Bach Printed Music Database Search Result - Ordered Chronologically

Author : Franklin, Don O.
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Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Franklin, Don O.:   Problems of Text and Tempo in Bach's Well-Tempered Clavier II: A New Look at the Sources. [p]AMS_Philadelphia (Nov 1976) A paper read at the Forth-Second Annual Meeting of the American Musicological Society, Meeting Jointly with the College Music Society, November 4-7, 1976 at Bellevue-Stratford Hotel, Philadelphia.
	2.	Franklin, Don O.:   Textual Problems in Bach's W.T.C. [p]AMS_RockyMountain (Apr 1977) A paper given at the Rocky Mountain Chapter meeting of the AMS on April 22-23, 1977.
	3.	Franklin, Don O.:   Problems of Tempo in J. S. Bach's Music. [p]AMS_Michigan (Nov 1982) A paper read at the Forty-Eighth Annual Meeting of the American Musicological Society, November 4-7, 1982 at The University of Michigan, Ann Arbor.
	4.	Franklin, Don O.:   Problems of Tempo in the Keyboard Works of J. S. Bach. [p]AMS_MidAtlantic (Mar 1984) A paper read at the Mid-Atlantic Chapter meeting of the AMS on March 4, 1984 at West Chester State College.
	5.	Franklin, Don O.:   The Music for Keyboard. [p]AMS_SouthCentral (Apr 1985) A paper read at the South Central Chapter meeting of the AMS on 11-13 April 1985 at the University of Georgia under the session 'Perspectives on Bach Performance Practices'.
	6.	Franklin, Don O.:   Articulation in the cembalo works of J. S. Bach: A notational study. [cr]Stuttgart1985 (1987), ii: 452-465.
	7.	Franklin, Don O.:   Reconstructing the Urpartitur for WTC II: a study of the 'London Autograph' (BL Add. MS 35021). BachStud 1 (1989), 240-278.
	8.	Franklin, Don O. (ed.):   Bach Studies. [1] Cambridge University Press, 1989. 362p. ISBN: 0532 341051. - Paperback edn. 2008, 380p. ISBN-13: 978-0521088329. [contents]
	9.	Franklin, Don O.:   The Carnegie Manuscript and J. S. Bach. Bach 22/1 (Spring-Summer 1991), 5-15.
	10.	Franklin, Don O.:   Die Artikulation in den Cembalowerken J. S. Bachs - eine Notationsstudie. BachSt 10 (1991), 280-301.
	11.	Franklin, Don O.:   Die Fermate als Notationsmittel für das Tempoverhältnis zwischen Präludium und Fuge. BeitrBachF 9-10 (1991), 138-156.
	12.	Franklin, Don O.:   The Carnegie Manuscript and J. S. Bach. CarnegieMag 60/7 (1991), 20-25.
	13.	Franklin, Don O.:   Bach's Keyboard Music in the 1730s and 1740s: Organs and Harpsichords, Hildebrandt and Neidhardt. EarlyKStudNL 6/1 (1991), 1-6.
	14.	Franklin, Don O.:   The Fermata as Notational Convention in the Music of J. S. Bach. FestschriftSer 10 (1992), 345-381.
	15.	Franklin, Don O.:   The Libretto of Bach's John Passion and the Doctrine of Reconciliation: An Historical Perspective. [cr]Amsterdam1993 (1995), 179-203.
	16.	Franklin, Don O.:   Vom Recht Sterben, Christlich Leben, und Seelig Sterben: Johann Olearius und Johann Sebastian Bach. [p]QJSB_Stuttgart (Oct 1995) Paper read at a conference on 'Die Quellen Johann Sebastian Bachs: Bachs Musik im Gottesdienst' held on 4-8 October 1995 in Stuttgart.
	17.	Franklin, Don O.:   The 6/4 Time-signature as Sign and Symbol. [p]IATB_Chicago (Sep 1997) 'American Bach Sources and Current Theological Research in Bach': The Annual Meeting of the Internationale Arbeitsgemeinschaft für theologische Bachforschung, September 10-14, 1997, hosted by the Newberry Library, Chicago as part of its exhibit: 'The Music and Mind of Bach.'
	18.	Franklin, Don O.:   'Recht Glauben, Christlich Leben, Seelig Sterben': Johann Olearius and Johann Sebastian Bach. [cr]Stuttgart1995 (1998), 229-248.
	19.	Franklin, Don O.:   Konvention und Invention in Kantate 46: Johann Sebastian Bachs Kantate für den 10. Sonntag nach Trinitatis. ArolserBeitrMf 7 (1999), 181-206. [BWV 46]
	20.	Franklin, Don O.:   Vom alten zum neuen Adam: Phrygischer Kirchenton und moderne Tonalität in J.S.Bachs Kantate 38. [cr]Eisenach1996 (1999), 129-144.
	21.	Franklin, Don O.:   The Role of 'Tacktarten' in Bach's composition of the chorale cantatas. [p]IATB_Logumkloster (Oct 1999) Paper read at Internationale Arbeitsgemeinschaft für theologische Bachforschung e.V. 'Tradition und Erneuerung in Johann Sebastian Bachs Choralbearbeitungen' Die Gestaltung des lutherischen Kirchenliedes in Bachs Choralkantaten und Orgelchorälen. Symposium vom 30. September - 4. Oktober 1999 im Tagungszentrum Løgumkloster/Dänemark.
	22.	Franklin, Don O.:   Composing in time: towards a new understanding of temporal strusture in J.S. Bach's multi-movement works. [p]BCB_Dublin (Jul 2000) A Paper read at Ninth Biennial Conference on Baroque Music, Trinity College Dublin, 12-16 July 2000.
	23.	Franklin, Don O.:   The relationship between the theological and temporal dimension of the Matthew Passion. [p]IBS_Utrecht (Sep 2000) Paper read at International Bach Symposium Utrecht 2000, University of Utrecht 12-14 September 2000.
	24.	Franklin, Don O.:   Beziehungen zwischen Taktordnung und Kompositionstechnik in Teil I des Wohltemperirten Claviers. [p]IS_Köthen (Oct 2000) Paper read at Internationales Symposium mit Vorträgen, Seminaren und Konzerten zum 70. Geburtstag von Ulrich Siegele in Schloss Köthen (Anhalt) 11.-15. Oktober 2000: 'Johann Sebastian Bach: Das Wohltemperirte Clavier I (Köthen, 1722): Tradition - Entstehung - Funktion - Analyse'.
	25.	Franklin, Don O.:   Proportionen und Dimensionen in der Missa in h. [p]WK_Leipzig (Jan 2000) A paper read at the Wissenschaftliche Konferenz 'Bach in Leipzig / Bach und Leipzig' from 27 to 29 January 2000.
	26.	Franklin, Don O.:   The Role of Time Signatures in Bach's Composition of Jahrgang I. DortmundBachF 3 (2002), 329-356.
	27.	Franklin, Don O.:   Aspekte von Proportion und Dimension in Johann Sebastian Bachs Missa von 1733. LeipzigerBeitrBachF 5 (2002), 235-272. Übersetzung von Ulrich Leisinger.
	28.	Franklin, Don O.:   Das Verhältnis zwischen Taktart und Kompositionstechnik im Wohltemperierten Klavier I. MwSchr 38 (2002), 147-160.
	29.	Franklin, Don O.:   Viewing the Goldberg Variations as a musico-mathematical matrix. [p]BS_Dortmund (Jan-Feb 2002) A paper read at 4. Internationalen Dortmunder Bach-Symposion. 'Bachs Musik für Tasteninstrumente im Kontext der europäischen Musik' 30. Januar bis 2. Februar 2002.
	30.	Franklin, Don O.:   Viewing the Goldberg Variations as a musico-mathematical matrix. DortmundBachF 6 (2003), 231-250.
	31.	Franklin, Don O.:   C.P.E. Bach's St. Matthew Passion 1789 as Parody and Pasticcio. [p]WAfB_Wolfenbüttel (Apr 2003) Passion, Affekt und Leidenschaft in der Frühen Neuzeit. 11. Jahrestreffen des Wolfenbütteler Arbeitskreises für Barockforschung in der Herzog August Bibliothek Wolfenbüttel vom 2. bis 5. April 2003
	32.	Franklin, Don O.:   Composing in time: Bach's temporal design for the Goldberg Variations. IrishMStud 8 (2004), 103-128.
	33.	Franklin, Don O.:   Johann Sebastian's Matthew Passion as a model for the Hamburg Matthew Passions of Carl Philipp Emanuel. [p]BICB_Manchester (Jul 2004) A Paper read at the 11th Biennial International Conference on Baroque Music held at Royal Northern College of Music, 14-18 July 2004
	34.	Franklin, Don O.:   Carl Philipp Emanuel Bach's 1789 Matthew Passion as Pasticcio and Parody. WolfenbüttelArbBarockF 43 (2005), ii: 655-672.
	35.	Franklin, Don O.:   Alfred Mann (1917-2006): A Personal Reminiscence. BachNotesABS 6 (Fall 2006), 18-19. http://www.americanbachsociety.org/Newsletters/BachNotes06.pdf
	36.	Franklin, Don O.:   A Guide to the Temporal Structure of the 1733 Missa. [cr]Belfast2007 2 (2007), 446-458. A new article based on his paper given at the Wissenschaftliche Konferenz 'Bach in Leipzig / Bach und Leipzig' from 27 to 29 January 2000.
	37.	Franklin, Don O.:   The Missing Adagio. EarlyMReview 119 (Jun 2007), 12-13.
	38.	Franklin, Don O.:   The Role of the 'Actus Structure' in the Libretto of J. S. Bach's Matthew Passion. [fs]Leaver65 (2007), 121-139.
	39.	Franklin, Don O.:   Bach and the Oratorio Tradition. [p]ABS_Bethlehem (May 2008) A Keynote Paper read at the Biennial Meeting of the American Bach Society 'BACH AND THE ORATORIO TRADITION', May 8-11, 2008, Lehigh University, Bethlehem, Pennsylvania
	40.	Franklin, Don O.:   Bill Scheide: Pioneer and Promoter of Bach's Music. BachNotesABS 11 (Spring 2009), 7-8. http://www.americanbachsociety.org/Newsletters/BachNotes11.pdf
	41.	Franklin, Don O.:   The 2009 Montreal Bach Symposium -- A Conference Report. BachNotesABS 12 (Winter 2010), 2. http://www.americanbachsociety.org/Newsletters/BachNotes12.pdf
	42.	Franklin, Don O.:   George J. Buelow (March 31, 1929 -- March 30, 2009) BachNotesABS 12 (Winter 2010), 11. http://www.americanbachsociety.org/Newsletters/BachNotes12.pdf
	43.	Franklin, Don O.:   Viewing the poetic texts in Bach's Matthew Passion from a new perspective. [fs]Petzoldt65 (2011), 67-77.
	44.	Franklin, Don O.:   In Memoriam: Martin Petzoldt (13 April 1946--13 March 2015). Bach 46/1 (2015), 1.
	45.	Franklin, Don O.:   'Recht Glauben, Christlig Leben, Seelig Sterben': Johann Olearius and the Libretto of Cantata 67. Bach 46/1 (2015), 2-28. [BWV 67]
	46.	Franklin, Don O.:   Viewing the Poetic Texts in Bach's Matthew Passion from a New Perspective. Bach 46/1 (2015), 29-48.
	47.	Franklin, Don O.:   Don O. Franklin named Honorary Member. BachNotesABS 22 (Spring 2015), 1-2. http://www.americanbachsociety.org/Newsletters/BachNotes22.pdf
	48.	Franklin, Don O.:   Remembrance of Martin Petzoldt. BachNotesABS 23 (Fall 2015), 4-6. In Memoriam: Martin Petzoldt (13 April 1946-13 March 2015).
	49.	Franklin, Don O.:   Reading Bachäs Notation: A Guide to the Temporal Structure of the 1733 Missa. Bach 48/1 (2017), 76-92.
	50.	Franklin, Don O.:   Notational and Performance Issues in J. S. Bach's Preludes and Fugues for Organ. Bach 51/2 (2020), 241-258. Listening to and Performing Bach.