Bach Printed Music Database
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Author : Chafe, Eric
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Chafe, Eric T.:   Agricola's Score of Bach's St. Matthew Passion. [p]AMS_Allegheny (Dec 1979)
2. Chafe, Eric T.:   Key Structure and Tonal Allegory in J.S. Bach's St. Matthew Passion. [p]AMS_Denver (Nov 1980)
3. Chafe, Eric T.:   Key structure and tonal allegory in the Passions of J. S. Bach: an introduction. CurMcol 31 (1981), 39-54
4. Chafe, Eric T.:   J. S. Bach's 'St. Matthew Passion': Aspects of Planning, Structure, and Chronology. JAMSoc 35/1 (Spring 1982), 49-114
5. Chafe, Eric T.:   Allegorical Music: The 'Symbolism' of Tonal Language in the Bach Canons. JMcol 3/4 (Autumn 1984), 340-362
6. Chafe, Eric T.:   Luther's 'Analogy of Faith' in Bach's Church Music. Dialog 24/2 (Spring 1985), 96-101
7. Chafe, Eric T.:   Schweig, Taumelnde Vernunft: Faith Contra Reason in the Bach Cantatas. [p]AMS_NewEngland (Apr 1986)
8. Chafe, Eric T.:   The St John Passion: theology and musical structure. BachStud 1 (1989), 75-112
9. Chafe, Eric T.:   Tonal Allegory in the Vocal Music of J. S. Bach. (1991), x, 449p
10. Chafe, Eric T.:   Bach's First Two Leipzig Cantatas: A Message for the Community. [fs]Scheide (1993), 71-86
11. Chafe, Eric T.:   'Anfang und Ende': Cyclic Recurrence in Bach's Cantata 'Jesu, nun sei gepreiset', BWV 41. BachPerspectives 1 (1995), 103-134
12. Chafe, Eric T.:   The Phrygian Mode in the Chorale Cantatas. [p]IATB_Chicago (Sep 1997)
13. Chafe, Eric T.:   Bach's bassetchen compositions: a theological interpretation. [p]IATB_Logumkloster (Oct 1999)
14. Chafe, Eric T.:   Analyzing Bach Cantatas. (2000), xvii, 286p
15. Chafe, Eric T.:   Bach no Seigaku Sakuhin ni okeru Ongaku no Allegory. Dai-1-Sho: Bach no Ongaku ni okeru Shingaku to Ongaku no Allegory. BCJ 48 (May 2001), 33-39
16. Chafe, Eric T.:   Bach no Seigaku Sakuhin ni okeru Ongaku no Allegory. Dai-1-Sho: Bach no Ongaku ni okeru Shingaku to Ongaku no Allegory (tsuzuki.) BCJ 49 (Jun 2001), 39-47
17. Chafe, Eric T.:   Bach no Seigaku Sakuhin ni okeru Ongaku no Allegory. Dai-1-Sho: Bach no Ongaku ni okeru Shingaku to Ongaku no Allegory (tsuzuki.) BCJ 51 (Feb 2002), 46-51
18. Chafe, Eric T.:   Bach no Seigaku Sakuhin ni okeru Ongaku no Allegory. Dai-2-Sho: Bach-Goblet: Kaishakugaku-teki Approach. BCJ 53 (Apr 2002), 41-54
19. Chafe, Eric T.:   Bach no Seigaku Sakuhin ni okeru Ongaku no Allegory. Dai-2-Sho: B-A-C-H: Namae no uchi ni himerareta mono (tsuzuki). BCJ 56 (Sep 2002), 39-47
20. Chafe, Eric:   Pasija po Mateju Johana Sebastijana Baha: Aspekti planiranja, strukture i hronologije. MTalas 9/30-31 (2002), 90-118
21. Chafe, Eric T.:   Bach no Seigaku Sakuhin ni okeru Ongaku no Allegory. Dai-2-Sho: B-A-C-H: Namae no uchi ni himerareta mono (tsuzuki). BCJ 57 (Feb 2003), 28-41
22. Chafe, Eric T.:   Bach and Hypocrisy: Appearance and Truth in Cantatas 136 and 179. [p]CWolff_Harvard (Sep 2005)
23. Chafe, Eric T.:   Bach and Hypocrisy: Appearance and truth in Cantatas 136 and 179. HarvardPubM 22 (2008), 121-143
24. Chafe, Eric:   Bach's Ascension Oratorio: God's Kingdoms and Their Representation. BachPerspectives 8 (2011), 122-145
25. Chafe, Eric:   J. S. Bach's Johannine Theology: The St. John Passion and the Cantatas for Spring 1725. (2014), 656p
26. Chafe, Eric:   Tears into Wine: J. S. Bach's Cantata 21 in its Musical and Theological Contexts. (2015), x, 603p
27. Chafe, Eric:   Two 'Johannine' Cantatas: Darzu ist erschienen der Sohn Gottes (BWV 40) and Sehet, welch eine Liebe (BWV 64). ContextBachStud 8 (2018), 23-50

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