein, Notburga	Verzierung eines Sonatensatzes der A-Dur Sonate von C.Ph.E. Bach unter der Verwendung der Sechs Sonaten mit veränderten Reprisen und zeitgenössischen Schulen.	diss.			1982	82p
Bayer, Reinhard	Die musikalische Darstellung der Person Christi in verschiedenen Stilepochen.	diss.			1982	88p
Roe, Stephen W.	The Keyboard Music of J. C. Bach: Source Problems and Stylistic Development in the Solo and Ensemble Works.	diss.			1982	ix, 490 Bl
Schulenberg, David Louis	The Instrumental Music of Carl Philipp Emanuel Bach.	diss.			1982	viii, 408p
Spence-Thomas, Karen	J. S. Bach's Partita no. 3 in E major, BWV 1006: an analysis.	diss.			1983
Wilson, Joyce Anne	The Johann Sebastian Bach Ouvertüre in B Minor (BWV 1067): Studies in Genre, Style, and Chronology.	diss.			1983
Higuchi, Mitsuharu	Heikinritsu Klavier Kyokushu, Dai-1-Kan no Fuga ni okeru Seikaku Shudai to Gakkyoku Kozo.	diss.			1983	160p
Smith, Mark Mervyn	Certain aspects of Baroque music for violoncello as finally exemplified in the suites for unaccompanied violoncello by Johann Sebastian Bach.	diss.			1983	187p
Tishkoff, Doris Patricia	Sensibility in the eighteenth century as seen in the fantasias from the Für Kenner und Liebhaber of Carl Philipp Emanuel Bach.	diss.			1983	193p
Magrill, Samuel Morse	The principle of variation: a study in the selection of differences with examples from Dallapiccola, J.S. Bach, and Brahms.	diss.			1983	253p
Miron, Ruth Hannah	A stylistic and structural analysis of representative keyboard suites of Johann Sebastian Bach.	diss.			1983	266p
Rudloff, Helmuth	Beiträge zur Geschichte der Bach-Renaissance in Deutschland (1750-1850).	diss.			1983	338p
Wendt, Matthias	Die Trios der Brüder Johann Gottlieb und Carl Heinrich Graun.	diss.			1983	340p
Buttmann, Rudolf	Die Lautenkompositionen von Silvius Leopold Weiss und Johann Sebastian Bach. Ein Vergleich.	diss.			1983	70p
Fox, Pamela Mollard	Melodic Nonconstancy in the Keyboard Sonatas of C. P. E. Bach.	diss.			1983	vi, 299p
Wright, Barbara David	Johann Sebastian Bach's Matthäus-Passion: a Performance History 1829-1854.	diss.			1983	viii, 458p
Bingham, Davis Blair	The Solo Cantatas for Bass Voice by J. S. Bach: Analyses for Performance.	diss.			1983	x, 104p
Park, Joon Ja Yang	The interpretation of the ornaments in J. S. Bach's 'Well-tempered Clavier'.	diss.			1984
Fuchs, Josef Rainerius	Studien zu Artikulationsangaben in Orgel- und Clavierwerken von Joh. Seb. Bach.	diss.			1984
Pinegar, Sandra	Perspective on the musical essays of Lorenz Christoph Mizler (1711-1778).	diss.			1984	145p
Märker, Michael	Das vokal-instrumentale Verhältnis in den Arien des jungen Johann Sebastian Bachs.	diss.			1984	157p
Bergner, Christoph	Untersuchungen zur Form der Präludien des Wohltemperierten Klaviers von J. S. Bach.	diss.			1984	165p
Radice, Mark Arthur	Scripture recitative from Schutz to Bach.	diss.			1984	259p
Scelkanovceva, Elena	Violoncel'nye sjuity I.S. Baha i ih znacenie v formirovanii muzykanta-ispolnitelja.	diss.			1984	26p
Maxwell, H. John	An artificial intelligence approach to computer-implemented analysis of harmony in tonal music.	diss.			1984	297p
Metzger, Heribert	Studien zur Verbindung 'Präludium und Fuge' in Bachs Orgelmusik.	diss.			1984	335p
Häcker, Werner	Das B-A-C-H-Motiv im Musikschaffen sozialistischer Länder Europas - Versuch einer Bestandsaufnahme, Einordnung und Wertung.	diss.			1984	448p
Ellis, John Robert	Treatment of the Trumpet in the Bible and its Relationship to the Sacred Solo Arias with obbligato Trumpet by Johann Sebastian Bach.	diss.			1984	79p
Clark, Stephen Lewis	The Occasional Choral Works of C. P. E. Bach.	diss.			1984	ix, 359p
Ahnsehl, Peter	Die Rezeption der Vivaldischen Ritornellform in Umkreis und in der Generation J. S. Bachs.	diss.			1984	viii, 259p
Mac Intyre, Bruce Campbell	The Viennese Concerted Mass of the Early Classic Period: History, Analysis, and Thematic Catalogue.	diss.			1984	xxxii, 1344p
Petzoldt, Martin	Studien zur Theologie im Rahmen der Lebensgeschichte Johann Sebastian Bachs.	diss.			1985
Hughes, Jennifer	Bach's Keyboard music in England and Germany, 1770-1850.	diss.			1985
Benitez, Vincent P.	Musical-rhetorical figures in the 'Orgelbüchlein' of J.S. Bach.	diss.			1985
Campbell, Robert	Mendelssohn's Te Deum in D: Influences and the development of style.	diss.			1985	150p
Gibboney, Ted A.	Cryptic eloquence: Elements of form and expression in the large cantus firmus setting of J. S. Bach's 'Clavierübung III'.	diss.			1985	169p
Tur, Tat'jana	Funkcii central'noj kul'minacii v dramaturgii muzykal'nogo proizvedenija: Na materiale malyh form.	diss.			1985	22p
Schilling, Kevin	Johann Sebastian Bach's concerto for oboe and violin, BWV 1060 and Brandenburg concerto no.2, BWV 1047: Two performance analyses based on a study of rhythmic groupings.	diss.			1985	244p
Zappalà, Pietro	Le Choralkantaten di Felix Mendelssohn-Bartholdy.	diss.			1985	263p
Bighley, Mark Steven	The Lutheran Chorales in the Organ Works of J. S. Bach.	diss.			1985	271p
Kilian, Gerald	Studien zu Louis Spohr.	diss.			1985	339p
Kranz, Maria Hinrichs	Max Reger: piano variations on themes of Bach, Beethoven, Telemann.	diss.			1985	75p
Nott, Michael David	Ernest Bloch's pedagogical writings: a didactic legacy of twentieth-century America	diss.			1985	ix, 532 leaves
Stinson, Russell	The Bach Manuscripts of Johann Peter Kellner and his Circle.	diss.			1985	x, 493p
Pollard, Joseph Victor	Tuning and temperament in southern Germany to the end of the seventeenth century.	diss.			1985	xv, 501p
Häfner, Klaus	Verschollen geglaubte Sätze des Bachschen Vokalwerkes. Neue Beiträge zum Parodieverfahren bei Johann Sebastian Bach.	diss.			1986
Thompson, William Forde	Judgements of key change in Bach chorale excerpts an investigation of the sensitivity to keys, chords, & voicing.	diss.			1986
Koehler, William Alan	The late independent keyboard rondos of Carl Philipp Emanuel Bach.	diss.			1986	102p
Loeser, Annekatrin	Annäherung an Rezeptionsvorgänge. Aspekte der Bach-Rezeption Robert Schumanns.	diss.			1986	103p
Morris, Clayton Leslie	The 'Saint Matthew Passion' of Johann Sebastian Bach: An examination of the composer's theological interpretation of the Passion narrative.	diss.			1986	228p
Davis, Nathan J.	The Baroque violoncello and the unaccompanied cello suites of J. S. Bach, B.W.V. 1007 - 1012.	diss.			1986	232p
Ebicioglu, Kemal	An expert system of harmonization of chorales in the style of J. S. Bach.	diss.			1986	297p
Mcafee, Kay Roberts	Rhetorical Analysis of the Sonatas for Organ in E Minor, BWV 528, and G Major, BWV 530, by Johann Sebastian Bach, a Lecture Recital, together with three Recitals of selected Works of J. Alain, D. Buxtehude, C. Franck and others.	diss.			1986	56p
Tomita, Yo	The Well-Tempered Clavier II and Pianoforte Performance. Appreciation of Bach's profound compositional level - Theological and philosophical Speculation.	diss.			1986	86p
Carruthers, Glen Blaine	Bach and the Piano: Editions, Arrangements and Transcriptions from Czerny to Rachmaninov.	diss.			1986	vi, 251p
Kong, Joanne Lan-Funn	A comparison of the technical and interpretive qualities of the piano and harpsichord, accompanied by performance editions of the 'Chromatic fantasy and fugue' (BWV 903) by Johann Sebastian Bach.	diss.			1986	xii, 139p
Brokaw, James A., II.	Techniques of Expansion in the Preludes and Fugues of J. S. Bach.	diss.			1986	xii, 329p
Cammarota, Robert Michael	The Repertoire of Magnificats in Leipzig at the time of J. S. Bach: A Study of Manuscript Sources.	diss.			1986	xvi, 356, 210p
Kaiser, Rainer	Tintenanalytische Untersuchungen an Bachschen Originalhandschriften mit Hilfe reflexionsspektroskopischer Methoden.	diss.			1987
Corsini, Antonella	Componenti bachiane nell'opera di Robert Schumann.	diss.			1987
Ito, Eiko	J. S. Bach 'Mubanso Cello Kumikyoku' ni kansuru Kenkyu: Enso, Gakufu nado no Rekishiteki Jokyo ni tsuite.	diss.			1987
Tatlow, Ruth Mary	LUSUS POETICUS VEL MUSICUS. Johann Sebastian Bach. The Baroque Paragram and Frederich Smend's theory of a musical Number Alphabet.	diss.			1987
Levy, Mark H.	The Well-Tampered Clavier: Authenticity and performing style in editions of Bach's Wohltemperiertes Clavier.	diss.			1987
Slabber, Louise	The influence of French keyboard and Italian instrumental music of the seventeenth and early-eighteenth centuries in the organ works of J. S. Bach.	diss.			1987	106p
Grossman, Robert	The lute suite in G minor BWV 995 by Johann Sebastian Bach: A comparison of the autograph manuscript and the lute intabulation in Leipzig, Sammlung Becker, MS.III.11.3.	diss.			1987	131p
Ellefson, Randi von	A stylistic comparison of two cantata settings based on the chorale 'Nun komm, der heiden Heiland' by G. P. Telemann and J. S. Bach.	diss.			1987	140p
Krylova, Larisa	O nekotoryh priemah vyrazenija avtorskoj pozicii v muzykal'nom proizvedenii.	diss.			1987	17p
Grine, James Laurence	The flute and obbligato keyboard sonatas by Carl Philipp Emanuel Bach: A study for performance.	diss.			1987	234p
Alikova, Zoja	Osobennosti fug v sonatah I.-S. Baha: Vzaimodejstvie polifonièeskih i gomofonièeskih principov formoobrazovanija.	diss.			1987	23p
Buchmann, Lutz	Friedrich Wilhelm Rust (1739-1796): Untersuchungen zu seinem Liedschaffen und seinem Beitrag zur Überlieferung der Werke Johann Sebastian Bachs.	diss.			1987	256p
Friedrich, Felix	Der Orgelbauer Heinrich Gottfried Trost: Personlichkeit, Schaffensanalyse und Aspekte eines Künstlerbildes.	diss.			1987	284p
Butt, John Anthony	The Significance and Incidence of Articulation Marks in the Primary Sources of J. S. Bach.	diss.			1987	336, 79, 31p
Renwick, William J.	Voice-leading patterns in the fugal expositions of J. S. Bach's 'Well-tempered Clavier'.	diss.			1987	355p
Seelig, Timothy G.	Six odes by C. F. Gellert set by C. P. E. Bach and Ludwig van Beethoven: a comparative analysis, a lecture recital together with three recitals of selected works by Monteverdi, Caldara, Mozart, Brahms, Mendelssohn, Ives.	diss.			1987	65p
McMullen, Diane Marie	The Geistreiches Gesangbuch of Johann Anastasius Freylinghausen (1690-1739): A German pietist hymnal.	diss.			1987	661p
Silber, Judith Karen [Ballan, Judith Silber]	Mendelssohn and the Reformation Symphony: A Critical and Historical Study.	diss.			1987	vii, 246p
Dehmel, Jörg	Toccata und Präludien in der Orgelmusik von Merulo bis Bach.	diss.			1987	viii, 194p
Johnston, Gregory Scott	Protestant funeral music and rhetoric in seventeenth-century Germany: a musical-rhetorical examination of the printed sources.	diss.			1987	x, 247p
Walker, Paul Mark	Fugue in German Theory from Dressler to Mattheson.	diss.			1987	x, 664p
Janson, Peter	The eighteenth-century chorale prelude for organ and solo wind instrument: Its repertoire and historical background.	diss.			1987	xi, 132p
Hill, Robert Stephen	The Möller Manuscript and the Andreas Bach Book: Two Keyboard Anthologies from the Circle of the Young Johann Sebastian Bach.	diss.			1987	xvii, 754 Bl
Swack, Jeanne	The Solo Sonatas of Georg Philipp Telemann: A Study of the Sources and Musical Style.	diss.			1988
Lewis, Pauline Mary	The fourteen last rondos of C.P.E. Bach: An investigation into their historic position, their form and their style.	diss.			1988
Liebert, Andreas	Die musikalisch-rhetorische Tradition im 18. Jahrhundert unter besonderer Berücksichtigung des Programmtrios von Carl Philipp Emanuel Bach.	diss.			1988	152 Bl
Glöckner, Andreas	Die Musikpflege an der Leipziger Neukirche von 1699 bis 1761.	diss.			1988	164p, 20p
Smirnova, Tat'jana	Problema muzykal'nogo zanra.	diss.			1988	19p [summary]
Simpfendörfer, Gottfried	Johann Sebastian Bachs Umgang mit den Texten seiner Kantaten. Ein Niederschlag seiner Frömmigkeit.	diss.			1988	222, 42p
Svistinenko, Tat'jana	Rannjaja klavirnaja fuga I. S. Baha.	diss.			1988	24p
Jones, Richard D. P.	The History and Text of Bach's Clavierübung I.	diss.			1988	269 Bl
Kelly, Clark Harold	Johann Sebastian Bach's 'Eighteen' chorales, BWV 651-668: Perspectives on Editions and Hymnology.	diss.			1988	280p
Nortje, Louis	J. S. Bach and the organ school of the High North German Baroque: Registration authenticity in recorded performances.	diss.			1988	439p
Chabora, Robert Joseph	Canonic techniques of the 'Goldberg Variations', the 'Canonic Variations' and the 'Fourteen Canons' of Johann Sebastian Bach.	diss.			1988	iv, [iii], 202p
Troxler, Jeff Fults	Johann Friedrich Agricola's Anleitung zur Singkunst.	diss.			1988	v, 227p
Crist, Stephen A.	Aria Forms in the Vocal Works of J. S. Bach, 1714-24.	diss.			1988	xv, 337p
Huron, David	Voice segregation in selected polyphonic keyboard works by Johann Sebastian Bach.	diss.			1989
Skarina, Elena	Svobodnye formy barokko v instrumental'noj muzyke I.S. Baha: K metodologii istoriko-stilevogo analiza svobodnyh kompozicij.	diss.			1989	23p
Sabourin, Carmen	A Schenkerian study of J.S. Bach's two-part inventions presented in their original ordering.	diss.			1989	244p
Chay, Il-Soo	A stylistic and interpretive analysis of selected keyboard works of C.P.E. Bach.	diss.			1989	248p
Clement, Albert	'O Jesu, du edle Gabe'. Studien zum Verhältnis von Text und Musik in den Choralpartiten und den Kanonischen Veränderungen von Johann Sebastian Bach.	diss.			1989	282p
Schaffer, Mark Andrew	The use of variation principle in the works of Max Reger.	diss.			1989	294p
Fuchs, Torsten	Studien zur Musikpflege in der Stadt Weissenfels und am Hofe der Herzoge von Sachsen-Weissenfels: Ein Beitrag zur mitteldeutschen Musikgeschichte des 17. und 18. Jahrhunderts.	diss.			1989	400p
Kruger, Daleen	The Organ Music of the Galant Period With Special Reference to the Compositions of the Bach Pupils.	diss.			1989	416p
Cowdery, William Warren	The early vocal works of Johann Sebastian Bach. Studies in style, scoring, and chronology.	diss.			1989	ii, 319p
Melamed, Daniel Richard	J. S. Bach and the German motet.	diss.			1989	x, 333 Bl
Rapson, Penelope	A Technique for Identifying Textual Errors and its Application to the Sources of Music by Thomas Tallis.	diss.			1989	x, 368; vi, 219p
Giuffrida, Antonio	Passio secundum Marcum di J.S. Bach.	diss.			1989-90	139p
Nash, Laura Roderic	Aspects of an Evolving Tonal Language: A Study of Chorale-Based Compositions by the Leipzig Thomaskirche Cantors, 1618-1722.	diss.			1990
Boresch, Hans-Werner	Studien zur Instrumentation Johann Sebastian Bachs.	diss.			1990
Cano, Gines-Didier	Johann Sebastian Bach Concerti in E major and F minor (BWV 1052 and 1056) Restructured as Bassoon Concerti.	diss.			1990
Bertling, Rebekka	Das Arioso und das ariose Accompagnato im Vokalwerk J. S. Bachs.	diss.			1990
Fellmann, Peter	Orchestersuiten der Bach-Zeit.	diss.			1990
Dallaire, Charles Joseph Mario	The clarinet in solo, chamber, and concerto repertoire.	diss.			1990	115p
Allred, Brady Russell	Mozart’s Grand mass in C minor: historical perspective, analysis, and performance.	diss.			1990	128 leaves
Poglitsch, Michael	Aufführungspraktische Untersuchungen zur Motette 'Singet dem Herrn ein neues Lied' (BWV 225) von Johann Sebastian Bach.	diss.			1990	128p
Barnett, Joan	Wilhelm Friedemann Bach: An analytical study of selected solo keyboard works.	diss.			1990	136p
Krupina, Larisa	Principy polifoniceskogo golosovedenija v instrumental'nyh fugah I.S. Baha.	diss.			1990	15p
Maltbey, Kathleen M.	The Diversity of Contrapuntal Writing Illustrating Rigorous to Casual Application of Fugal Practices in Selected Cantatas of J. S. Bach.	diss.			1990	168p
Wolf, Hans-Peter	Die Auswertung der Positionen zur Bach-Rezeption in der DDR.	diss.			1990	182p
Long, Pamela H.	El caracol: Music in the works of Sor Juana Ines de la Cruz.	diss.			1990	201p
Märker, Michael	Die protestantische Dialogkomposition in Deutschland zwischen Heinrich Schütz und Johann Sebastian Bach. Eine stilkritische Studie.	diss.			1990	209p
Sweger, Keith Warren	The bassoon concertos of Johann Christian Bach (1735-1782): A historical, stylistic, and performance analysis.	diss.			1990	230p
Cline, Gilbert D.	The cornetto: A guide toward performance, within historical context, indicating the use of the recorder as a companion instrument.	diss.			1990	295p
Beißwenger, Kirsten	Johann Sebastian Bachs Notenbibliothek.	diss.			1990	391p
Yun, Sung-Hyun	Warren Benson's The leaves are falling for wind ensemble.	diss.			1990	99p
Rossin, Thomas Donald	The Calov Bible of Johann Sebastian Bach. An Analysis of the Composer's Markings.	diss.			1990	iv, 311p
Dowdle, Caroline	Bach's Goldberg variations: A study of technical and stylistic transferences to the piano.	diss.			1990	vii, 96p
Tomita, Yo	J. S. Bach's Well-Tempered Clavier, Book II: A Study of its Aim, Historical Significance and Compiling Process.	diss.			1990	xv, 317, 88, 608, 45p
Knox, Robert Erskine	Aeolus Appeased: A Modern Scenographic Concept.	diss.			1991
Levender, Paul	The Organ Music of Dietrich Buxtehude: Compiling an Accurate Edition and Looking at Interrelationships Between Bach and Buxtehude.	diss.			1991
Norrback, Johan	J. S. Bachs preludium i h-moll, BWV 544 -- En analys.	diss.			1991
Johnson, Margaret Louise	Knowledge formalization and representation of the dynamics of expressive musical performance.	diss.			1991
Zweimüller, Maximilian	Zum Zeitmaß in J. S. Bachs Sechs Sonaten für zwei Claviere und Pedal (Sechs Triosonaten für Orgel): Studien zu historischen Tempoaussagen und gegenwärtigen Erkenntnissen über integer-valor-bezogene Zeitmassgestaltung bei Bach.	diss.			1991
Warde, Louis Charles	'Meditations on the 'Crucifixus'': Score and Analysis (Original Composition).	diss.			1991	102p
Lundell, Christopher	The three organ concerti of J.C. Bach: Commentary and a performing edition.	diss.			1991	105p
Katz, Sonia	Um estudo sobre os aspectos tecnicos e interpretativos da terceira partita para violino solo de Johann Sebastian Bach.	diss.			1991	130p
Paolini, Paolo	Il 'Catone in Utica' di Johann Christian Bach: edizione critica, inquadramento storico ed analisi.	diss.			1991	155, 263p
Morris, Ralph Eugene	A performance edition of Bach's violoncello suites, transcribed for viola.	diss.			1991	160p
Grobler, Magrietha Magdalena Sophia	Die Instrumentasie in die Kerkkantates van J.S. Bach.	diss.			1991	203p
Dykema, Dan Harold	Carl Philipp Emanuel Bach's concerto in C, W.43, no. 6: A discussion and performance edition.	diss.			1991	265p
Esch, Christian	Lucio Silla: Vier Opera-seria-Vertonungen aus der Zeit zwischen 1770 und 1780.	diss.			1991	362, 155p
Ellsworth, Therese Marie	The piano concerto in London concert life between 1801 and 1850.	diss.			1991	383p
Baird, Julianne Charlotte	Johann Friedrich Agricola's Anleitung zur Singkunst (1757): A translation and commentary.	diss.			1991	528p
Schuch, Andreas	Die Chromatik im Wohltemperierten Klavier von Johann Sebastian Bach.	diss.			1991	68p
Pruett, James W.	J. S. Bach's chaconne in D minor: An examination of three arrangements for piano solo.	diss.			1991	89p
Pruett, Jeffrey Mark	J. S. Bach's Chaconne in D Minor: an Examination of Three Arrangements for Piano Solo.	diss.			1991	89p
Lemons, Christopher Hoyt	The keyboard concertos of Georg Matthias Monn.	diss.			1991	924p
Tseng, Tai-chun	Some stylistic observations of Vivaldi's violin concerti opus 3.	diss.			1991	93p
Burns, Lori Anne	J. S. Bach's Chorale Harmonizations of Modal Cantus Firmi.	diss.			1991	ix, 350 Bl
Marissen, Michael Anthony	Scoring, Structure, and Signification in J. S. Bach's Brandenburg Concertos.	diss.			1991	vii, 251p
Krampe, Ralf Thomas	Maintaining excellence: Cognitive-motor performance in pianists differing in age and skill level.	diss.			1991	xxii, 198p
Brink, Arend	Die gebruik van basstrykinstrumente in geselekteerde werke van J. S. Bach.	diss.			1992
Bynum, Leroy Evans, Jr.	The first Berlin lieder school: The early development of German art song.	diss.			1992
Pretorius, Estelle	Musiek-allegoriese elemente in twee kantates van J. S. Bach: 'n Studie in woord-toonverhoudinge.	diss.			1992
Corneilson, Paul Edward	Opera at Mannheim, 1770-1778.	diss.			1992
Böhnert, Andreas	Studien zum Klavierwerk Wilhelm Friedemann Bachs.	diss.			1992
Groves, S. E.	Bach Pianists: a Performance History.	diss.			1992	116p
Krug, Hans-Peter	'Die Marburger Anatomenfamilie': (Wagener, Lieberkühn, Gasser, Strahl, Zumstein).	diss.			1992	119p
Herrmann, Matthias	Der Komponist Rudolf Mauersberger (1889 -1971): Untersuchungen zum handschriftlich überlieferten instrumentalen Frühschaffen und zum vorwiegend unveröffentlichten vokalen Hauptwerk; mit systematisch-chronologischem Werkverzeichnis (RMWV).	diss.			1992	133, 198p
Sanders, Morgan Shawn	The use of twentieth-century string techniques in solo violoncello music by Texas composers (1977-1987): From a performer's approach.	diss.			1992	146p
Shabalina, Tat'jana	Sonaty I. S. Bakha dlya kamernogo ansamblya.	diss.			1992	165p
Fontana, Giuseppe	Diciotto edizioni novecentesche della Suite III per violoncello solo, BWV 1009, di J.S. Bach: Osservazioni sui criteri e sull'uso.	diss.			1992	195p
Osokin, Sergej	Istoriceskaja zizn' muzykal'nogo proizvedenija v ispolnitel'skom iskusstva: Na materiale interpretacij Horoso temperirovannogo klavira I.S. Baha.	diss.			1992	22p
Palazcenko, Irina	Instrumental'naja fantazija XVII-XVIII vv.: Genezis i puti razvitija.	diss.			1992	24p
Mansure, Victor Newell	The Allemandes of Johann Sebastian Bach: A Stylistic Study.	diss.			1992	284p
Eisert, Christian	Die Clavier-Toccaten BWV 910-916 von Johann Sebastian Bach: quellenkritische Untersuchungen zu einem Problem des Frühwerks.	diss.			1992	3 vols
Johns, Cort MacLean	Technology, Culture and Creativity: Factors Connecting Invention and Scientific Discovery.	diss.			1992	301p
Janson, Peter	Applicatio textus or dramma per musica? The function of the church cantatas by Georg Friedrich Kauffmann.	diss.			1992	323p
Lewis, Gary Wayne	Ornamentation in the Music of J.S. Bach: A Study of Formal Design, Motivic Continuity, and Aesthetic Value.	diss.			1992	336p
Mehne, Wendy Ann	A Research/Performance Edition of Johann Sebastian Bach's Acknowledged Flute Sonatas.	diss.			1992	352p
Maxwell, Grant L.	Music for three or more pianists: An historical survey and catalogue.	diss.			1992	355p
Morton, Wyant	Questions of Authenticity in three Motets Attributed to Johann Sebastian Bach.	diss.			1992	46p
Taylor, Jeffrey Mitchell	Johann Pachelbel's cantata 'Christ lag in Todesbanden': Its significance as a possible model for J.S. Bach's cantata no. 4.	diss.			1992	54p
Vieira, Yara Quercia	Aspectos tecnicos da partita n. 1 para violino solo de J.S. Bach.	diss.			1992	91p
Holler, Ann K.	A comparative study of selected Bach and Klengel fugues.	diss.			1992	viii, 69p
Bioules, Agathe	L'évolution de langage contrapuntique de Mozart autour de l'année 1782: L'influence conjuguée de J. Haydn et J.S. Bach.	diss.			1993
Barros, Nicolas de Souza	A adaptação da obra alaudística de Johann Sebastian Bach para alto guitar: Um modelo híbrido.	diss.			1993
Williamson, Barry Scott	A Study of Parody Technique and Performance Considerations for Johann Sebastian Bach's 'Mass in G Minor' (BWV 235).	diss.			1993	107p
Heyder, Bernd	Die motettischen Sätze in Bachs Kantatenwerk.	diss.			1993	110p
Claus, Rolf Dietrich	Zur Echtheitsproblematik im Werk J. S. Bachs - dargestellt an der Toccata BWV 565.	diss.			1993	125p
Anderson, Scott Eric	Choral singers' timbral descriptions and evaluations of recorded choral excerpts using a dark-to-bright vowel hierarchy.	diss.			1993	126p
Edwards, Mark Douglas	A Performer's Study of Three Organ Sonatas from the Eighteenth to the Twentieth Centuries: Bach, Mendelssohn, and Hindemith.	diss.			1993	133p
Harlow, Julia Tikker	A musician's introduction to Baroque dance.	diss.			1993	139p
Krause, Drew Stafford	Musical ambiguity in analysis and composition: Problems of pattern, value, form, and structure.	diss.			1993	163p
Tannenbaum, Michele Horner	Tradition and Innovation in Franz Liszt's Variations on a Motive of Bach.	diss.			1993	163p
Charron, John P.	Fingering, Pedalling and Expression in the Organ Works of J. S. Bach.	diss.			1993	186p
Wyatt, Susan Beth Masters	Kurt Weill: A song Composer in Wartime With Three Recitals of Selected Works of Mozart, Strauss, Bach, Schubert, and Others.	diss.			1993	187p
Covington, David Lee	A diagnostic and analytical model of score preparation: A clinical approach to musical morphology.	diss.			1993	189p
Mundt, Frank	Überlegungen zu J. S. Bachs lebensgeschichtlichem Wandel am Ende der 1730er Jahre. Eine psychologisch-biographische Studie in Grenzgebieten.	diss.			1993	199p
Mains, Ronda Miller	An investigation of the articulations found in the primary sources of the flute sonatas of Johann Sebastian Bach resulting in a composite edition for analysis and a second edition for practical performance.	diss.			1993	281p
Reich, Wieland	Mauricio Kagel, Sankt-Bach-Passion: Kompositionstechnik und didaktische Perspektiven.	diss.			1993	297p
Hicks, Eric Michael	A historical perspective on unity in the keyboard partitas of Johann Sebastian Bach.	diss.			1993	317p
Sysoeva, Alla	Programmnost' v instrumental'noj muzyke epohi barokko: Problemy tipologii nacional'nyh skol.	diss.			1993	48p
Austin, Jack Vosseller	Johann Sebastian Bach: an Appreciation.	diss.			1993	53p
Dube, Michelle Claire	'Prelude of Suite V' for Cello Solo by J. S. Bach: Options for Performance.	diss.			1993	57p
Kitchens, Melinda Leunette	Free polyphonic texture in selected early piano works of Robert Schumann.	diss.			1993	59p
Wollny, Peter	Studies in the Music of Wilhelm Friedemann Bach: Sources and Style.	diss.			1993	637 Bl
Hasse, Michaela	Anna Amalia von Preußen: Porträt einer Komponistin unter besonderer Berücksichtigung des soziologischen und des analytisch begründeten stilistischen Standorts	diss.			1993	82, 35 Bl
Lyman, Kent Marvin	George Rochberg's Carnival music, suite for solo piano: An aesthetic compositional and performance perspective.	diss.			1993	90p
Reynolds, Robert Lee	The Bach Sinfonias: A Guide to Analysis and Performance Planning.	diss.			1993	ix, 220p
Coetzee, Vernon George	Kinship between the chorale preludes of J.S. Bach and those of Reger (Op. 67), Karg-Elert (Op. 65), Peeters (Opp. 68, 69, 70), Dupre (Op. 28).	diss.			1993	x, 359p
Derry, Lisa Anne	The Pre-Classical Concerto of Johann Christian Bach: First Movement Design in the Eighteen 'London' Keyboard Concertos.	diss.			1993	xii, 243p
Botelho, Mauro	Rhythm, Meter, and Phrase: Temporal Structures in Johann Sebastian Bach's Concertos.	diss.			1993	xvii, 589p
Greenbaum, Sarah	Metrical Displacements in the 'Well-Tempered Clavier': a Study of Rhythm in the Fugal Genre.	diss.			1994
Sandberger, Wolfgang	Das Bach-Bild Philipp Spittas.	diss.			1994
Orgass, Stefan	Disposition und Ausarbeitung in Bachs späten Clavier-Werken (1739-1749).	diss.			1994
Gross, Steven Lee	The Evolution and Nomenclature of Bach's Horn Parts.	diss.			1994	143p
Sandler, Vadim	Zapadnoevropejskaja sonata dlja skripki solo pervoj poloviny XX veka--Istorija, stil', problemy interpretacii.	diss.			1994	16p
Wells, Mark	The fugues of Joseph Rheinberger's organ sonatas: An historical and analytical study.	diss.			1994	176p
Häußler, Rita	Die Lutherischen Messen Johann Sebastian Bachs. Studien zum Parodieverfahren in den Messen BWV 233-236.	diss.			1994	181p
Mulvey, Margaret Neal	The School Fugue. Its Place in the Organ Repertoire of the French Symphonic School, a Lecture Recital, together with Three Recitals of Selected Works of J. S. Bach, D. Buxtehude, C. Franck, P. Eben, F. Mendelssohn, R. Schumann, M. Reger and Others.	diss.			1994	194p
Bell, Michael Stephen	The effects of rate of deviation and musical context on intonation perception in homophonic four-part chorales.	diss.			1994	204p
Weber, Rudolf	Musikalische Autonomie und Textbezug in Vokalwerken von strenger Satztechnik.	diss.			1994	280p
Hill, David S.	The Persistence of Memory: Mode, Trope, and Difference in the Passion Chorale.	diss.			1994	302p
Yearsley, David Gaynor	Ideologies of learned counterpoint in the northern German Baroque.	diss.			1994	376p
Boursy, Richard	Historicism and composition: Giuseppe Baini, the Sistine Chapel choir, and stile antico music in the first half of the 19th century.	diss.			1994	412p
Dauer, Robin Lee	Three works for voice and French horn with accompaniment.	diss.			1994	72p
Qureshi, Rifat Javed	The Influence of Baroque Dance in the Performance of Johann Sebastian Bach's 'Six Suites a Violonello Senza Basso'	diss.			1994	72p
Snustad, Nancy	The allemandes in the six suites for solo cello by J.S. Bach: An analysis and comparison.	diss.			1994	91p
Kaplan, Harriet Marlene	An Examination of Johann Sebastian Bach's Fifth and Sixth Suites for Solo Cello, BWV 1011 and 1012.	diss.			1994	98p
Huang, Fung-yin	Bartók's contributions to piano pedagogy: His edition of Bach's Well-tempered clavier and impressions of former students.	diss.			1994	ix, 120p
Polevoi, Randall Mark	The Controversy over Bach's Trills: Towards a Reconsiliation.	diss.			1994	vi, 158p
Stewart, John D.	The Pedagogy of Transition: Issues of Composition and Craft in the Bach Chorales and Bach Fugues.	diss.			1994	vi, 231 Bl
Yoon, Soomee	Addition, omission and revision: the stylistic changes made to Zehn Variationen ueber ein Praeludium von Chopin by Ferruccio Busoni, with three recitals of selected works by J. S. Bach, D. Scarlatti, Beethoven, Brahms, Debussy, Schumann and Liszt.	diss.			1994	xi, 67p
Arshagouni, Michael Hrair	Aria Forms in Opera Seria of the Classic Period: Settings of Metastasio's Artaserse from 1760-1790..	diss.			1994	xv, 422p
Cooper, John Michael	Felix Mendelssohn Bartholdy and the Italian Symphony: Historical, Musical, and Extramusical Perspectives.	diss.			1994	xv, 455p
Scheibe, Beate	Bachs Weimarer Orgelbüchlein. Studien zu ausgewählten Beispielen.	diss.			1995
Hofman-Jablan, Jadranka	Simetrijska analiza elemenata i strukture muzickog dela.	diss.			1995
Reid, Andrew	Keys and behavioural trends: An investigation into the relationship between choice of key and compositional strategies in the cantatas of J.S. Bach.	diss.			1995
Langdown, Christopher	Sviatoslav Richter's interpretative response to J.S. Bach: A selective study.	diss.			1995
Matyl, Ulrich	Die Choralbearbeitung für Orgel im Umkreis der Schüler J. S. Bachs.	diss.			1995
Leite, Zilei de Oliveira	Applications of Reductive Analytical Techniques in the Phrygian Settings of the 'Orgelbuechlein' by Johann Sebastian Bach.	diss.			1995	116p
Wilde, Alessio John	Per un'interpretazione dei 14 canoni di Bach BWV 1087: implicazioni didattiche e ideologiche.	diss.			1995	150p
Roby, Lloyd	Research and transcription procedures to provide additional literature for trombone quartet.	diss.			1995	153p
Daele, Erna Bertha Eugeen van	Instrumentation and structure in Anton Webern's orchestration of the Ricercar A 6 from Johann Sebastian Bach's 'Musical Offering'.	diss.			1995	156p
Dressler, Oscar Hugo	A Performer's Analysis of Selected Compositions by Johann Sebastian Bach, Frederic Chopin, and Alberto Ginastera.	diss.			1995	165p
Shepherd, Richard Charles	The emergence of a pivotal role for the thumb in keyboard fingering during the early eighteenth century and its subsequent impact on pianistic idiom.	diss.			1995	166p
Kim, Hee-Sung	Written-Out Ornaments in J. S. Bach's Organ Music as a Model for Improvised Ornamentation.	diss.			1995	170p
Watchorn, Peter	A Performer's Guide to the 'English Suites' of J. S. Bach, BWV 806-811.	diss.			1995	170p
Singley, Henry Ellis, III	A Performer's Study of Three Multimovement Organ Compositions Representing Eighteenth-Century France, Eighteenth-Century Germany, and Twentiety-Century France: Boyvin, Bach and Duruflé.	diss.			1995	178p
Kao, Phyllis Shu	Affective Gesture in J. S. Bach's Keyboard Music with Special Reference to Selected Works in D Minor.	diss.			1995	186p
Genova, Gina	Carl Philipp Emanuel Bach's 'Neue Lieder-Melodien Nebst Einer Kantate Zum Singen Beym Klavier' (1789) and the development of the German Lied.	diss.			1995	228p
Poile, David	Rhythmic Conflicts in the Keyboard Music of J.S. Bach: A Problem of Binary Against Ternary Rhythms.	diss.			1995	236p
Mortensen, John Joseph	Thirty-Two Transcriptions for Piano of Organ Chorales of J. S. Bach.	diss.			1995	237p
Didenko, Nadezda	Formirovanie instrumental'noj faktury v organnoj muzyke Germanii XV-XVIII vekov.	diss.			1995	24p
Kudrjasov, Andrej	Ispolnitel'skaja interpretacija muzykal'nogo proizvedenija v istoriko-stilevoj evoljucii: Teorija voprosa i analiz ispolnenij Horosho temperirovannogo klavira I.S. Baha.	diss.			1995	26p
Mautner, Martin-Christian	'Mach einmal mein Ende gut'. Zur Sterbekunst in den Kantaten Johann Sebastian Bachs zum 16. Sonntag nach Trinitatis.	diss.			1995	349p
Faulstich, Bettina	Die Musikaliensammlung der Familie von Voß: Ein Beitrag zur Berliner Musikgeschichte um 1800.	diss.			1995	586p
Eli, Markus	Die Markus-Passion von Reinhard Keiser und ihre Aufführungen unter Bach in Leipzig.	diss.			1995	60p
Gluckman, Isidore B.	A Comparative Study of Five Piano Works by Bach, Beethoven and Liszt.	diss.			1995	71p
Barte, Paul Thomas	The keyboard manuscripts of Johann Christoph Bach, cantor in Gehren.	diss.			1995	821p
Holst, Robert Inar	Toward a stylistic history of the north German 'cantata' in the second half of the seventeenth century.	diss.			1995	970p
Mercer-Taylor, Peter Jameson	Mendelssohn and the musical discourse of the German Restoration.	diss.			1995	iv, 343p
Head, Matthew William	Fantasy in the Instrumental Music of C. P. E. Bach.	diss.			1995	v, 276p
du Plooy, Jacobus Stephanus	The role of the cadence as determining factor of phrasing of the organ toccatas, preludes and fantasias of Johann Sebastian Bach.	diss.			1995	viii, 179p
Krumbholz, Gerald Antone	Friedrich Wilhelm Marpurg's Abhandlung von der Fuge (1753-1754).	diss.			1995	viii, 245p
Milner, Scott Carroll	The Blessed Death in the Church Cantatas of Johann Sebastian Bach.	diss.			1995	xi, 357p
Young, Harmon Griffith III.	The Sacred Choral Music of Dave Brubeck: A Historical, Analytical, and Critical Examination.	diss.			1995	xii, 370p
Powers, Doris Bosworth	Johann Nikolaus Forkel's Philosophy of Music in the Einleitung to Volume One of the Allgemeine Geschichte der Musik (1788): A Translation and Commentary with a Glossary of Eighteenth-Century Terms.	diss.			1995	xiii, 472 p
Hunt, Janet Evelyn	The harpsichord concertos of Wilhelm Friedemann Bach. A Lecture Recital, together with Three Recitals of Selected Works of J. S. Bach, W. F. Bach, D. Scarlatti, F. Couperin, J. J. Froberger, G. Ligeti, W. Byrd, and Others.	diss.			1995	xv, 122p
Haynes, Bruce	Pitch Standards in the Baroque and Classical Periods.	diss.			1995	xxxiv, 644p
Schaap, Elizabeth Maria	Barokartikulasie en -vingersetting vir die klavierbegeleier: 'n Toepassing in die fluitsonate in E-mol (BWV 1031) van J. S. Bach	diss.			1996
Queiroz, Flavio Jose Gomes de	Aprendendo contraponto atraves dos preludios corais.	diss.			1996
Oechsle, Siegfried	Bachs Arbeiten am strengen Satz: Studien zum Leipziger Vokalwerk.	diss.			1996
Brischwein, O.	Die Johannes-Passion von Johann Sebastian Bach. Eine Untersuchung der freien Dichtung.	diss.			1996	104p
Dequevauviller, Vincent	Le Magnificat de Jean-Sébastien Bach, étude de la version originale en mi bémol majeur.	diss.			1996	110p
Chambers, Mark	The 'Mistuned' Cello: Precursors to J. S. Bach's Suite V in C minor for Unaccompanied Violoncello.	diss.			1996	115p
Chung, Erin Hae-Rang	The 'Well-Tempered Clavier' by J. S. Bach: A Performance Guide to Twelve Selected Preludes and Fugues Arranged in Order of Ascending Difficulty.	diss.			1996	117p
Dequevauviller, Vincent	Jean-Sébastien Bach, le musicien-arpenteur. Étude sur les structures numériques dans quelques œuvres de J. S. Bach.	diss.			1996	120p
Gabrielse, Kenneth J.	A Conductor's Analysis of 'Gloria' Settings from Five Masses and a Pedagogical Approach to Their Performance.	diss.			1996	123p
Rosa, Patricia Bretas de Oliveira Sa	Max Reger: Variationen und Fuge über ein Thema von Johann S. Bach für Klavier op. 81--Ensaio interpretativo.	diss.			1996	220p
Galloway, Robert J.	From Continuo to Obbligato Cembalo: A Study of the Changing Role of the Harpsichord in J. S. Bach's Harpsichord Concertos and Solo Sonatas with Obbligato Cembalo.	diss.			1996	340p
Goetz, Lois Ann	The returning adult student: Standard and andragogical methods used in the preparation and pedagogy of J. S. Bach's Prelude and Fugue I, BWV 846.	diss.			1996	66p
Roueche, Michelle Renee	An Idiomatic Piano Reduction of the Orchestral Accompaniment to Bach's 'Magnificat'.	diss.			1996	69p
Tanaka, Yuko	Double-Type Gigues in the Baroque Period and the Rhythmic Interpretation of Bach's Gigue from 'Partita VI'.	diss.			1996	69p
Jackson, Bruce Rogers	The G-D-G-C scordatura tuning for the double bass: A historical survey, theoretical rationale, pedagogical study, and compositional demonstration.	diss.			1996	711p
Collister, Phillip Andrew	The Oboe and the Baroque Bass in Johann Sebastian Bach's Vocal Works.	diss.			1996	80p
Hiramoto, Stephen Anthony	Soloistic Writing for the Oboe in the Arias of Handel's Operas, with Three Recitals of Selected Works by Marcello, Strauss, Ravel, Bach, Handel, Saint-Aaens and Others.	diss.			1996	87p
Siemons, Jan H.	Het Gebruik van Secundaire Registers in Clavecimbelmuziek voor 1760.	diss.			1996	96p
Husain-Naviatti, Asif	Mendelssohn's Lobgesang. The Genesis of the Symphony-Cantata and a Critical Edition of its Original Version.	diss.			1996	ii, 98, iii, 333p
Kroetsch, Terence R.	A Baroque Model in the Twentieth Century: The Preludes and Fugues, Opus 87 of Dmitri Shostakovich.	diss.			1996	v, 136p
Dirst, Matthew Charles	Bach's Well-Tempered Clavier in Musical Thought and Practice, 1750-1850.	diss.			1996	vii, 176p
Kim, Munsook Cho	Extemporization of J. S. Bach's Goldberg Variations BWV 988: The Varying of Reprise with Improvised Embellishments.	diss.			1996	xi, 323p
Greer, Mary Jewett	The Sacred Duets and Terzets of Johann Sebastian Bach: A Study of Genre and Musical Text Interpretation.	diss.			1996	xv, 505 Bl
Muller, Stephanus Jacobus van Zyl	An interpretative analysis of the Capriccio in B flat major, BWV 992, by J. S. Bach, with specific reference to comparative interpretations on the clavichord, harpsichord and piano.	diss.			1997
Malone, Sean	Schenkerian Analysis and Goedels's Theorem: The Urlinie as Formally Undecidable.	diss.			1997
Yip, Lam Christine	The Performances of J. S. Bach's Music in the Hong Kong Arts Festival: A Case Study of Bach Reception in Hong Kong.	diss.			1997	177p
Aringer, Klaus	Die Tradition des Pausa-Schlusses in den Klavier- und Orgelwerken Johann Sebastian Bachs.	diss.			1997	197p
Hoffmann, Martin	Studien zur Fermate.	diss.			1997	203p
Husainov, Igor'	Fuga i logika: O vyrazenii logiceskoj argumentacii v fugah J.S. Baha.	diss.			1997	24p
Sattolo, Luca	Le messe BWV 233-236 di Johann Sebastian Bach: aspetti di tecnica compositiva e di stile musicale.	diss.			1997	269p
Gerstner, Matthias	Das Orgelschaffen von Johannes Brahms: Studien zur Tradition in der Orgelmusik des 19. Jahrhunderts.	diss.			1997	279p
Redmann, Bernd	Studien zur Lehre Heinrich Schenkers auf Grundlage einer allgemeinen Theorie der Musikanalyse.	diss.			1997	507p
Shao, Tingwen Tina	Franz Liszt's Transcription of John Sebastian Bach's Prelude and Fugue in A minor (BWV 543).	diss.			1997	50p
Brown, Louise Fallon	The special attributes of Mozart's scoring in the string quintets.	diss.			1997	51p
Holtzendorff, Peter B.	A parametric integration model for the analysis of late Baroque music: A tentative approach.	diss.			1997	84p
Kreuscher, Carol Ann	Two Cantatas for Solo Alto by J. S. Bach on Texts by G. C. Lehms: A Poetic and Musical Analysis.	diss.			1997	86p
Auclair, Francis	L'interprétation des œuvres de J.S. Bach.	diss.			1997	900p
Douglas, David James	Inquiry into J.S. Bach's method of reworking in his composition of the concerto for keyboard, flute and violin, BWV 1044, and its chronology.	diss.			1997	vi, 52p
Boote, Marlies Joan	Johann Valentin Eckelt's Tabulaturbuch (1692): a commentary with an edition of selected keyboard works.	diss.			1997	vii, 247p
Springthorpe, Nigel Richard	Passion Composition and composers of Passion music associated with the Court of Anhalt-Zerbst.	diss.			1997	xiv, 490p
Thomas, P.	The Anglicisation of Bach.	diss.			1998
Endo, Rena	Johannes Brahms no J. S. Bach Juyo ni tsuite. Enso, Zosho mokuroku, Henkyoku ni tsuite no Jusho Kenkyu.	diss.			1998
Fabian, Dorottya	J. S. Bach Recordings 1945-1975: St Matthew and St John Passions, Brandenburg Concertos and Goldberg Variations - A Study of the Changing Style of Performance in the Context of the Early Music Movement.	diss.			1998
Takezawa, Eisuke	J. S. Bach no Sakuhin ni okeru furuto no Yoho to Shinjun Mondai o megutte.	diss.			1998	119p
Roseman, Molly Roberts	Arthur Loesser: Pianist, teacher, critic, author.	diss.			1998	128p
Tan, Siok Lian	The Influence of the Nineteenth-Century Bach Revival Movement on the piano Works of Felix Mendelssohn-Bartholdy, Robert Schumann, Clara Wieck-Schumann, and Johannes Brahms.	diss.			1998	130p
Chien, Martin Ying-Tsai	A Performer's Study of Selected Compositions by Johann Sebastian Bach and Ferderico Moreno Torroba.	diss.			1998	142p
Cho, Yoonju	A Study of Baroque Tempo Practices and Their Applications to the Violoncello Suite No.2 by Johann Sebastian Bach.	diss.			1998	153p
Guthrie, Kris L.	The Ornamentation of the Four Flute Concerti of Carl Philipp Emanuel Bach: An Examination of Their Notations According to the Original Manuscripts, and a Discussion of their Executions According to Eighteenth-Century Treatises.	diss.			1998	176p
Cheng, Ephraim Ho-Yin	A performing edition of J. C. F. Bach's 'Pygmalion' and some performance considerations based on J. F. Agricola's 'Anleitung zur Singkunst'.	diss.			1998	198p
Borodavkin, Sergej	Principy orkestrovogo myslenija I.S. Baha.	diss.			1998	20p
Kramer, Laura Elizabeth	Articulation in Johann Sebastian Bach's Six Suites for Violoncello Solo (BWV 1007-1012): History, Analysis, and Performance.	diss.			1998	229p
Vjazkova, Elena	Processi muzikal'nogo tvorcestva: Sravnitel'nij tekstologiceskij analiz.	diss.			1998	329p
Davidson, Ian Bruce	The Use of the Oboe and Oboe d'amore in Selected Solo Arias of J. S. Bach.	diss.			1998	365p
Knoll, Mark W.	Which Bach Wrote What? A Cumulative Approach to Clarification of Three Disputed Works.	diss.			1998	382p
Zsok, Otto	Musik und Transzendenz: Ein philosophischer Beitrag zur Eruierung der geistig-spirituellen Inhalte der grossen abendlandischen Musik (Gregorianik, Bach, Beethoven, und Mozart)	diss.			1998	403p
Diederichs, Barbara	Musik als Generationsprinzip von Literatur. Eine Analyse am Beispiel von Thomas Bernhards Untergeher.	diss.			1998	414p
Wagner, Alexander	Vermarktungsstrategien für Kulturveranstaltungen als Teilbereich des Event-Marketing, am Beispiel des Bachfestes 1999 in Leipzig.	diss.			1998	58, ix p
Marckx, Leslie Hirt	French Baroque Influences on Johann Sebastian Bach's 'Six Suites for Violoncello Solo' with an Emphasis on French Court Dance and Suite V.	diss.			1998	65p
Welter, Kathryn J.	Johann Pachelbel: Organist, Teacher, Composer. A Critical Reexamination of His Life, Works, and Historical Significance.	diss.			1998	ix, 384 Bl
Beller-McKenna, Catherine Pearson	The Voice of Luther's Church: Instrumental Cantus Firmus Chorales in Selected Cantatas by Johann Sebastian Bach.	diss.			1998	v, 97p
Wampler, Stephen G.	A Brass Player's Guide to the Transcription and Performance of J. S. Bach's Six Suites for Violoncello Solo.	diss.			1998	vi, 204p
Suokko-Hixson, Ulla	Music and Rhetoric: The Eloquent Flauto Traverso of Johann Sebastian Bach (1685-1750).	diss.			1998	vii, 164p
Kuo, Yi-Sy-Tieh	Chopin's Twenty-Four Preludes, Opus 28: Historical Background and Performance Considerations.	diss.			1998	xii, 111p
McIntyre, Dean B.	Baroque and Classical Style in Selected Organ Works of the BACHSCHULE.	diss.			1998	xii, 362p
Bauer, Karen Tillotson	A study of three Baroque cantatas for performance: Alla caccia dell'alme e de' cori, RV 670--Antonio Vivaldi (1678-1741); Vergnügte Ruh', beliebte Seelenlust, BWV 170--Johann Sebastian Bach (1685-1750); O numi eterni (La Lucrezia)--George Frideric Handel (1685–1759).	diss.			1998	xiv, 269p
McDonald, William Rudd	A comparison of perceived musicianship and appropriate use of vibrato in professional cello performances by string performers, music majors, and nonmusic majors.	diss.			1998	xiv, 368p
Oleskiewicz, Mary A.	Quantz and the Flute at Dresden: His Instruments, His Repertory, and Their Significance for the 'Versuch' and the Bach Circle.	diss.			1998	xxxiv, 727p
Ishikawa, Miyuki	J. S. Bach no Junankyoku oyobi Oratorio ni okeru Alto Solo no Yakuwari to Igi ni kansuru Kenkyu.	diss.			1999
Park, Dohee	J. S. Bach: Han'onkaiteki Gensokyoku to Fuga (BWV 903) no Kaishaku.	diss.			1999
Stange-Elbe, Joachim	Analyse- und Interpretationsperspektiven zu Johann Sebastian Bachs 'Kunst der Fuge' mit Werkzeugen der objektorientierten Informationstechnologie.	diss.			1999
Yagi, Tomoko	Bach no Goldberg Hensokyoku no Kenkyu.	diss.			1999
Field, Elizabeth Imbert	Performing Solo Bach: An Examination of the Evolution of Performance Traditions of Bach's Unaccompanied Violin Sonatas from 1802 to the Present.	diss.			1999	194p
Terent'eva, Svetlana Viktorovna	Vysokaja messa I.S. Baha v svete dialoga kul'tur.	diss.			1999	20p
Krasnoskulov, Alexey	Strukturnye osobennosti klavirnyh sjuit I.S. Baha i pamjat' ispolnitelja.	diss.			1999	24p
Palas, Merit	Musiikin retoriikka editoimisen välineenä: Johann Sebastian Bachin sooloviulusonaattien BWV 1001 ja 1003 käsikirjoitus tarkasteltuna musiikin retoriikan valossa.	diss.			1999	366p
Claus, Rolf Dietrich	Johann Peter Kellner. Studien zu Leben und Werk nebst einem thematisch-systematischen Verzeichnis seiner musikalischen Werke.	diss.			1999	390p
Potgieter, Zelda	Analyses of selected works from the Well-tempered clavier of J.S. Bach: A synthesis of existing approaches.	diss.			1999	449, 58p
Thaves, Darrin Fredrick	Frederick the Great: His influence on the output of flute sonatas by Carl Philipp Emanuel Bach.	diss.			1999	45p
Kubota, Keiichi	C.P.E. Bach no Kigaku Sosaku ni okeru Kaitei oyobi Henkyoku ni kansuru Kenkyu.	diss.			1999	671p
Britt, Carol Delane Currie	The chorale prelude: The development of the chorale prelude and the use of the chorales of Martin Luther's Catechism by various European composers from the Reformation to Johann Sebastian Bach.	diss.			1999	87p
Youngren, William Thomas Harvey	The songs of C. P. E. Bach.	diss.			1999	975p
Meißner, Michael	Johann Sebastian Bachs Mühlhäuser Zeit (1707-1708).	diss.			1999	97p
Wesche, Jörg-Tilemann	Studien zu ausgewählten Weimarer Arien von Johann Sebastian Bach.	diss.			1999	ii, 280p
Betancourt, Rodolfo J.	The Process Of Transcription for Guitar of J. S. Bach Chaconne from Partita II for Violin Without Accompaniment, BWV 1004.	diss.			1999	iv, 65p
Thompson, Alton	Formal Coherence in Emanuel Bach's Auferstehung.	diss.			1999	xviii, 302p
Thierbach, Sue Ellen Puyear	A pedagogical guide to selected violin concertos by Bach, Viotti, Goldmark, and Khachaturian.	diss.			1999	xxii, 286p
Van Wyk, Theodore Justin	A comparative study of registration practices in selected organ works of Johann Sebastian Bach (1685-1750) based on recordings made by Marie-Claire Alain and Jacques van Oortmerssen.	diss.			2000
Brandt, T.	Johann Christoph Oley: Erschließung biographischer Dokumente aus dem Archiv der Reformierten Gemeinde in Aschersleben.	diss.			2000
Geuting, Matthias	Studien zu den schnellen Sonaten- und Konzertsätzen von Johann Sebastian Bach.	diss.			2000
Stammen, Dale R.	Timewarp: A computer model of real-time segmentation and recognition of melodic fragments.	diss.			2000	137p
Gavalchin, John Emil	Temporality in music: A conceptual model based on the phenomenology of Paul Ricoeur.	diss.			2000	169p
Duff, Robert Paul David	The baroque oratorio Passion: A conductor's guide to compositional techniques and their foundations.	diss.			2000	176p
Berdennikova, Ekaterina Mihajlovna	Gomiletièeskie tradicii duhovnyh kantat I.S. Baha.	diss.			2000	212p
Jammermann, Marco	Noema: Der musikalische Gedanke in J.S. Bachs Wohltemperierten Klavier.	diss.			2000	217p
Bockova, Tat'jana	Nemeckaja organnaja muzyka XIX veka i tradicija romanticeskogo bahianstva.	diss.			2000	21p
Ko, Ching-Tzy	Dynamic Markings in Bach Cello Suites.	diss.			2000	226p
Wyatt, Henry Drew	Aspects of Sublime Rhetoric in Eighteenth-Century Music.	diss.			2000	249p
Shabalina, Tat'jana	Tvorcestvo I.S. Baha: Tekstologiceskoe issledovanie na materiale instrumental'nyh socinenij.	diss.			2000	251p
Halbscheffel, Bernward	Rockmusik und klassisch-romantische Bildungstradition.	diss.			2000	437p
Noyer, Jérémie	L'utopie liturgique: la 'Missa en si mineur' de Johann Sebastian Bach.	diss.			2000	520p
Bittmann, Antonius	Negotiating Past and Present: Max Reger and Fin-de-siècle Modernisms.	diss.			2000	620p
Shabalina, Tat'jana	Tvorchestvo I. S. Bakha: Tekstologhicheskoye issledovaniye.	diss.			2000	687p
Marchand, Guy	Bach et le nombre d'or ou la 'Passion selon Jean-Sébastien'.	diss.			2000	795p
Jurgensmeier, Charles Lee	The Magnificat in D Major, BWV 243 by Johann Sebastian Bach: A study in performance and analysis.	diss.			2000	81p
Oehm-Kuehnle, Christoph Friedrich [Öhm-Kühnle]	Musical Rhetoric in J. S. Bach's Two-Part Inventions and Implications for Their Performance on the Modern Piano.	diss.			2000	88p
Hoffman, William	Narrative Parody in Bach's St.Mark Passion.	diss.			2000	94p
Montgomery, James L.	Application of Baroque organ articulation concepts to a wind-band transcription of J. S. Bach's Toccata and Fugue in D Minor, BWV 565.	diss.			2000	96p
Kato, Takumi	Reinhard Keiser Maruko Junankyoku no Shiryo Kenkyu to Juyo Kenkyu.	diss.			2000	96p
Cseszko, Ferenc Patrick	A Comparative Study of Joseph Szigeti's 1931, Arthur Grumiaux's 1960, and Sergiu Luca's 1983 Recordings of Johann Sebastian Bach's Sonata #1 in G Minor for Solo Violin.	diss.			2000	ii, 81p
Park, Sohyoung	J. S. Bach's Partita in E minor, BWV 830: Motivic Analysis and Its Influence on Interpretation.	diss.			2000	iv, 70p
Speerstra, Joel	Bach, the pedal clavichord, and the organist.	diss.			2000	ix, 241p
Espinosa, Damian	C.P.E. Bach's fantasias: the rhetorical argument.	diss.			2000	vii, 148p
Abravaya, Ido	Studies of Rhythm and Tempo in the Music of J. S. Bach.	diss.			2000	xv, 318p
Kramer, Mattheus	Zahlenfiguren im Werk Johann Sebastian Bachs.	diss.			2000	xxii, 215p
Otsuka, Naoya	J. S. Bach no Shukenban no tame no Toccata Kenkyu: BWV 910-916 no Seiritsu to Klavier no Gainen ni tsuite no Kosatsu.	diss.			2001
Cooper, David Thomas	Bach cello suites transcribed and edited for trumpet and Bach cello suites 1-3, performed on trumpet.	diss.			2001
Jung, Ja Young	Preludes in all twenty-four major and minor keys, op. 67, by Johann Nepomuk Hummel: An investigation and analysis.	diss.			2001	144p
Edge, Dexter	Mozart's Viennese copyists.	diss.			2001	2416p
Davis, Stacey	Implied Polyphony in the Unaccompanied String Works of J. S. Bach: Analysis, Perception, and Performance.	diss.			2001	266p
Sanders, Reginald LeMonte	Carl Philipp Emanuel Bach and liturgical music at the Hamburg principal churches from 1768 to 1788.	diss.			2001	316p
Cole, Warwick	The Performance of Small-note Vorschläge in the Keyboard and Chamber Music of J. S. Bach.	diss.			2001	357p
Piña Rebeil, Juan Carlos	La guitarra clásica a travéz de los períodos barroco y contemporáneo.	diss.			2001	35p
White, Andrew Carl	'Good invention repaid with interest': The Importance of Borrowing in Bach's Compositional Process.	diss.			2001	380p
Sun, Chiao-Ling	Violin and dance in the Baroque era: The unaccompanied violin Partita BWV 1002 by Johann Sebastian Bach.	diss.			2001	56p
Kalshoven, Laura Ann	Viola da gamba sonatas by Johann Sebastian Bach and sons (Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach.	diss.			2001	57p
Macri, Chiara	La prassi esecutiva pianistica nei suoi fondamenti storici ebiomeccanici: Una nuova ipotesi metodologica.	diss.			2001	683p
Trolier, Kimberly Ann	Analytical topics in Bach's flute sonatas.	diss.			2001	79p
Wallis, Byron Malcolm	Virtuosity and Illusion: Bach's C-major Solo Violin Fugue in the History of Violin Polyphony.	diss.			2001	90p
Arsenault, Valerie Prebys	A Pedagogical Edition and Performer's Guide to J. S. Bach's Cello Suites (BWV 1007--1010) transcribed for the violin.	diss.			2001	92p
Hess, Kimberly Ann	The organ sonatas of Carl Philipp Emanuel Bach.	diss.			2001	v, 223p
Elbon, Virginia Elizabeth	Symmetry and proportion: Generative and formative procedures of J. S. Bach's 'Brandenburg Concerto No. 3'.	diss.			2001	vii, 33p
Power, Tushaar	J.S. Bach and the Divine Proportion.	diss.			2001	xi, 255p
Brass, Christophe	La basse fondamentale dans Le clavier bien tempéré de Johann Sebastian Bach.	diss.			2001	xii, 867 p
Deyton, Timothy Jack	A conductor's analysis of the Lutheran Mass in G Major and Cantata 179, 'Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei', by Johann Sebastian Bach.	diss.			2001	xv, 199p
Druzinin, Sergej Vâceslavovic	Sistema sredstv muzykal'noj ritoriki v orkestrovyh sûitah I.S. Baha, G.F. Gendelâ, G.F. Telemana.	diss.			2002	210p
Steely, Kathryn	Large-Scale Architecture in the J. S. Bach Violoncello Suite Preludes and the Formation of Interpretation.	diss.			2002	215p
Kahlstorf, Delano Kent	The two-part inventions of J. S. Bach: A performing edition based upon the keyboard technique and performance practice of Bach and his circle.	diss.			2002	260p
Savarese, Mary B.	Performance Practice in the Keyboard Sonatas of Carl Philipp Emanuel Bach.	diss.			2002	274p
Chapin, Keith Moore	From tone system to personal inspiration: The metaphysics of counterpoint in 18th and early 19th- century Germany.	diss.			2002	322p
Stahlke, Mary Benson	Johann Krieger and sacred vocal music in Zittau, 1682-1735.	diss.			2002	615p
Lindsley, William T.	Conservative and progressive elements, and vocal and key characteristics in the first two movements of C.P.E. Bach's Prussian Sonata no. 1 in F major, H. 24.	diss.			2002	67p
Kutz, Eric	Towards a Formal Paradigm for the Bach Cello Suite Preludes: A Study of the History, Theory, Origins, and Organization of Bach's Preludes to BWV 1007-1012, and Implications for Their Performance.	diss.			2002	x, 146p
Jones, Sara Ann	'The Neumeister Collection of Chorale Preludes of the Bach Circle': An examination of the chorale preludes of J. S. Bach and their usage as service music and pedagogical works.	diss.			2002	x, 89p
O'Loghlin, Michael A.	The Viola da Gamba Music of the Berlin School, 1732-1772.	diss.			2002	xi, 377p
Leahy, Anne Marie	Text-Music Relationships in the 'Leipzig' Chorales of Johann Sebastian Bach.	diss.			2002	xv, 223p
Kac, Juliet	The painting of music--the music of painting: The relationships between music and painting, with special reference to Kupka and my personal practice.	diss.			2003
Marinho Silva Carvalho, Helena Paula	J.C. Bach's London keyboard sonatas: Style and context.	diss.			2003
Yang, Junfeng	Bahe b xiaodiao misaqu de ticai guishu ji shenxue neihan.	diss.			2003
Hong, J. L.	Musical expression in performance: An analysis of recorded performances of J.S. Bachs Sarabande from the C major Cello Suite BWV 1009.	diss.			2003
Sawatani, Natsuki	J. S. Bach no 'Nin'i Soshoku' Kenkyu: BWV 965, 966, 973, 974, 980 ni okeru Ruikei	diss.			2003	103p
Nüdling, Thomas	Untersuchungen zu Johann Michael Bach. Leben und Werk.	diss.			2003	104p
Lee, Ming-Shung	A selected study of three variations by Bach, Beethoven, and Brahms.	diss.			2003	116p
Bubar, Cheryl Ann	Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types.	diss.			2003	133p
Morozov, Serhii	The evolution of the genres of classical piano sonata and piano concerto in the works of D. Scarlatti, C.P.E. Bach, J.C. Bach, J. Haydn, W.A. Mozart and L.V. Beethoven.	diss.			2003	14p
Elferen, Isabella van	Von Laura zum himmlischen Bräutigam: Der petrarkistische Diskurs in Dichtung und Musik des deutschen Barock.	diss.			2003	286p
Reade, Cyril	Mendelssohn to Mendelsohn; visual case studies of Jewish life in Berlin.	diss.			2003	326p
Jerkert, Jesper	Measurements and models of musical articulation.	diss.			2003	32p
Arkad'ev, Mihail Aleksandroviè	Hronoartikulâcionnye struktury novoevropejskoj muzyki i fundamental'nye problemy ritma.	diss.			2003	360p
Müller, Jan Henning	Der Komponist als Prediger: die deutsche evangelisch-lutherische Motette als Zeugnis von Verkündigung und Auslegung vom Reformationszeitalter bis in die Gegenwart.	diss.			2003	448p
Dequevauviller, Vincent	Étude de certains procédés architectoniques - en particulier numériques - dans la composition des œuvres de Jean-Sébastien Bach.	diss.			2003	659p
Ham, Jimin	A comparative analysis of J. S. Bach's three partitas for solo violin.	diss.			2003	72p
Lammens, S.	De Bach-revival in België in de negentiende eeuw. De bijdrage van François-Joseph Fétis en François-Auguste Gevaert.	diss.			2003	82p
Kaminska, Iwona	J. S. Bach, The Ouverture in B Minor (BWV 831): A Discussion of Its Origin and Style, Performance Practice Issues and Their Application to the Modern Piano.	diss.			2003	ix, 113p
Scooler, Evan Daniel	J. S. Bach's Changing Conception of the 'Great Eighteen' Chorales.	diss.			2003	ix, 343p
Stone, Kerstin Barger	Teaching the Preludes of The WellßTempered Clavier.	diss.			2003	vii, 85p
Talle, Andrew James	J. S. Bach's Keyboard Partitas and Their Early Audience.	diss.			2003	viii, 307 Bl
Seo, Yun-Jin	Three cycles of 24 preludes and fugues by Russian composers: D. Shostakovich, R. Shchedrin and S. Slonimsky.	diss.			2003	xiii, 105p
Peters, Mark A.	Christiana Mariana von Ziegler's Sacred Cantata Texts and Their Settings by Johann Sebastian Bach.	diss.			2003	xv, 384p
Zirkle, Thomas Allen	Developing a four-mallet marimba technique featuring the alternation of mallets in each hand for linear passages and the application of this technique to transcription of selected keyboard works by J. S. Bach.	diss.			2003	xxiv, 148p
Peters, Manfred	Die Dispositio der römischen Oratorie als Beitrag zum Formverständnis ausgewählter Instrumentalfugen von Johann Sebastian Bach.	diss.			2004
Bamberg, Joachim	Die Botschaft der Kantate: eine musiko-theologische Analyse der Kantaten Johann Sebastian Bachs zum 6. Sonntag nach Trinitatis.	diss.			2004
Pranata, Julianto	New transcriptions for viola: Works by J. S. Bach, Frank Bridge, Clara Schumann, and Rebecca Clarke.	diss.			2004	105p
Roberts, Scott	Toward a methodology for the analysis of fugue: An examination of selected Bach organ works.	diss.			2004	124p
Kruse, Hermann	Die Chorwerke von Moritz Hauptmann (1792–1868).	diss.			2004	135p
Bunn, J. Gregg	A performer's study of three preludes and fugues for organ representing eighteenth-century Germany, nineteenth-century Germany, and twentieth-century France: Johann Sebastian Bach, Franz Liszt, and Maurice Durufle.	diss.			2004	151p
Rautio, Riitta Aulikki	Fortspinnungstypus revisited: Schemata and prototypical features in J. S. Bach's minor-key cantata aria introductions.	diss.			2004	238p
Holtan, Eric Howard	The role of the chorale in the oratorios and symphonies of Felix Mendelssohn-Bartholdy.	diss.			2004	254p
Bennett, Evan	The treasons of image: Bach, irony, and Shostakovich's preludes and fugues, op. 87.	diss.			2004	256p
Kamatani, Pamela M.	Science, metaphysics, and the late works of J. S. Bach.	diss.			2004	305p
Aspaas, Christopher Paul	A history of the Oregon Bach Festival.	diss.			2004	318p
Dürre, Ronald	Louis Spohr und die 'Kasseler Schule'. Das pädagogische Wirken des Komponisten, Geigenvirtuosen und Dirigenten in der ersten Hälfte des 19. Jahrhunderts.	diss.			2004	417p
Ahn, So-Yi	Felix Mendelssohn-Bartholdy: The first 'Romantic' composer for the organ.	diss.			2004	51p
Allen-Russell, Ann van	Wind Orchestration in the Music of Johann Christian Bach, 1762-1782: Studies in Structure, Texture and Form.	diss.			2004	608p
Dommange, Thomas	Les paradoxes métaphysiques de la Passion selon Saint Matthieu de J.-S. Bach.	diss.			2004	623p
O'Leary, Alec	J. S. Bach: English suite no. 4, BWV 809 for two guitars.	diss.			2004	67p
Lim, Jungmook	A performance guide to J. S. Bach's Suite No. 5 for violoncello solo: The interpretation of the ornaments, rhythm, bowing and phrasing, and polyphonic texture.	diss.			2004	77p
Ruhl, Nicole	Events im Spektrum kulturpolitischer Zielsetzungen. Künstlerische, gesellschaftliche und ökonomische Dimensionen von Kulturevents untersucht am Beispiel des Leipziger Bachfests.	diss.			2004	96p
Kranenburg, Peter van	De fuga in f (BWV 534) van Johann Sebastian Bach? - Verkenning van een kwantitatieve methode voor het modelleren van muzikale stijl.	diss.			2004	97p
Lockey, Nicholas	The Instrumental Variations Sets of Antonio Vivaldi: Old Forms in New Genres.	diss.			2004	ix, 155p
Bae, Jin Young	Karg-Elert's 'Passacaglia and Fugue on B-A-C-H': A study of harmonic and stylistic analysis.	diss.			2004	v, 101p
Santos, Carmelo de los	Performance-Practice Issues of the Chaconne from Partita II, BWV 1004, by Johann Sebastian Bach.	diss.			2004	vii, 150p
Linnartz, Elizabeth Byrum	The Soul and Jesus Dialogue Cantatas of Johann Sebastian Bach.	diss.			2004	xi, 238p
Matsumoto, Kanae	Performance practice issues in piano transcriptions of J. S. Bach's unaccompanied violin Chaconne by Brahms and Busoni.	diss.			2004	xi, 80p
Dykstra, Ruth Elaine	Possible Orchestral Tendencies in Registering Johann Sebastian Bach's Organ Music: An Historical Perspective.	diss.			2004	xii, 167p
Bordignon, Paolo Michele	Johann Sebastian Bach's Halt im Gedächtnis Jesum Christ BWV 67: A Study of the Sources and Their Implications.	diss.			2004	xii, 174p
Cron, Matthew	The obbligato organ cantatas of J. S. Bach in the context of 18th-century practice.	diss.			2004	xix, 830p
Golomb, Uri	Expression and Meaning in Bach Performance and Reception: An Examination of the B minor Mass on Record.	diss.			2004	xv, 432p
Lee, Joong-Oh	A comparison of selected editions of Johann Sebastian Bach's Unaccompanied cello suite number six in D major BWV 1012 transcribed for the viola: a doctoral essay.	diss.			2004	xvi, 132p
Van Wyk, Theodore Justin	The Harmonische Seelenlust (1733) by G.F. Kauffmann (1679-1735): A critical study of his organ registration indications.	diss.			2005
Mikami, Tokiko	J. S. Bach no 'Mubanso Furuto no tame no Partita I-Tancho BWV 1013' o meguru Kosatsu: 'Allemande' ni okeru Saiko-On a3 no Tokuisei o akiraka ni suru.	diss.			2005
Kambara, Sonoko	Bach beyond the score: Clues to performance issues in Bach's keyboard music.	diss.			2005
Connolly, Aisling	The contribution of Dr Joseph Groocock to music education in Ireland (1935–1997).	diss.			2005
Pérez Torres, René	Bach's Mass in B Minor: An analytical study of parody movements and their function in the large-scale architectural design of the Mass.	diss.			2005	202p
Chang, Eun-Un	Die Choralvorspiele zur Regerzeit: ein Beitrag zur gottesdienstlichen Orgelmusik der Spätromantik.	diss.			2005	236p
Burford, Mark Jon	'The real idealism of history': Historical consciousness, commemoration, and Johannes Brahms' 'years of study'.	diss.			2005	340p
Crean, Elise	The Canonic Compositions of Johann Sebastian Bach: An Examination of Their Personal and Historical Context.	diss.			2005	73p
Gaughan, Warren John	An analysis of George Rochberg's Carnival music: Suite for piano solo.	diss.			2005	75p
Willner, Channan	Durational Pacing in Handel's Instrumental Works: The Nature of Temporality in the Music of the High Baroque.	diss.			2005	774p
Yoo, Shirley S.	Four performance editions of J.S. Bach's Well-tempered clavier: Carl Czerny, Carl Tausig, Ferruccio Busoni and Bélá Bartók.	diss.			2005	iv, 116p
Oh, Hea-Seung	Interpreting J. S. Bach's solo violin sonatas and partitas through Leopold Mozart, Joachim/Moser, and Galamian.	diss.			2005	ix, 85p
Wang, Yu-Chi	A Survey of the Unaccompanied Violin Repertoire, Centering on Works by J. S. Bach and Eugene Ysaÿe.	diss.			2005	viii, 127p
McFarland, James Harold	An analysis of two twentieth-century German organ compositions on the B-A-C-H motive composed by Heinz Wunderlich and Hans-Ludwig Schilling.	diss.			2005	viii, 148p
Lee, Kayoung	The Role of the 12/8 time signature in J. S. Bach's Sacred Vocal Music.	diss.			2005	x, 196p
Toumpoulidis, Themistoklis D.	Aspects of musical rhetoric in Baroque organ music.	diss.			2005	x, 263p
Fung, Eric K.	Johann Sebastian Bach's Overture in the French Manner, BWV 831: A Study in Motive, Harmony, and Rhythm.	diss.			2005	xiii, 176p
Jansen, Frans	Passie in de polder: het begin van de Nederlandse Bach-traditie in de negentiende eeuw.	diss.			2006	103p
Cheng, Wei	A Conductor’s Guide to Sofia Gubaidulina’s St. John Passion.	diss.			2006	113p
Kim, Mary Byung-Ae	A performer's study of selected sacred solo cantatas by Johann Sebastian Bach, Alessandro Scarlatti, and Georg Philipp Telemann.	diss.			2006	158p
Harju, Tommi	Kaanonien kaatama? Johann Gottfried Waltherin elämä.	diss.			2006	161p
Sidorova, Elena Viktorovna	Principy hudožestvennogo pretvoreniâ horala v duhovnyh kantatah I. S. Baha.	diss.			2006	174p
Lloyd, Rebecca Joanne	Bach among the conservatives: the quest for theological truth.	diss.			2006	199p
Schüllerová, Silvie	Afektová teorie a hudebnì rétorické figury.	diss.			2006	208p
Keen, Basil Sidney Charles	The Bach choir, 1876-1928.	diss.			2006	281p
Kempf, Davorin	Symmetrie und Variation als kompositorische Prinzipien: Interdisziplinäre Aspekte.	diss.			2006	417p
Lim, Aesook	The long chorale preludes of J. S. Bach (1685-1750): Study of accompaniments together with three recitals of selected works by Dietrich Buxtehude (1637-1707), J. S. Bach, Louis Vierne (1870-1937), and others.	diss.			2006	42p
Rubinoff, Kailan Ruth	The early music movement in the Netherlands: History, pedagogy and ethnography.	diss.			2006	443p
Berkahn, Jonathan	Wrestling with the German Devil: Five Case Studies in Fugue After J. S. Bach.	diss.			2006	461p
Lutterman, John Kenneth	Works in progress: J. S. Bach's Suites for Solo Cello as artifacts of improvisatory practices.	diss.			2006	598p
Fišerová, Hana	Raný vývoj klavíru a klavírní pedagogiky a komparace interpretaèních pøístupù ve vybraných skladbách J. S. Bacha a F. Chopina.	diss.			2006	63p
Mills, Ian	A Scholar and a Gentleman. Identifying and Assessing Walter Emery's Key Contributions to Twentieth-Century Bach Scholarship.	diss.			2006	67p
Kingsbury, Brett	From Bach to Busoni: Transcription as visionary process in Ferruccio Busoni's Fantasia Contrappuntistica.	diss.			2006	75p
Di Pasquale, Donato	Genesi dei Quattordici Canoni BWV 1087 di Johann Sebastian Bach.	diss.			2006	94p
Yoo, Esther S.	Old wine in new bottles. Felix Mendelssohn-Bartholdy's chorale cantatas: J. S. Bach's models become 'Romanticized'.	diss.			2006	97p
Carter, Adele Hall	Bach to basics: A performance study of the suites for solo cello by Johann Sebastian Bach, BWV 1007-1012.	diss.			2006	ii, 4p
Kim, Eun-Ho	Formal coherence in J. S. Bach's Three Sonatas for Solo Violin, BWV 1001, 1003, and 1005.	diss.			2006	iv, 78p
Florence, Dominic	Opposition as a guiding principle for performance in J.S. Bach's Die Kunst der Fuge.	diss.			2006	ix, 55p
McGahie, Paul D.	The Choral Fugue: A Comparative Study of Style and Procedure in Works by J.S. Bach and W.A. Mozart.	diss.			2006	vi, 114p
Fabrikant, Marina	Bach-Busoni Chaconne. A piano transcription analysis.	diss.			2006	vi, 152p
Knobel, Bradley James	Bach Cello Suites with Piano Accompaniment and Nineteenth-Century Bach Discovery: A Stemmatic Study of Sources.	diss.			2006	vii, 361p
Hughes, Indra Nicholas Martindale	Accident or Design? New Theories on the Unfinished Contrapunctus 14 in J. S. Bach's The Art of Fugue BWV 1080.	diss.			2006	viii, 188p
Luongo, Paul Gabriel	Theodore Thomas's 1902 Performance of Bach's B-minor Mass: Working within the Grand American Festival.	diss.			2006	x, 96p
Duke, Patricia Beryl	Foundations of early music in Melbourne: Leonard Fullard and other pioneers.	diss.			2006	xii, 454p
Pinkevièius, Vidas	Improvisation of keyboard preludes in the style of J. S. Bach: A practical method comprising techniques derived from selected keyboard works.	diss.			2006	xiii, 81p
Green, William R.	Robert Shaw's Approach to Rhythm and Phrasing as Evidenced in His Preparation of Bach's B minor Mass.	diss.			2006	xv, 190p
Morota, Daisuke	Dresden no Furuto Sosha to J. S. Bach: 1724-Nen no Kantata ni okeru Furuto Kiyo no Haikei o megutte.	diss.			2007
Nic Athlaoich, Róisín	Bach’s solo cello suite no. 1: The performance and interpretive value of Schenkerian analysis.	diss.			2007
Chiang, Shih-yi	Brandenburg Concerto No. 6 in B-flat major by Johann Sebastian Bach: A new arrangement transcribed for two pianos.	diss.			2007	139p
Mahlberg, Daniel Sakari	The Baroque continuum: The influence of the 'Praeludien' from Bach's 'Well-Tempered Clavier' on Chopin's Preludes, Op. 28.	diss.			2007	144p
Burdick, Adam David	The Influence of French Baroque Dance on the Cantatas of Johann Sebastian Bach.	diss.			2007	159p
Fleury, W. Leigh	Motivic structure in the chorale-based organ works of Sir Charles Hubert Parry: An analytical survey.	diss.			2007	180p
Metzler, Patrizia	Aria forms and chorus textures in Bach's early cantatas: The influences of Neumeister, Telemann, and Rosenmueller.	diss.			2007	194p
Milne, Jennifer Denise	The rhythm of form: Compositional processes in the music of Sofia Gubaidulina.	diss.			2007	195p
Kattnig, Hildegard	Untersuchungen zur musikalischen Sprache J.S. Bachs Motetten, dargestellt an ausgewählten Beispielen.	diss.			2007	300p
Zahvatkin, Andrej Nikolaevic	Klavirnaâ skola K.F.È. Baha v istoriceskoj perspektive.	diss.			2007	307p
Choi, Jeeyoon	A comprehensive study of Sigfrid Karg-Elert's use of Lutheran chorale and Gregorian chant in his organ music.	diss.			2007	315p
Komm, Thomas Alexander	Die Klaviersonaten von Georg Anton Benda: Geschichtlicher Stellenwert und formale Strukturen.	diss.			2007	320p
Rhyne, David Ernest	A conductor's guide to the E-flat 'Magnificat' of Johann Sebastian Bach.	diss.			2007	326p
Franck, Peter Jocelyn	The role of invertible counterpoint within Schenkerian theory.	diss.			2007	333p
Lindsberger, Herbert	Flüchtigkeit oder beabsichtigte Variation. Die Sechs Suiten für Violoncello solo von Johann Sebastian Bach (BWV 1007-1012) in der Abschrift Anna Magdalena Bachs und deren Übertragung für Viola.	diss.			2007	344p
Flint de Médicis, Catrina	The Schola Cantorum, early music and French political culture, from 1894 to 1914.	diss.			2007	365p
Jarvis, Martin W. B.	Did Johann Sebastian Bach Write the Six Cello Suites?	diss.			2007	430p
Nero, Jonathan Leonard	The a cappella motets for mixed voices by Johannes Brahms: An analytical overview with focus on Brahms' use of compositional techniques from early music.	diss.			2007	46p
Todd, Richard	The sarabandes from J.S. Bach's six suites for solo cello: An analysis and interpretive guide for the modern guitarist.	diss.			2007	67p
Hampson, Christopher Martin	Pausing for Reflection: Re-evaluating Bach's Use of the Fermata.	diss.			2007	87p
Boyd, Megan	The St Matthew Passion: A discussion of the textual structure of the work in 1727, Bach's 1736 revision and its 1829 and 1841 revivals by Mendelssohn.	diss.			2007	ii, 147p
Spierings, Benedikt	Bachs derde partita voor vioolsolo in historisch, analytisch en interpretatief perspectief: Een werkbeschrijving.	diss.			2007	v, 95p
Borthwick, Mary Christine	'In the Swim’: The life and musical achievements of William Gillies Whittaker 1876-1944.	diss.			2007	x, 527p
Black, David Ian	Mozart and the Practice of Sacred Music, 1781-91.	diss.			2007	xi, 455p
Cruz, Jennifer	The aesthetic relevance of the Golden Section in The well-tempered clavier by J.S. Bach: The relationship between form, temporal flow, and proportional balance.	diss.			2007	xi, 63p
Adams, David William	'Modern' Organ Style in Karl Straube's Reger Editions.	diss.			2007	xiv, 222p
Wiley, Christopher	Re-writing composers' lives : critical historiography and musical biography.	diss.			2008
Yang, Shu-Ting	Salute to Bach: Modern treatments of Bach-inspired elements in Luigi Dallapiccola's Quaderno musicale di Annalibera and Heitor Villa-Lobos' Bachianas brasileiras no. 4.	diss.			2008	104p
Dougherty, Michael P.	Exegesis and eisegesis: The choral composer as scriptural interpreter with special reference to settings of the Magnificat.	diss.			2008	106p
Cortens, Evan Philip	The Installation Cantatas of C. P. E. Bach.	diss.			2008	124p
Gingrich, M. Linda	The seen and the unseen: Hidden allegorical links in the Trinity season chorale cantatas of J.S. Bach.	diss.			2008	146p
Simpson, Will M.B.	A conductor's guide to J.S. Bach's cantata 150 'Nach Dir, Herr, Verlanget Mich'.	diss.			2008	173p
Scholz, Anna	J. S. Bach: Hat szvit szólócsellóra (BWV 1007–1012): Elõadásmód, artikuláció. A források és a kritikai kiadások problematikája.	diss.			2008	192p
Molèan, Ján	Vývoj sonátovej formy v klavírnej tvorbe romantikov prvej polovice 19. storoèia (Analýza vplyvov a príèin zmien hudobného myslenia a z toho rezultujúce nároky na interpretáciu).	diss.			2008	203p
Randwijck, Rutger J. C. van	Music in Context. Four Case Studies.	diss.			2008	244p
Kelly, Laura Lynn	August Halm's Von zwei Kulturen der Musik: A translation and introductory essay.	diss.			2008	257p
Aschauer, Mario	Deutschsprachige Clavier-Lehrwerke in der zweiten Hälfte des 18. Jahrhunderts.	diss.			2008	265p
Corduban, Mihaela-Lidia	Le Clavier bien tempéré de Jean-Sébastien Bach: Le rôle de la rhétorique dans les stratégies compositionnelles de Bach.	diss.			2008	312p
Ceballos, Sara Gross	Keyboard portraits: Performing character in the eighteenth century.	diss.			2008	330p
Mandelbaum, Karen G.	The late keyboard rondos of Carl Philipp Emanuel Bach: Issues of genre, form, and voice leading.	diss.			2008	373p
Scholz, Anna	J. S. Bach: Six suites for violoncello solo (BWV 1007–1012): Performance, articulation problems of the sources and the critical editions.	diss.			2008	7p
Lee, Hye Won	The toccata and the history of touch: A pianist's survey of the symbiosis of style and performance practice of selected toccatas from Froberger to Muczynski.	diss.			2008	84p
So, Jeong-Hwa	Rhetorical perspectives on the large settings on the Catechism Chorales in J.S. Bach's Clavierubung III.	diss.			2008	89p
Colahan, Ellwood P.	Metric Conflict in The Brandenburg Concertos of J. S. Bach.	diss.			2008	iii, 228p
Lindner, Matthew	Blood, Wounds and Heart-Religion: J. S. Bach Reception in Late Nineteenth-Century Bethlehem, Pennsylvania.	diss.			2008	ix, 143p
Weman Ericsson, Lena	'...världens skridskotystnad före Bach': Historiskt informerad uppförandepraxis ur ett kontextuellt musikontologiskt perspektiv, belyst genom en fallstudie av Sonat i E-dur, BWV 1035, av J S Bach.	diss.			2008	x, 153p
Weman Ericsson, Lena	'...the world in a skater's silence before Bach': Historically Informed Performance in the Perspective of Contextual Musical Ontology, Illustrated through a Case Study of Sonata in E major, BWV 1035, by J. S. Bach.	diss.			2008	xi, 176p
Boelcke, Andreas M.	Chopin's 24 Préludes, Opus 28: A Cycle Unified by Motion between the Fifth and Sixth Scale Degrees.	diss.			2008	xii, 81p
Murphy, Michael Troy	Performance practice of Johann Sebastian Bach's 'Passio Secundum Johannem'. A study of 25 years of recorded history (1982-2007) as influenced by events surrounding the Historically Informed Performance movement.	diss.			2008	xiii, 342p
Chapman, David	Thoroughbass pedagogy in nineteenth-century Viennese composition and performance practices.	diss.			2008	xv, 448p
Myhajlova, Iryna Mykolaivna	Ideâ transcendentnogo v muzyci J.-S. Baha ta A.G. Šnitke: Obrazy, symvoly, paradoksy.	diss.			2009	179p
Redrow, Sean Patrick	The 'Livre d'Orgue' of Nicolas de Grigny and the 'Livre' copies of J.S. Bach and J.G. Walther--A performing edition with critical commentary.	diss.			2009	276p
Sulaiman, Samaa	Les pianistes et le répertoire du baroque tardif pour clavier: réflexion sur un corpus d'interprétations discographiques (J.S.Bach, Rameau, D.Scarlatti).	diss.			2009	338p
Lephay, Pierre-Emmanuel	Que faire d'une oeuvre inachevée? Les choix interprétatifs face au manque à travers les exemples de 'L'art de la fugue' de Bach, 'La Khovantchina' de Moussorgsky et la 'Neuvième symphonie' de Bruckner.	diss.			2009	469, 143p
Joyce, Elizabeth B.	Representation of 'the world' in the church cantatas of Johann Sebastian Bach.	diss.			2009	606p
Helfgott, Maria	Die Orgelmesse: Eine Untersuchung der orgelbegleiteten Messen vom ausgehenden 18. bis zum beginnenden 20. Jahrhundert.	diss.			2009	675p
Alexander, Daniel	The solo flute sonatas of Carl Philipp Emanuel Bach 1735-1786: A re-evaluation of the appoggiatura, and its links to performance practice and compositional style.	diss.			2009	89p
Beck, Kimberly Jean	The Dance movements of Christian Flor in Lüneburg Mus. Ant. Pract. 1198.	diss.			2009	iv, 111p
D'Elia, Peter	Clementi's Bach: The Well-Tempered Clavier, Gradus ad Parnassum, and the Prelude.	diss.			2009	iv, 73p
Seighman, Gary B.	Expanding the Choral Conductor's Horizon: The Application of Selected Literary Theories to the Process of Choral Score Study.	diss.			2009	v, 170p
Rice, Karen M.	Beyond Third Stream: Henry Martin's Preludes and fugues for solo piano.	diss.			2009	vi, 170p
McCormick, Susan	The Choralbuch of Johann Christian Kittel. Its significance in our understanding of Bach's legacy.	diss.			2009	vii, 78p; v, 533p
Hammes, Andrea	Johann Christian Bach in Leipzig: die Rezeption seiner Werke von 1750 bis 1800.	diss.			2010	112p
Plutalov, Denis V.	Dmitry Shostakovich's twenty-four preludes and fugues, op. 87: An analysis and critical evaluation of the printed edition based on the composer's recorded performance.	diss.			2010	121p
Alípio, Alisson	O processo de digitação para violão da Ciaccona BWV 1004 de Johann Sebastian Bach.	diss.			2010	123p
Sullivan, Daniel	J.S. Bach and permutational design.	diss.			2010	126p
Miller, Ann Elizabeth	Pure 3rds or 5ths: Great violinists' solutions to a problematic incongruity.	diss.			2010	206p
Shkolnik, Guy	The Thematic Potential and Its Realization in Selected Fugues from J.S. Bach's Well-Tempered Clavier.	diss.			2010	208p
Gordeeva, Elena Vladimirovna	Muzykal'naâ leksikografiâ smyslovyh struktur v klavirnyh tekstah I.-S. Baha.	diss.			2010	263p
Boršulâk, Al'ona Miroslavìvna	Stil'ova evolûcìâ simvolìki 'pasìonnostì': Baroko ta romantizm.	diss.			2010	267p
Sarlo, Dario	Investigating Performer Uniqueness: The Case of Jascha Heifetz.	diss.			2010	430p
Friedrich, Siegfried	Aspekte der Tonhöhenausdeutung in Johann Sebastian Bachs Das Wohltemperierte Klavier, Band I und II sowie in Franz Schuberts Die schöne Müllerin: Zum Auffassungsmodell eines 'intentionalen Tones' als Verbindungsglied zwischen Tonhöhenwahrnehmung und kompositorischer Tonhöhenbedeutung.	diss.			2010	610p
Lachat-Sarrete, Priscille	L'entrée du soliste dans les concertos de 1750 à 1810, à travers les œuvres de Johann Christian Bach, Haydn, Mozart, Viotti et Beethoven.	diss.			2010	652p
Engelsdorfer, Amy Lynne	Pedagogical and Compositional Techniques in Treatises by Augustus Frederic Christoph Kollmann and Johann Bernhard Logier.	diss.			2010	680p
Waszynski, Barbara	Das Übernahme der Datensätze aus der Bach Bibliography von Yo Tomita in das Bibliothekssystem des Bach-Archivs: Erarbeitung eines Konzeptes für eine gestufte Konvertierung.	diss.			2010	90p
Psujek, Jennifer Lauren	The Intersection of Gender, Religion, and Culture in Nineteenthcentury Germanic Salons.	diss.			2010	v, 73p
Watson, Marva J.	The Historical Figures of the Birthday Cantatas of Johann Sebastian Bach.	diss.			May 2010	viii, 107p
Exner, Ellen	The Forging of a Golden Age: King Frederick the Great and Music for Berlin, 1732 to 1756.	diss.			2010	xiv, 327p
Callahan, Michael Richard	Techniques of Keyboard Improvisation in the German Baroque and their Implications for Today's Pedagogy.	diss.			2010	xvi, 293p
Knyt, Erinn Elizabeth	Ferruccio Busoni and the Ontology of the Musical Work: Permutations and Possibilities.	diss.			2010	xvii, 624p
Goldstein, Elias	J. S. Bach Viola Concerto in E flat major A Reconstruction of BWV 169, 49, and 1053: Merits and Shortcomings.	diss.			2011
Martínez Ruiz, Sergio	Temperament in Bach's Well-Tempered Clavier: A historical survey and a new evaluation according to dissonance theory.	diss.			2011	207p
Lee, Yin-chieh	[A Research on Johann Sebastian Bach's 'Christmas Oratorio' Choral Selections.]	diss.			2011	230p
Demers, Isabelle	Bach as Theologian; Motives, Key Structures and Accidentals in the St. John Passion.	diss.			2011	240p
Prozzillo, Nicholas Stefano	Organ reform in England: aesthetics and polemics, 1901-1965.	diss.			2011	244p
Lee, Meebae	Rewriting the past, composing the future: Schumann and the rediscovery of Bach.	diss.			2011	289p
Stroh, Irene	Bach Ciaccona for Solo Violin: Hidden Chorales and Messages.	diss.			May 2011	44p
Cenciarelli, Carlo	Bach and Film in the Later Twentieth Century: Listening to the Goldberg Variations.	diss.			2011	552p
Turchichová, Magdalena Šmídová	Znovuoživování staré hudby v èeských zemích v 19. století	diss.			2011	59p
Johnston, Clark L.	Jazz compositions based on the chord progression from the 'Goldberg' Variations.	diss.			2011	68p
Cebola, António Pedro de Oliveira	Bach-Busoni - Chaconne: a Arte Da transcrição.	diss.			2011	72p
Delpech, Louis	'Plus d'étonnement que de plaisir': La première réception française de l'oeuvre de Johann Sebastian Bach, 1801-1840.	diss.			2011	93, 153p
Armstrong, Robert Eric	An Historical Survey of the Development of the Baroque Solo Keyboard Suite in France, England, and Germany.	diss.			2011	iii, 133p
Kang, Eunji Esther	Eugène Ysaÿe's music inspired by J. S. Bach.	diss.			2011	iv, 17p
Kwon, Wonjung	Fugal and canonic techniques in selected large chorale preludes of 'Clavieruebung III' by J. S. Bach.	diss.			2011	vi, 41p
Page, Stephen Charles, Jr.	A performance edition and technical guide to Johann Sebastian Bach's 'Chaconne' from 'Partita in D minor', BWV 1004, for alto saxophone.	diss.			2011	vii, 68p
Peck, Jennifer R.	Unlocking the affections in J. S. Bach's Flute Sonata in E minor, BWV 1034.	diss.			2011	viii, 75p
Pierce, Stephen Ross	An Examination of Alexander Siloti's Printed Solo Piano Transcriptions of Works by J. S. Bach.	diss.			2011	x, 125p
Johnson, Edmond Thomas	Revival and Antiquation: Modernism's Musical Pasts.	diss.			2011	xiv,199p
De Troyer, Nicolas	'Er ist doch ein alter Prachtkerl gewesen': De Bach-receptie in Mendelssohns orgelwerken.	diss.			2012
Hernandez, Juan F.	Guitar Music Selections; A master guitar recital performing pieces by Sanz, D. Scarlatti, J.S. Bach, C.P.E. Bach, Vivaldi, Mozart, Ponce, Villa-Lobos and Brouwer.	diss.			2012
Táboas, Susana Trigo	La Herencia Contrapuntística: Estudio Comparativo del Contrapunto en el Piano a Partir de Tres Fugas de Bach, Beethoven y Shostakovich.	diss.			2012	101p
Costa, Gustavo Silveira	Seis sonatas e partias para violino solo de J. S. Bach ao violão: fundamentos para adaptação do ciclo.	diss.			2012	192p
Fazekas, Gergely	J. S. Bach és a zenei forma két kultúrája.	diss.			2012	221p
Einarsdóttir, Sigrún Lilja	J.S. Bach in everyday life: The 'choral identity' of an amateur 'art music' Bach choir and the concept of 'choral capital'.	diss.			2012	352p
Palacios Quiroz, Rafael	La pronuntiatio musicale: une interprétation rhétorique au service de Händel, Montéclair, C. P. E. Bach et Telemann.	diss.			2012	362,149p
Bishop, Kirsten Elise	Playing J. S. Bach’s viola da gamba sonatas on the modern cello: editorial practices and performing protocols.	diss.			2012	42p
Bertoglio, Chiara	Instructive editions of J. S. Bach's 'Wohltemperirtes Klavier': an Italian perspective.	diss.			2012	466p
Tang, Yue	Three milestones: An examination of unaccompanied cello compositions by Johann Sebastian Bach, Zoltán Kodály and Gasper Cassadó and their contribution to solo cello repertory.	diss.			2012	52p
Kornfeld, Zoltán	A szvit mûfajának megjelenése Bach életmûvében, a gordonkára írt Hat Szólószvit elemzése (BWV 1007-1012).	diss.			2012	95p
Lombardino, Marc René	Pianists and Bach: A Performance proposal for the Fourth Prelude and Fugue from 'The Well-Tempered Clavier,' book I.	diss.			2012	iv, 29p
Yoo, Jin Ah	J.S. Bach's Great Eighteen Chorale Preludes arranged according to difficulty.	diss.			2012	ix, 101p
Schwalbach, Burkhard	J. S. Bach at the coffee house: music as edifying practice.	diss.			2012	v, 266p
Timmons, Lena	Using the organ to teach the fourth suite prelude for violoncello solo by J. S. Bach.	diss.			2012	v, 77p
Baek, Jung Jin	A Conductor's Guide to J. S. Bach's Quinquagesima Cantatas.	diss.			2012	vi, 85p
Harel, Gilad	Expressivities, Modulation and Structure in the Recitatives of Johann Sebastian Bach's Weimar Cantatas and 'St. John Passion'.	diss.			2012	vii, 271p
Son, Se Ra	Figures of Musica Poetica in the Passacaglias of Dieterich Buxtehude and J. S. Bach.	diss.			2012	vii, 47p
Bloss, Laura	Natural Trumpet Music and the Modern Performer.	diss.			2012	vii, 74p
Hsu, Chung-Hui	The solo string works of JS Bach: The relationship between dance and musical elements.	diss.			2012	viii, 67p
St. Marie, John S.	Theology as the basis for golden section analysis: A model of construction for Johann Sebastian Bach's 'St. John Passion'.	diss.			2012	x, 123p
Roy, Matthew J.	The genesis of the Soviet prelude set for piano: Shostakovich, Zaderatsky, Zhelobinsky, and Goltz.	diss.			2012	xi, 121p
Hill, Andrew John	A critical investigation and re-assessment of the composition history of J.S. Bach's 5th suite for unaccompanied violoncello, BWV 1011.	diss.			2012	xi, 256, 41p
McCarthy, Daniel W.	The influence of French and Italian national musical styles and genres on the music of J. S. Bach: a performance dissertation project.	diss.			2012	xi, 26p
Smith, Jennifer M.	Aspiring toward heaven: Tonal, motivic, and narrative structure in two of J. S. Bach's motets.	diss.			2012	xii, 185p
Atkins, Lynn Gary, Jr.	J. S. Bach and the High School Choir: A Resource Guide for Teachers of Intermediate and Advanced Level High School Choirs.	diss.			2012	xv, 200p
Mace, Abigail Rebecca	Style and Interpretation in the Seven Keyboard Toccatas of J. S. Bach, BWV 910-916.	diss.			2012	xxii, 152p
Janeck, Johannes	Die Musikhandschrift Mus.ms.A6 im Thüringischen Landesmusikarchiv Weimar als Quelle der kirchenmusikalischen Praxis in Mitteldeutschland um 1800.	diss.			2013
Harding, Benjamin	The piano fantasy from Bach to Danielpour.	diss.			2013
Montaigu, Ginette	La Vision du Christ, l'Un de la Trinité, et du Dieu trinitaire chez Jean-Sébastien Bach.	diss.			2013
Willingham, Timothy Judson	The harmonic implications of the non-harmonic tones in the four-part chorales of Johann Sebastian Bach.	diss.			2013	182p
Mel'nikov, Maksim Valentinoviè	Klavierübung Ferruèèo Buzoni: 'Vseob'emlûsij plan' i zakonomernosti pianistièeskoj koncepcii.	diss.			2013	201p
Serebrennikov, Maxim	Sol'naja klavirnaja general-bas-fuga jepohi barokko.	diss.			2013	312, 66p
Marney, Dylan	The application of musico-rhetorical theory to stretto, double, and triple fugue: Analyses of 'Contrapuncti V-XI' from J. S. Bach's 'The Art of the Fugue', BWV 1080.	diss.			2013	81p
Dalen, Tormod	'Zum Spielen und zum Tantzen', a Kinaesthetic Exploration of the Bach Cello Suites through Studies in Baroque Choreography.	diss.			2013	85p
Pardee, Katharine	Perceptions of J. S. Bach and Performance of His Music in Nineteenth-Century England.	diss.			2013	ii, 279p
Yasar, Gozde	The Bach/ Kodály legacy: The solo cello's three-hundred-year evolution.	diss.			2013	iii, 20p
Bishop, James Martin	A performance guide to Arvo Pärt's 'Concerto Piccolo Über B-A-C-H' for trumpet, strings, harpsichord, and piano.	diss.			2013	iv, 31p
Joh, Esther M.	Bach and Schumann as Keyboard Pedagogues: A Comparative and Critical Overview of the 'Notebook of Anna Magdalena,' and the 'Album for the Young.'.	diss.			2013	iv, 69p
Pauls, Charlene	'Was wird sich dein Gesang aus Satans Kindern machen?' Cantata BWV 210, 'O holder Tag, erwunschte Zeit,' A Response by Bach to a Changing Musical Aesthetic	diss.			2013	ix, 208p; xxi, 19p
Brody, Christopher	The Interaction of Thematic Design and Tonal Structure in the Keyboard Suites of J. S. Bach.	diss.			2013	ix, 402p
Felice, Joseph Philip	A Pedagogical and Performance Edition of J. S. Bach's Violin Sonata I in G minor, BWV 1001, Transcribed for Guitar: Transcription, Analysis, Performance Guide, Pedagogical Practice Guide, and Recording.	diss.			2013	vi, 116p
Bae, Jeong-Suk	Italian Keyboard Continuo Improvisation and its Application to the Slow Sections of Buxtehude's Trio Sonatas, Op. 1 and Op. 2.	diss.			2013	vi, 44p
Lang, Matthias	Transcription of Baroque Works for Classical Guitar: J. S. Bach's Sonata in D minor (BWV 964) as Model.	diss.			2013	vi, 76p
Oakley, Ashley	The Sarabandes of J.S. Bach: Freedom of Ornamentation and Melodic Manipulation.	diss.			2013	viii, 47p
Lee, Yoonnah L.	A Pedal Study of Johann Sebastian Bach's 'Orgelbüchlein'	diss.			2013	viii, 75p
Lee, Jung-Ok	A study of two organ chorale preludes of Johann Sebastian Bach (1685-1750) transcribed by Wilhelm Kempff (1895-1991)	diss.			2013	viii, 89p
Marks, Thomas Jared	(Re)constructing Johann Sebastian Bach: Reception history and performance practice in New York City during the Great War.	diss.			2013	viii, 98p
Ho, Shao Ying	A Historiography of Musical Historicism: The Case of Johannes Brahms.	diss.			2013	xi, 133p
Mathena, Jason Eugene	Adapting J. S. Bach's solo violin Sonatas and Partitas for the marimba: Broken chord and arpeggio performance practices.	diss.			2013	xiii, 154p
Marlowe, Sarah Rose	Fugue in context: a Schenkerian approach to select works by J. S. Bach and Dmitri Shostakovich.	diss.			2013	xiv, 199p
Murphy, Eliana Maria	An Analytical Comparison of the Variation Movement from Ludwig van Beethoven's Piano Sonata in E Major, Op. 109 to Johann Sebastian Bach's Aria mit verschiedenen Veranderungen, BWV 988 ('Goldberg Variations').	diss.			2013	xv, 122p
Niitsuma, Masahiro	Towards automated discovery of knowledge from Bach's original manuscripts.	diss.			2013	xv, 132p
Kovacevic, Tanja; [Kovaèeviæ]	Trailing the Sources: In Pursuit of a European Picture of Bach Reception in the Eighteenth and Nineteenth Centuries.	diss.			2013	xvi, 314p
Twillert, Hendrik Van	Bach's cello suites transcription and interpretation for baritone saxophone.	diss.			2013	xviii, 176p
Poveda Guacanemo, Adriana Marcela	Propuesta interpretativa a partir del análisis formal y estilístico de dos movimientos Allemanda y doble de la partita para violín solo No.1 en Si menor de J.S Bach.	diss.			2014	23p
Dosseva, Radina T.	Short Character Pieces for String Quartet and an analysis of motivic development and evolution of form in Johann Sebastian Bach's keyboard Concerto Nach Italienischem Gusto, BWV 971 (1735) and Mozart's piano sonata, K. 333 (1783).	diss.			2014	34p
Velikovskij, Aleksandr Ûr'eviè	Gol'dberg-variacii (Aria mit verschiedenen Verænderungen) v kontekste pozdnego tvorcestva I.S. Baha.	diss.			2014	417p
Pousont, Thomas T.	Major-Third Mixtures in the Time of J.S. Bach: Implications for Organ Performance and Registration.	diss.			2014	80p
Isaacs, Azra	A performance guide of J.S. Bach's viola da Gama sonatas transcribed for viola.	diss.			2014	86p
Frank, Nathan	James Macmillan's St. John Passion: The role of Celtic folk idioms and the reproaches.	diss.			2014	iv, 43p
Xenopoulos, Andreas	Tracing the development of Vivaldi's 'L'estro Armonico' Concerto No.8 in A minor through J.S. Bach and Samuil Feinberg's keyboard transcriptions: Exploring the possibilities of a modern authentic performance.	diss.			2014	iv, 91p
Van Niekerk, Johann Jacob	Messiahs and Pariahs: Suffering and Social Conscience in the Passion Genre from J.S. Bach's 'St. Matthew Passion' (1727) to David Lang's 'the little match girl passion' (2007).	diss.			2014	ix, 133p
Napier, Dione, J.	A Study of J.S. Bach's Sacred and Secular Vocal Works influenced by Popular Stylized Dance of the French Baroque Court: A Performer's Guide.	diss.			2014	v, 127p
Murray, Ryan M.	The development of the eighteenth-century transverse flute with reference to J. S. Bach's 'Partita In A Minor' for unaccompanied flute.	diss.			2014	v, 35p
Tsai, Yi-Chuan	Analytic approach to J.S. Bach's Eighteen Little Preludes.	diss.			2014	v, 42p
Sullivan, Katie	A singer's guide to J.S. Bach's Cantata Jauchzet Gott in allen Landen, BWV 51	diss.			2014	v, 64p
Dull, Luke	Effective Transcriptions: A Discussion Regarding Technical, Musical, and Practical Approaches for the Modern Marimba.	diss.			2014	vi, 29p
Tadokoro, Mai	Preparation Strategies in Percussion for the Music of J. S. Bach, Joseph Schwantner, and Iannis Xenakis.	diss.			2014	vi, 58p
Franklin, James Christopher	Sitting next to Bach: The influence of J.S. Bach on Sven-David Sandström's Bach Motet Project with a focus on the motets 'Der Geist Hilft' and 'Singet dem Herrn'.	diss.			2014	vi, 76p
Jones, Gary Scott	A conceptual method of learning jazz improvisation through studying the music of J. S. Bach.	diss.			2014	vi, 81p
Pena, Juan Manuel	A survey of the life and works of Manuel Ponce, Federico Torroba, Leo Brouwer, and J. S. Bach.	diss.			2014	vii, 33p
Kostka, Magdalena	Sonatas for violin and basso continuo written by British composers in the first half of the eighteenth century.	diss.			2014	vii, 437p
Korlu, Mutlu Varlik	Johann Sebastian Bach Ve Cello Süitleri	diss.			2014	vii, 72p
Hucht, Michael	Felix Mendelssohn Bartholdys vierstimmige Chorlieder a cappella und das Chorwesen in der ersten Ha¨lfte des 19. Jahrhunderts.	diss.			2014	viii, 342, ccvi p
Ford, Ryan K.	Johann Sebastian Bach, Partita in A Minor for Solo Flute, BWV 1013: An Analysis and Transcription for the Double Bass.	diss.			2014	x, 113p
French, Hannah Chloe	The Role of Sir Henry J. Wood in the English Bach Awakening: Orchestral Bach at the Proms 1895-1944.	diss.			2014	x, 238, viii, 191p
Harb, Tariq	The Unlimited Guitar: Arranging Bach and Britten as Means to Repertoire Expansion.	diss.			2014	xi, 175p
Cortens, Evan	The sacred cantatas of Christoph Graupner: Music at the intersection of opera and theology.	diss.			2014	xi, 307p
Duvall, André Charles	The Development and Application of Keyboard Fingering Principles in the Music of J. S. Bach and C. P. E. Bach: An Analysis in Comparison with Modern Approaches to Fingering, and the Utilization of the J. C. Bach-Ricci Method for Nurturing a Versatile Technique in the Early Stages of Study.	diss.			2014	xiv, 192p
Grazzini, Stephen C.	Reconstructing the Improvised Keyboard Prelude of the French Baroque.	diss.			2014	xiv, 355p
Reef, John S.	Perspectives on Phrase Rhythm in J. S. Bach's Keyboard Fugues.	diss.			2014	xix, 245p
Holden, Edward	Charles Valentin Alkan: Interpreting the Composer's use of Rhythm as Identified in the Dominant Motifs present in the Music for Organ, Pedal-piano and Harmonium.	diss.			2014	xvii, 400p
Moseley, Rowland	The Art of Gigue: Perspectives on Genre and Formula in J. S. Bach's Compositional Practice.	diss.			2014	xviii, 376p
Chambers, Kateri	The evolution of grace: tracing the development of petite graces ornamentation.	diss.			2014	xx, 580p
Matschulat, Josias	Uma comparação entre duas gravações do Cravo Bem-Temperado de J.S. Bach por András Schiff.	diss.			2015	118p
Lusted, Luke Alan	J.S. Bach's BWV 232: Augmented Sixth Chords in the Symbolum Nicenum as Structural and Theological Unifying Factors.	diss.			2015	131p
Yang, Luyuan	Johann Sebastian Bachs 'Französische Suiten'.	diss.			2015	45 Bl.
Thorley, Anthony John	Musical Rhetoric and Performance Practice in Dietrich Buxtehude's Organ Works.	diss.			2015	88p
Crabb, Lindsey	Bach's 6th Suite for Solo Cello: From Five Strings to Four.	diss.			2015	ii, 77p
Wardenski, Ian A.	Harmonic and Phrase Rhythm Analysis of the Core Dance Movements from the Four Lute Suites of J. S. Bach.	diss.			2015	iii, 442p
Hubbard, Tennison	The Theological Roots and Historical Context of J. S. Bach's St. Matthew Passion, BWV 244.	diss.			2015	ix, 115p
Fitzpatrick, Michael	J. S. Bach's Modal Compositional Practice in the Chorale Preludes for Solo Organ: A Schenkerian Perspective.	diss.			2015	ix, 284p
Piper, Jennifer Mae	Dance Influences in Johann Sebastian Bach's Partita in A Minor for Solo Flute, BWV 1013.	diss.			2015	v, 73p
Wang, Xiaoyan	An analysis of Bach's Partita No. 2, Haydn's Fantasia in C Major, and Schumann's "Carnaval".	diss.			2015	vi, 36p
Reed, Annaliese Ippolito	The J.C. Bach/Casadesus Viola Concerto through pedagogical lenses.	diss.			2015	vii, 22p
Wong, Chi Lui Flora	The Solo Violin Works of Bach and Telemann: A Comparison of Formal and Stylistic Models and Fugal Writing for Solo Violin.	diss.			2015	vii, 32p
Liao, Wei-Chun	A Study of Musical Rhetoric in J. S. Bach's Organ Fugues BWV 546, 552.2, 577, and 582.	diss.			2015	vii, 76p
Lu, Chia-Neng	An Analytical Study of Bach-Busoni Toccata and Fugue in D minor, BWV 565.	diss.			2015	viii, 68p
Zyl, Sonia van	A comparative study of the use of ornamentation in two works by J.S. Bach in a South African context.	diss.			2015	xi, 125p
Estrada, Erasmo	An organological basis for the development of keyboard technique from the sixteenth to\r\nthe eighteenth centuries with an emphasis on Johann Sebastian Bach.	diss.			2015	xv, 331p
Leonard, Michael F.	Bach as humanist: The influences of the classics and court aesthetics on the design of the six Brandenburg Concertos, BWV 1046-1051.	diss.			2015	xx, 280p
Hill, Moira Leanne	Carl Philipp Emanuel Bach's Passion Settings: Context, Content, and Impact.	diss.			2015	xx, 420p
McCormick, Susan Rebecca	Johann Christian Kittel and the Long Overlooked Multiple Bass Chorale Tradition.	diss.			2015	xxviii, 454p
Mills, Ian	The historical position and reception of J. S. Bach's 'Great Eighteen' and Orgelbüchlein Choralvorspiele, 1750-1850.	diss.			2016
Alevizos, Konstantinos	Le concept de matrice dans L'Art de la Fugue de Johann Sebastian Bach.	diss.			2016
Mitchell, Heather	A reconsideration of the performance of the chorales in J.S. Bach's Passio Secundum Johannem, BWV 245 and the influence of harmonic language and Baroque Affekt on modern performance practices.	diss.			2016	114p
Cannon, Owen	The incarnate word and the throne judgement: Theology and mechanics of Baroque-era musical representation.	diss.			2016	20p
Szabó, Zoltán	Problematic Sources, Problematic Transmission: An Outline of the Edition History of the Solo Cello Suites by J. S. Bach.	diss.			2016	272p
Markovska, Nadya	Bach's suites for solo cello (BWV 1007-1012) and the textual geographies of modernity.	diss.			2016	275p
Guðmundsdóttir, Guðbjörg Hlín	Reanimating Bach: connecting visuals and musical interpretation.	diss.			2016	42p
González, Rafael Estévez	El clave bien temperado. J.S. Bach. Análisis estructurales de las 48 fugas: Una propuesta metodológica para centros superiores musicales de educación.	diss.			2016	[x], 445p
Barton, Pamela Sage	Gender roles in the violin music of Bach.	diss.			2016	iii, 26p
Denney, Ryan James	Performing Bach's 'Chaconne' on marimba.	diss.			2016	p
Wessel, Jens	J. S. Bach und die italienische Oper: Drammi per musica für das kurfürstlich-sächsische und polnische Königshaus zwischen 1733 und 1736.	diss.			2016	v, 239p
Hirabayashi, Catherine R.	The influence of J. S. Bach and Paul Taffanel on the romances for flute by Saint-Saëns and Widor.	diss.			2016	v, 28p
Oh, Jihye	Number Symbolism in J. S. Bach's Keyboard Music.	diss.			2016	v, 59p
Lahan, Charles B. Jr.	Musical Mannerism: a Recurring Stylistic Phenomenon in Keyboard Variations by J. S. Bach, Beethoven, and Liszt.	diss.			2016	vii, 115p
Jilek, Dwight	Sven-David Sandström's 'Matthäuspassion': Examining J.S. Bach's influence and Sandström's compositional language, use of symbolism, and religious and spiritual motivations.	diss.			2016	viii, 101p
Gage, Christopher W.	Variations on a Tradition: The Chorale 'Partitas' of Johann Sebastian Bach.	diss.			2016	viii, 50p
Sumareva, Maria	Extemporaneous embellishments in J.A. Benda's keyboard sonatinas, based on a survey of primary sources by C.P.E. Bach and D.G. Türk.	diss.			2016	xi, 180p
Reiss, Penelope Ruth	A Musical 'Notage à Trois': The relationship revealed between three manuscript versions of J. S. Bach's Unaccompanied Violin Sonatas and Partitas?	diss.			2016	xiii, 340p
Brookshire, Bradley Vincent	Edwin Fischer and Bach performance practice of the Weimar Republic.	diss.			2016	xxi, 303p
Fojas, Ivar-Nicholas	J.S. Bach's Suite in G Minor, BWV 995: A Comparison of Manuscripts for Violoncello, Lute and Lute Intabulation as a Model for a Guitar Arrangement of the Suite in D Major BWV 1012.	diss.			2017	113p
Cressy, Thomas	19-seiki no Nihon ni okeru Bach Juyoshi: Shinbun Kiji to Mikensho Shiryo kara no Saiko.	diss.			2017	123, 70, 2p
Krause, Anna	Zur Ehre Gottes zu musiciren: Composing an Oratorio in the Shadow of J. S. Bach.	diss.			2017	336p
Hanova, Aleksandra Nikolaevna	Oratorii K.F.È. Baha v kontekste razvitiâ žanra	diss.			2017	354p
Wersin, Michael	Die Liedmelodie Herzlich tut mich verlangen im geistlichen Werk Johann Sebastian Bachs: Eine musikalisch-theologische Studie.	diss.			2017	401p
Lie, Siu Yin	Adapting Bach's Goldberg Variations for the Organ.	diss.			2017	ii, 136p
Goldstein, Martin	Stretto in Bach's Instrumental Fugues.	diss.			2017	ii, 366p
Wilder, Rachel	Liberating Sound: A Study on the Consequence that Performance Practice Research has had on Performances of J. S. Bach's Keyboard Works.	diss.			2017	iv, 33p
Messing, Rachel Michelle	J. S. Bach's Arias for Soprano and Oboe Obbligato: The Oboe Family's Vital Role in the Expressive Dialogue.	diss.			2017	iv, 41p
Taylor, Alannah Rebekah	J. S. Bach's Passions in Nineteenth-century America.	diss.			2017	ix, 141p
Chang, Chul Woong	A guide to suitable bass solo vocal repertoire by J. S. Bach for collegiate baritone.	diss.			2017	vi, 57p
Nyírõ, Sebestyén	Devilish Details: Ornament-Related Passages in Selected Works of Johann Sebastian Bach.	diss.			2017	vii, 113p
Mongelli, Giancarlo	A eloquência das Palavras não Escritas: Figuras Retóricas e Simbolismo Religioso no Primeiro Livro do Cravo Bem Temperadode J. S. Bach.	diss.			2017	viii, 144p
Raley, Matthew Eric	Abstraction in J. S. Bach's 'Chaconne': A Model for Reconciling Artist and Audience Today.	diss.			2017	viii, 264p
Hafey, Brooks Ryder	Score Reduction and Simplification as a Learning Tool in J.S. Bach's Allemande from Partita No. 6 in E Minor, BWV 830.	diss.			2017	viii, 54p
Hadipour, Kia	Bach's Goldberg Variations: Suggestions for Redistributing the Notes Between the Hands to Facilitate Performance on the Modern Piano.	diss.			2017	x, 202p
Cooper, Jeffrey Thomas	The seven planets in Bach, Buxtehude, and a Dresden ballet of 1678.	diss.			2017	x, 235p
Boomhower, Daniel F.	The Manuscript Transmission of J. S. Bach's Mass in B Minor (BWV 232) and the Development of the Concept of Textual Authority, 1750-1850.	diss.			2017	xi, 257p
Kiefer, Matthew David	Preparation of the Richard Luby Edition of the Adagio and Fuga from J. S. Bach's Sonata in G Minor for Solo Violin.	diss.			2017	xi, 85p
Çabuk, Ulas	J. S. Bach Viyolonsel Süitlerinin Müzik Ögretmeni Yetistiren Kurumlarda Viyolonsel Egitimi Baglaminda Incelenmesi.	diss.			2017	xv, 83p
Dieffenbach, Jennifer Elizabeth	Passion Meditation in Early Eighteenth Century Lutheranism: J.S. Bach's Cantata Texts in Dialogue with Theology.	diss.			2017	xviii, 345p
Miller, Andrew	Preludes and Fugues: A Selective Comparative Analysis of J.S. Bach's Das Wohltemperierte Klavier, Dmitri Shostakovich's Op. 87, and Nikolai Kapustin's Op. 82 Sets of 24 Preludes and Fugues.	diss.			2018	121p
Lee, David George	Works in progress: early modern Lutheranism, labour, and the act of musical composition.	diss.			2018	246p
Ikejima, Yozefu	J. S. Bach no 'Matai Junankyoku' to M. Luther no 'Jujika no Shingaku' -- Shu to shite Bach no Kyokai Ongaku to Luther Shingaku no naka no 'Sacrament' ni tsuite.	diss.			2018	277p
Pyrounaki, Sofia	Transcription, performance and recording of Johann Sebastian Bach's works for lute on a ten-string guitar.	diss.			2018	4 vols.
Goleminov, Hristo Kamenov	Between Saxophone Worlds: Interpreting the / Improvising on the Bach Cello Suites.	diss.			2018	45p
Giagtzoglou, Iason	The Bachian Influence on Robert Schumann's Kreisleriana, Op. 16.	diss.			2018	iv, 22p
Wang, Chunyang	A New Transcription and Performance Guide for J.S. Bach's Flute Partita, BWV 1013, for Solo Double Bass.	diss.			2018	ix, 67p
Knodle, Aaron	Discovering Bach's Altos.	diss.			2018	v, 79p
Kim, Kieun Steve	From Picture to Sound: A Conductor's Study Guide to the St. John Passion of Johann Sebastian Bach.	diss.			2018	viii, 136p
Mullaney, Ryan Michael	Translating 'Transition': A Case Study in Interpreting Seventeenth Century German Church Music through a Survey of Three Settings of Christ lag in Todesbanden.	diss.			2018	x, 214p
Myler, Derek James	A Schenkerian View of Ascending Lines and Prolongation in the Fugal Expositions of J. S. Bach's The Well-Tempered Clavier.	diss.			2018	xi, 153p
Stratford, Charles Hamilton	Schoenberg's Dark Serenade.	diss.			2018	xiii, 409p
Belcher, Owen Hartford	Analytical Studies of Selected Cantatas by J.S. Bach.	diss.			2018	xviii, 428p
Ahn, Hye Sang	From Partimento to Finished Work Realizing, Revising, and Expanding Partimenti Using Techniques of the Bach Family.	diss.			2018	xx, 261p
Leatherbarrow, Jane Florence	'Culmination chromatic density' in the free organ fugues of J.S Bach.	diss.			2018	xxix, 732p
Abraham, Immanuel Tzemach	J.S. Bach's Chaconne for Solo Violin: A Performer-Composer's Approach to Interpretation.	diss.			2019	109p
Saraga, Jonathan	A Selective Analysis of Prelude no. 3 from Book 1 of J.S. Bach's Well Tempered Clavier with a Brief Outline of Miguel Zenon's 'JSB': a Reimagined Interpretation.	diss.			2019	11p
Martin, Robert L.	Wind band transcriptions of Johann Sebastian Bach's organ works and the application of organ registration in orchestration: a project report.	diss.			2019	iv, 36p
Grönlund, Aapo	An evaluation of Wiedeburg's Method of Diminution for the purpose of stylistic composition: Embellishing Descending-Fifths Sequences in the Style of Bach's Two-part Inventions.	diss.			2019	iv, 41p
Ortiz, Hilary	The Pedagogical Value of J.S. Bach's Cello Suites Transcribed for Viola.	diss.			2019	v, 41p
Muenzer, Vic	The Mystery of Bach's Brass: The Tromba da tirarsi Repertoire Offers New Challenges and Rewards for Today's Student.	diss.			2019	vi, 77p
Lin, Wilbur B.	Performing Bach Cantatas with modern orchestras: a modern conductor's handbook for applying historically informed practice to today's ensembles.	diss.			2019	vii, 119p
Bauchat, Nikolas	A Processive Approach to Foreshortening in J.S. Bach's Arias.	diss.			2019	vii, 263p
Chang, Wei-Yu	The Chaconne for Solo Violin by J. S. Bach: A Performance Guide.	diss.			2019	vii, 38p
Hahn, Stephen E.	Continuous Harmonic Structure in J.S. Bach's Triple Fugues in The Well-Tempered Clavier and Art of Fugue.	diss.			2019	vii, 93p
Stone, Benjamin A.	The Galant Style in Chorale-Based Organ Works of Johann Ludwig Krebs (1713–1780) and Gottfried August Homilius (1714–1785).	diss.			2019	viii, 148p
Lee, Dongho	Self-taught: using the imaginary continuo and reduction analysis as pedagogical approach to performance studies through the lens of J. S. Bach's Pièce d'Orgue, BWV 572.	diss.			2019	viii, 88p
McDonald, Kathryn	Exploring Stretto: An Investigation into the Use of Stretto in J. S. Bach's Well-Tempered Clavier.	diss.			2019	x, 96p
Cheng, Chih-Tung	Baroque Pianism: Perspectives on Playing Baroque Keyboard Music on the Piano, with Emphasis on Bach's Fugues in the Well-Tempered Clavier.	diss.			2019	xii, 215p
Hall, Matthew Joseph	Copying Bach: Compositional emulation and originality in apprenticeships with J.S. Bach, 1720–1750.	diss.			2019	xxix, 364 xxix, 364p
Veer, Marinus van der	'Ein edler, kindlich frommer Mensch: Felix Mendelssohn Bartholdy in theologische context belicht vanuit zijn brieven.	diss.			2020	253p
Jones, Nathan Jameson	Bach and the Beauty of Christ: A Study in Theological Aesthetics.	diss.			2020	289p
Riley, Pierre Patrick Rancy	Performing History: Bach Pianism in Britain, 1920–35.	diss.			2020	365p
Remeš, Derek	Thoroughbass, chorale, and fugue: teaching the craft of composition in J. S. Bach's circle.	diss.			2020	380, 343p
Park, Sangjoon	Musical Oration: J.S. Bach's Use of Rhetorical Devices in the Fantasia and Fugue in a Minor, BWV 904, and the Chromatic Fantasia and Fugue in D Minor, BWV 903.	diss.			2020	88p
Gan, Nan	Articulating J.S. Bach's Preludes from WTC 1: A Study of 20th Century Piano Recordings.	diss.			2020	ix, 56p
Lee, Sunhaeng	The Legacy of Bach's Cello Suites in Twentieth-Century Solo Cello Suites.	diss.			2020	ix, 95p
Consilvio, Lydia Rose	Bach in a New Light: Reimagining Three Keyboard Partitas for Double Reed Quartet.	diss.			2020	v, 90p
Solomon, Emily Marie	Select Tunes from the Evangelical Lutheran Hymn-Book: Origins and Outcomes.	diss.			2020	vi, 35p
Rice, Spurgeon Phillip	A Musician's Insights from the Piano Music of Bach, Beethoven, Liszt and Messiaen.	diss.			2020	vi, 36p
Hofeling, Jacob	A Comparison of Two Nineteenth-Century German Chorale Fanasias on 'Wie schön Leuchtet Der Morgenstern' by Heinrich Reimann and Max Reger.	diss.			2020	vi, 56p
Li, Zhi	How a Schenkerian Analysis may Inform the Interpretation and Performance of J. S. Bach's Lute Music on the Guitar using Selective Movements of Bach Lute Suite No. 4 in E Major (BWV 1006a) as a Demonstration.	diss.			2020	vii, 103p
Tolles, Tyler Nelson	Vibraphone Orchestral Excerpts & Adapting J. S. Bach's Violin Sonata No. 1 in G Minor for Vibraphone.	diss.			2020	vii, 50p
Herd, Geoffrey David	The Pedagogical Relevance of the Historical Precedents to Bach's Sonatas and Partitas.	diss.			2020	vii, 95p
Tingler, Nathan David	Bach and the Marimba: Bridging the Gap to Non-Percussionists.	diss.			2020	viii, 129p
Rorrer, Christopher Paul	Enlivening Baroque Solo Repertoire: Thomas Demenga's ECM Recording of J.S. Bach's Fourth Cello Suite.	diss.			2020	viii, 25p
Donn, Anchie	J.S. Bach's Goldberg Variations in the Context of Bach's Forerunners and Contemporaries: Influences and Keyboard Techniques.	diss.			2020	xi, 102p
Yoo, Hye Eun	J. S. Bach's WTC Book I Prelude and Fugue in B-flat Minor BWV 867: An Analysis and Study of Related Works.	diss.			2020	xi, 90p
Karr, Stephen Francis	Appropriation, Identity and Adaptability: Musical and Social Considerations in Suite aus den Orchesterwerken von Johann Sebastian Bach mit ausgeführtem Continuo zum Konzertvortrage bearbeitet von Gustav Mahler.	diss.			2020	xiii, 177p
Lakanen, Eric	Carl Philipp Emanuel Bach Sonata for Flute and Basso Continuo (Wq 128): A Transcription for Cello.	diss.			2020	xiv, 129p
Hollihan, Brandon W.	Rehearsal and performance issues in Steve Reich's Tehillim: Unlocking the process.	diss.			2020	xiv, 221p
Bernstein, Chelsea	Bach's Cello Suites and the French Bass Viol Tradition.	diss.			2020	xxii, 273p
Wilkinson, Tom Andrew	The Music of J.S Bach and the Evolution of Romantic Aesthetics.	diss.			2021
Barraza-Diaz, Jesus Misael	Rediscovering Bach: The Ouvertüre Nach Französischer Art (BWV 831) Originally for Keyboard Realized through the Voice of the Classical Guitar.	diss.			2021	122p
Apostolopoulos, Thanasis	Hindemith's craft of musical composition, automated chord recognition and a novel ontology-based harmonic analysis on JS Bach chorales.	diss.			2021	140p
MacKnight, Colin	Ex uno plures: A proposed completion of Bach's Art of fugue.	diss.			2021	417p
Ham, Natalie	Bach's Ciaconna for Flute Solo (BWV 1004), Transcribed by Natalie Ham.	diss.			2021	75p
Franklin, Alannah Rebekah	J. S. Bach's Passions in Twenty-First-Century America: Festivalization, Theology, and Community beyond the Liturgy.	diss.			2021	ix, 328p
Tu, Yuhong	J. S. Bach's Solo Violin Chaconne in D Minor as Creatively Revisited by Max Reger's Three Solo Violin Chaconnes from Opp. 42, 91 and 117.	diss.			2021	ix, 82p
King, James Wesley	A New and Complete Transcription of Johann Sebastian Bach's Fantasia in G Major, BWV 572.	diss.			2021	vii, 110p
Pasqualetto, Samuel Robinson	Bach to Bassics - From a Student's Perspective.	diss.			2021	vii, 27p
Riley, Benjamin	Lost in Translation? A Comparison of the Anna Magdalena Bach Manuscript and John W. Duarte Arrangement of Cello Suite No. 3, BWV 1009 by Johann Sebastian Bach.	diss.			2021	viii, 100p
Yu, Xiuwei	A Study of Franz Liszt's Variations on 'Weinen, Klagen, Sorgen, Zagen'.	diss.			2021	viii, 85p
Franklin, Mark C.	The Pianist across Time: Two Explorations of Piano Compositions that Engage with Music of the Past.	diss.			2021	x, 102p
Lin, Katherine	The Unequal Tuning System of Well-Temperament and its Influence on Key in J.S. Bach's Well-Tempered Clavier: A Computational Study on the Minor-Mode Fugues in Book I.	diss.			2021	xi, 199p
Becker, Hanné	Music for God’s Glory: The Improvisatory Organ Music of Matthias Weckmann (1616–1674).	diss.			2021	xii, 160p
Mesa, Juan A.	A Revised Model for the Analysis of J. S. Bach's Concerto Ritornelli.	diss.			2021	xix, 317p
Yun, Jieun	An Examination of Three Organ Works Based on the Chorale 'Wachet auf ruft uns die Stimme'.	diss.			2021	xxii, 201p
Wei, Mengying	Connecting Jazz and Baroque Music: Works by Nikolai Kapustin and J. S. Bach.	diss.			2022	21p
Shen, Tiezheng	Examining Johann Sebastian Bach's Partita II and Paul Hindemith's Op. 11, No. 5 through Analysis and Recording.	diss.			2022	37p
Mealey, Natalie Paige	Musical Rhetoric and Improvisation in the Unmeasured Fantasias of Johann Gottfried Müthel.	diss.			2022	iv, 37p
Sun, Heyu	A Performance Manual for Johann Sebastian Bach's Cantata, BWV 170: Vergnügte Ruh, beliebte Seelenlust.	diss.			2022	v, 44p
Seow, Mark Soong Xian	Metaphors for Listening in Johann Sebastian Bach's Germany.	diss.			2022	viii, 192p
Sun, Hui	The Development of Cycles of 24 Preludes by Russian Composers with Special Attention to Shostakovich’s 24 Preludes, Op. 34.	diss.			2022	xii, 80p
Wong, Max H. Y.	Arrangements as a creative tool towards the performance of J. S. Bach's Six Sonatas and Partitas for Solo Violin BWV 1001–1006.	diss.			2023	362p