Bach Printed Music Database
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Author : G., J.
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Lange, Johann K.:   Methodus Nova & Perspicua in artem Musicam, Das ist Recht gründtliche Anweisung wie die Edle Music mit allen zugehörigen Stücken auffs allerleichteste und gewisseste nach heutiger neuesten Art fähigen Subjectis in kurtzer Zeit beyzubringen sey. (1688)
2. Voigt, Johann Carl:   Gespräch von der Musik, zwischen einem Organisten und Adjuvanten, darinnen nicht nur von verschiedenen Missbräuchen, so bey der Musik eingerissen, gehandelt, sondern auch eines und das andere beym Clavier- und Orgel-Spielen angemerket wird, etc. (1742), 140p
3. G., J.:   On the Clavichord. Harmonicon 8/ 1 (Jan 1830), 13
4. La Fage, Juste Adrien de:   Inauguration de l'orgue de Sainte-Clotilde. RevueGazMParis 27/ 1 (1 Jan 1860), 4-5
5. Higgs, James:   C. P. E. Bach. MStandard 8/196 (2 May 1868), 186
6. Higgs, James:   On the treatment of Bach's organ music (Concluded from page 284). DwightJM 36/11 (2 Sep 1875), 290-292
7. Trego, J. Stafford (arr.):   BOUREÉE from J. S. BACH'S THIRD SONATA for the VIOLONCELLO (c 1876), 5p
8. Trego, J. Stafford (arr.):   Gavotte (LA MUSETTE) from J. S. BACH'S SIXTH SONATA for the VIOLONCELLO (c 1876), 5p
9. Higgs, James:   On the treatment of Bach's organ music. DwightJM 36/10 (19 Aug 1876), 282-284
10. Higgs, James:   Dr. F. K. Griepenkerl's Metronomic Marks for J. S. Bach's Organ Works. MonMRec 6/72 (Dec 1876), 185
11. Higgs, James:   Bach's 'Art of Fugue'. ProceedRMA 3 (1876-77), 45-73
12. Higgs, James:   Fugue. (1878), 113p
13. Bridge, J. Frederick:   Double Counterpoint and Canon. (1881), ix, 124p
14. Bridge, J. Frederick; Higgs, James (eds.):   Eight Short Preludes and Fugues. OrgWorks(Novello) 1 (1881), 1-25
15. Bridge, J. Frederick; Higgs, James (eds.):   Preludes, fugues and trio. OrgWorks(Novello) 2 (c 1881), 26-56
16. Vogt, Jean:   12 melodische Inventionen zur Uebung des polyphonen Klavierspiels u. als Vorbereitung f. das Studium der Joh. Seb. Bach'schen Inventionen. Op. 150. (1882), 27p
17. Bridge, J. Frederick; Higgs, James (eds.):   Fantasias, preludes and fugues. OrgWorks(Novello) 3 (1884), 57-87
18. Bridge, J. Frederick; Higgs, James (eds.):   Sonatas or trios for two manuals and pedal (I-III). OrgWorks(Novello) 4 (1884), 88-123
19. Bridge, J. Frederick; Higgs, James (eds.):   Sonatas or trios for two manuals and pedal (IV-VI). OrgWorks(Novello) 5 (1885), 124-162
20. Bridge, J. Frederick; Higgs, James (eds.):   Toccata, preludes and fugues. OrgWorks(Novello) 6 (1886), 41p
21. Bridge, J. Frederick; Higgs, James (eds.):   Preludes and fugues [1]. OrgWorks(Novello) 7 (1887), 42-87
22. Bridge, J. Frederick; Higgs, James (eds.):   Prelude and Fugue in B minor. OrgWorks(Novello) 7/2 (1887), 52-63
23. Bridge, J. Frederick; Higgs, James (eds.):   Preludes and fugues [2]. OrgWorks(Novello) 8 (1888), 88-135
24. Bridge, J. Frederick; Higgs, James (eds.):   Preludes and fugues [3]. OrgWorks(Novello) 9 (1890), 137-195
25. Bridge, J. Frederick; Higgs, James (eds.):   Toccata, preludes and fugues. OrgWorks(Novello) 10 (1891), 196-243
26. Higgs, James (ed.):   Short Preludes and Other Pieces for the Clavier by John Sebastian Bach. (1893), 49p
27. Higgs, James (ed.):   Inventions in two and three parts for the clavier by John Sebastian Bach. (1893), 6, 63p
28. Bridge, J. Frederick; Higgs, James (eds.):   Four concertos. OrgWorks(Novello) 11 (1894), 54p
29. Bridge, J. Frederick; Higgs, James (eds.):   Preludes, fantasias, fugues, trios, &c. OrgWorks(Novello) 12 (1895), 55-114
30. Bridge, J. Frederick; Higgs, James (ed.):   Fugue in E flat major: pro organo pleno / [J.S. Bach] (c 1900), 83-88
31. Bridge, J. Frederick; Higgs, James, West, John Ebenezer (eds.):   The six 'Schübler' chorale prelude and the 'Clavierübung', pt. 3. OrgWorks(Novello) 16 (1916), xi, 88p
32. Hennings, Johann:   'Tunderiana'. LübeckBl 75 (1933), 826-830
33. Detheridge, Joseph:   Chronology of music composers. (1936-37)
34. Bridge, J. Frederick; Higgs, James; Emery, Walter (eds.):   Six sonatas for two manuals and pedal, I-III. OrgWorks(Novello) 4 [rev1] (c 1940), 88-123
35. Bridge, J. Frederick; Higgs, James; Emery, Walter (eds.):   Fantasia, toccata, preludes & fugues / Bach OrgWorks(Novello) 8 [rev] (c 1940), 88-135
36. Hennings, Johann:   Neues über Franz Tunder und Dietrich Buxtehude. DMkultur 6 (1941-42), 157-166
37. Bridge, J. Frederick; Higgs, James; Emery, Walter (eds.):   Toccatas, preludes, and fugues. OrgWorks(Novello) 6 [rev] (c 1948), v, 41p
38. Hennings, Johann; Stahl, Wilhelm:   Musikgeschichte Lübecks. Band 2: Geistliche Welt. (1952), 212p
39. Hennings, Johann; Stahl, Wilhelm:   Musikgeschichte Lübecks. Band 1: Weltliche Musik. (1961), 212p
40. Goodenough, J. P.:   Annual Bach Festival. [Winter Park/Florida.] MAmer 81/ 5 (May 1961), 26
41. Bužga, Jaroslav:   Jan Dismas Zelenka. Bachfest 53 [Marburg] (1978), 89-94
42. Fairleigh, James P.:   Pachelbel's Magnificat-Fugues Models for J. S. Bach. AmerOrganist(2) 14/ 6 (Jun 1980), 34-37
43. Bužga, Jaroslav:   Bach, Zelenka a Èeská hudba 19. století. HudebniVeda 19/1 (1982), 49-60 Latin 2
44. Bužga, Jaroslav:   Jan Dismas Zelenka. Musica 36/2 (Mar-Apr 1982), 191-193
45. Vegt, J. van der:   Bach-Händel-Tour in de DDR. Orgelvriend 24/ 8 (1982)
46. Fairleigh, James P.:   Italian Prototypes of the Baroque Ritornello. Bach 14/3 (Jul 1983), 2-11
47. Bužga, Jaroslav:   Pøíspìvky k životopisu Jana Dismase Zelenky. HudebniVeda 21/2 (1984), 137-145 Latin 2
48. Brombaugh, John:   Influence of Johann Sebastian Bach and His Times on Organbuilding in America in the Late 20th Century. AmerOrganist(2) 19/ 3 (Mar 1985), 113-117
49. Kraege, Jean-Denis:   La Theologie de Jean-Sébastien Bach. EtudesTheolRelig 60/4 (1985), 553-572
50. Bužga, Jaroslav:   Bachovská konference v Lipsku 1985. HudebniVeda 22/3 (1985), 285-286
51. Brombaugh, John:   Bach and the Organs of his Time: their influence in America. MTimes 126/1705 (Mar 1985), 171-173, 175-176
52. Bužga, Jaroslav:   Die Quellen des stille antico in der Dresdner Musiksammlung um 1730. BachSt 9 (1986), 67-71
53. Brombaugh, John:   Bach's Influence on Late Twentieth-Century. American Organ Building. [ce]JSBOrganist (1986), 41-47
54. Bužga, Jaroslav:   Jan Dismas Zelenka na královském dvoøe v Drážðanech. HudebniVeda 23/4 (1986), 312-329 Latin 2
55. Domingo, José Ramos:   Juan Sebastian Bach. Cantatas. (1988), 120p
56. Bužga, Jaroslav:   Zelenka und Bach im 19. und 18. Jahrhundert. [cr]Leipzig1985 (1988), 367-372
57. Stockigt, Janice B.:   Die 'Annuae Literae' der Leipziger Jesuiten 1719-1740: Ein Bach-Dokument? BachJb 78 (1992), 77-80
58. Brügge, Joachim:   Johann Sebastian Bach, Musikalisches Opfer (BWV 1079): Bemerkungen zum 'Canon a 2 per Tonos' BachJb 78 (1992), 91-100
59. Bužga, Jaroslav:   O vztahu Jana Dismase Zelenky k Johannu Sebastianu Bachovi. HudebniVeda 29/2 (1992), 91-102
60. Brügge, Joachim:   KV 574: 'Kleine Gigue in G-Dur' - Bach-oder Händel-Einfluß. MtIStiftMozarteum 49/1-4 (1992), 111-115
61. Page, Janet. K.:   'To soften the sound of the hoboy': The muted oboe in the 18th and early 19th centuries. EarlyM 21/1 (Feb 1993), 65-76, 78-80
62. Brügge, Joachim:   Zum Problem der 'Mehrfachlösungen' in den Kanons der Musikalischen Opfers: eine kritische Studie zu Reinhard Böß, Die Kunst des Rätselkanons im Musikalischen Opfer. NMwJb 3 (1994), 81-101
63. Stockigt, Janice B.:   Two Zelenka masses in J. S. Bach's Nachlaß. [p]BCB_Exeter (Jul 1998)
64. Stockigt, Janice B.:   Performance Practice of the Electoral Saxon and Royal Polish Hofkapelle: Evidence from the Performance Materials of Gesù al Calvario, Jan Dismas Zelenka, 1735. [p]AMS_Kansas (Nov 1999)
65. Domingo, José Ramos:   Juan Sebastián Bach: (las cantatas y la pastoral del canto). (2000), 150p
66. Brügge, Joachim:   Ausgewählte Aspekte zur Diskussion der Sonatensatzformen im 18. und frühen 19. Jahrhundert. [cr]Halle1998 2 (2000), 404-410
67. Kaegi, Jean-Claude:   Unzeitgemäße Betrachtungen zu Bach: organ im Gespräch mit Martin Lücker. Organ(Mainz) 3/4 (2000), 32f
68. Stockigt, Janice B.:   Jan Dismas Zelenka (1679-1745): a Bohemian musician at the Court of Dresden. OxfordMonographsM (2000), xxiii, 352p
69. Stockigt, Janice B.:   The Other Side of the Coin: Catholic Liturgical Music in Lutheran Saxony During Bach's Era. Context 21 (Autumn 2001), 79-84
70. Stockigt, Janice B.:   Fasch Visits Dresden: c.1726-1728. FaschSt 8 (2001), 29-56
71. Bužga, Jaroslav:   Die Kirchenkompositionen Dresdner Komponisten in Böhmen. JbKonfMittDBarockM 2001 (2002), 203-213
72. Stockigt, Janice B.:   Italian Influences Observed in the Vespers Psalm Settings of Johann Friedrich Fasch. FaschSt 9 (2003), 175-202
73. Cage, John:   Composition as process: Indeterminacy. (2004), 176-186
74. Brügge, Joachim; Födermayr, Franz; Gratzer, Wolfgang; Hochradner, Thomas; Mauser, Siegfried:   Musikgeschichte als Verstehensgeschichte: Festschrift für Gernot Gruber zum 65. Geburtstag. [fs]Gruber65 (2004), 748p
75. Stockigt, Janice B.:   The royal Polish and electoral Saxon court and state calendars, 1728-50. IrishMStud 8 (2004), 49-64
76. Page, Janet K. (ed.):   Oboe Concertos / Carl Philipp Emanuel Bach. CPEBachCW 3/ 5 (2006), xxi, 85p
77. Stockigt, Janice B.:   Consideration of Bach's Kyrie e Gloria BWV 232I within the Context of Dresden Catholic Mass Settings, 1729-1733 [cr]Belfast2007 1 (2007), 52-92
78. Bužga, Jaroslav:   Zittauer Ausblicke nach Böhmen. JbKonfMittDBarockM 2006 (2007), 163-166
79. Shuckburgh, Julian:   Harmony & Discord: The Real Life of Johann Sebastian Bach. (2009), x, 390p
80. Stockigt, Janice B.:   Pisendel's Contributions to the Performance of Liturgical Music in the Dresden Catholic Court Church. DresdnBeitrMf 3 (2010), 551-560
81. Stockigt, Janice B.:   Methodische Fragen zur Identifikation von Incerta aus dem Dresdner Instrumentalrepertoire. [p]Dresden (Jun 2010)
82. Stockigt, Janice B.:   The Court of Saxony-Dresden. [ce]MusicGermanCourts (2011), 17-49
83. Owens, Samantha; Reul, Barbara M.; Stockigt, Janice B. (eds.):   Music at German courts, 1715-1760: Changing artistic priorities. [ce]MusicGermanCourts (2011), xx, 484p
84. Stockigt, Janice B.:   Bach's Missa BWV 232I in the context of Catholic Mass settings in Dresden, 1729-1733. [ce]ExploringBMM (2013), 39-53
85. Stockigt, Janice B.; Owens, Samantha; Szuster, Jula; Maddox, Alan:   'Bach the Sublime': Australasian Reception of the St. Matthew Passion, 1875-1950. [p]BNUK_Warsaw (Jul 2013)
86. Stockigt, Janice B.:   A Te Deum performance in Bautzen by members of Dresden's Hofkapelle: 19 May 1733. [p]BNUK_Warsaw (Jul 2013)
87. Butler, Margaret R.; Page, Janet K. (eds.):   SECM in Brooklyn 2010 : Topics in Eighteenth-Century Music I. [cr]Brooklyn2010 (2014), xv, 241p
88. Stockigt, Janice B.:   The Visit of Members of the Dresden Hofkapelle to Bautzen: May 1733. UnderstandingBach 9 (2014), 89-92
89. Stockigt, Janice B.:   Organists of Leipzig's royal Catholic chapel 1719-1740 (and beyond). [p]BNUK_Cambridge (Jul 2015)
90. Stockigt, Janice B.:   The Music of Leipzig's Royal Catholic Chapel during the Reign of August II. UnderstandingBach 11 (2016), 57-66
91. Stockigt, Janice B. :   'Nobody rose or joined in these hymns': Premiere Australian performances of J.S. Bach's St. Matthew Passion (1875-76). AustralianMResearch 17 (2018), 11-28
92. Stockigt, Janice B.:   Liturgical Music for a New Elector: Origins of Bach's 1733 Missa Revisited. BachPerspectives 12 (2018), 63-83
93. Saraga, Jonathan:   A Selective Analysis of Prelude no. 3 from Book 1 of J.S. Bach's Well Tempered Clavier with a Brief Outline of Miguel Zenon's 'JSB': a Reimagined Interpretation. diss. (2019), 11p
94. Brügge, Joachim:   Über András Schiff und die 'Goldberg-Variationen' (2020), 139p
95. Rodrigo, Joaquín:   The bicentenary of Johann Sebastian Bach. (2022), 47-48
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