Search Result - Ordered Chronologically
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Bach Printed Music Database Search Result - Ordered Chronologically |
Author : Stockigt, Janice B.Your search has generated the following results ...
| Type | List | Author: Title  , Series, Vol/No (Year/Month/Date of Publication), Pages | Status |
|---|---|---|---|
 | 1. | Stockigt, Janice B.: Die 'Annuae Literae' der Leipziger Jesuiten 1719-1740: Ein Bach-Dokument? BachJb 78 (1992), 77-80 |  |
 | 2. | Stockigt, Janice B.: Two Zelenka masses in J. S. Bach's Nachlaß. [p]BCB_Exeter (Jul 1998) |  |
| | 3. | Stockigt, Janice B.: Performance Practice of the Electoral Saxon and Royal Polish Hofkapelle: Evidence from the Performance Materials of Gesù al Calvario, Jan Dismas Zelenka, 1735. [p]AMS_Kansas (Nov 1999) | |
 | 4. | Stockigt, Janice B.: Jan Dismas Zelenka (1679-1745): a Bohemian musician at the Court of Dresden. OxfordMonographsM (2000), xxiii, 352p | |
| | 5. | Stockigt, Janice B.: The Other Side of the Coin: Catholic Liturgical Music in Lutheran Saxony During Bach's Era. Context 21 (Autumn 2001), 79-84 | |
| | 6. | Stockigt, Janice B.: Fasch Visits Dresden: c.1726-1728. FaschSt 8 (2001), 29-56 | |
| | 7. | Stockigt, Janice B.: Italian Influences Observed in the Vespers Psalm Settings of Johann Friedrich Fasch. FaschSt 9 (2003), 175-202 | |
| | 8. | Stockigt, Janice B.: The royal Polish and electoral Saxon court and state calendars, 1728-50. IrishMStud 8 (2004), 49-64 | |
| | 9. | Stockigt, Janice B.: Consideration of Bach's Kyrie e Gloria BWV 232I within the Context of Dresden Catholic Mass Settings, 1729-1733 [cr]Belfast2007 1 (2007), 52-92 | |
| | 10. | Stockigt, Janice B.: Pisendel's Contributions to the Performance of Liturgical Music in the Dresden Catholic Court Church. DresdnBeitrMf 3 (2010), 551-560 | |
| | 11. | Stockigt, Janice B.: Methodische Fragen zur Identifikation von Incerta aus dem Dresdner Instrumentalrepertoire. [p]Dresden (Jun 2010) | |
| | 12. | Stockigt, Janice B.: The Court of Saxony-Dresden. [ce]MusicGermanCourts (2011), 17-49 | |
| | 13. | Owens, Samantha; Reul, Barbara M.; Stockigt, Janice B. (eds.): Music at German courts, 1715-1760: Changing artistic priorities. [ce]MusicGermanCourts (2011), xx, 484p | |
| | 14. | Stockigt, Janice B.: Bach's Missa BWV 232I in the context of Catholic Mass settings in Dresden, 1729-1733. [ce]ExploringBMM (2013), 39-53 | |
| | 15. | Stockigt, Janice B.; Owens, Samantha; Szuster, Jula; Maddox, Alan: 'Bach the Sublime': Australasian Reception of the St. Matthew Passion, 1875-1950. [p]BNUK_Warsaw (Jul 2013) | |
| | 16. | Stockigt, Janice B.: A Te Deum performance in Bautzen by members of Dresden's Hofkapelle: 19 May 1733. [p]BNUK_Warsaw (Jul 2013) | |
| | 17. | Stockigt, Janice B.: The Visit of Members of the Dresden Hofkapelle to Bautzen: May 1733. UnderstandingBach 9 (2014), 89-92 | |
| | 18. | Stockigt, Janice B.: Organists of Leipzig's royal Catholic chapel 1719-1740 (and beyond). [p]BNUK_Cambridge (Jul 2015) | |
| | 19. | Stockigt, Janice B.: The Music of Leipzig's Royal Catholic Chapel during the Reign of August II. UnderstandingBach 11 (2016), 57-66 | |
| | 20. | Stockigt, Janice B. : 'Nobody rose or joined in these hymns': Premiere Australian performances of J.S. Bach's St. Matthew Passion (1875-76). AustralianMResearch 17 (2018), 11-28 | |
| | 21. | Stockigt, Janice B.: Liturgical Music for a New Elector: Origins of Bach's 1733 Missa Revisited. BachPerspectives 12 (2018), 63-83 | |